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American drama -- Psychological aspects

See also what's at your library, or elsewhere.

• American drama
• American literature -- Psychological aspects
• Psychological aspects

• Contour in Time: The Plays of Eugene O'Neill (revised edition, 1988), by Travis Bogard (HTML at archive-it.org)

Items below (if any) are from related and broader terms.

• Representative Plays by American Dramatists (3 volumes originally published out of order; New York: E. P. Dutton and Co., 1918-1925), ed. by Montrose Jonas Moses
  • all volumes: page images at HathiTrust
  • Volume I (1765-1819): multiple formats at archive.org
  • Volume II (1815-1858): multiple formats at archive.org
  • Volume III (1856-1911): multiple formats at archive.org

• The Selected Plays of Jerome Lawrence and Robert E. Lee (includes Inherit the Wind; Auntie Mame; The Gang's All Here; Only in America; A Call on Kuprin; Diamond Orchid; The Night Thoreau Spent in Jail; First Monday in October; Columbus, OH: Ohio State University Press, c1995), by Jerome Lawrence and Robert Edwin Lee, ed. by Alan Woods (PDF at Ohio State)
• Kumu Kahua Plays (Honolulu: University of Hawaii Press, c1983), ed. by Dennis Carroll (PDF and Epub with commentary at Hawaii)
• Alice in Blunderland: A Farce in One Act for Four Male and Two Female Performers (Boston: W. H. Baker, c1903), by William Lincoln Balch (page images at HathiTrust)
• The Provincetown Plays (Cincinnati: Stewart Kidd Co., c1921), ed. by George Cram Cook and Frank Shay, contrib. by George Cram Cook, Susan Glaspell, Edna St. Vincent Millay, Pendleton King, James Oppenheim, Neith Boyce, Hutchins Hapgood, Floyd Dell, Eugene O'Neill, Alice Rostetter, Rita Wellman, and Wilbur Daniel Steele (multiple formats at archive.org)
• The Provincetown Plays, First Series (New York: F. Shay, 1916), ed. by Frank Shay, contrib. by Eugene O'Neill, Louise Stevens Bryant, and Floyd Dell
  • multiple formats at archive.org
  • page images at HathiTrust
• The Provincetown Plays, Third Series (New York: Frank Shay, 1916), contrib. by Neith Boyce, Alfred Kreymborg, and Eugene O'Neill (multiple formats at archive.org)

• Act Like a Man: Challenging Masculinities in American Drama (Ann Arbor: University of Michigan Press, c1995), by Robert Vorlicky
  • multiple formats at fulcrum.org
  • page images at HathiTrust
• Dreaming America: Popular Front Ideals and Aesthetics in Children's Plays of the Federal Theatre Project (Columbus, OH: Ohio State University Press, c2013), by Leslie Elaine Frost (PDF at Ohio State)
• Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (Ann Arbor: University of Michigan Press, c2010), by James F. Wilson (multiple formats with commentary at fulcrum.org)
• Modern Drama and the Rhetoric of Theater (Berkeley: University of California Press, 1992), by William B. Worthen (HTML at UC Press)
• Murder Most Queer: The Homicidal Homosexual in the American Theater (Ann Arbor: University of Michigan Press, c2014), by Jordan Schildcrout (multiple formats with commentary at fulcrum.org)
• Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers (Columbus, OH: Ohio State University Press, c2010), by Taylor Hagood (PDF at Ohio State)
• Arena (New York: Duell, Sloan and Pearce, c1940), by Hallie Flanagan (page images at HathiTrust)

• Copy (partial serial archives)

• Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance (Ann Arbor: University of Michigan Press, c2010), by James F. Wilson (multiple formats with commentary at fulcrum.org)
• Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers (Columbus, OH: Ohio State University Press, c2010), by Taylor Hagood (PDF at Ohio State)

• Kumu Kahua Plays (Honolulu: University of Hawaii Press, c1983), ed. by Dennis Carroll (PDF and Epub with commentary at Hawaii)

• Staging Desire: Queer Readings of American Theater History (Ann Arbor: University of Michigan Press, c2002), ed. by Kim Marra and Robert A. Schanke (multiple formats with commentary at fulcrum.org)
• Performing America: Cultural Nationalism in American Theater (Ann Arbor: University of Michigan Press, c1999), ed. by Jeffrey D. Mason and J. Ellen Gainor (page images at HathiTrust)
• Shouts and Murmurs: Echoes of a Thousand and One First Nights (New York: The Century Co., 1922), by Alexander Woollcott (page images at HathiTrust)

• Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust)

• Dreaming America: Popular Front Ideals and Aesthetics in Children's Plays of the Federal Theatre Project (Columbus, OH: Ohio State University Press, c2013), by Leslie Elaine Frost (PDF at Ohio State)

• Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers (Columbus, OH: Ohio State University Press, c2010), by Taylor Hagood (PDF at Ohio State)

• Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers (Columbus, OH: Ohio State University Press, c2010), by Taylor Hagood (PDF at Ohio State)

• Tit for Tat: A Play for Little Folks (Chicago and New York: Dramatic Pub. Co., c1906), by Marjorie Benton Cooke (multiple formats at Indiana)

• The Kukkurrik Fables: 44 Mini-Plays for All Media (second edition, revised and augmented; 2008), by Oscar Mandel (PDF at Caltech)

• Folk Plays of Eastern Carolina (Chapel Hill: UNC Press, 1940), by Bernice Kelly Harris (HTML and page images at ecu.edu)

• The Kukkurrik Fables: 44 Mini-Plays for All Media (second edition, revised and augmented; 2008), by Oscar Mandel (PDF at Caltech)
• The People; and Close the Book: Two One-Act Plays (New York: F. Shay, 1918), by Susan Glaspell (page images at HathiTrust)
• A Twentieth Century Trilogy, by Martha Keltz (HTML and Word in the UK)
• The Provincetown Plays (Cincinnati: Stewart Kidd Co., c1921), ed. by George Cram Cook and Frank Shay, contrib. by George Cram Cook, Susan Glaspell, Edna St. Vincent Millay, Pendleton King, James Oppenheim, Neith Boyce, Hutchins Hapgood, Floyd Dell, Eugene O'Neill, Alice Rostetter, Rita Wellman, and Wilbur Daniel Steele (multiple formats at archive.org)
• The Provincetown Plays, First Series (New York: F. Shay, 1916), ed. by Frank Shay, contrib. by Eugene O'Neill, Louise Stevens Bryant, and Floyd Dell
  • multiple formats at archive.org
  • page images at HathiTrust
• The Provincetown Plays, Third Series (New York: Frank Shay, 1916), contrib. by Neith Boyce, Alfred Kreymborg, and Eugene O'Neill (multiple formats at archive.org)

• The House of Rimmon: A Drama in Four Acts (New York: Charles Scribner's Sons, 1908), by Henry Van Dyke (Gutenberg text and illustrated HTML)

• The Shewing-Up of Blanco Posnet (with the preface on censorship), by Bernard Shaw (Gutenberg text)

• HIV-Negative: How the Uninfected Are Affected by AIDS (1995), by William I. Johnston (HTML at std.com)
• HIV and Psychiatry: Training and Resource Manual (first edition, ca.1997), ed. by Marie-Josée Brouillette and Kenneth Citron (frame-dependent PDF files in Canada)

• English Composition as a Happening (Logan, UT: Utah State University Press, c2002), by Geoffrey Michael Sirc (PDF with commentary at usu.edu)

• The Psychology of Advertising in Theory and Practice: A Simple Exposition of the Principles of Psychology in Their Relation to Successful Advertising (Boston: Small, Maynard and Co., c1921), by Walter Dill Scott (multiple formats at archive.org)
• Joe Camel With Feathers: How the NRA With Gun and Tobacco Industry Dollars Uses its Eddie Eagle Program to Market Guns to Kids (Washington: Violence Policy Center, 1997; two appendices omitted), by Susan Glick and Josh Sugarmann (HTML at vpc.org)

• Psychoanalytic Aesthetics: The British School, by Nicola Glover (HTML at psychoanalysis-and-therapy.com)

• Invisible Wounds of War: Psychological and Cognitive Injuries, Their Consequences, and Services to Assist Recovery (2008), ed. by Terri L. Tanielian and Lisa Jaycox (PDF with commentary at rand.org)

• The World and the Bo Tree (Durham, NC and London: Duke University Press, 1991), by Helen Bevington (page images at HathiTrust)

• Live Coding: A User's Manual (Cambrige, MA and London: MIT Press, c2022), by Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean, and Thor Magnusson (multiple formats with commentary at toplap.org)

• Mandela's Dark Years: A Political Theory of Dreaming (Minneapolis: University of Minnesota Press, 2015), by Sharon Sliwinski (HTML with commentary at umn.edu)

• A Reader in Themed and Immersive Spaces (Pittsburgh: ETC Press, c2016), ed. by Scott A. Lukas (PDF at CMU)

• The Handling of Words, and Other Studies in Literary Psychology (London: J. Lane, c1923), by Vernon Lee (HTML at Gutenberg Canada)
• George Moore and the Autogenous Self: The Autobiography and Fiction (Syracuse, NY: Syracuse University Press, c1994), by Elizabeth Grubgeld (Epub with commentary at Syracuse)
• An Investigation into the Character of Fanny Burney (Amsterdam: H. J. Paris, 1933), by A. A. Overman (page images at delpher.nl)
• Ralph Waldo Emerson: An Estimate of His Character and Genius: in Prose and Verse, by Amos Bronson Alcott
  • HTML at Michigan
  • page images at MOA

More items available under broader and related terms at left.