16th centuryUse as a chronological subdivision under headings for art and art forms of all nations, regions, and ethnic groups, except those headings for art and art forms of China, Japan, and Korea. Also use under forms and types of musical compositions. See also what's at Wikipedia, your library, or elsewhere.
Narrower terms:- Acrostics -- Germany -- 16th century
- Aesthetics, Modern -- 16th century
- Africa -- Description and travels -- 16th century
- Allegories -- 16th century
- Almanacs, English -- 16th century
- Ancona (Italy) -- 16th century
- Annotations (Provenance) -- 16th century
- Architects -- France -- 16th century
- Architectural drawing -- 16th century
- Architectural pattern books -- Belgium -- 16th century
- Architecture -- France -- 16th century
- Architecture -- Germany -- Westphalia -- 16th century
- Architecture -- Spain -- 16th century
- Armorials (reference sources) -- England -- 16th century
- Art -- 16th century
- Art, European -- 16th century
- Art, Flemish -- 16th century
- Art, German -- 16th century
- Art, Italian -- 16th century
- Artists -- France -- 16th century
- Arts -- 16th century
- Asceticism -- 16th century
- Astrology -- 16th century
- Astrology, Arab -- 16th century
- Atlases -- Belgium -- 16th century
- Atlases -- France -- 16th century
- Authors, English -- 16th century
- Authors, French -- 16th century
- Authors, German -- 16th century
- Authors, Italian -- 16th century
- Authors, Portuguese -- 16th century
- Authors, Russian -- 16th century
- Autograph albums -- Belgium -- 16th century
- Autograph albums -- Europe -- 16th century
- Ballads -- 16th century
- Ballads, English -- 16th century
- Ballads, Scots -- 16th century
- Ballet -- France -- 16th century
- Ballroom dancing -- 16th century
- Bibliography -- Poland -- Early printed works -- 16th century
- Biography -- 16th century
- Blank forms -- England -- 16th century
- Blind tooled bindings (Binding) -- 16th century
- Books of hours -- France -- 16th century
- Broadsides -- Edinburgh (Scotland) -- 16th century
- Broadsides -- England -- 16th century
- Broadsides -- Germany -- Cologne -- 16th century
- Broadsides -- London (England) -- 16th century
- Broadsides -- Scotland -- 16th century
- Broadsides -- Scottish -- 16th century
- Bronze sculpture -- 16th century
- Cairo (Egypt) -- Jews -- 16th century
- Calf bindings (Binding) -- 16th century
- Catechisms -- Germany -- 16th century
- Catechisms, English -- 16th century
- Catholic Church -- 16th century
- Certificates -- Netherlands -- 16th century
- Chamber music -- 16th century
- Children's books -- France -- 16th century
- Christian heresies -- 16th century
- Christian literature, Polish -- 16th century
- Christian pilgrims and pilgrimages -- Jerusalem -- 16th century
- Church and state -- England -- 16th century
- Church history -- 16th century
- Church lands -- England -- 16th century
- Church music -- 16th century
- Church of England -- 16th century
- Civilization -- 16th century
- Clergy -- Germany -- 16th century
- Commonplace books -- England -- 16th century
- Copper engravings -- Germany -- 16th century
- Coronation books -- 16th century
- Costume -- 16th century
- Country life -- England -- 16th century
- Courtesy books -- 16th century
- Dance -- France -- 16th century
- Danish literature -- 16th century
- Designs and plans -- France -- 16th century
- Devaluation of currency -- England -- 16th century
- Devotional images -- Belgium -- 16th century
- Dialogues, English -- 16th century
- Drama -- English -- 16th century
- Dramatists, Italian -- 16th century
- Drawing -- 16th century
- Drawing, French -- 16th century
- Drawing, German -- 16th century
- Drawing, Italian -- 16th century
- Drinking songs -- 16th century
- Early printed books -- 16th century
- Early printing books -- 16th century
- Economic conditions -- 16th century
- Economic history -- 16th century
- Education -- Germany -- 16th century
- Educators -- Germany -- 16th century
- Elegiac poetry -- France -- 16th century
- Elegiac poetry, English -- 16th century
