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Acting

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• Elocution

• Theater

• Acting -- Anecdotes
• Acting -- Anecdotes, facetaie, satire, etc
• Acting -- Anecdotes, facetiae, satire, etc
• Acting -- Auditions
• Acting -- Belgium
• Acting -- Bibliography
• Acting -- Czechoslovakia
• Acting -- Denmark
• Acting -- Directories
• Acting -- Early works to 1800
• Acting -- Education
• Acting -- England
• Acting -- Ethics
• Acting -- Fiction
• Acting -- France
• Acting -- Germany
• Acting -- Germany, 1894-1912
• Acting -- Germany, 19th cent
• Acting -- Great Britain
• Acting -- Handbooks, manuals, etc.
• Acting -- History
• Acting -- History and criticism
• Acting -- History, Denmark
• Acting -- Humor
• Acting -- Hungary
• Acting -- Illinois
• Acting -- Italy
• Acting -- Italy, 19th cent
• Acting -- Jurisprudence
• Acting -- Juvenile fiction
• Acting -- Juvenile literature
• Acting -- Little theatre movement
• Acting -- Make-up
• Acting -- Miscellanea
• Acting -- Museums
• Acting -- Netherlands
• Acting -- New York (State)
• Acting -- Per. and soc. publ
• Acting -- Periodicals
• Acting -- Playbills and programmes
• Acting -- Playbills and programs
• Acting -- Poetry
• Acting -- Portraits
• Acting -- Psychological aspects
• Acting -- Religious aspects
• Acting -- Scandinavia
• Acting -- Soviet Union
• Acting -- Spain
• Acting -- Speech
• Acting -- Study and teaching
• Acting -- Sweden
• Acting -- Sweden, 1792-1842
• Acting -- Technique
• Acting -- United States
• Acting -- Vocational guidance
• Acting in literature
• Clowning
• Commedia dell'arte
• Drama -- Therapeutic use
• Gesture
• Impersonation
• Improvisation (Acting)
• Mime
• Motion picture acting
• Movement (Acting)
• Radio acting
• Stage fencing
• Television acting
• Theatrical makeup
• Theater -- Acting
• Theaters -- Acting

• Histrionics
• Stage

• The Art of the Theatre (London: G. Bles, ca. 1924), by Sarah Bernhardt, trans. by H. J. Stenning, contrib. by James Agate (page images at HathiTrust; US access only)
• The Drama, by Henry Irving (Gutenberg text and illustrated HTML)
• The Paradox of Acting: Translated With Annotations From Diderot's "Paradoxe sur le Comédien" (London: Chatto and Windus, 1883), by Denis Diderot, ed. by Walter Herries Pollock, contrib. by Henry Irving (multiple formats at archive.org)
• Shakespearean Representation: Its Laws and Limits (London: E. Stock, 1908), by Percy Fitzgerald (multiple formats at archive.org)
• Stage Confidences: Talks About Players and Play Acting (London: Charles H. Kelly, 1902), by Clara Morris (Gutenberg text)
• Players at work; acting according to the actors (Theatre arts, inc., 1937), by Morton Eustis and Lotte Lehmann (page images at HathiTrust)
• Deutsche Schauspieler und Schauspielkunst (Lipsius & Tischer, 1892), by Wolfgang Kirchbach (page images at HathiTrust)
• Die kunst der bühne. (Schuster & Loeffler, 1921), by Carl Hagemann (page images at HathiTrust; US access only)
• The art of acting and public reading; dramatic interpretation (The Bobbs-Merrill company, 1922), by Rollo Anson Tallcott (page images at HathiTrust)
• The theatre and its people (Doubleday, Page & company, 1900), by Franklin Fyles (page images at HathiTrust)
• Social growth through play production. (Association Press, 1957), by Jack Simos (page images at HathiTrust)
• The actor's art; theatrical reminiscences, methods of study and advice to aspirants, specially contributed by leading actors of the day (G. Redway, 1897), by John Alexander Hammerton (page images at HathiTrust)
• On the stage. Studies of theatrical history and the actor's art. (S. Low, Marston, Searle, and Rivington, 1883), by Dutton Cook (page images at HathiTrust)
• A guide to the stage (R. A. Everett, 1904), by Austin Fryers (page images at HathiTrust; US access only)
• The life of a star & co. (McClure, Phillips & co., 1906), by Clara Morris Harriott (page images at HathiTrust)
• Stage confidences; talks about players and play acting (Lothrop plublishing company, 1902), by Clara Morris (page images at HathiTrust)
• Lettere intorno alla mimica (Giovanni Pirotta, 1818), by Johann Jacob Engel, Luigi Riccoboni, and Giovanni Rasori (page images at HathiTrust)
• Papers on acting. ([Columbia University Press], 1926), by Columbia University. Dramatic Museum (page images at HathiTrust)
• How to get on the stage and how to succeed there. (Chatto & Windus, 1899), by Leopold Wagner (page images at HathiTrust)
• Impersonations. (E. S. Werner, 1891), by Helen Potter (page images at HathiTrust)
• The actor and his art. (Downey & co., limited, 1899), by Stanley Jones (page images at HathiTrust)
• Reflexions on the actor's art (Printed for the Dramatic museum of Columbia university, 1915), by François Joseph Talma, Fleeming Jenkin, and Henry Irving (page images at HathiTrust)
• Theatre practice (C. Scribner's sons, 1926), by Stark Young (page images at HathiTrust)
• Cyclus dramatischer Charaktere. (Wilhelm Thome, 1841), by Heinrich Theodor Rötscher (page images at HathiTrust)
• The stage in action (F. S. Crofts & co., 1941), by Samuel Selden (page images at HathiTrust)
• The flower in drama; a book of papers on the theatre (C. Scribner's Sons, 1923), by Stark Young (page images at HathiTrust)
