African Americans -- Music -- Discography
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The Latest Blues by Columbia Race Stars: Columbia New Process Records, Made the New Way, Electrically, Viva-Tonal Recording, The Records Without Scratch (ca. 1927), by Columbia Records, Inc. (page images at HathiTrust)
- The Latest Blues by Columbia Race Stars: Columbia New Process Records, Made the New Way, Electrically, Viva-Tonal Recording, The Records Without Scratch (ca. 1927), by Columbia Records, Inc. (page images at HathiTrust)
Items below (if any) are from related and broader terms.
Filed under: African Americans -- Music- Slave Songs of the United States (reprint; New York: P. Smith, 1951), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison (page images at HathiTrust)
- Hampton Series: Negro Folk-Songs (4 volumes; New York and Boston: G. Schirmer, c1918-1919), ed. by Natalie Curtis Burlin
- Slave Songs of the United States (New York: A. Simpson and Co., 1867), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison
- Twenty-Four Negro Melodies, Transcribed for the Piano (Boston: O. Ditson Co.; et al., c1905), ed. by Samuel Coleridge-Taylor, contrib. by Booker T. Washington (page images at HathiTrust)
- God Wills the Negro: An Anthropological and Geographical Restoration of the Lost History of the American Negro People, Being in Part a Theological Interpretation of Egyptian and Ethiopian Backgrounds (Chicago: Geographical Institute Press, 1939), by Theodore P. Ford (page images at HathiTrust)
- The Book of American Negro Spirituals (New York: Viking Press, 1925), ed. by James Weldon Johnson, contrib. by J. Rosamond Johnson and Lawrence Brown (multiple formats at archive.org)
- Hampton and its Students, by M. F. Armstrong and Helen W. Ludlow (page images at MOA)
- Uncle Remus and His Friends: Old Plantation Stories, Songs, and Ballads, With Sketches of Negro Character (Boston and New York: Houghton, Mifflin and Co., c1892), by Joel Chandler Harris, illust. by A. B. Frost (page images at HathiTrust)
- Uncle Remus and His Friends: Old Plantation Stories, Songs, and Ballads, With Sketches of Negro Character ("Booklovers edition"; New York: McKinlay, Stone and Mackenzie, ca. 1922), by Joel Chandler Harris, illust. by A. B. Frost (page images at HathiTrust)
- A Change is Gonna Come: Music, Race and the Soul of America (revised edition; Ann Arbor: University of Michigan Press, 2006), by Craig Hansen Werner (page images at HathiTrust)
- Rock This Way: Cultural Constructions of Musical Legitimacy (Ann Arbor: University of Michigan Press, c2023), by Mel Stanfill (multiple formats with commentary at fulcrum.org)
- Phonophotography in Folk Music: American Negro Songs in New Notation (Chapel Hill, NC: University of North Carolina Press, 1928), by Milton Metfessel, contrib. by Carl E. Seashore (page images at HathiTrust)
- Negro Musicians and Their Music (based on the first and second editions, 1936 and 1943), by Maud Cuney-Hare (illustrated HTML at Celebration of Women Writers)
- Blues Then and Now: The History of the Blues, by Frank Leanza (HTML with commentary at publicbookshelf.com)
- Blues Then and Now: The History of the Blues, by Frank Leanza (HTML with commentary at publicbookshelf.com)
- Make It New: Reshaping Jazz in the 21st Century (Amherst, MA: Lever Press, c2019), by Bill Beuttler
- The Jazz Republic: Music, Race, and American Culture in Weimar Germany (Ann Arbor: University of Michigan Press, c2017), by Jonathan O. Wipplinger (PDF with commentary at Michigan and oapen.org)
- Holy Hip Hop in the City of Angels (Oakland, CA: University of California Press, c2017), by Christina Zanfagna (multiple formats with commentary at Luminos)
- Earshot Jazz (1984-) (full serial archives)
- Ragtime Review (with recent commentary; 1914-1918) (full serial archives)
- Ragtime Review (with recent commentary; 1914-1918) (full serial archives)
- The Tabernacle Hymns (Chicago: Tabernacle Pub. Co., c1916), ed. by D. B. Towner and Arthur W. McKee (multiple formats at archive.org)