- Emblem books -- 16th century
- Emblem books, Italian -- France -- 16th century
- Emblem books, Latin -- Belgium -- 16th century
- Emblem books, Latin -- France -- 16th century
- Emblems (allegorical pictures) -- Belgium -- 16th century
- Emblems (allegorical pictures) -- France -- 16th century
- Emblems (allegorical pictures) -- Germany -- 16th century
- Emblems (allegorical pictures) -- Switzerland -- 16th century
- Emblems (symbols) -- Belgium -- 16th century
- Emblems books -- Switzerland -- 16th century
- Emblems, Latin -- Belgium -- 16th century
- Emblems, Latin -- France -- 16th century
- England -- Foreign relations -- Scotland -- 16th century
- English drama (Tragedy) -- 16th century
- English drama -- 16th century
- English essays -- 16th century
- English poetry -- 16th century
- Engraving -- 16th century
- Engraving, European -- 16th century
- Engraving, German -- 16th century
- Engraving, Italian -- 16th century
- Engravings (prints) -- Belgium -- 16th century
- Engravings (prints) -- England -- 16th century
- Engravings (prints) -- France -- 16th century
- Engravings (prints) -- Germany -- 16th century
- Entertaining -- England -- 16th century
- Essay -- 16th century
- Essays -- France -- 16th century
- Etching -- 16th century
- Etchings (prints) -- 16th century
- Etchings -- -- Germany -- 16th century
- Eulogies -- Belgium -- 16th century
- Festival books -- 16th century
- Finance -- Scotland -- 16th century
- France -- Foreign relations -- 16th century
- France -- Kings and rulers -- 16th century
- France -- Portraits -- 16th century
- Franciscans -- Japan -- 16th century
- French drama -- 16th century
- French essays -- 16th century
- French fiction -- 16th century
- French language -- 16th century
- French literature -- 16th century
- French poetry -- 16th century
- Funeral books -- Belgium -- 16th century
- Funeral books -- France -- 16th century
- Funeral sermons -- 16th century
- Gastaldo, Jacopo -- 16th century
- Gauffered edges (Binding) -- 16th century
- Geneva, Lake (Switzerland and France) -- 16th century
- German language -- Spelling and orthography -- 16th century
- Germany -- Description and travels -- 16th century
- Glass painting and staining -- Belgium -- 16th century
- Globes -- 16th century
- Glossaries -- 16th century
- Goldwork -- Europe -- 16th century
- Great Britain -- Commerical policy -- 16th century
- Guidebooks -- 16th century
- Hand coloring -- Switzerland -- 16th century
- Headpiece (layout features) -- 16th century
- Headpieces (illuminated) -- 16th century
- Headpieces (layout features) -- 16th century
- Herbals -- England -- 16th century
- Herbals -- Germany -- Berlin -- 16th century
- Herbals -- Switzerland -- 16th century
- Historical poetry, Polish -- 16th century
- History -- 16th century
- History of doctrines -- 16th century
- History, Military -- 16th century
- History, Modern -- 16th century
- History, Naval -- 16th century
- Holy Roman Empire -- Foreign relations -- France -- 16th century
- Homer -- Translations -- 16th century
- Hornbooks -- Great Britain -- 16th century
- Huguenots -- 16th century
- Hungarian literature -- 16th century
- Hymns, German -- 16th century
- Hymns, Russian -- 16th century
- Illumination of books and manuscripts -- Iran -- 16th century
- Illustrated books -- Germany -- 16th century
- Illustration of books -- 16th century
- Imprints -- 16th century
- Industrial organization -- 16th century
- Instrumental music -- 16th century
- Intellectual life -- 16th century
- Iraq -- Jews -- 16th century
- Islam -- 16th century
- Islamic Empire -- 16th century
- Islamic philosophy -- 16th century
- Italian drama -- 16th century
- Italian fiction -- 16th century
- Italian language -- 16th century
- Italian letters -- 16th century
- Italian literature -- 16th century
- Italian poetry -- 16th century
- Italian prose literature -- 16th century
- Italy -- 16th century
- Jesuits -- England -- 16th century
- Jewish physicians -- 16th century
- Keyboard instrument music -- 16th century