• Acting; the first six lessons (Theatre arts inc., 1933), by Richard Boleslavsky (page images at HathiTrust)
• Technique in dramatic art ... (The Macmillan Company, 1926), by Halliam Bosworth (page images at HathiTrust)
• To the actor; on the technique of acting (Harper, 1953), by Michael Chekhov (page images at HathiTrust)
• The actor and his art. (Roberts brothers, 1881), by Constant Coquelin and Abby Langdon Alger (page images at HathiTrust)
• The art of acting (The Dramatic Pub. Co., 1887), by Henry Irving (page images at HathiTrust)
• Talma on The actor's art (Bickers and son, 1883), by François Joseph Talma and Henry Irving (page images at HathiTrust)
• Mrs. Fiske, her views on actors, acting, and the problems of production (The Century Co., 1917), by Minnie Maddern Fiske and Alexander Woollcott (page images at HathiTrust)
• Dramatic opinions and essays, with an apology (Brentano's, 1907), by Bernard Shaw and James Huneker (page images at HathiTrust)
• The works of Henrik Ibsen. (Blue Ribbon Books, Inc., 1932), by Henrik Ibsen (page images at HathiTrust; US access only)
• Psychology of acting (Longmans, Green, 1888), by William Archer and Green Longmans (page images at HathiTrust)
• Schauspieler und Schauspielkunst. (Oesterheld, 1926), by Julius Bab (page images at HathiTrust; US access only)
• Deutsche schauspielkunst. (Insel-verlag, 1913), by Montague Jacobs (page images at HathiTrust; US access only)
• The actor : a treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays, and occasional observations on audiences. (Printed for R. Griffiths, 1750), by John Hill (page images at HathiTrust)
• Studies of Shakespeare in the plays of King John, Cymbeline, Macbeth, As you like it, Much ado about nothing, Romeo and Juliet: with observations on the criticism and the acting of those plays. (Longman, Brown, Green, and Longmans, 1847), by George Fletcher (page images at HathiTrust)
• Glamour : essays on the art of the theatre (New York ; London : Charles Scribner's Sons, [1925], 1925), by Stark Young and Rouben Mamoulian Collection (Library of Congress) (page images at HathiTrust; US access only)
• Acting and stage movement (Arc Books, 1963), by Donald Wolfit, Margaret Leighton, W. J. Mayhead, Marguerite Battye, and Edwin C. White (page images at HathiTrust)
• Working up a part; a manual for the beginning actor. (Houghton Mifflin Co., 1947), by H. Darkes Albright (page images at HathiTrust)
• Rudimentos da arte dramatica. (Imprensa nacional, 1890), by Luiz da Costa (page images at HathiTrust)
• Acting; a book for the beginner (F.S. Crofts, 1928), by Allen Crafton and Jessica Royer (page images at HathiTrust)
• The art of acting in connection with the study of character, the spirit of comedy and stage illusion (S. Sonnenschein;, 1892), by Percy Fitzgerald (page images at HathiTrust)
• Rehearsal : the principles and practice of acting for the stage (Prentice Hall, 1946), by Miriam Anna Franklin (page images at HathiTrust; US access only)
• Art and craft of play production (J.B. Lippincott Company, 1940), by Barnard Hewitt (page images at HathiTrust)
• A primer of acting (Prentice-Hall, inc., 1940), by C. Lowell Lees (page images at HathiTrust)
• On acting (C. Scribnerʹs Sons, 1914), by Brander Matthews (page images at HathiTrust)
• Practical hints on training for the stage (E. P. Dutton & company, 1921), by Agnes Platt (page images at HathiTrust)
• Motion picture acting. (Funk & Wagnalls, 1947), by Lillian Albertson (page images at HathiTrust)
• Problems of the actor (H. Holt and company, 1918), by Louis Calvert (page images at HathiTrust)
• Educational dramatics (L.A. Noble, 1917), by Emma Sheridan Fry (page images at HathiTrust)
• Lessing und die schaspielkunst; ein beitrag zur geschichte der unmittelbaren bühnenanweisung ... (Roetherdruck, g. m. b. h., 1924), by Victoria Pfeil (page images at HathiTrust; US access only)
• The importance of being rhythmic; a study of the principles of Dalcroze eurythmics applied to general education and to the arts of music, dancing and acting. (G. P. Putnam's sons, 1925), by Jo Pennington (page images at HathiTrust; US access only)
• Essais sur l'art du comédien chanteur (Longchamps, L'auteur, 1812), by François Boisquet (page images at HathiTrust)
• Publications of the Dramatic museum of Columbia University in the City of New York. 2nd series, Papers on acting. ([Printed for the Dramatic museum of Columbia university], 1915), by Columbia University. Dramatic Museum (page images at HathiTrust)
• Backstage with actors, from the time of Shakespeare to the present day. (Thomas Y. Crowell company, 1938), by Helen Ormsbee (page images at HathiTrust)
• Mienenspiel und maske in der griechischen tragödie. (F. Schöningh, 1927), by Robert Löhrer (page images at HathiTrust; US access only)
• The paradox of acting. (Chatto & Windus, 1883), by Denis Diderot and Walter Herries Pollock (page images at HathiTrust)
• The imaginative faculty (E. Mathews and J. Lane, 1893), by Herbert Beerbohm Tree (page images at HathiTrust)
• Deutsche Schauspieler : Porträts aus Berlin und Wien (Oesterheld, 1908), by Julius Bab and Willi Handl (page images at HathiTrust; US access only)
• Theorie de l'art du comédien : du, Manuel théatral (A. Leroux, 1826), by Aristippe Félix Bernier de Maligny (page images at HathiTrust)
