Art criticism
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Broader terms:Narrower terms:- Art criticism -- Biography
- Art criticism -- Congresses
- Art criticism -- Denmark
- Art criticism -- Early works to 1800
- Art criticism -- France
- Art criticism -- Germany
- Art criticism -- Great Britain
- Art criticism -- History
- Art criticism -- Italy
- Art criticism -- Middle West
- Art criticism -- Ontario
- Art criticism -- Periodicals
- Art criticism -- Political aspects
- Art criticism -- United States
- Art appreciation
- Feminist art criticism
- Art -- Analysis, interpretation, appreciation
- Art -- Criticism
- Arts -- Criticism
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A. Hyatt Mayor: Selected Writings and a Bibliography (New York: Metropolitan Museum of Art, 1983), by A. Hyatt Mayor (page images and PDF with commentary at Metropolitan Museum of Art and Google)- Critique of Creativity: Precarity, Subjectivity and Resistance in the "Creative Industries" (London: MayFlyBooks, 2011), ed. by Gerald Raunig, Gene Ray, and Ulf Wuggenig (PDF and HTML with commentary at MayFlyBooks)
- Elements of Art Criticism, by G. W. Samson (page images at MOA)
- Essays on Life, Art and Science, by Samuel Butler, ed. by R. A. Streatfeild (Gutenberg text)
- It Needs to Be Said... (c1929), by Frederick Philip Grove (HTML in Canada; NO US ACCESS)
- Der Begriff der Kunstkritik in der Deutschen Romantik (in German; Bern: A. Francke, 1920), by Walter Benjamin (page images in Germany)
- Discorsi d'Arte di Maria Alinda Brunamonti, Nata Bonacci (in Italian; Città di Castello: S. Lapi, 1898), by Maria Alinda Bonacci Brunamonti
- Wilde v. Whistler: Being an Acrimonious Correspondence on Art Between Oscar Wilde and James A. McNeill Whistler (unauthorized publication of correpondence taken from Whistler's "The Gentle Art of Making Enemies"; London: Privately printed, 1906), by Oscar Wilde and James McNeill Whistler
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L'à peu près dans la critique et le vrai sens de l'imitation dans l'art. Sculpture. Peinture ... (Officine dell'Istituto italiano d'arti grafiche, 1913), by Aleksandr Nikolaevich Volkov-Muromt︠s︡ev (page images at HathiTrust)- Études sur les beaux-arts en général ... (Didier et cie., 1860), by M. Guizot (page images at HathiTrust)
- Die Kunstkritik, ihre Geschichte und Theorie (F. Bruckmann A.-G., 1915), by Albert Dresdner (page images at HathiTrust; US access only)
- Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art (The Baker & Taylor co., 1903), by Henry Rankin Poore (page images at HathiTrust)
- Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art. (The Baker & Taylor co., 1903), by Henry Rankin Poore (page images at HathiTrust; US access only)
- Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art (The Baker & Taylor co., 1900), by Henry Rankin Poore (page images at HathiTrust)
- Experiencing pictures through analysis of ancient and modern works and through practice of the procedures which make those works effective (Brewer, Warren and Putnam, 1932), by Ralph M. Pearson (page images at HathiTrust)
- Ananias; or, The false artist. (Harper & brothers, 1928), by Walter Pach (page images at HathiTrust)
- Essai sur la critique d'art; ses principes, sa méthode, son histoire en France (Hachette et cie, 1877), by A. Bougot (page images at HathiTrust)
- The heaven of invention. (Johns Hopkins Press, 1962), by George Boas (page images at HathiTrust)
- Relation in art, being a suggested scheme of art criticism, with which is incorporated a sketch of a hypothetic philosophy of relation (Oxford University Press, H. Milford, 1925), by Vernon Blake (page images at HathiTrust)
- The limitations of verbal criticism of works of art (The Southworth Press], 1928), by Samuel Isham (page images at HathiTrust)
- The enjoyment of art (Houghton, Mifflin and Company, 1903), by Carleton Eldredge Noyes (page images at HathiTrust)
- The gate of appreciation; studies in the relation of art to life (Houghton, Mifflin and Company, 1907), by Carleton Eldredge Noyes (page images at HathiTrust)