- Kudei͡ar, I͡Uriĭ -- 16th century
- Landscape painting -- 16th century
- Landscape painting, Dutch -- 16th century
- Law -- Administration -- Scotland -- 16th century
- Legal works -- New Spain -- 16th century
- Letters -- 16th century
- Libri amicorum -- France -- 16th century
- Libri amicorum -- Germany -- 16th century
- Logic, Modern -- 16th century
- Love songs -- England -- 16th century
- Lute music -- 16th century
- Madrigals -- History and criticism -- 16th century
- Manuscript waste -- 16th century
- Manuscripts -- Europe -- 16th century
- Manuscripts, Hebrew -- 16th century
- Manuscripts, Persian -- 16th century
- Maps -- France -- 16th century
- Marginalia (Provenance) -- England -- 16th century
- Marginalia -- 16th century
- Maxims -- Great Britain -- 16th century
- Medicine -- 16th century
- Medicine in literature -- 16th century
- Metal cuts -- Switzerland -- 16th century
- Mexico -- 16th century
- Middle class -- France -- Paris -- 16th century
- Military history, Modern -- 16th century
- Miniature painting, Iranian -- 16th century
- Miniatures (paintings) -- Belgium -- 16th century
- Miniatures (paintings) -- Europe -- 16th century
- Monks -- Germany -- 16th century
- Municipal government -- Spain -- Castile (Kingdom) -- 16th century
- Mural painting and decoration -- 16th century
- Mural painting and decoration, Italian -- Vatican City -- 16th century
- Music -- 16th century
- Music theory -- 16th century
- Mysticism -- 16th century
- Nahuatl poetry -- 16th century
- Nobility -- Denmark -- 16th century
- Nobility -- Estonia -- 16th century
- Nobility -- France -- 16th century
- Organ music -- 16th century
- Orthodox Eastern Church -- 16th century
- Painting -- 16th century
- Painting, Dutch -- 16th century
- Painting, European -- 16th century
- Painting, Flemish -- 16th century
- Painting, German -- 16th century
- Painting, Italian -- 16th century
- Painting, Modern -- 16th century
- Papacy -- Foreign relations -- Hungary -- 16th century
- Part songs -- 16th century
- Part songs, Latin -- 16th century
- Passion-plays -- 16th century
- Pastoral poetry, Italian -- 16th century
- Pattern books -- Germany -- 16th century
- Persecution -- England -- 16th century
- Persecution -- France -- 16th century
- Philosophy, English -- 16th century
- Philosophy, French -- 16th century
- Philosophy, Italian -- 16th century
- Philosophy, Spanish -- 16th century
- Physicians -- Germany -- 16th century
- Pigskin bindings (Binding) -- 16th century
- Plague -- Belgium -- Antwerp -- 16th century
- Poems -- Scotland -- 16th century
- Poetry -- 16th century
- Poets -- 16th century
- Poets, English -- 16th century
- Poets, French -- 16th century
- Poets, Italian -- 16th century
- Poets, Welsh -- 16th century
- Polish literature -- 16th century
- Polish poetry -- 16th century
- Politics and government -- 16th century
- Portrait painters -- France -- 16th century
- Portrait painting -- 16th century
- Portrait painting, Dutch -- 16th century
- Portrait prints -- 16th century
- Portraits -- Belgium -- 16th century
- Portraits -- Switzerland -- 16th century
- Portraits, French -- 16th century
- Portraits, Italian -- 16th century
- Portuguese literature -- 16th century
- Portuguese poetry -- 16th century
- Pottery, Italian -- Italy, Central -- 16th century
- Prayer books -- Germany -- 16th century
- Print. Spec -- Germany -- 16th century
- Printed waste (Binding) -- 16th century
- Printers' devices (Printing) -- France -- 16th century
- Printers' devices (Publishing) -- Great Britain -- 16th century
- Printing -- Germany -- Munich -- 16th century
- Printing -- Specimens -- France -- 16th century
- Printing Specimens -- Great Britain -- 16th century
- Printing presses -- Holland -- 16th century
- Prints -- 16th century
- Prints, European -- 16th century
- Prints, Italian -- 16th century
- Prose poems, English -- 16th century
- Prose poems, European -- 16th century
- Protestant churches -- 16th century
- Public lands -- Estonia -- 16th century
- Puppet plays, German -- 16th century