• Etudes sur l'art théatral : suivies d'anecdotes inédites sur Talma, et de la correspondance de Ducis avec cet artiste, depuis 1792, jusqu'en 1815 (H. Feret, 1836), by Caroline Vanhove Talma, Mathieu Guillaume Thérèse de Villenave, J.-F. Ducis, and François Joseph Talma (page images at HathiTrust)
• L'art théâtral; nouvelle édition, précédée d'une lettre d'Émile Augier et d'une préface de m. Coquelin ainé. (E. Dentu, 1889), by Joseph-Isidore Samson (page images at HathiTrust)
• Acting and play production; a manual for classes, dramatic clubs, and little theatres (Longmans, Green and co., 1930), by Harry Lee Andrews and Bruce Weirick (page images at HathiTrust)
• El arte del teatro, en que se manifiestan los verdaderos principios de la declamación teatral, y la diferencia que hay de esta á la del púlpito y tribunales, etc. (J.Ibarra, Impresor de Cámara de S.M., 1783), by Joseph de Resma (page images at HathiTrust)
• On the profession of a player: three essays (E. Mathews & Marrot, ltd., 1929), by James Boswell (page images at HathiTrust)
• La querelle des comédiens et des poëtes : conférence faite à Paris à l'Université des annales le 7 mars 1928, répétée le 20 mars 1928, et refaite à Bruxelles le 23 mars 1928 (Divan, 1928), by Béatrix Dussane and Tristan DereÌ€me (page images at HathiTrust; US access only)
• The drama; addresses. (W. Heinemann, 1893), by Henry Irving (page images at HathiTrust)
• O theatro e o actor (esboc̣o philosophico da arte de representar. (Livraria editora vinva Tavares Cardoso, 1906), by Joāo dos Reis Gomes (page images at HathiTrust; US access only)
• Die Kunst der dramatischen Darstellung (E. Reiss, 1919), by Heinrich Theodor Rötscher (page images at HathiTrust; US access only)
• The craft of comedy (Theatre arts, inc., 1916), by Athene Seyler and Stephen Haggard (page images at HathiTrust)
• On actors and the art of acting (H. Holt and company, 1880), by George Henry Lewes (page images at HathiTrust)
• The history of the harlequinade (J. B. Lippincott company;, 1915), by Maurice Sand (page images at HathiTrust; US access only)
• Dramatic opinions and essays, with an apology (Brentano's, 1922), by Bernard Shaw and James Huneker (page images at HathiTrust)
• Greek acting in the fifth century (University of California Press, 1916), by James Turney Allen (page images at HathiTrust)
• Das rollenfach im deutschen theaterbetrieb des 19. jahrhunderts (Selbstverlag der Gesellschaft fu̇r theatergeschichte, 1926), by Hans Doerry (page images at HathiTrust; US access only)
• Zhongguo ju zhi zu zhi. (Beijing, 1928), by Rushan Qi (page images at HathiTrust; US access only)
• Xin bian xi xue hui kao (Da dong shu ju, 1926), by Shanghai Da dong shu ju (page images at HathiTrust; US access only)
• Training for the stage : some hints for those about to choose the player's career (J.B. Lippincott company, 1916), by Arthur Hornblow (page images at HathiTrust; US access only)
• The drama : addresses (Tait, 1893), by Henry Irving and Sons & Company Tait (page images at HathiTrust)
• Reflections upon theatrical expression in tragedy. : With a proper introduction, and appendix. (Printed for W. Johnston ..., 1755), by Roger Pickering (page images at HathiTrust)
• Private theatricals etc. (London : [various publishers], 1863-1875., 1863), by Charles Millward, Martin Dutnall, and Samuel French & Son (page images at HathiTrust)
• An essay on the genius of Shakespeare : with critical remarks on the characters of Romeo, Hamlet, Juliet, and Ophelia ; together with some observations on the writings of Sir Walter Scott. To which is annexed, A letter to Lord --, containing a critique on taste, judgment, and rhetorical expression, and remarks on the leading actors of the day ... (J. Bigg, 1826), by Henry Mercer Graves (page images at HathiTrust)
• Mr. Dickens goes to the play (G. P. Putnam's sons, 1922), by Charles Dickens (page images at HathiTrust)
• Two lectures : Colley Cibber's "Apology" delivered to the members of the O. P. Club, Sunday, April 24th, 1904 and The Art & status of the actor, delivered to the members of the Playgoers' Club, Sunday, April 1st, 1900 (Chiswick Press, 1904), by Henry Irving (page images at HathiTrust)
• Studies and memoirs ; an autobiography. (Roberts, 1888), by Adelaide Ristori (page images at HathiTrust)
• Tratado de tratados de declamación (Biblioteca "Teatro Mundial,", 1914), by Luis Millá Gacio (page images at HathiTrust; US access only)
• La comédie de salon; comment on la monte et comment on la joue. (E. Kolb, 1893), by R. Manuel (page images at HathiTrust)
• Acting in opera, its A-B-C, with descriptive examples, practical hints and numerous illustrations (G. Schirmer, 1915), by George Edward Shea (page images at HathiTrust; US access only)
• Stage craft (C.W. Daniel, 1929), by Campbell Fletcher (page images at HathiTrust; US access only)
• The actor's art; a practical treatise on stage declamation, public speaking, and deportment, for the use of artists, students, and amateurs, including a sketch on the history of the theatre, from the Greeks to the present time. (Simpkin, Marshall, 1888), by Gustave Garcia (page images at HathiTrust)
• The art of directing plays (Eldridge entertainment house, inc., 1931), by De Witt Clinton Ashton (page images at HathiTrust)