- How to see modern pictures; an extension of the design principle into three dimensions and an explanation of its basic application to the work of the moderns, the primitives, and the classics of both Europe and the Orient, together with an appendix containing practical suggestions for bridging the gap between artist and public (L. MacVeagah, The Dial press, 1925), by Ralph M. Pearson (page images at HathiTrust)
- How to see modern pictures; an extension of the design principle into three dimensions and an explanation of its basic application to the work of the moderns, the primitives, and the classics of both Europe and the Orient, together with an appendix containing practical suggestions for bridging the gap between artist and public (L. MacVeagah, The Dial press, 1928), by Ralph M. Pearson (page images at HathiTrust)
- Art and environment (H. Holt and Co., 1914), by L. March Phillipps (page images at HathiTrust)
- Essai sur le principe et les lois de la critique d'art. (H. Laurens, 1909), by André Fontaine (page images at HathiTrust)
- Every man his own art critic at the Manchester exhibition, 1887. (J. Heywood, 1887), by Patrick Geddes (page images at HathiTrust)
- Every man his own art critic. (Glasgow exhibition, 1888.) An introduction to the study of pictures (W. Brown, 1888), by Patrick Geddes (page images at HathiTrust)
- Come ci si accosta ad un' opera d'arte. Primo avviamento alla compresione estetica. (Società tipografica modenese., 1924), by Mario Martinozzi (page images at HathiTrust)
- Ultra-violet rays and their use in the examination of works of art (New York, 1931), by James Joseph Rorimer and Metropolitan Museum of Art (New York, N.Y.) (page images at HathiTrust)
- Elements of art criticism; comprising a treatise on the principles of man's nature as addressed by art, together with a historic survey of the methods of art execution in the departments of drawing, sculpture, architecture, painting, landscape gardening, and the decorative arts. Designed as a text book for schools and colleges, and as a hand-book for amateurs and artists. (J.B. Lippincott & Co., 1867), by G. W. Samson (page images at HathiTrust)
- Elements of art criticism comprising a treatise on the principles of man's nature as addressed by art, together with a historic survey of the methods of art execution in the departments of drawing, sculpture, architecture, painting, landscape gardening, and the decorative arts. Designed as a text book for school and colleges, and as a hand-book for amateurs and artists. (J. B. Lippincott & Co., 1874), by G. W. Samson (page images at HathiTrust)
- Old masters and new; essays in art criticism (Fox, Duffield & Company, 1905), by Kenyon Cox (page images at HathiTrust)
- El prosaísmo en el arte. (La España editorial, 1895), by Federico Balart (page images at HathiTrust)
- Whistler's pastels and other modern profiles (J. Lane, 1912), by A. E. Gallatin, Howard Coppuck Levis, and Lessing J. Rosenwald Reference Collection (Library of Congress) (page images at HathiTrust)
- OEuvres littéraires ... (G. Crès & c-ie, 1923), by Eugène Delacroix and Élie Faure (page images at HathiTrust)
- Form und Farbe. (Buchverlag der "Hilfe," g.m.b.h., 1909), by Friedrich Naumann (page images at HathiTrust)
- Die Kunstwissenschaft der Gegenwart in Selbstdarstellungen (F. Meiner, 1924), by Johannes Jahn (page images at HathiTrust)
- Deutsche Kunsthistoriker von Sandrart bis Rumohr. (E. A. Seemann, 1921), by Wilhelm Waetzoldt (page images at HathiTrust; US access only)
- Practical pictorial composition; a guide to the appreciation of pictures (C. Scribner's sons, 1926), by Edwin George Lutz (page images at HathiTrust)
- Réflexions sur quelques causes de l'état présent de la peinture en France. Avec un examen des principaux ouvrages exposés au Louvre le mois d'Août 1746. (J. Neaulme, 1747), by La Font de Saint-Yenne (page images at HathiTrust)