- Puritans -- Great Britain -- 16th century
- Rare books -- 16th century
- Reformation -- 16th century
- Religion -- 16th century
- Religious literature, Low German -- 16th century
- Religious literature, Polish -- 16th century
- Religious thought -- 16th century
- Romance-language literature -- 16th century
- Russia -- Description and travel -- 16th century
- Russia -- Kings and rulers -- 16th century
- Russkai a pravoslavnai a t s erkov -- Russia -- 16th century
- Scotland -- Foreign relations -- England -- 16th century
- Sculpture -- 16th century
- Sculpture, Europe -- 16th century
- Sculpture, European -- 16th century
- Sculpture, Italian -- 16th century
- Sermons -- 16th century
- Sermons, English -- 16th century
- Sermons, Ferman -- 16th century
- Sermons, French -- 16th century
- Sermons, German -- 16th century
- Sermons, Italian -- 16th century
- Sermons, Latin -- 16th century
- Sermons, Scottish -- 16th century
- Siena (Italy) -- Jews -- 16th century
- Social conditions -- 16th century
- Social life and customs -- 16th century
- Songs -- 16th century
- Songs, English -- 16th century
- Songs, French -- France -- 16th century
- Songs, German -- 16th century
- Songs, Polish -- Texts -- 16th century
- South Africa -- Description and travels -- 16th century
- Soviet Union -- Description and travel -- 16th century
- Spanish literature -- 16th century
- Spanish poetry -- 16th century
- Spanish prose literature -- 16th century
- Speeches, addresses, etc. -- 16th century
- Theater -- Great Britain -- 16th century
- Theologians -- Germany -- 16th century
- Theology -- 16th century
- Theology, Doctrinal -- 16th century
- Toy and movable books -- France -- 16th century
- Translations -- France -- 16th century
- Travel literature -- Netherlands -- 16th century
- Turkey -- 16th century
- Turkish poetry -- 16th century
- Ukrai ns ka pravoslavna t s erkva (Moskovs kyi patriarkhat) -- Bishops -- 16th century
- Ukraïnsʹka pravoslavna t︠s︡erkva (Moskovsʹkyĭ patriarkhat) -- Bishops -- 16th century
- Vellum bindings (Binding) -- 16th century
- Vellum printings (Printing) -- France -- 16th century
- Venice (Italy) -- Foreign relations -- Germany -- 16th century
- Volvelles -- France -- 16th century
- Wedding books -- France -- 16th century
- Wedding books -- Germany -- 16th century
- Wedding books -- Spain -- 16th century
- Women poets, Italian -- 16th century
- Wood engravings -- 16th century
- Wood-engraving -- 16th century
- Wood-engraving, French -- 16th century
- Wood-engraving, German -- 16th century
- Wood-engraving, Italian -- 16th century
- Woodcuts (prints) -- Belgium -- 16th century
- Woodcuts (prints) -- France -- 16th century
- Woodcuts (prints) -- Germany -- 16th century
- Woodcuts (prints) -- Netherlands -- 16th century
- Woodcuts (prints) -- Switzerland -- 16th century
- Woodcuts -- 16th century
- Wooden boards (Binding) -- 16th century
- Writing books -- Belgium -- 16th century
- Writing books -- France -- 16th century
|
Filed under: 16th century
Filed under: Acrostics -- Germany -- 16th century
Filed under: Aesthetics, Modern -- 16th century
Filed under: Africa -- Description and travels -- 16th century
Filed under: Allegories -- 16th century
Filed under: Almanacs, English -- 16th century [An almanack, engraved on copper.] ([London : s.n., 1591]) (HTML at EEBO TCP) Writing tables vvith a kalender for xxiiii. yeeres, with sundry necessarye rules. (Made at London : By [R. Watkins and J. Roberts for] Frauncis Adams, stationer or bookbinder, dwelling in Distaffe lane, neare olde fishstreete, at the signe of the Aqua vite still, and are there to be sold, Anno. Domi. 1594), by Frank Adams (HTML at EEBO TCP)
Filed under: Ancona (Italy) -- 16th century
Filed under: Annotations (Provenance) -- 16th century Benedicti Ar. Montani Hymni et secula.. (Ex officina Plantiniana, apud viduam, & Ioannem Moretum., 1593), by Benito Arias Montano, Jan Moretus, Christophe Plantin, Pedro de Valencia, and Plantijnsche Drukkerij (page images at HathiTrust) De opificio Dei, vel, Formatione hominis liber per vigintivnu[m] capita distributus, cu[m] eloque[n]tia, tum eruditione pr[ae]clarus (Colonie : In Officina Que[n]tell, anno supra sesquimillesimu[m] sexto [1506]., 1506), by Lactantius and Officina Liberorum Quentell (page images at HathiTrust)