• L'arte del comico (R. Sandron, 1914), by Luigi Rasi (page images at HathiTrust; US access only)
• Lewis' Technique of acting (Harrison Lewis screen and stage school, 1942), by Harrison Lewis (page images at HathiTrust)
• Elementary principles of acting : a textbook aid for teachers and students : based on The art of acting, by F.F. Mackay (S. French, 1934), by F. F. Mackay, Alice B. Mackay, and Edward J. Mackay (page images at HathiTrust)
• The art of acting (F. F. Mackay, 1913), by F. F. Mackay (page images at HathiTrust)
• Face the footlights! A new and practical approach to acting (Whittlesey house, 1940), by Ezekiel Bredin Colvan (page images at HathiTrust)
• Screen acting : its requirements and rewards (Falk, 1922), by Inez Klumph, Helen Klumph, and New York Institute of Photography (page images at HathiTrust)
• Stage technique made easy (M. S. Mill, 1942), by Selma Paley Morosco and Athea Lounsbury (page images at HathiTrust)
• Reminiscences of a dramatic critic, with an essay on the art of Henry Irving (Houghton, Mifflin and Company, 1902), by Henry Austin Clapp (page images at HathiTrust)
• Petit guide pratique de l'art du théâtre. (E. Flammarion, 1925), by René Saint-Ursanne (page images at HathiTrust)
• Schauspielkunst (Dürr & Weber, 1923), by Hermann Bahr (page images at HathiTrust)
• La plastique théâtrale. (A. Joanin, 1906), by Paul Marcel (page images at HathiTrust)
• Der Schauspieler in seiner Entwicklung vom Mysterien- Zum Kammerspiel. (Schuster & Loeffler, 1919), by Adolf Winds (page images at HathiTrust)
• Great acting in English (Privately printed, 1907), by Arthur Symons (page images at HathiTrust)
• The art of the theatre (Dial Press, 1925), by Sarah Bernhardt (page images at HathiTrust)
• The guide to the stage containing clear and ample instructions for obtaining theatrical engagements, with a list of provincial theaters ... and a clear elucidation of all the technicalities of the histrionic art. To which is added a list of the London theaters ...; with additional information, making it applicable to the American stage ... also, a list of the American theaters, and copies of their rules and articles of engagement. (S. French, 1868), by Leman Thomas Rede and Francis Courtney Wemyss (page images at HathiTrust)
• Publications of the Dramatic Museum of Columbia University in the city of New York : 5th series. Papers on acting ... (Printed for the Dramatic Museum of Columbia University, 1926), by Columbia University. Dramatic Museum, Francisque Sarcey, Fanny Kemble, Constant Coquelin, Dion Boucicault, and Otis Skinner (page images at HathiTrust)
• The manual of the Cinema schools, incorporated. (Hollywood, Calif., 1928), by incorporated Cinema schools and John E. Ince (page images at HathiTrust)
• The technique of acting. (McGraw-Hill, 1956), by Francis Cowles Strickland (page images at HathiTrust; US access only)
• Polymnie : ou, Les arts mimiques (É. Hazan, 1929), by Jean Prévost (page images at HathiTrust)
• Tratado de arte escénico ("La Hormiga de Oro", 1890), by Sebastián J Carner (page images at HathiTrust)
• Maskenkünste : Betrachtungen und Charakteristiken (G.D.W. Callwey, 1913), by Ferdinand Gregori (page images at HathiTrust)
• Essays in theatrical criticism. (Remington, 1882), by Mowbray Walter Morris (page images at HathiTrust)
• The drama; addresses (Tait, Sons & Company, 1892), by Henry Irving (page images at HathiTrust)
• Screen acting (Photostar publishing co., 1921), by Mae Marsh (page images at HathiTrust)
• The singer and his art (D. Appleton and company, 1921), by Thaddeus Wronski and John F. Levbarg (page images at HathiTrust)
• Acting and oratory : designed for public speakers, teachers, actors, etc. (College of Oratory and Acting, 1879), by J. E. Frobisher (page images at HathiTrust)
• Motion picture acting; how to prepare for photoplaying, what qualifications are necessary, how to secure an engagement, salaries paid to photoplayers (Reliance Newspaper Syndicate, 1913), by Frances Agnew (page images at HathiTrust)
• Hints on elocution, and how to become an actor (A. D. Ames, 1871), by Charles William Smith and A. D. Ames (page images at HathiTrust)
• Me̲moire sur Lekain et sur l'art dramatique. (A. Delavault, 1827), by François Joseph Talma (page images at HathiTrust)
• Études dramatiques ... (Liepmannssohn et Dufour, 1870), by Ludovic Celler (page images at HathiTrust)
• The road to the stage, or, The performer's preceptor : containing clear and ample instructions for obtaining theatrical engagements, with a list of all the provincial theatres ... and a complete explanation of all the technicalities of the histrionic art (Joseph Smith, 1827), by Leman Thomas Rede (page images at HathiTrust)
• Vom Sinn der Schauspielkunst; eine Untersuchung an der Kunst Max Pallenbergs. (Felix Lehmann, 1918), by Hellmuth Falkenfeld (page images at HathiTrust; US access only)
• L'art et le comédien (P. Ollendorff, 1887), by Constant Coquelin (page images at HathiTrust)
• Dramatische Scenen für den Unterricht. (Munchen, 1895), by Heinrich Oberländer (page images at HathiTrust)
• Die kunst der bühne ... (Schuster & Loeffler, 1922), by Carl Hagemann (page images at HathiTrust; US access only)
• Instruktøren : haandbog for dilittant-skuespillere. (Gyldendal, 1896) (page images at HathiTrust)
