| Call number | Item |
| P | Language and literature (Go to start of category) |
| PN | Literature: General, Criticism, Collections (Go to start of category) |
| PN1993.5.J3 B8 1979 | ![[Info]](https://onlinebooks.library.upenn.edu/info.gif) To the Distant Observer: Form and Meaning in the Japanese Cinema (Berkeley and Los Angeles: University of California Press, 1979), by Noël Burch, ed. by Annette Michelson (page images and PDF with commentary at Michigan) |
| PN1993.5.J3 R5 1971 | Japanese Cinema: Film Style and National Character (1971), by Donald Richie (page images at PDF with commentary at Michigan) |
| PN1993.5 .R9 M37 1989 | Kino and the Woman Question: Feminism and Soviet Silent Film (Columbus, OH: Ohio State University Press, 1989), by Judith Mayne (PDF at Ohio State) |
| PN1993.5 .U6 C6 | Report on Blacklisting (2 volumes; New York: Fund for the Republic, c1956), by John Cogley |
| PN1993.5 .U6 H5917 2002 | Hollywood Quarterly: Film Culture in Postwar America, 1945-1957 (Berkeley: University of California Press, c2002), ed. by Eric Loren Smoodin and Ann Martin (frame-dependent HTML with commentary at UC Press) |
| PN1993.5 .U6 M38 2003 | Memory and Popular Film (Manchester and New York: Manchester University Press, c2003), ed. by Paul Grainge (PDF with commentary at oapen.org) |
| PN1993.5 .U6 T456 1985 | Exporting Entertainment: America in the World Film Market, 1907-1934 (London: BFI Publishing, c1985), by Kristin Thompson (PDF with commentary at davidbordwell.net) |
| PN1993.5 .U65 | From Shtetl to Stardom: Jews and Hollywood (Jewish Role in American Life v14; c2017), ed. by Michael Renov, Vincent Brook, Lisa Ansell, and Steven Joseph Ross (PDF with commentary at Purdue) |
| PN1993.5 .U65 U6 | Hollywood Undressed: Observations of Sylvia as Noted by Her Secretary (New York: Brentano's, 1931), contrib. by Sylvia of Hollywood (page images at HathiTrust) |
| PN1993.5 .U743 W36 1995 | Main Street Amusements: Movies and Commercial Entertainment in a Southern City, 1896-1930 (Washington and London: Smithsonian Institution Press, c1995), by Gregory A. Waller (page images at HathiTrust) |
| PN1994 .D4 | Making the Movies (New York: The Macmillan Co., 1919), by Ernest A. Dench (page images at HathiTrust) |
| PN1994 .D47 | An Anagram of Ideas on Art, Form and Film (Yonkers, NY: Alicat Book Shop Press, 1946), by Maya Deren (page images at HathiTrust; US access only) |
| PN1994 .E6 | Breaking Into the Movies (Philadelphia: G. W. Jacobs and Co., c1921), by John Emerson and Anita Loos (Gutenberg text and illustrated HTML) |
| PN1994 .F439135 1999 | Film Quarterly: Forty Years, A Selection (Berkeley: University of California Press, c1999), ed. by Brian Henderson, Ann Martin, and Lee Amazonas (frame-dependent HTML with commentary at UC Press) |
| PN1994 .F545 2007 | Folklore/Cinema: Popular Film as Vernacular Culture (Logan, UT: Utah State University Press, 2007), ed. by Sharon R. Sherman and Mikel J. Koven (PDF with commentary at usu.edu) |
| PN1994 .P374 1920 | Photoplay Plot Encyclopedia (series Y; Los Angeles: Palmer Photoplay Corp., c1920), by Frederick Palmer and Eric Howard (multiple formats at archive.org) |
| PN1994 .P374 1922 | Photoplay Plot Encyclopedia (second revised edition; Los Angeles: Palmer Photoplay Corp., c1922), by Frederick Palmer |
| PN1994 .R45 | In the Supreme Court of the United States, October Term, 1949, No. 248: John Howard Lawson, Petitioner, vs. United States of America, Respondent; No. 249: Dalton Trumbo, Petitioner, vs. United States of America, Respondent: Brief of Alexander Meiklejohn, of Cultural Workers in Motion Pictures and Other Arts, and of Members of the Professions, as Amici Curiae (Los Angeles: Parker and Co., printers, ca. 1949), by Max Radin and Carey McWilliams, contrib. by Alexander Meiklejohn (page images at HathiTrust; US access only) |
| PN1994 .R568 1995 | Moving Places: A Life at the Movies (Berkeley: University of California Press, 1995), by Jonathan Rosenbaum (HTML at UC Press) |
| PN1994 .V39 | That Marvel, the Movie: A Glance at its Reckless Past, its Promising Present, and its Significant Future (New York and London: G. P. Putnam's Sons, 1923), by Edward S. Van Zile, contrib. by Will H. Hays |
| PN1994 .W62 1985 | Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust) |
| PN1995 .C57 2018 | Christian Metz and the Codes of Cinema: Film Semiology and Beyond (Amsterdam: Amsterdam University Press, c2018), ed. by Margrit Tröhler and Guido Kirsten (PDF with commentary at OAPEN) |
| PN1995 .D4 | Photogénie (in French; Paris: M. de Brunoff, ca. 1920), by Louis Delluc (page images at HathiTrust; US access only) |
| PN1995 .I1813 1998 | Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press) |
| PN1995 .K66 | The Altering Eye: Contemporary International Cinema, by Robert Phillip Kolker |