Filed under: Architectural pattern books -- Belgium -- 16th century
Filed under: Architecture -- France -- 16th century
Filed under: Architecture -- Germany -- Westphalia -- 16th century
Filed under: Architecture -- Spain -- 16th century Descripcion del real monasterio de San Lorenzo del Escorial : su magnifico templo, panteon, y palacio : compendiada de la descripcion antigua, y exornada con nuevas vistosas láminas de su planta y montéa : aumentada con la noticia de varias grandezas y alhajas con que han ilustrado los católicos reyes aquel maravilloso edificio, y coronada con un tratado apendice de los insignes profesores de las bellas artes estatuaria, arquitectura, y pintura, que concurrieron á su fundacion, y despues le han enriquecido con sus obras (En la impr. de Antonio Marin, 1764), by Andrés Ximenez, Antonio Marin, Lázaro Gómez, Pedro Villafranca Malagón, and Francisco Santos (page images at HathiTrust)
Filed under: Armorials (reference sources) -- England -- 16th century
Filed under: Art, European -- 16th century
Filed under: Art, Italian -- 16th century
Filed under: Asceticism -- 16th century
Filed under: Astrology, Arab -- 16th century
Filed under: Atlases -- Belgium -- 16th century Theatrum orbis terrarum Abrahami Ortelii Antverp. geographi regii (Apvd Ioannem Bapt. Vrintivm, 1603), by Abraham Ortelius, Humphrey Llwyd, Jan Baptista Vrients, Gerard de Jode, Antonie Wierix, Ferdinand Arsenius, Ambroise Arsenius, Frans Hogenberg, and Pierre François Sweerts (page images at HathiTrust)
Filed under: Atlases -- France -- 16th century
Filed under: Authors, Italian -- 16th century
Filed under: Authors, Russian -- 16th century
Filed under: Autograph albums -- Belgium -- 16th century
Filed under: Autograph albums -- Europe -- 16th century Typus veri amici (1587), by Barthlmä Pezzen, Margravine of Burgau Sibylle, Herzogin von Jülich-Kleve-Berg Jacobe, Duke of Jülich Johann Wilhelm, and Johann Joachim Prack von Asch (page images at HathiTrust)
Filed under: Ballads -- 16th century
Filed under: Ballads, English -- 16th century A ioyful nevv ballad, declaring the happie obtaining of the great galleazo, wherein Don Pietro de Valdez was the chiefe through the mightie power and prouidence of God, being a speciall token of his gracious and fatherly goodnes towards vs, to the great encouragement of all those that willingly fight in the defence of his gospel and our good Queene of England. To the tune of mounseurs Almaigne. (London : Printed by Iohn Wolfe, for Edwarde White, 1588), by Thomas Deloney (HTML at EEBO TCP) A ditty delightfull of mother watkins ale A warning wel wayed, though counted a tale. ([London : s.n., c. 1590]) (HTML at EEBO TCP) A balad intituled, the dekaye of the Duke ([London] : Imprinted at London in Fleetestreate beneath the conduit at the signe signe [sic] of Saynt John Evangelist by Thomas Colwell, [1572]), by William Elderton (HTML at EEBO TCP) A new ballad, declaring the great treason conspired against the young king of Scots and how one Andrew Browne, an Englishman, which was the kings chamberlaine, preuented the same : to the tune of Milfield, or els to Greenesleeues / [by] VV. Elderton. ([London] : Imprinted at London for Yarathe Iames, dwelling in Newgate Market ouer against Christes Church, [1581]), by William Elderton (HTML at EEBO TCP) The panges of loue and louers ftts [sic] (Jmprynted at London, in Smithfield in the parish of Saynt Barthelmewes Hospitall : by Richard Lant, An. Dni. M.D.lix. xxii. Mar. [1559, Mar. 22]), by William Elderton (HTML at EEBO TCP) A newe ballade, declaryng the daungerons [sic] shootynge of the gunne at the courte to the tune of Sicke and sicke / [by] W.E. ([London] : Jmprinted at London for Edward White, dwellyng at the little north-doore of Sanct