• When mother let us act (Moffat, Yard and Company, 1913), by Stella G. S. Perry and Ada Budell (page images at HathiTrust)
• Uchenīe o dushevnykh dvizhenīi͡akh v primi͡enenīi k st͡senicheskomu iskusstvu (Tipo-litografīi͡a Vysoch. utver. T-va I.N. Kushnerev i K⁰, 1891), by Petr Serebri͡akov (page images at HathiTrust)
• Danske kunstner-portrætter fra vore dage. (G.C. Ursin, 1883), by Frederik Vilhelm Møller (page images at HathiTrust)
• The elements of dramatic criticism, containing an analysis of the stage under the following heads, tragedy, tragi-comedy, comedy, pantomime, and farce. With a sketch of the education of the Greek and Roman actors; concluding with some general instructions for succeeding in the art of acting. (Printed for G. Kearsly [etc.], 1775), by William Cook (page images at HathiTrust)
• Theatralisches Quodlibet für Schauspieler und Schauspielliebhaber. (Peter Dufour, königl. Buchdrucker, 1782), by Gottlieb Friedrich Lorenz (page images at HathiTrust; US access only)
• Teatro, arte ed artisti; mosaico d'aneddoti di escursioni storiche, schizzi biografici ed artistici. (G. Gnocchi di Giacomo, 1869), by Giuseppe Arnaud (page images at HathiTrust)
• Réflexions de Talma sur Lekain et l'art théâtral. (A. Fontaine, 1856), by François Joseph Talma (page images at HathiTrust)
• Der Schauspieler. (B. D. Teubner, 1919), by Ferdinand Gregori (page images at HathiTrust; US access only)
• Arte dramatica por Manuel de Macedo. (D. Corazzi, 1885), by Joaquim Manuel de Macedo (page images at HathiTrust)
• Der Schauspieler und sein Haus (Oesterheld, 1909), by Julius Bab (page images at HathiTrust; US access only)
• Dramaturgisches. Sammlung kleinerer Aufsätze. (Rohde, 1867), by F. Ludwig (page images at HathiTrust)
• Theorie der Schauspielkunst. (Oswald, 1836), by E. Thürnagel (page images at HathiTrust)
• Ueber Schauspieler und Schauspielkunst (Franz Duncker, 1878), by George Henry Lewes (page images at HathiTrust)
• On actors and the art of acting. (Brentano's, 1911), by George Henry Lewes (page images at HathiTrust)
• Lessons in the art of acting. (Martyn College Press, 1889), by Edmund Shaftesbury (page images at HathiTrust)
• Haiyūjutsu oyobi gekiron (Yomiuri Shinbunsha, 1907), by Henry Irving and Kunpei Matsumoto (page images at HathiTrust; US access only)
• Das Schaffen des Schauspielers (F. Dümmler, 1899), by Ferdinand Gregori (page images at HathiTrust)
• Réflexions sur Lekain et sur l'art théatral. (L. Tenré, 1825), by François Joseph Talma (page images at HathiTrust)
• Bemerkungen über die theatralischen Grundübel : ihre Wirkungen und Folgen. (Hohenleitter, 1799) (page images at HathiTrust)
• Die kunst der bühne. (Deutsche verlags-anstalt, 1922), by Carl Hagemann (page images at HathiTrust)
• Der Mime : die Kunst des Schauspielers und Opernsängers (Schuster & Loeffler, 1918), by Carl Hagemann (page images at HathiTrust)
• Dramatic opinions. (Little, Brown, and company, 1890), by Madge Kendal (page images at HathiTrust)
• Educational dramatics; a handbook on the Educational player method (Moffat, Yard and company, 1913), by Emma Sheridan Fry (page images at HathiTrust)
• Moderne Bühnenkunst. (Schuster & Loeffler, 1912), by Carl Hagemann (page images at HathiTrust)
• Tvorchestvo aktera i teorii︠a︡ Stanislavskago / Ḟ. Kommissarzhevskīĭ. (Svobodnoe iskusstvo, 1916), by Theodore Komisarjevsky (page images at HathiTrust)
• Reflexiones sobre el arte teatral. (M. P. Montoya, 1879), by François Joseph Talma (page images at HathiTrust)
• Lezioni di declamazione e d'arte teatrale. (Tip. all insegna di Dante, 1832), by Antonio Morrocchesi (page images at HathiTrust)
• Mémoires de Molé ([s.n.], 1825), by René François Molé, Charles-Guillaume Étienne, and Pierre Reḿond de Sainte-Albine (page images at HathiTrust)
• Lettre à Mylord *** sur Baron et Dlle Le Couvreur (L. Willem, 1870), by Léonor-Jean-Christine Soulas d' Allainval, Jean du Mas d' Aigueberre, and Jules Bonnassies (page images at HathiTrust)
• View of the English stage (Geo. Routledge and co., 1854), by William Hazlitt, William Hazlitt, and G. Routledge & Co (page images at HathiTrust)
• Principii d'arte drammatica rappresentativa, dettati nell'Istituto drammatico di Padova. (Presso F.Sanvito, 1857), by Francesco Augusto Bon and Istituto drammatico di Padova (page images at HathiTrust)
• O dramacie i scenie. (Księgarnia naukowa, 1905), by Stanisław Przybyszewski (page images at HathiTrust)
• Manual do amador-dramatico : guia pratico da arte de representar (A. Bordalo, 1911), by Augusto Garraio (page images at HathiTrust)
• Estatica e dynamica da physionomia (A. M. Teixeira, 1915), by Júlio Dantas (page images at HathiTrust)
• Schauspielernotizen : zusammen mit einem Vortrag: das Schaffen des Schauspielers (E. Reiss, 1921), by Friedrich Kayssler (page images at HathiTrust)
• Da critica theatral em Portugal. (Typ. lusobritannica, 1870), by Carl Busch (page images at HathiTrust)
• Arte de representar; sentimiento, expressão, identificaçaõ, estudos comp. (Guimarães, 1912), by José Antonio Moniz and José Simões Coelho (page images at HathiTrust)
• Tekhnika obrabotki st s enicheskogo zrelishcha. (Vserossii skii proletkul t, 1922), by Valentin Sergeevich Smyshli a ev (page images at HathiTrust; US access only)
• The drama : addresses (W. Heinemann, 1893), by Henry Irving (page images at HathiTrust)
