| Call number | Item |
| N | Fine Arts (Go to start of category) |
| N5020 .S8 1892 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) Fifteenth Annual Exhibition of American Paintings at Gill's Art Galleries, Springfield, Mass., 1892 (c1892), by James Dwyer Gill |
| N5051 .G7 | A Century of Loan Exhibitions, 1813-1912 (5 volumes; London: A. Graves, 1913-1915), by Algernon Graves (page images at HathiTrust; some volumes US access only) |
| N5220 .G9 1936 | Solomon R. Guggenhaim Collection of Non-Objective Paintings, On Exhibition From March 1, 1936 Through April 12, 1936: Presented by the Carolina Art Association at the Gibbes Memorial Art Gallery, Charleston, South Carolina (c1936), contrib. by Hilla Rebay (multiple formats at archive.org) |
| N5220 .G9 1937 | Second Enlarged Catalogue of the Solomon R. Guggenhaim Collection of Non-Objective Paintings, On Exhibition From February 8, 1937 Through February 28, 1937: Presented by the Philadelphia Art Alliance, Philadelphia, Pennsylvania (c1937), contrib. by Hilla Rebay and Yarnall Abbott (multiple formats at archive.org) |
| N5220 .G9 1938 | Third Enlarged Catalogue of the Solomon R. Guggenhaim Collection of Non-Objective Paintings: March 7 Until April 17th, 1938, Gibbes Memorial Art Gallery, Charleston, South Carolina (c1938), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org) |
| N5220 .G9 1939 | Art of Tomorrow: Fifth Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings, Part of Which is Temporarily Exhibited at 24 East 54th Street, New York City, Opening June 1st, 1939 (c1939), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org) |
| N5220 .H453 1941 | Selected Art Objects from the William Randolph Hearst Collection, for the Benefit of the New York Infirmary for Women and Children (auction catalog; New York: Hammer Galleries, 1941), by Hammer Galleries (PDF at inha.fr) |
| N5220 .H4711 1951 | From the Collection of the Late William Randolph Hearst (public auction catalogue for Hearst's art collection; 1951), by Parke-Bernet Galleries (page images at HathiTrust) |
| N5220 .H583 | Modern Sculpture from the Joseph H. Hirshorn Collection (1962), by Solomon R. Guggenheim Museum, contrib. by H. Harvard Arnason, Abram Lerner, and Thomas M. Messer (multiple formats at archive.org) |
| N5220 .S73 | Art of Tomorrow: Fourty-One Reproductions From the Collection of the Solomon R. Guggenheim Foundation for Non-Objective Painting (ca. 1947), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org) |
| N5245 .G5 | Catalogue of the Renowned Collection of Ancient And Modern Pictures and Water-Colour Drawings of the Well-Known Patron of Art, Joseph Gillott, Esq., Deceased (London: Printed by W. Clowes and Sons, 1872), by Christie, Manson & Woods (page images at HathiTrust) |
| N5265 .B36 | Catalogue des Tableaux de la Galerie de Feu Son Altesse Royale Monseigneur le Prince Eugène Duc de Leuchtenberg à Munich (in French; Munich: Galerie Leuchtenberg, 1825), by J. N. Muxel |
| N5273 .P52 | L'Arte Mondiale a Venezia (in Italian; Naples: L. Pierro, 1897), by Vittorio Pica |
| N5273 .S7 M9 | La Collezione Stroganoff (in Italian; Rome: "Rassegna Contemporanea", 1910), by Antonio Muñoz (page images at HathiTrust; US access only) |
| N5273.2 .G65 L89 1913 | La Galleria dei Gonzaga, Venduta all'Inghilterra nel 1627-28 (in Italian; Milan: L. F. Cogliati, 1913), by Alessandro Luzio (page images at HathiTrust; US access only) |
| N5273.2 .S77 1912 | Pièces de Choix de la Collection du Comte Grégoire Stroganoff (2 volumes in French; 1912), by Ludwig Pollak and Antonio Muñoz |
| N5277.2 .M33 C37 1856 | Catálogo de la Galeria de Cuadros del Excmo. Sr. D. José de Madrazo (in Spanish; Madrid: Impr. de C. Lopez, 1856) |
| N5280.L52 L56 1985 | Liechtenstein: The Princely Collections (New York: Metropolitan Museum of Art, 1985), by John Philip O'Neill (page images and PDF at Metropolitan Museum of Art and Google) |
| N5300 | Smarthistory (electronic edition), ed. by Beth Harris and Steven Zucker (illustrated multimedia at smarthistory.org) |
| N5300 .N383 1912 | A Course of Lectures Delivered at the New York School of Applied Design for Women (New York: Irving Press, 1912), ed. by Mrs. Dunlap Hopkins, contrib. by Frank Edwin Elwell, Henry Reuterdahl, Louis R. Metcalfe, H. K. Kevorkian, and Albert Sterner (page images at HathiTrust) |
| N5300 .R5 1917 | Apollo: An Illustrated Manual of the History of Art Throughout the Ages (new edition; New York: Charles Scribner's Sons; London: William Heinemann, 1917), by Salomon Reinach, trans. by Florence Simmonds (PDF at djm.cc) |
| N5310.5.E3 D38 1992 | Masking the Blow: The Scene of Representation in Late Prehistoric Egyptian Art (Berkeley: University of California Press, 1992), by Whitney Davis (HTML at UC Press) |
| N5311 .N4 | Art of Oceania, Africa, and the Americas, From the Museum of Primitive Art (New York: Metropolitan Museum of Art, ca. 1969), by Robert Goldwater, Douglas Newton, Julie Jones, and Tamara Northern (page images and PDF with commentary at metmuseum.org and Google) |
| N5315 .B8 | Ancient and Medieval Art: A Short History (London: Methuen and Co., c1914), by Margaret H. Bulley (page images at HathiTrust) |
| N5315 .B8 | Ancient and Medieval Art: A Short History (New York: The Macmillan Co., 1914), by Margaret H. Bulley (multiple formats at archive.org) |