Paules churche, at the signe of the Gunne, [1579]), by William Elderton (HTML at EEBO TCP) A new Yorkshyre song, intituled: Yorke, Yorke, for my monie of all the cities that euer I see, for mery pastime and companie, except the Cittie of London. (Imprinted at London : By Richard Iones: dwelling neere Holburne Bridge, 1584), by William Elderton (HTML at EEBO TCP) The .xxv. orders of fooles. (Imprinted at London : By Alexander Lacie, for Henry Kyrkham, dwellyng at the signe of the blacke Boye: at the middle north dore of Paules church, [1570?]), by Timothy Granger (HTML at EEBO TCP) A dolefull ditty, or sorowfull sonet of the Lord Darly, sometime king of Scots, neuew to the noble and worthy King Henry the eyght and is to be song to the tune of blacke and yellowe. ([London] : Imprinted at London by Thomas Gosson dwelling in Paternoster Rowe, next to the signe of the Castell, [1579?]), by H. C. (HTML at EEBO TCP) A famous dittie of the ioyful receauing of the Queens moste excellent maiestie, by the worthy citizens of London the xij day of Nouember, 1584. at her graces comming to Saint Iames. To the tune of Wigmores Galliard. (At London : Printed by Edward Allde for Yarath Iames and are to be solde in New-gate Market against Christ Church gate, 1584), by Richard Harrington (HTML at EEBO TCP) A balade specifienge partly the maner, partly the matter, in the most excellent meetyng and lyke mariage betwene our soueraigne Lord, and our soueraigne Lady, the Kynges and Queenes highnes pende by John Heywood. (Jmprinted at London : By Wyllyam Ryddell, [1554?]), by John Heywood (HTML at EEBO TCP) A breefe balet touching the traytorous takynge of Scarborow Castell (Jmprinted at London in Fleetestrete : By Tho. Powell, [1557?]), by John Heywood (HTML at EEBO TCP) Luke Huttons lamentation: which he wrote the day before his death, being condemned to be hanged at Yorke for his robberies and trespasses committed there-about. To the tune of Wandring and wavering.. (London : Printed for H. Gosson., [ca. 1640?]), by Luke Hutton (HTML at EEBO TCP) straight gate to heaven ([London : printed by R. Grafton, ca. 1550]), by William King (HTML at EEBO TCP) A pleasant posie, or Sweete nosegay of fragrant smellyng flowers: gathered in the garden of heaunely pleasure, the holy and blessed bible. To the tune of The black Almayne. (Imprinted at London, : by Richard Johnes: dwellyng in the vpper end of Fleetlane, 1572), by John Symon (HTML at EEBO TCP) A prettie newe ballad, intytuled: the crowe sits vpon the wall, please one and please all To the tune of, please one and please all. (Imprinted at London : for Henry Kyrkham, dwelling at the little North doore of Paules, at the signe of the blacke Boy, [1592]), by Richard Tarlton (HTML at EEBO TCP) [An exhortation to despise the gifts], whych we receaue by faylynge fortune ([London : T. Raynald, 1552?]), by T. Thachame (HTML at EEBO TCP) A godly ballad declaring by the Scriptures the plagues that haue insued whordome (Imprinted at London : At the long shop adioining vnto Sainct Mildreds Churche in the Poultrie by John Alde, Anno Domini 1566. Nouembris. 25. [1566]), by fl. 1566 A. I. (HTML at EEBO TCP) A balade of a preist that loste his nose for sayinge of masse as I suppose ([London : s.n., 1570?]) (HTML at EEBO TCP) A ballad reioycinge the sodaine fall, of rebels that thought to deuower vs all (Imprinted at London : In Fleetestreete, by William How, for Henry Kirkham, and are to be solde at his shop at the middle north doore of Paules Churche, [1570]) (HTML at EEBO TCP) [A ballad of Malmerophus and Sillera.] (London : Imprinted by Iohn Wolfe, for Edwarde White: and are to be solde at his shoppe, at the little North doore of Paules Church, at the signe of the Gunne, 1582) (HTML at EEBO TCP) [Ballad on the defeat of the Devon and Cornwall rebels of 1548] ([London : S.n., 1549]) (HTML at EEBO TCP) A balade declaryng how neybourhed lone [sic], and trew dealyng is gone (Imprinted at London : By Richard Lant, [1561]), by John Barker (HTML at EEBO TCP) A