| Call number | Item |
| N | Fine Arts (Go to start of category) |
| N59 .I6 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) International Journal for Digital Art History (2015-) (full serial archives) |
| N61 .M3 | Art and Scholasticism, and The Frontiers of Poetry, by Jacques Maritain, trans. by Joseph W. Evans (HTML at Notre Dame) |
| N63 .D88 | Critical Reflections on Poetry, Painting and Music; With an Inquiry into the Rise and Progress of the Theatrical Entertainments of the Ancients (3 volumes; London: Printed for J. Nourse, 1748), by abbé Dubos, trans. by Thomas Nugent |
| N64 .H47 | Hegel's Aesthetics: A Critical Exposition (Chicago: S. C. Griggs and Co., 1885), by Georg Wilhelm Friedrich Hegel, ed. by John Steinfort Kedney (multiple formats at archive.org) |
| N64 .H5 | The Introduction to Hegel's Philosophy of Fine Art (London: Kegan Paul, Trench and Co., 1886), by Georg Wilhelm Friedrich Hegel, ed. by Bernard Bosanquet (multiple formats at archive.org) |
| N64 .H55 | The Philosophy of Art: Being the Second Part of Hegel's Aesthetik, in Which are Unfolded Historically the Three Great Fundamental Phases of the Art-Activity of the World (New York: D. Appleton and Co., c1879), by Georg Wilhelm Friedrich Hegel, trans. by William McKendree Bryant |
| N64 .L74 1887 | Laocoon: An Essay Upon the Limits of Painting and Poetry, With Remarks Illustrative of Various Points in the History of Ancient Art (Boston: Roberts Bros., 1887), by Gotthold Ephraim Lessing, trans. by Ellen Frothingham |
| N65 .G55 | Essay on the Beautiful, etc.: or, Elements of Aesthetic Philosophy (second edition; London: Simpkin and Marshall, 1860), by Vincenzo Gioberti, trans. by Edward Thomas (page images at HathiTrust) |
| N66 .B3 | Aesthetics: or, The Science of Beauty (New York and Chicago: Potter, Ainsworth, and Co., 1871), by John Bascom (page images at MOA) |
| N66 .B3 | Aesthetics: or, The Science of Beauty (New York and Chicago: Woolworth, Ainsworth, and Co., 1872), by John Bascom (page images at MOA) |
| N66 .H68 | The Psychology of Beauty, by Ethel Puffer Howes (Gutenberg text) |
| N68 .K33 | Concerning the Spiritual in Art, by Wassily Kandinsky, trans. by Michael Sadleir (Gutenberg text) |
| N68 .K33 1946 | On the Spiritual in Art (first complete English translation; New York: Solomon R. Guggenheim Foundation, 1946), by Wassily Kandinsky, ed. by Hilla Rebay (multiple formats at archive.org) |
| N70 .D59 2019 | Dizziness: A Resource (Pub. series of the Academy of Fine Arts Vienna, v24; Berlin: Sternberg Press, c2019), ed. by Ruth Anderwald, Karoline Feyertag, and Leonhard Grond (PDF with commentary in Austria) |
| N70 .K313 1947 | Point and Line to Plane: Contribution to the Analysis of the Pictorial Elements (New York: Solomon R. Guggenheim Foundation, c1947), by Wassily Kandinsky, ed. by Hilla Rebay, trans. by Howard Dearstyne (multiple formats at archive.org) |
| N70 .P6 | The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org) |
| N70 .T7 | What is Art? (New York: Funk and Wagnalls, 1904), by Leo Tolstoy, ed. by Aylmer Maude (multiple formats at archive.org) |
| N72 .F45 S55 2003 | Singular Women: Writing the Artist (Berkeley : University of California Press, c2003), ed. by Kristen Frederickson and Sarah E. Webb (frame-dependent illustrated HTML with commentary at UC Press) |
| N72.F45 T6 1993 | The "New Woman" Revised: Painting and Gender Politics on Fourteenth Street (Berkeley: University of California Press, 1993), by Ellen Wiley Todd (HTML at UC Press) |
| N72 .H64 P56 2015 | Pink Labor on Golden Streets: Queer Art Practices (Pub. series of the Academy of Fine Arts Vienna, v17; Berlin: Sternberg Press, c2015), ed. by Christiane Erharter, Dietmar Schwärzler, Ruby Sircar, and Ashley Hans Scheirl (PDF with commentary in Austria) |
| N72 .M36 | The Responsibility of the Artist, by Jacques Maritain (HTML at Notre Dame) |
| N72.S6 A746 1991 | Art in History, History in Art: Studies in Seventeenth-Century Dutch Culture (Santa Monica, CA: Getty Center for the History of Art and the Humanities, c1991), ed. by David Freedberg and Jan De Vries (page images and PDF with commentary at getty.edu and Google) |
| N72 .S6 D577 2013 | Disrupting Business: Art and Activism in Times of Financial Crisis (Brooklyn, NY: Autonomedia, c2013), ed. by Tatiana Bazzichelli and Geoff Cox (PDF with commentary at data-browser.net) |
| N72 .T4 D44 2014 | Deep Lab (Pittsburgh: Deep Lab and the Frank-Ratchye Studio for Creative Inquiry, 2014), by Addie Wagenknecht, Allison Burtch, Claire L. Evans, Denise Caruso, Harlo Holmes, Ingrid Burrington, Jillian C. York, Kate Crawford, Lindsay Howard, Lorrie Faith Cranor, Maddy Varner, Maral Pourkazemi, and Runa A. Sandvik (PDF with commentary at studioforcreativeinqury.org) |
| N72.T4 D54 2015 | Digital Light (London: Open Humanities Press, 2015), ed. by Sean Cubitt, Daniel Palmer, and Nathaniel Tkacz (PDF with commentary at Open Humanities Press) |