- Pis'ma k rodnym (Gos. muzyk. izd-vo, 1953), by V. V. Stasov (page images at HathiTrust)
- Theories of criticism : essays in literature and art (Library of Congress, 1984), by M. H. Abrams and James S. Ackerman (page images at HathiTrust)
- Zur Beurteilung mittelalterlicher Kunstwerke; in Bezug auf ihre zeitliche und örtliche Entstehung. (J. H. E. Heitz, 1928), by Georg Humann (page images at HathiTrust)
- Essays on life, art, and science (A. C. Fifield, 1908), by Samuel Butler and R. A. Streatfeild (page images at HathiTrust)
- Sobranīe sochinenīĭ. (Izd. Imp. Akademīi nauk, 1898), by Karl Karlovich Goertz (page images at HathiTrust)
- [Ivan Nikolaevich Kramskoĭ ; ego zhizn,́ perepiska, i khudozhestvenno-kriticheskii︠a︡ statí, 1837-1887.] (A. Suvorin, 1888), by Ivan Nikolaevich Kramskoĭ (page images at HathiTrust)
- The appreciation of painting. (Scribner, 1921), by Percy Moore Turner (page images at HathiTrust; US access only)
- The appeal of the picture; an examination of the principles in picture-making (J. M. Dent & sons, ltd;, 1915), by F. C. Tilney (page images at HathiTrust; US access only)
- With eyes of the past (W. W. Norton & company, inc., 1928), by Henry Ladd (page images at HathiTrust)
- Die methode der frühromantischen bildkunstkritik (E. Ebering, 1927), by Rosine Calsow (page images at HathiTrust)
- Critical papers in art ; Stubb's calender ; Barber Cox (Macmillan, 1904), by William Makepeace Thackeray (page images at HathiTrust)
- Studien zur kritik der moderne ... (Rütten & Loening, 1894), by Hermann Bahr (page images at HathiTrust)
- Un discours sur la science d'un connoisseur (Chez Herman Uytwerf, 1728), by Jonathan Richardson, Claude Duflos, Gabriel François Louis Debrie, Lambert ten Kate, and Jonathan Richardson (page images at HathiTrust)
- Yudishe zamlbikher (Ṿaysenberg ferlag, 1920), by Isaac Meir Weissenberg (page images at HathiTrust)
- Deutsche Kunst (S. Fischer, 1916), by Karl Scheffler (page images at HathiTrust; US access only)
- Deutsche Kunsthistoriker (E.A. Seemann, 1921), by Wilhelm Waetzoldt (page images at HathiTrust)
- Great works of art and what makes them great. (Garden City Publishing, 1925), by F. W. Ruckstull and Theo. B. Hyslop (page images at HathiTrust)
- Let's understand art : a book on art apreciation for all. (Studio Publications, 1951), by Lancelot Norman Staniland (page images at HathiTrust)
- L'art en Espagne (A. Lemerre, 1891), by Paul Flat (page images at HathiTrust)
- Elements of art criticism; comprising a treatise on the principles of man's nature as addressed by art, together with a historic survey of the methods of art execution in the departments of drawing, sculpture, architecture, painting, landscape gardening, and the decorative arts. (J.B. Lippincott, 1868), by G. W. Samson (page images at HathiTrust)
- Deutsche Kunst (S. Fischer, 1915), by Karl Scheffler (page images at HathiTrust; US access only)
- A test in art appreciation ([Grand Forks, N.D., 1927), by Erwin Ottomar Christensen and Theodore Francis Karwoski (page images at HathiTrust)
- Die Schriften (Meyer & Jessen, 1912), by Franz Wickhoff (page images at HathiTrust; US access only)
- Appreciation of art: painting. ([Grand Forks, N.D., 1924), by Erwin Ottomar Christensen (page images at HathiTrust)
- The building of a picture (Sanderson, 1902), by W. L. Judson (page images at HathiTrust)
- Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art (The Baker & Taylor co., 1903), by Henry Rankin Poore (page images at HathiTrust)
- Reviews and appreciations of some old Italian masters (W. Heinemann, 1912), by Herbert Frederick Cook (page images at HathiTrust)
- Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art. (G.P. Putnam's Sons, 1903), by Henry Rankin Poore (page images at HathiTrust; US access only)
- The gentle art of making enemies, as pleasingly exemplified in many instances, wherein the serious ones of this earth, carefully exasperated, have been prettily spurred on to unseemliness and indiscretion, while overcome by an undue sense of right... (W. Heinemann, 1892), by James McNeill Whistler (page images at HathiTrust)