- Tabernacle Hymns, No. 2 (Chicago: Tabernacle Pub. Co., c1921), ed. by Paul Rader, George C. Stebbins, and Lance B. Latham (multiple formats at archive.org)
- The Revival Helper: A Collection of Songs for Christian Work and Worship (Chicago: S. Brainard's Sons Co., c1893), ed. by Charles Walker Ray (page images at HathiTrust)
- The Revival Helper: A Collection of Songs for Christian Work and Worship (Chicago: S. Brainard's Sons Co., c1893), ed. by Charles Walker Ray (page images at HathiTrust)
- The Jazz Republic: Music, Race, and American Culture in Weimar Germany (Ann Arbor: University of Michigan Press, c2017), by Jonathan O. Wipplinger (PDF with commentary at Michigan and oapen.org)
- A Jazz Improvisation Primer, by Marc Sabatella (HTML at outsideshore.com)
- Make It New: Reshaping Jazz in the 21st Century (Amherst, MA: Lever Press, c2019), by Bill Beuttler
- Make It New: Reshaping Jazz in the 21st Century (Amherst, MA: Lever Press, c2019), by Bill Beuttler
- Head Hunters: The Making of Jazz's First Platinum Album (Ann Arbor: University of Michigan Press, c2005), by Steven F. Pond (page images at HathiTrust)
- Music Violence: How Does it Affect our Children: Hearing Before the Subcommittee on Oversight of Government Management, Restructuring, and the District of Columbia of the Committee on Governmental Affairs, United States Senate, One Hundred Fifth Congress, First Session, November 6, 1997 (Washington: GPO, 1998), by United States Senate Committee on Governmental Affairs (page images at HathiTrust)
- Music Lyrics and Commerce: Hearings Before the Subcommittee on Commerce, Consumer Protection, and Competitiveness of the Committee on Energy and Commerce, House of Representatives, One Hundred Third Congress, Second Session, February 11 and May 5, 1994 (Washington: GPO, 1994), by United States House. Committee on Energy and Commerce (page images at HathiTrust)
- Holy Hip Hop in the City of Angels (Oakland, CA: University of California Press, c2017), by Christina Zanfagna (multiple formats with commentary at Luminos)
- Music Violence: How Does it Affect our Children: Hearing Before the Subcommittee on Oversight of Government Management, Restructuring, and the District of Columbia of the Committee on Governmental Affairs, United States Senate, One Hundred Fifth Congress, First Session, November 6, 1997 (Washington: GPO, 1998), by United States Senate Committee on Governmental Affairs (page images at HathiTrust)
- Sounding Like a No-No: Queer Sounds and Eccentric Acts in the Post-Soul Era (Ann Arbor: University of Michigan Press, c2013), by Francesca T. Royster (multiple formats with commentary at fulcrum.org)
- The Book of American Negro Spirituals (New York: Viking Press, 1925), ed. by James Weldon Johnson, contrib. by J. Rosamond Johnson and Lawrence Brown (multiple formats at archive.org)
- Hampton and its Students, by M. F. Armstrong and Helen W. Ludlow (page images at MOA)
- Twenty-Four Negro Melodies, Transcribed for the Piano (Boston: O. Ditson Co.; et al., c1905), ed. by Samuel Coleridge-Taylor, contrib. by Booker T. Washington (page images at HathiTrust)
- Slave Songs of the United States (reprint; New York: P. Smith, 1951), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison (page images at HathiTrust)
- Slave Songs of the United States (New York: A. Simpson and Co., 1867), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison
- Slave Songs of the United States (reprint; New York: P. Smith, 1951), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison (page images at HathiTrust)
- Hampton Series: Negro Folk-Songs (4 volumes; New York and Boston: G. Schirmer, c1918-1919), ed. by Natalie Curtis Burlin
- Slave Songs of the United States (New York: A. Simpson and Co., 1867), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison
- African Music on LP: An Annotated Discography (Evanston: Northwestern University Press, c1970), by Alan P. Merriam (PDF with commentary at Northwestern)