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Browsing Library of Congress Call Numbers : "ND1380 .B7 1817" to "ND2863 .W5 1983" (Overview; Include extended shelves)

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:
Call number Item
N Fine Arts (Go to start of category)
ND Painting (Go to start of category)
ND1380 .B7 1817 [Info] Six Birds, Accurately Drawn and Coloured After Nature, With Full Directions for the Young Artist (1817), by George Brookshaw (page images at Wisconsin)
ND1432.C58 K67 1998 [Info] Sacred Visions: Early Paintings from Central Tibet (New York: Metropolitan Museum of Art, c1998), by Steven Kossak and Jane Casey Singer, contrib. by Robert Bruce-Gardner (page images and PDF at Metropolitan Museum of Art and Google)
ND1451 .A43 2009 [Info] American Stories: Paintings of Everyday Life, 1765-1915 (New York: Metropolitan Museum of Art; New Haven and London: Yale University Press, c2009), ed. by H. Barbara Weinberg and Carrie Rebora Barratt (page images and PDF with commentary at metmuseum.org and Google)
ND1457 .C56 L5325 1993 [Info] Li Kung-lin's Classic of Filial Piety (New York: Metropolitan Museum of Art, 1993), by Richard M. Barnhart, contrib. by Robert E. Harrist and Huiliang Zhu (page images and PDF at Metropolitan Museum of Art and Google)
ND1488 .B7 [Info] Practical Hints on Colour in Painting, Illustrated by Examples From the Works of the Venetian, Flemish, and Dutch Schools (second edition), by John Burnet (zipped illustrated HTML at aisthesthai.tk)
ND1500 .H57 1995 [Info] Historical Painting Techniques, Materials, and Studio Practice (Marina Del Rey, CA: Getty Conservation Institute, 1995), ed. by Arie Wallert, Erma Hermens, and Marja Peek (page images and PDF with commentary at getty.edu and Google)
ND1510 .S96 [Info] Werner's Nomenclature of Colours, by Patrick Syme, ed. by Nicholas Rougeux, contrib. by Abraham Gottlob Werner (illustrated HTML at c82.net)
ND1635 .A77 1982 [Info] Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer (New York: Metropolitan Museum of Art, c1982), by Metropolitan Museum of Art (New York, N.Y.) (page images and PDF with commentary at metmuseum.org and Google)
ND1638 .P7 1989 [Info] Protection of Works of Art From Atmospheric Ozone (Los Angeles: Getty Conservation Institute, c1989), by Glen Rowan Cass, James R. Druzik, Daniel Grosjean, W. W. Nazaroff, Paul M. Whitmore, and Cynthia L. Wittman (PDF and page images at getty.edu and Google)
ND1640 .S87 1998 [Info] The Structural Conservation of Panel Paintings: Proceedings of a Symposium at the J. Paul Getty Museum, April 1995 (Los Angeles: Getty Conservation Institute, c1998), ed. by Kathleen Dardes and Andrea Rothe (PDF and page images at getty.edu and Google)
ND1839 .R42 A4 1948 [Info] Hilla Rebay: The Solomon R. Guggenheim Foundation Presents Watercolours and Unrivalled Collages by Hilla Rebay; This Collection, The Work of Thirty-Eight Years, is Being Exhibited by Public Request, November-December 1948 (New York: Museum of Non-Objective Painting, ca. 1948), contrib. by Elise Ruffini, illust. by Hilla Rebay (multiple formats at archive.org)
ND1839 .S32 A4 1991 [Info] John Singer Sargent's Alpine Sketchbooks: A Young Artist's Perspective (New York: Metropolitan Museum of Art, c1991), by Stephen D. Rubin (page images and PDF at Metropolitan Museum of Art and Google)
ND1942 .G8 S7 1905 [Info] Kate Greenaway (New York: G. P. Putnam's Sons; London: A. and C. Black, 1905), by M. H. Spielmann and George Somes Layard
ND2130 .G6 [Info] Color in Sketching and Rendering (New York: Reinhold Pub. Corp., 1935), by Arthur L. Guptill, contrib. by John Floyd Yewell (page images at HathiTrust)
ND2300 .B8 [Info] A New Treatise on Flower Painting, Or Every Lady Her Own Drawing Master (London: Longman, Hurst, Rees, Orme and Brown, J. Booth, J, 1818), by George Brookshaw (page images at Wisconsin)
ND2300 .B8 1817 [Info] Groups of Fruit: Accurately Drawn and Coloured After Nature, With Full Directions for the Young Artist (London: Printed for William Stockdale, 1817), by George Brookshaw (page images at Wisconsin)
ND2370 .W4 [Info] A Thousand and One Fore-Edge Paintings, With Notes on the Artists, Bookbinders, Publishers, and Other Men and Women Connected With the History of a Curious Art, by Carl J. Weber (page images at CMU)
ND2399 .W4 [Info] The "Little Folks" Painting Book: A Series of Outline Engravings for Water-Colour Painting (London et al.: Casell Petter and Galpin, ca. 1879), by Kate Greenaway, contrib. by George Weatherly (multiple formats at archive.org)
ND2480 .F33 1800 [Info] Antichità, Vantaggi, e Metodo della Pittura Encausta: Discorso Letto nella Pubblica Adunanza della R. Accademia Economica di Firenze il dì 10. Settembre 1794 (in Italian; Venice: S. Apollinare, 1800), by Giovanni Valentino Mattia Fabbroni
ND2480 .P7 [Info] Encaustic: Materials and Methods (New York: Lear, c1949), by Frances Pratt and Becca Fizell, contrib. by Edward W. Forbes (page images at HathiTrust)
ND2552 .C64 1991 [Info] The Conservation of Wall Paintings: Proceedings of a Symposium Organized by the Courtauld Institute of Art and The Getty Conservation Institute, London, July 13-16, 1987 (Los Angeles: Getty Conservation Institute, c1991), ed. by Sharon Cather (PDF and page images at getty.edu and Google)
ND2728 .K35 [Info] Mural Paintings in English Churches During the Middle Ages: An Introductory Essay on the Folk Influence in Religious Art (London: J. Lane, c1923), by Frank Kendon
ND2849 .D86 C66 2010 [Info] Conservation of Ancient Sites on the Silk Road: Proceedings of the Second International Conference on the Conservation of Grotto Sites (Los Angeles: Getty Conservation Institute, 2010), ed. by Neville Agnew (page images and PDF with commentary at getty.edu and Google)
ND2849 .T86 C66 1997 [Info] Conservation of Ancient Sites on the Silk Road: Proceedings of an International Conference on the Conservation of Grotto Sites (Los Angeles: Getty Conservation Institute, 1997), ed. by Neville Agnew (PDF and page images at getty.edu and Google)
ND2863 .W5 1983 [Info] Egyptian Wall Paintings: The Metropolitan Museum of Art's Collection of Facsimiles (adapted from The Metropolitan Museum of Art Bulletin, v. 36, no. 4 (Spring, 1979); New York: Metropolitan Museum of Art, 1983), by Charles Kyrle Wilkinson and Marsha Hill (page images and PDF with commentary at metmuseum.org and Google)

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