Call number | Item |
M | Music (Go to start of category) |
ML | Literature on Music (Go to start of category) |
ML1311 .W5 1944 | A History of Military Music in America (New York: The Exposition Press, c1944), by William Carter White (page images at HathiTrust) |
ML1404 .A74 | Les Agréments et le Rythme: Leur Représentation Graphique dans la Musique Vocale française du XVIIIe Siècle (in French; Paris: Rouart, Lerolle, et cie, ca. 1917), by Jane Arger (page images at HathiTrust; US access only) |
ML1700 .L59 1992 | The Ultimate Art: Essays Around and About Opera (Berkeley: University of California Press, 1992), by David Littlejohn (HTML at UC Press) |
ML1711 .S46 2009 | Beyond Lift Every Voice and Sing: The Culture of Uplift, Identity, and Politics in Black Musical Theater (Columbus, OH: Ohio State University Press, c2009), by Paula Marie Seniors (PDF at Ohio State) |
ML1711.8 .N3 K73 | Chapters of Opera: Being Historical and Critical Observations And Records Concerning the Lyric Drama in New York from Its Earliest Days Down to The Present Time (third edition, 1911), by Henry Edward Krehbiel (Gutenberg text) |
ML1723.8 .V6 H13 | Gluck und Durazzo im Burgtheater (die Opera Comique in Wien) (Amalthea-Bücherei v45; in German; Zurich et al.: Amalthea-verlag, c1925), by Robert Haas |
ML1733.8.V4 R67 1991 | Opera in Seventeenth-Century Venice: The Creation of a Genre (Berkeley: University of California Press, 1991), by Ellen Rosand (HTML at UC Press) |
ML1741 .N49 1914 | The Russian Opera (London: H. Jenkins, 1914), by Rosa Newmarch (multiple formats at archive.org) |
ML1741 .N49 1914 | The Russian Opera (New York: E. P. Dutton and Co., ca. 1914), by Rosa Newmarch (page images at HathiTrust) |
ML1751 .C4 C44 | Chinese and Japanese Music-Dramas (Michigan Papers in Chinese Studies #19; Ann Arbor: Center for Chinese Studies, University of Michigan, c1975), ed. by J. I. Crump and William P. Malm (multiple formats with commentary at fulcrum.org) |
ML1900 .S3 2019 | German Operetta on Broadway and in the West End, 1900-1940 (Cambridge, UK et al.: Cambridge University Press, c2019), by Derek B. Scott (HTML and PDF files at Cambridge University Press) |
ML2633.8.V46 F4 1995 | City Culture and the Madrigal at Venice (Berkeley: University of California Press, 1995), by Martha Feldman (HTML at UC Press) |
ML2906 .A66 2019 | Annunciations: Sacred Music for the Twenty-First Century (Cambridge, UK: Open Book Publishers, c2019), ed. by George Corbett (multiple formats with commentary at Open Book Publishers) |
ML3033.8.R66 R49 1995 | Papal Patronage and the Music of St. Peter's, 1380-1513 (Berkeley: University of California Press, 1995), by Christopher A. Reynolds (HTML at UC Press) |
ML3082 .B76 | The Work of the Benedictines of Solesmes in the Plainsong Revival (London: Plainsong and Medieval Music Society, 1899), by H. B. Briggs (multiple formats at archive.org) |
ML3084 .L34 | Das Graduale Junta 1611: Ein Beitrag zur Choral-geschichte des 17. Jahrhunderts (dissertation in German; Fribourg, Switzerland: St. Paulus Druckerei, 1909), by C. H. Leineweber (page images at HathiTrust; US access only) |
ML3166 .P77 1956 | The Hymnal 1940 Companion (third revised edition; New York: Church Pension Fund, 1956), by Episcopal Church Joint Commission on the Revision of the Hymnal (page images at HathiTrust) |
ML3178 .N4 B4 | Singing Disciples: Toward Better Church Music, by Hugh C. Benner (PDF at nnu.edu) |
ML3186 .A42 | Studies in Hymnology: A Textbook Designed for Study Groups Where Attention is Given to the Subject of Church Music; Also for Colleges, Schools, the Music Teacher and All Inquiring Students (Nashville: Cokesbury Press, c1938), by Mrs. Crosby Adams (page images at HathiTrust) |
ML3195 .S37 1989 | Music, Ritual, and Falasha History (East Lansing, MI: Michigan State University Press, 1989), by Kay Kaufman Shelemay (multiple formats at ACLS Humanities E-Book) |
ML3470 .M24 | A Philosophy of Cover Songs (Cambridge, UK: Open Book Publishers, c2022), by P. D. Magnus (multiple formats with commentary at Open Book Publishers) |
ML3470 .S32 2011 | Bytes and Backbeats: Repurposing Music in the Digital Age (Ann Arbor: University of Michigan Press, c2011), by Steve Savage (PDF files at Project MUSE) |
ML3477 .S73 2008 | American Popular Music (abridged from 2007 OUP publication; Washington: U.S. Department of State, Bureau of International Information Programs, 2008), by Larry Starr and Christopher Alan Waterman (PDF at fdlp.gov) |
ML3479 .W47 2006 | A Change is Gonna Come: Music, Race and the Soul of America (revised edition; Ann Arbor: University of Michigan Press, 2006), by Craig Hansen Werner (page images at HathiTrust) |
ML3486 .C82 P47 2016 | Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba (Durham, NC and London: Duke University Press, c2016), by Marc D. Perry |