- Études sur les beaux-arts en France et à l'étranger (L. Hachette et cie, 1863), by Charles Perrier (page images at HathiTrust)
- Art appreciation. (Stephen Daye Press, 1949), by Hugo G. Beigel (page images at HathiTrust)
- El prosaísmo en el arte. (La España editorial, 1885), by Federico Balart (page images at HathiTrust)
- Sobranīe sochinenīĭ (Izd. Imp. akademīi nauk, 1898), by K. K Gert͡s (page images at HathiTrust; US access only)
- Ut pictura poesis. (The [Modern Language] Association, 1909), by William Guild Howard (page images at HathiTrust)
- Elements of art criticism : comprising a treatise on the principles of man's nature as addressed by art, together with a historic survey of the methods of art execution in the departments of drawing, sculpture, architecture... (J. B. Lippincott & Co., 1867), by G. W. Samson (page images at HathiTrust)
- Form und Farbe (Buchverlag der "Hilfe," G.m.b.H., 1909), by Friedrich Naumann (page images at HathiTrust; US access only)
- Essays on the fine arts (Reeves & Turner, 1873), by William Hazlitt and William Carew Hazlitt (page images at HathiTrust)
- ...Technique et sentiment : études sur l'art moderne... (H. Laurens, 1919), by Henri Focillon (page images at HathiTrust; US access only)
- The enjoyment of art. (Houghton, Mifflin & Co., 1903), by Carleton Eldredge Noyes (page images at HathiTrust)
- Über Künstler und Kunstwerke (Berlin, 1865), by Herman Friedrich Grimm (page images at HathiTrust)
- Sittliche oder unsittliche kunst! Eine historische revision, mit 50 bildern. (R. Piper & co., g.m.b.h., 1909), by Ernst Wilhelm Bredt (page images at HathiTrust)
- How to judge pictures (Gibbings and co., 1913), by Margaret Thomas (page images at HathiTrust)
- Sanity in art (A. Kroch, 1937), by Josephine Logan (page images at HathiTrust)
- Sobre bellas artes : Conferencias, criticas i estudios (Lima, 1920), by Emilio Gutiérrez de Quintanilla (page images at HathiTrust)
- Deutsche Kunsthistoriker. (E.A. Seemann, 1949), by Wilhelm Waetzoldt (page images at HathiTrust; US access only)
- Yu yi lu : 4 juan (Xu shi Han mu chun hua guan, 1840), by Yuezao Miao (page images at HathiTrust)
- W. Bürger's Kunstkritik : Deutsche Bearbeitung (Klinkhardt & Biermann, 1908), by T. Thoré, Bernhard Klemm, and August Schmarsow (page images at HathiTrust; US access only)
- Sententiæ artis : first principles of art for painters and picture lovers (Wm. Isbister, 1886), by Harry Quilter (page images at HathiTrust)
- Die Entstehung der Kunstkritik im Zusammenhang der Geschichte des europäischen Kunstlebens (F. Bruckmann, 1915), by Albert Dresdner (page images at HathiTrust)
- L'art et les artistes contemporains au Salon de 1859 (Libr. nouvelle :, 1859), by Alexandre Dumas (page images at HathiTrust)
- Kunstgeschichtliches anschauungsmaterial zu Lessings Laokoon (Velhagen & Klasing, 1899), by Julius Ziehen (page images at HathiTrust)
- Estudios críticos sobre biografía, historia, literatura y arte. (V. Suárez, 1879), by Fermín Herrán (page images at HathiTrust)
- Udvalgte skrifter (Det nordiske forlag, 1900), by Jul. Lange, P. Købke, and Georg Brandes (page images at HathiTrust)
- La délicatesse dans l'art (Librairie Hachette et Cie, 1884), by Constant Martha (page images at HathiTrust)
- Fine art, chiefly contemporary : notices re-printed, with revisions (Macmillan, 1867), by William Michael Rossetti (page images at HathiTrust)
- Der Begriff der Kunstkritik in der deutschen Romantik (A. Scholem, 1920), by Walter Benjamin (page images at HathiTrust)
- Catalogue of examples arranged for elementary study in the university galleries (Clarendon Press, 1870), by John Ruskin and University of Oxford. University Galleries (page images at HathiTrust)
- Elements of art criticism, comprising a treatise on the principles of man's native as addressed by art together with a historic survey of the methods of art execution in the departments of drawing, sculpture, architecture, painting, landscape gardening and the decorative arts. (J.B. Lippincott & co., 1869), by G. W. Samson (page images at HathiTrust)