• Annals of the English stage (W.H. Allen & Co., 1864), by Dr. Doran (page images at HathiTrust)
• Parlor dramas, or, Dramatic scenes for home amusement (Collins and Brother, 1859), by William Bentley Fowle (page images at HathiTrust)
• Shakespearean representation; its laws and limits (E. Stock, 1908), by Percy Fitzgerald (page images at HathiTrust)
• The drama : addresses. (W. Heinemann, 1893), by Henry Irving (page images at HathiTrust)
• The actor and the über-marionette. (The Mask, 1908), by Edward Gordon Craig (page images at HathiTrust)
• On actors and the art of acting (B. Tauchnitz, 1875), by George Henry Lewes (page images at HathiTrust)
• The art of acting. (S. French, 1870) (page images at HathiTrust)
• The actor's art : its requisites, and how to obtain them : its defects, and how to remove them (S. French, 1870), by Charles William Smith (page images at HathiTrust)
• Talking versus acting. ([n.p.], 1905), by Richard Mansfield (page images at HathiTrust; US access only)
• Full display of the scenic art (Printed by Joshua Belcher :, 1810) (page images at HathiTrust)
• Dramatic opinions and essays with an apology (Archibald Constable & co., ltd., 1907), by Bernard Shaw and James Huneker (page images at HathiTrust)
• Die Kunst der dramatischen Darstellung ([s.n.], 1919), by Heinrich Theodor Rötscher and Oskar F. Walzel (page images at HathiTrust; US access only)
• The road to the stage, contains clear and ample instructions for obtaining theatrical engagements ... (J. Onwhyn, 1836), by Leman Thomas Rede and William Leman Rede (page images at HathiTrust)
• Teatralnoe iskusstvo. (S.-Peterburg, 1872), by P. D. Boborykin (page images at HathiTrust)
• An essay on the genius of Shakespeare, with critical remarks on the characters of Romeo, Hamlet, Juliet, and Ophelia; together with some observations on the writings of Sir Walter Scott. To which is annexed, A letter to Lord -----, containing a critique on taste, judgment, and rhetorical expression, and remarks on the leading actors of the day ... (J. Bigg, 1826), by Henry Mercer Graves (page images at HathiTrust)
• On actors and the art of acting (Smith, Elder, & co., 1875), by George Henry Lewes and John Davis Batchelder Collection (Library of Congress) (page images at HathiTrust)
• The Thespian preceptor (J. Roach, 1810) (page images at HathiTrust)
• Educational dramatics (L. A. Boble, 1917), by Emma Sheridan Fry (page images at HathiTrust)
• The life of a star (McClure, Phillips & co., 1906), by Clara Morris (page images at HathiTrust)
• Helen Potter's impersonations (E.S. Werner, 1891), by Helen Potter (page images at HathiTrust)
• Helen Potter's impersonations (E.S. Werner, 1891), by Helen Potter (page images at HathiTrust)
• Tvorchestvo i rabota rezhissera i aktera (Moskva :, 1922), by A. Klepokov (page images at HathiTrust)
• O teatri︠e︡ (I.D. Sytin, 1909), by Sergeĭ I︠A︡blonovskiĭ (page images at HathiTrust)
• O theatro e o actor (esboço philosophico da arte de representar) (Livraria editora viuva Tavares Cardoso, 1906), by João dos Reis Gomes (page images at HathiTrust)
• The works of the late Aaron Hill, esq; ... : consisting of letters on various subjects, and of original poems, moral and facetious. With an essay on the art of acting .. (Printed for the benefit of the family, 1754), by Aaron Hill and Urania Hill Johnson (page images at HathiTrust)
• Amateur acting (Musson Book Co., in the 1880s), by J. Keith Angus (page images at HathiTrust)
• The illusion of the first time in acting (New York : Printed for the Dramatic Museum of Columbia University, MCMXV., 1915), by William Gillette and George Arliss (page images at HathiTrust)
• L'Art et le comedien (P. Ollendorf, 1880), by Constant Coquelin (page images at HathiTrust)
• Art and the actor (Printed for the Dramatic Museum of Columbia University, 1915), by Constant Coquelin, Abby Langdon Alger, and Henry James (page images at HathiTrust)
• Aus der Werkstatt des Schauspielers; dramaturgische Aufsätze. (E. Schloemp, 1886), by Eduard Ferdinand Frey (page images at HathiTrust)
• Theater-Seele; Studie über Bühnenästhetik und Schauspielkunst. (Priber & Lammers, 1907), by Theodor Lessing (page images at HathiTrust)
• Iskusstvo i aktery : ėti︠u︡d (Tip. Smolenskīĭ vi︠e︡stnik, 1907), by A. N. Agatov (page images at HathiTrust; US access only)
• L'arte del comico (A. Paganini, 1890), by Luigi Rasi (page images at HathiTrust)
• Aus der Werkstätte des Schauspielers (E. Haendcke, 1903), by Adolf Winds (page images at HathiTrust)
• The actor's companion (Mills & Boon, 1912), by Cecil Ferard Armstrong (page images at HathiTrust)
• The scholia on hypokrisis in the Commentary of Donatus (J.H. Furst Company, 1908), by John W. Basore (page images at HathiTrust)
• Personality, the actor's capital; address to the Actor's Society of America, Dec. 13th, 1908. ([n.p.], 1908), by Eugene Wiley Presbrey (page images at HathiTrust; US access only)
• Dramatic miscellany (Roorbach & Co. ..., 1883), by François Joseph Talma and Henry Irving (page images at HathiTrust)
• Practical hints on acting for the cinema (Stanley Paul, 1921), by Agnes Platt (page images at HathiTrust)
• Desde mi butaca : apuntes para una psicología de nuestros actores (M. Pérez Villavicencio, 1907), by Eduardo Zamacois (page images at HathiTrust)
