Art -- Technique
See also what's at your library, or elsewhere.
Broader terms:Narrower terms:![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
Practical Hints for Art Students (New York: Duffield and Co., 1910), by Charles Augustus Lasar (page images at HathiTrust)- The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only)
- The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin)
- De L'Enseignement du Dessin, Sous le Point de Vue Industriel (in French; Paris: Giroux, et al., 1836), by Alexandre Dupuis (multiple formats at Google)
- How to Draw: A Practical Book of Instruction in the Art of Illustration (New York and London: Harper and Bros., c1904), by Leon Barritt (page images at HathiTrust)
- The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc)
- The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
- Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust)
- Alberti Dureri Clarissimi Pictoris et Geometrae de Symetria Partium in Rectis Formis Huanorum Corporum, Libri in Latinum Conuersi (in Latin; Nuremberg: In aedib. viduae Durerianae, 1532), by Albrecht Dürer (page images at Vatican Digital Library)
- With Pen and Ink (New York et al.: The Prang Co., c1913), by James Hall
- Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust)
- An Account of a Method of Etching or Engraving, via Sicca, by Means of Voltaic Electricity (Weston-Super-Mare, J. Whereat; et al., 1848), by James H. Pring
- Traicté des Manieres de Graver en Taille Douce sur l'Airin, par le Moyen des Eaux Fortes, et des Vernix Durs et Mols (in French; Paris: Bosse, 1645), by Abraham Bosse (multiple formats at archive.org)
- Wood Engraving (London: Ditchling Press, 1921), by R. John Beedham, contrib. by Eric Gill (HTML at woodblock.com)
- Hand-Book of Wood Engraving (Boston: Lee and Shepard, 1881), by William A. Emerson (PDF at shipbrook.net)
- The Technique of the Color Wood-Cut, by Walter J. Phillips (illustrated HTML in Canada)
- Wood-Block Printing by the Japanese Method, by Frank Morley Fletcher (illustrated HTML at woodblock.com)
- Japanese Woodblock Printing, by Hiroshi Yoshida (illustrated HTML at woodblock.com)
- How Prints Look: Photographs with a Commentary (New York: Metropolitan Museum of Art, 1943), by William Mills Ivins (page images and PDF with commentary at Metropolitan Museum of Art and Google)
- Antichità, Vantaggi, e Metodo della Pittura Encausta: Discorso Letto nella Pubblica Adunanza della R. Accademia Economica di Firenze il dì 10. Settembre 1794 (in Italian; Venice: S. Apollinare, 1800), by Giovanni Valentino Mattia Fabbroni
Items below (if any) are from related and broader terms.
Filed under: Art- Claude Monet: The Water-Lilies; and Other Writings on Art (Urbana, IL: Windsor and Downs Press; 2017), by Georges Clemenceau, trans. by Bruce Michelson (illustrated HTML and Epub with commentary at Illinois)
- A. Hyatt Mayor: Selected Writings and a Bibliography (New York: Metropolitan Museum of Art, 1983), by A. Hyatt Mayor (page images and PDF with commentary at Metropolitan Museum of Art and Google)
- The Visual Experience; An Introduction To Art (Englewood Cliffs, NJ: Prentice-Hall, ca. 1961), by Bates Lowry (page images at HathiTrust)
- The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only)
- Barbaren und Klassiker: Ein Buch von der Bildnerei Exotischer Völker (in German; title page appears to be missing; Munich: R. Piper and Co., 1922), by Wilhelm Hausenstein (page images at HathiTrust; US access only)
- Kunst ("Art" translated into German; Dresden: Sibyllenverlag, 1922), by Clive Bell, ed. by Paul Westheim (page images at HathiTrust; US access only)
- Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
- Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and Poets (New York: Boni and Liveright, c1921), by Marsden Hartley (Gutenberg text and page images)
- Art (New York: F. A. Stokes Co., ca. 1914), by Clive Bell (Gutenberg text and illustrated HTML)
- Art and Socialism, by William Morris (HTML at marxists.org)
- Art Culture: A Hand-Book of Art Technicalities and Criticisms, Selected From The Works of John Ruskin, and Arranged and Supplemented by Rev. W.H. Platt, for the Use of Schools and Colleges; Together With a New Glossary of Art Terms, And an Alphabetical and Chronological List of Artists (New York: J. Wiley and Son, 1873), by John Ruskin, ed. by W. H. Platt (multiple formats at archive.org)
- Art Culture: A Hand-Book of Art Technicalities and Criticisms, Selected From The Works of John Ruskin, and Arranged and Supplemented by Rev. W.H. Platt, for the Use of Schools and Colleges; Together With a New Glossary of Art Terms, And an Alphabetical and Chronological List of Artists (New York: J. Wiley and Sons, 1877), by John Ruskin, ed. by W. H. Platt (page images at HathiTrust)
- A Course of Lectures Delivered at the New York School of Applied Design for Women (New York: Irving Press, 1912), ed. by Mrs. Dunlap Hopkins, contrib. by Frank Edwin Elwell, Henry Reuterdahl, Louis R. Metcalfe, H. K. Kevorkian, and Albert Sterner (page images at HathiTrust)
- The Creative Will: Studies in the Philosophy and the Syntax of Aesthetics (New York and London: J. Lane, 1916), by Willard Huntington Wright (multiple formats at archive.org)
- Hopes and Fears for Art, by William Morris (Gutenberg text)
- L'Art et le Geste (in French; Paris: F. Alcan, 1910), by Jean d' Udine (page images at HathiTrust)
- Lectures on Art, and Poems, by Washington Allston (page images at MOA)
- Prose Miscellany (Cincinnati: R. Clarke and Co., 1881), by Horace P. Biddle (HTML and page images at Indiana)
- Seven Discourses on Art, by Joshua Reynolds (Gutenberg text)
- Sketches of Art, Literature, and Character (Boston and New York: Houghton, Mifflin, 1885), by Mrs. Jameson (multiple formats at archive.org)
- The Two Paths, by John Ruskin (Gutenberg text)
- An Anagram of Ideas on Art, Form and Film (Yonkers, NY: Alicat Book Shop Press, 1946), by Maya Deren (page images at HathiTrust; US access only)
- System and Dialectics of Art (New York: Delphic studios, 1937), by John Graham (page images at HathiTrust)
- The Aesthetic and Miscellaneous Works of Friedrich von Schlegel: Comprising Letters on Christian Art; An Essay on Gothic Architecture; Remarks on the Romance-Poetry of the Middle Ages and on Shakspere; On the Limits of the Beautiful; On the Language and Wisdom of the Indians (London: H. G. Bohn, 1860), by Friedrich von Schlegel, trans. by E. J. Millington
- Elements of Art Criticism, by G. W. Samson (page images at MOA)
- The Sanity of Art: An Exposure of the Current Nonsense about Artists being Degenerate (London: The New Age Press, 1908), by Bernard Shaw (PDF at modjourn.org)
- Pot-Boilers (London: Chatto and Windus, 1918), by Clive Bell (Gutenberg text)
- Signs of Change, by William Morris (Gutenberg text)
- The Decay of Lying, by Oscar Wilde (HTML in Ireland)
- Questioni Pratiche di Belle Arti: Restauri, Concorsi, Legislazione, Professione, Insegnamento (in Italian; Milano: U. Hoepli, 1893), by Camillo Boito (page images at HathiTrust)
More items available under broader and related terms at left.