worthy myrour, wherin ye may marke, an excellent discourse of a breeding larke ... (Printed at London : By Richard Johnes, [1577?]), by Arthur Bourcher (HTML at EEBO TCP) [A little gest of Robin Hood] ([London : Richard Pynson, 1500?]) (HTML at EEBO TCP) Marke well the effect, purtreyed here in all ... ([London : S. n., c. 1580?]) (HTML at EEBO TCP) A maruelous tydynges both wonders old and new The Deuyll is endited yf many mens wordes be tru. (London : Printed by Cornelis Woltrop dwellyng at Saynt Antonies[, c. 1570]) (HTML at EEBO TCP) The true description of two monsterous chiildren laufully begotten betwene George Steuens and Margerie his wyfe, and borne in the parish of Swanburne in Buckingham shyre, the. iiii. of Aprill. Anno Domini. 1566, the two children havuing both their belies fast ioyned together, and imbraycyng one an other with their armes: which children wer both a lyue by the space of half an hower, and wer baptized, and named the one John, and the other Joan. (Imprinted at London : By Alexander Lacy, for William Lewes: dwellyng in Cow lane aboue Holborne cundit, ouer against the signe of the Plough, [1566]), by John Mellys (HTML at EEBO TCP) [A Merry new song wherin is shewed the cudgelling of the cobler of Colchester] (At London : Printed for Andrew White, and are to be solde at his shop at the [--] exchange ouer against [---] in [C]ornhill, [1589]) (HTML at EEBO TCP) A newe ballade intytuled, Good fellowes must go learne to daunce (Imprinted at London : In Fletestrete at the signe of the Faucon, by Wylliam Gryffith, and are to be solde at his shoppe in S. Dunstones Churchyeard, 1569) (HTML at EEBO TCP) Of the horrible and wofull destruction of, Sodome, and Gomorra To the tune of the nine Muses. (Imprinted at London : By Richard Iohnes for Henrie Kyrkham, dwelling at the signe of the blacke Boy: at the middle north dore of Paules church, [1570]) (HTML at EEBO TCP) A newe ballade of a louer/ extolling his ladye. To the tune of Damon and Pithias. (Imprinted at London, : In Fletestrete at the signe of the Faucon, by Wylliam Gryffith, 1568), by M. Osborne (HTML at EEBO TCP) A newe ballade ([London : s.n., 1560?]), by fl. 1560 R. M. (HTML at EEBO TCP) Blasinge of bawdrie. ([Imprinted at London : In the vpper end of fleetlane: at the signe of the Spreade Eagle, by Richard Jhones, [1574]]), by fl. 1574 R. C. (HTML at EEBO TCP) A ballad intituled, A newe well a daye/ as playne maister papist, as Donstable waye. Well a daye well a daye, well a daye woe is mee Syr Thomas Plomtrie is hanged on a tree. (Imprinted at London : in Fleestrete [sic] beneath the conduit, at the signe of S. John Euangelist, by Thomas Colwell, [1570]), by William Elderton (HTML at EEBO TCP) A ballad intituled, Prepare ye to the plowe, to the tune, of Pepper is blacke. The Queene holdes the plow, to continew good seede. Trustie subiectes be readie to helpe if she neede. (Imprinted at London : in Fleetestreete, by William How, for Richard Iohnes: and are to be solde at his shop, ioyning to the southwest doore of Paules Church, [1570]), by William Elderton (HTML at EEBO TCP) A proper new balad in praise of my Ladie Marques, whose death is bewailed, to the tune of New lusty gallant. (Imprinted at London : In Fletestreat beneath the Conduit, at the signe of S. Iohn Euangelist, by Thomas Colwell, [1569?]), by William Elderton (HTML at EEBO TCP) A proper newe ballad sheweing that philosophers learnynges, are full of good warnynges. And songe to the tune of My Lorde Marques Galyarde: or The firste traces of que passa. (Imprinted at London : in fleetestreet beneath the conduit, at the signe of Sainte. Iohn Euangelist, by Thomas Colwell, [1569?]), by William Elderton (HTML at EEBO TCP) A merry new song how a bruer meant to make a cooper cuckold and how deere the bruer paid for the bargaine. To the tune of, In somertime. ([London : H. Kirkham?, 1590?]) (HTML at EEBO TCP) [A ballad describing natural portents] ([London : s.n., 1580?]) (HTML at EEBO TCP)
More items available under narrower terms. |