• L'art du Théâtre, suivi d'une ; lettre de M. Riccoboni fils à Madame *** au sujet de l'art du Théâtre (Slatkine reprints, 1971), by Antoine-François Riccoboni (page images at HathiTrust)
• Die kunst der dramatischen darstellung. (O. Wigand, 1864), by Heinrich Theodor Ro tscher (page images at HathiTrust)
• Elocution and stage training. ("The Era", 1901), by Maxwell Ryder (page images at HathiTrust)
• On actors and the art of acting (Smith, Elder & co., 1875), by George Henry Lewes (page images at HathiTrust)
• Sword play for actors; a manual of stage fencing. (The M.W.Hazen, 1905), by Fred Gilbert Blakeslee (page images at HathiTrust)
• L'art du Théâtre, à Madame *** (Chez C. F. Simon, 1950), by Antoine-François Riccoboni (page images at HathiTrust)
• Lessons in the art of acting : a practical and thorough work for all persons who aim to become professional actors : and for all readers and orators who desire to make use of the power of dramatic expression, which is the true element of success in the pulpit, at the bar, and on the platform ... (The Martyn college press, 1889), by Edmund Shaftesbury (page images at HathiTrust)
• Practical illustrations of rhetorical gesture and action : adapted to the English drama. From a work on the same subject by M. Engel, by Henry Siddons. Embellished with numerous engravings, expressive of the various passions, and representing the modern costume of the London theatres. (Printed for Richard Phillips, 1807), by Johann Jacob Engel and Henry Siddons (page images at HathiTrust)
• Om den sceniske kunst. ([publisher not identified], 1892), by K. A. Winterhjelm (page images at HathiTrust)
• Moderne Bühnenkunst ... (Schuster & Loeffler, 1916), by Carl Hagemann (page images at HathiTrust; US access only)
• O formi͡e v st͡senicheskom tvorchestvi͡e (Izd. zhurnala Iskusstvo, 1902), by S. Bronevskīĭ (page images at HathiTrust)
• Publications of the Dramatic museum of Columbia university in the city of New York. (Printed for the Dramatic museum of Columbia university, 1915), by Columbia University. Dramatic Museum (page images at HathiTrust)
• Hints to speakers and players. (E. Arnold, 1911), by Rosina Filippi (page images at HathiTrust)
• Frauen-beruufe. Die bühnenkünstlerin ... Forderungen leistungen, aussichten in diesem berufe (E. Kempe, 1899), by Alban von Hahn (page images at HathiTrust)
• Reflections upon theatrical expression in tragedy. With a proper introduction and appendix. (Printed for W. Johnston, 1755), by Roger Pickering (page images at HathiTrust)
• Idées sur le geste et l'action théatrale (Barrois; [etc., etc.], 1788), by Johann Jacob Engel (page images at HathiTrust)
• The paradox of acting (Chatto & Windus, 1992), by Denis Diderot and Walter Herries Pollock (page images at HathiTrust; US access only)
• Mimik; Übungsmaterial für Schauspiel- und Opern-Schüler. (Reiss, 1909), by Alfred Auerbach (page images at HathiTrust)
• Schauspieler-eitelkeit. Ungeschminkte plaudereien (J. Zenker, 1887), by Karl Böttcher (page images at HathiTrust)
• Ist die Schauspielkunst eine moralisch berechtigte Kunst? (Haessel, 1905), by Johanne Luise Heiberg (page images at HathiTrust; US access only)
• Entworf zu einer praktischen Schauspielerschule. (Wallishauffer, 1846), by August Lewald (page images at HathiTrust)
• L'arte del comico. (R. Sandron, 1905), by Luigi Rasi (page images at HathiTrust)
• Teatro italiano. (Alliana e Paravia, 1830), by Francesco Righetti and Luigi Riccoboni (page images at HathiTrust)
• The cure of stagefright (Four Seas, 1927), by Mary Louise Goodhue (page images at HathiTrust)
• A manual of play production (Pub. by the Author by arrangement with the New York State College of Agriculture, 1937), by A. M. Drummond (page images at HathiTrust)
• Technique in dramatic art : a delineation of the art of acting by means of its underlying principles and scientific laws, with technical instruction in the art of play production and public speaking / by Halliam Bosworth ; with a foreword by Oliver Hinsdell. (Macmillan, 1929), by Halliam Bosworth (page images at HathiTrust)
• I scout for movie talent; a guide to the requirements for an artist's entry into motion pictures, with practical suggestions applicable to any line of dramatic endeavor (A. Kroch and son, 1940), by Clarence M. Shapiro (page images at HathiTrust)
• Observations sur l'art du comédien, : et sur d'autres objets concernant cette profession en général ; avec quelques extraits de différens auteurs & des remarques analogues au même sujet: ouvrage destiné a de jeune acteurs et actrices; (Chez la veuve Duchesne, 1775), by Jean-Nicolas d' Hannetaire (page images at HathiTrust)
• Problems of the actor (Simpkin, Marshall, Hamilton, Kent, 1919), by Louis Calvert (page images at HathiTrust; US access only)
• Dell' arte rappresentiva ([publisher not identified], 1728), by Luigi Riccoboni and Philip Dormer Stanhope Chesterfield (page images at HathiTrust)
• The actor's manual and handbook : containing useful information for amateurs and professionals, with list of plays particularly adapted for amateur production. (Chicago Manuscript Co., 1900), by Chicago Manuscript Co (page images at HathiTrust)
• On actors and the art of acting (H. Holt and company, 1892), by George Henry Lewes (page images at HathiTrust)
