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Browsing Library of Congress Call Numbers : "MT40 .M4 1854" to "MT95 .K87 1910" (Overview; Include extended shelves)

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Call number Item
M Music (Go to start of category)
MT Musical Instruction and Study (Go to start of category)
MT40 .M4 1854 [Info] Theory and Practice of Musical Composition (5th American edition, based on a translation of the 3rd German edition; New York: Mason Bros., c1854), by Adolf Bernhard Marx, ed. by Herrman S. Saroni, contrib. by Emilius Girac (page images at HathiTrust)
MT40 .O79 [Info] Theory and Composition of Music: A Manual of Advanced Harmony, Melody Writing, Practical Composition and Musical Form, for Class, Private and Self Instruction (Philadelphia: T. Presser Co., c1924), by Preston Ware Orem (page images at HathiTrust)
MT50 .A72 1889 [Info] Sbornik Zadach (1000) Dlia Prakticheskago Izucheniia Garmonii (Sammlung von 1000 Aufgaben zum Praktischen Erlernen der Harmonie) (sheet music, with Russian and German annotations; Moscow: P. Jurgenson, et al., ca. 1889), by Anton Arensky (page images at HathiTrust)
MT50 .B36 [Info] Cours d'Harmonie Théorique et Pratique (4th edition, in French; Paris: L. Escudier, ca. 1857), by François Bazin (multiple formats at
MT50 .C437 1899 [Info] Leitfaden zum Praktischen Erlernen der Harmonie (German translation; Leipzig: P. Jurgenson, c1899), by Peter Ilich Tchaikovsky, trans. by Paul Juon
MT50 .F58 [Info] Conversations on Harmony (London: Longman, Brown, Green, and Longmans, 1855), by Sarah Mary Fitton (multiple formats at Google)
MT50 .L89 1915 [Info] Harmonielehre (4th revised edition, in German; Stuttgart: C. Grüninger, ca. 1915), by Rudolf Louis and Ludwig Thuille (page images at HathiTrust; US access only)
MT50 .L89 1920 [Info] Harmonielehre (7th edition, in German; Stuttgart: C. Grüninger, ca. 1920), by Rudolf Louis and Ludwig Thuille (multiple formats at
MT50 .O79 H3 [Info] Harmony Book for Beginners: A Text Book and Writing Book for the First Year's Work, for Class, Private and Self Instruction, Including Scales, Intervals, Common Chords, the Dominant Seventh Chord and Melody Making (Philadelphia: T. Presser Co., c1916), by Preston Ware Orem (multiple formats at
MT50 .O924 1962 [Info] Elementary Harmony: Theory and Practice (first edition, second printing; Englewood Cliffs, NJ: Prentice-Hall, 1962), by Robert W. Ottman (page images at HathiTrust)
MT50 .R55514 1902 [Info] Manuel de l'Harmonie (translated into French from the 3rd German edition; Leipzig: Breitkopf and Härtel, 1902), by Hugo Riemann (page images at HathiTrust; US access only)
MT55 .B36 [Info] Cours de Contre-Point Théorique et Pratique (in French; Paris: H. Le Moine, ca. 1881), by François Bazin (page images at HathiTrust)
MT55 .S68 [Info] Direct Approach to Counterpoint in 16th Century Style (New York: F. S Crofts and Co., 1947), by Gustave Fredric Soderlund (page images at HathiTrust; some margins cut off)
MT59 .K49 2015 [Info] The Art of Fugue: Bach Fugues for Keyboard, 1715-1750 (open access edition, with links to audio; Oakland, CA: University of California Press, c2015), by Joseph Kerman
MT68 .S12 [Info] A Jazz Improvisation Primer, by Marc Sabatella (HTML at
MT70 .R62 [Info] Principles of Orchestration, With Musical Examples Drawn From His Own Works (2 volumes in 1; New York: E. F. Kalmus Orchestral Scores, n.d.), by Nikolay Rimsky-Korsakov, ed. by Maksimilian Shteĭnberg, trans. by Edward Agate (multiple formats at
MT82 .G66 [Info] Guide to Memorizing Music (Cincinnati et al.: John Church Co., c1906), by A. J. Goodrich (page images at HathiTrust)
MT85 .W3 [Info] On Conducting, by Richard Wagner, trans. by Edward Dannreuther (Gutenberg text)
MT90 .B73 [Info] Sound Reasoning, by Anthony K. Brandt and Robert McClure (multimedia with commentary at
MT95 .A613 1911 [Info] The Standard-Operaglass: Containing the Detailed One Hundred and Fifty One Celebrated Operas, With Critical and Biographical Remarks, Dates, &c. &c. (revised edition; London: Sampson Low, Marston and Co., et al., 1911), by Charles Annesley (Gutenberg text and illustrated HTML)
MT95 .A613 1934 [Info] The Standard Operaglass: Detailed Plots of the Celebrated Operas With Critical and Biographical Remarks and Dates (revised edition; New York: Tudor Pub. Co, 1934), by Charles Annesley, contrib. by James Huneker (page images at HathiTrust)
MT95 .D2 [Info] Two Hundred Opera Plots, by Gladys Davidson (PDF at
MT95 .K52 [Info] The Complete Opera Book: The Stories of the Operas, Together With 400 of the Leading Airs and Motives in Musical Notation (New York and London: G. P. Putnam's Sons, 1919), by Gustav Kobbé, contrib. by Katharine Wright
MT95 .K85 [Info] A Second Book of Operas, by Henry Edward Krehbiel (Gutenberg text)
MT95 .K87 1910 [Info] A Book of Operas: Their Histories, Their Plots, and Their Music (New York: Macmillan, 1910), by Henry Edward Krehbiel (Gutenberg text)

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