| Call number | Item |
| M | Music (Go to start of category) |
| MT | Musical Instruction and Study (Go to start of category) |
| MT50 .L89 1915 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Harmonielehre (4th revised edition, in German; Stuttgart: C. Grüninger, ca. 1915), by Rudolf Louis and Ludwig Thuille (page images at HathiTrust; US access only) |
| MT50 .L89 1920 | Harmonielehre (7th edition, in German; Stuttgart: C. Grüninger, ca. 1920), by Rudolf Louis and Ludwig Thuille (multiple formats at archive.org) |
| MT50 .O79 H3 | Harmony Book for Beginners: A Text Book and Writing Book for the First Year's Work, for Class, Private and Self Instruction, Including Scales, Intervals, Common Chords, the Dominant Seventh Chord and Melody Making (Philadelphia: T. Presser Co., c1916), by Preston Ware Orem (multiple formats at archive.org) |
| MT50 .O924 1962 | Elementary Harmony: Theory and Practice (first edition, second printing; Englewood Cliffs, NJ: Prentice-Hall, 1962), by Robert W. Ottman (page images at HathiTrust) |
| MT50 .R55514 1902 | Manuel de l'Harmonie (translated into French from the 3rd German edition; Leipzig: Breitkopf and Härtel, 1902), by Hugo Riemann (page images at HathiTrust; US access only) |
| MT55 .B36 | Cours de Contre-Point Théorique et Pratique (in French; Paris: H. Le Moine, ca. 1881), by François Bazin (page images at HathiTrust) |
| MT55 .S68 | Direct Approach to Counterpoint in 16th Century Style (New York: F. S Crofts and Co., 1947), by Gustave Fredric Soderlund (page images at HathiTrust; some margins cut off) |
| MT59 .K49 2015 | The Art of Fugue: Bach Fugues for Keyboard, 1715-1750 (open access edition, with links to audio; Oakland, CA: University of California Press, c2015), by Joseph Kerman |
| MT68 .S12 | A Jazz Improvisation Primer, by Marc Sabatella (HTML at outsideshore.com) |
| MT70 .R62 | Principles of Orchestration, With Musical Examples Drawn From His Own Works (2 volumes in 1; New York: E. F. Kalmus Orchestral Scores, n.d.), by Nikolay Rimsky-Korsakov, ed. by Maksimilian Shteĭnberg, trans. by Edward Agate (multiple formats at archive.org) |
| MT82 .G66 | Guide to Memorizing Music (Cincinnati et al.: John Church Co., c1906), by A. J. Goodrich (page images at HathiTrust) |
| MT85 .W3 | On Conducting, by Richard Wagner, trans. by Edward Dannreuther (Gutenberg text) |
| MT90 .B73 | Sound Reasoning, by Anthony K. Brandt and Robert McClure (multimedia with commentary at libretexts.org) |
| MT95 .A613 1911 | The Standard-Operaglass: Containing the Detailed One Hundred and Fifty One Celebrated Operas, With Critical and Biographical Remarks, Dates, &c. &c. (revised edition; London: Sampson Low, Marston and Co., et al., 1911), by Charles Annesley (Gutenberg text and illustrated HTML) |
| MT95 .A613 1934 | The Standard Operaglass: Detailed Plots of the Celebrated Operas With Critical and Biographical Remarks and Dates (revised edition; New York: Tudor Pub. Co, 1934), by Charles Annesley, contrib. by James Huneker (page images at HathiTrust) |
| MT95 .D2 | Two Hundred Opera Plots, by Gladys Davidson (PDF at mdc.edu) |
| MT95 .K52 | The Complete Opera Book: The Stories of the Operas, Together With 400 of the Leading Airs and Motives in Musical Notation (New York and London: G. P. Putnam's Sons, 1919), by Gustav Kobbé, contrib. by Katharine Wright |
| MT95 .K85 | A Second Book of Operas, by Henry Edward Krehbiel (Gutenberg text) |
| MT95 .K87 1910 | A Book of Operas: Their Histories, Their Plots, and Their Music (New York: Macmillan, 1910), by Henry Edward Krehbiel (Gutenberg text) |
| MT95 .M4 1921 | The Opera Goer's Complete Guide: Comprising Two Hundred and Sixty-Eight Opera Plots With Musical Numbers and Casts (revised edition, c1921), by Leo Melitz, ed. by Louise Wallace Hackney, trans. by Richard Salinger (multiple formats at Google; US access only) |
| MT100 .W2 F7 | The Wagner Story Book: Firelight Tales of the Great Music Dramas, by William Henry Frost (Gutenberg text) |
| MT100 .W2 G9 | Stories of the Wagner Opera (New York: Dodd, Mead and Co., 1905), by H. A. Guerber (Gutenberg text and illustrated HTML) |
| MT100 .W24 C54 | Tristan and Isolde: An Interpretation, Embodying Wagner's Own Explanations (London: Methuen and Co., c1905), by Alice Leighton Cleather and Basil Woodward Crump |
| MT100 .W25 S5 | The Perfect Wagnerite: A Commentary on the Niblung's Ring, by Bernard Shaw (Gutenberg text) |
| MT125 .S77 | Stadium Concerts Review (select "Explore Document" (Javascript required) to view selected issues of this series of concert programs, 1943-1964) (partial serial archives) |