• La pratique du théatre (J. F. Bernard, 1715), by François-Hédelin Aubignac and Gilles Ménage (page images at HathiTrust)
• Acting, the first six lessons. (Theatre Arts Books, 1958), by Richard Boleslavsky (page images at HathiTrust)
• Lettera della signora Elena Balletti Riccoboni, al signor abate Antonio Conti gentiluomo viniziano, sopra la maniere di M. Baron nel rappresentare le tragedie franzesi. (s.n., 1750), by Elena Virginia Riccoboni (page images at HathiTrust)
• Tratado de declamacion (Por los herederos de D.A. Roca, 1833), by Vicente Joaquín Bastús y Carrera (page images at HathiTrust)
• Das Schaffen des Schauspielers. I. Wesentliches und Unwesentliches seiner Kunst. II. Die Bühnendarstellung der Hamlet-Rolle. (F. Dümmler, 1899), by Ferdinand Gregori (page images at HathiTrust)
• Fisionomia e mimica (U. Hoepli, 1905), by G. Luigi Cerchiari (page images at HathiTrust)
• L'arte della parola : nel discorso, nella drammatica e nel canto (Giacomo Agnelli, 1860), by E. Franceschi (page images at HathiTrust)
• Della declamazione (Stabilimento tipografico di Androsio, 1878), by Francesco Saverio Salfi and Alfonso Salfi (page images at HathiTrust)
• Monologhi (Carlo Aliprandi, 1890), by Davide Carnaghi, Luca Fornari, and Cletto Arrighi (page images at HathiTrust)
• Il dito : monologo-conferenza (G. Brugnoli, 1908), by Cesare Chiusoli (page images at HathiTrust; US access only)
• The rise of a theory of stage presentation in England during the eighteenth century (The Modern Language Association, 1917), by Lily Bess Campbell (page images at HathiTrust)
• Pour devenir comédien; principes et observations constituant un précieux vademecum pour les gens qui se destinent au théâtre. (A. Michel, 1922), by René Miguel (page images at HathiTrust)
• Skådespelarkonst. (Björck & Börjesson, 1919), by Adam Poulsen (page images at HathiTrust; US access only)
• The art of acting. (London, in the 1860s), by Charles William Smith (page images at HathiTrust)
• L'art du comédien (Paris : Paul Ollendorff, 1887., 1887), by Constant Coquelin (page images at HathiTrust)
• L'Art théatral (Dorbon-Ainé, 1912), by M. Samson (page images at HathiTrust; US access only)
• The noble art. ([London, 1897), by Stanley Jones (page images at HathiTrust)
• The actor's hand-book, and guide to the stage for amateurs. (Dicks, 1880) (page images at HathiTrust)
• How to become an actor. (French, 1890), by R. C. Buchanan (page images at HathiTrust)
• Guide to the stage. (Fisher & Bro., 1850), by A retired performer (page images at HathiTrust)
• Address to the students of the American Academy of Dramatic Arts, March 21, 1902, Empire Theater, New York. (National Pub. Co., 1902), by Annie Russell (page images at HathiTrust)
• The Manchester stage 1880-1900; criticism reprinted from "The Manchester Guardian." (A. Constable, 1901) (page images at HathiTrust)
• Études sur l'art théâtral, suivies d'anecdotes inédites sur Talma, et de la correspondance de Ducis avec cet artiste, depuis 1792, jusqu'en 1815 (H. Feret, 1836), by Caroline Talma, M. G. T. Villenave, and J.-F. Ducis (page images at HathiTrust)
• Manners and movements in costume plays (Kenyon-Deane, 1900), by Isabel Chisman and Hester Emilie Raven-Hart (page images at HathiTrust; US access only)
• Up-to-the-minute monologues : a collection of "plays for one character" (Boston : Walter H. Baker & Co., 1919., 1919), by Laura M. Williams (page images at HathiTrust)
• Manuale dell'artista drammatico : cinque dialoghi (Carlo Barbini, 1877), by Alamanno Morelli (page images at HathiTrust)
• Histoire pittoresque des passions chez l'homme et chez la femme : et particulièrement de l'amour. (Imprimerie d'Alexandre Bailly, 1846) (page images at HathiTrust)
• Sminksjälar (Åhlen & Åkerlund, 1923), by Guido Valentin (page images at HathiTrust)
• Play acting for scouts and others ... (Brown, 1928), by E. Stuart Monro and Lawrence Saunders (page images at HathiTrust)
• Graphic sources for a modern approach to the acting of restoration comedy. (U.S. Office of Education, Bureau of Research], 1967), by Nancy Wandalie Henshaw (page images at HathiTrust)
• A mascara d'um actor; cabeças d'expressão. (Guimarães & c.a, 1914), by João Alberto Pereira de Azevedo Neves (page images at HathiTrust)
• Voor het voetlicht; handleiding voor tooneelkunst-beoefenaars. Tooneelspelen, voordragen, typeeren, enz., grimeeren, regie (Wed. P. van Waesberge & Zoon, 1928), by Johan Schmidt (page images at HathiTrust)
• La pratique du théâtre (J.F. Bernard, 1715), by François-Hédelin Aubignac (page images at HathiTrust)
• The ideal of dramatic art and the actor's calling : an address to the Coburn Players, delivered ... on Sunday, July the eleventh, nineteen hundred nine ... at the University of the South, Sewanee, Tennessee (Sewanee, Tenn. : University Press, [1909], 1909), by William Norman Guthrie (page images at HathiTrust)
• La pratique du théâtre (J. Carbonel, 1927), by François-Hédelin Aubignac and Pierre Martino (page images at HathiTrust)
• Letters on the theatre and the dance. (The Polychrome Corp., 1942), by Lasar Galpern (page images at HathiTrust)
• Der schauspieler (Bühnenvolksbundverlag, 1926), by Ewald Geissler (page images at HathiTrust)
• How to become an actor, by Aaron A. Warford (Gutenberg ebook)

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