Call number | Item |
P | Language and literature (Go to start of category) |
PN | Literature: General, Criticism, Collections (Go to start of category) |
PN2041 .W37 D55 2016 | Theatre and War: Notes From the Field (Cambridge, UK: Open Book Publishers, c2016), by Nandita Dinesh (PDF and HTML with commentary at openbookpublishers.com) |
PN2047 .C596 2016 | Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil (Melbourne: Re.press, 2016), by Hélène Cixous, ed. by Lara Stevens (PDF with commenrary at re-press.org) |
PN2047 .C6 1698 | A Short View of the Immorality and Profaneness of the English Stage: Together with the Sense of Antiquity Upon This Argument (second edition; London: Printed for S. Keble et al., 1698), by Jeremy Collier (page images at Utah) |
PN2047 .G6 | Playes Confuted in Five Actions, by Stephen Gosson (page images here at Penn) |
PN2051 .R53 2013 | Passionate Amateurs: Theatre, Communism, and Love (Ann Arbor: University of Michigan Press, c2013), by Nicholas Peter Ridout |
PN2061 .B4 | The Art of the Theatre (London: G. Bles, ca. 1924), by Sarah Bernhardt, trans. by H. J. Stenning, contrib. by James Agate (page images at HathiTrust; US access only) |
PN2061 .D5 | The Paradox of Acting: Translated With Annotations From Diderot's "Paradoxe sur le Comédien" (London: Chatto and Windus, 1883), by Denis Diderot, ed. by Walter Herries Pollock, contrib. by Henry Irving (multiple formats at archive.org) |
PN2067 .Y6 | Stage Costuming (New York: Macmillan, 1939), by Agnes Brooks Young (page images at HathiTrust) |
PN2071 .P78 C37 2001 | The Haunted Stage: The Theatre as Memory Machine (Ann Arbor: University of Michigan Press, c2001), by Marvin Carlson (page images at HathiTrust) |
PN2075 .E83 2021 | Theater as Data: Computational Journeys into Theater Research (Ann Arbor: University of Michigan Press, c2021), by Miguel Escobar (multiple formats at fulcrum.org) |
PN2081 .A7 F5 | The Castle in the Circle (Ball State Monograph #6; Muncie, IN: Ball State University, 1967), by Merle Fifield (PDF at bsu.edu) |
PN2095 .A3 | The Quizziology of the British Drama (London: Pub. at the Punch Office, 1846), by Gilbert Abbott À Beckett |
PN2095 .J4 | Stage-Land, by Jerome K. Jerome (Gutenberg text) |
PN2095 .J4 1906 | Stage-Land (New York: H. Holt and Co., 1906), by Jerome K. Jerome, illust. by Bernard Partridge (illustrated HTML with commentary at fiftywordsforsnow.com) |
PN2101 .D5 | A Complete History of the English Stage (5 volumes; London: Printed for the author, ca. 1800), by Charles Dibdin (page images at HathiTrust) |
PN2221 .C7 1913 | The Romance of the American Theatre (Boston: Little, Brown, and Company, 1913), by Mary Caroline Crawford |
PN2221 .S4 1888 | History of the American Theatre (3 volumes; Philadelphia: Globe Printing House, 1888-1891), by George Oberkirsh Seilhamer |
PN2259 .W5 | Shadows of the Stage (New York and London: Macmillan, 1893), by William Winter (Gutenberg text) |
PN2266 .D37 | Arena (New York: Duell, Sloan and Pearce, c1940), by Hallie Flanagan (page images at HathiTrust) |
PN2266 .N35 | The Popular Theatre (New York: A. A. Knopf, 1918), by George Jean Nathan |
PN2266 .W6 | Shouts and Murmurs: Echoes of a Thousand and One First Nights (New York: The Century Co., 1922), by Alexander Woollcott (page images at HathiTrust) |
PN2266.5 .P47 1999 | Performing America: Cultural Nationalism in American Theater (Ann Arbor: University of Michigan Press, c1999), ed. by Jeffrey D. Mason and J. Ellen Gainor (page images at HathiTrust) |
PN2270 .F45 D65 1993 | Presence and Desire: Essays on Gender, Sexuality, Performance (Ann Arbor: University of Michigan Press, c1993), by Jill Dolan (page images at HathiTrust) |
PN2277 .S2 C28 | Managers in Distress: The St. Louis Stage, 1840-1844 (St. Louis, MO: St. Louis Historical Documents Foundation, 1949), by William G. B. Carson |
PN2287 .B5 R7 | Edwin Booth As I Knew Him (New York: The Players, 1933), by Edwin Milton Royle (page images at HathiTrust) |