- Un critique d'art dans l'antiquité : Philostrate et son école : thèse (Chez E. Thorin, 1881), by Édouard Bertrand (page images at HathiTrust)
- Letters on connoisseurship : or The anatomy of a picture. With some remarks on national galleries, and the mission of the modern artist. (Chapman and Hall, 1857), by William Noy Wilkins (page images at HathiTrust)
- The Appreciation of painting (Scribner, 1921), by Percy Moore Turner (page images at HathiTrust)
- Wege zur Kunstbetrachtung (Sibyllen, 1921), by Gustav Johannes von Allesch (page images at HathiTrust)
- Discursos leídos ante la Real academia de bellas artes de Vallodolid en la receptión pública de D. Narcisco Alonso Cortés, el día 22 de junio de 1913. (Estab. tip. de F. Santarén Madrazo, 1913), by Narciso Alonso Cortés and Angel María Álvarez Taladriz (page images at HathiTrust; US access only)
- Modern painters (G. Allen, 1908), by John Ruskin (page images at HathiTrust)
- Gesammelte Studien zur Kunstgeschichte : eine Festgabe zum 4. Mai 1885 für Anton Springer. (E.A. Seemann, 1885), by A. Springer (page images at HathiTrust)
- Quelques réflexions sur les salons (Gazette des Beaux-Arts, 1903), by Henry Cochin (page images at HathiTrust; US access only)
- Della forma delle muse (per Paolo Gottardo Pontio, 1591), by Giovanni Paolo Lomazzo (page images at HathiTrust)
- Kunstwetenschap in theorie en practijk : openbare les gegeven bij zijn optreden als privaatdocent in de kunstgeschiedenis aan de Rijks-Universiteit te Leiden op 21 october, 1904 (Martinus Nijhoff, 1904), by W. Martin and Rijksuniversiteit te Leiden (page images at HathiTrust)
- Frondeur ([publisher not identified], 1785), by Carmontelle (page images at HathiTrust)
- L'art et les artistes au Salon de 1881 : avec une introduction sur les critiques des Salons depuis leur origine (P. Ollendorf, 1881), by Maurice Du Seigneur (page images at HathiTrust)
- A guide to pictures for beginners and students (J.M. Dent, 1916), by Charles Henry Caffin (page images at HathiTrust)
- Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art (G. P. Putnam's Sons, 1903), by Henry Rankin Poore (page images at HathiTrust; US access only)
- Un critique d'art dans l'antiquité. Philostrate et son école, avec un appendice renfermant la traduction d'un choix de tableaux de Philostrate l'ancien, Philostrate le jeune, Choricius de Gaza et Marcus Eugénicus (Chez E. Thorin, 1882), by Édouard Bertrand (page images at HathiTrust)
- Studien und Kritiken (W. Spemann, 1877), by Bruno Meyer (page images at HathiTrust)
- Pictorial composition and the critical judgment of pictures : a handbook for students and lovers of art (Doubleday, Page & Co., 1913), by Henry Rankin Poore (page images at HathiTrust)
- Pictorial composition and the critical judgment of pictures. A handbook for students and lovers of art (G.P. Putnam's Sons, 1914), by Henry Rankin Poore (page images at HathiTrust)
- Whistler vs. Ruskin: Art and art critics. (Chatto & Windus, 1878), by James McNeill Whistler (page images at HathiTrust)
- Sittliche oder unsittliche Kunst? Eine historische Revision, mit 60 Bildern. (R. Piper, 1910), by Ernst Wilhelm Bredt (page images at HathiTrust; US access only)
- The gentle art of making enemies : as pleasingly exemplified in many instances, wherein the serious ones of this earth, carefully exasperated, have been prettily spurred on to unseemliness and indiscretion, while overcome by an undue sense of right (W. Heinemann, 1890), by James McNeill Whistler (page images at HathiTrust)
- The gentle art of making enemies as pleasingly exemplified in many instances, wherein the serious ones of this earth, carefully exasperated, have been prettily spurred on to unseemliness and indiscretion, while overcome by an undue sense of right. (G. P. Putnam's Sons, 1904), by James McNeill Whistler (page images at HathiTrust)
- Notes et causeries sur l'art et sur les artistes (E. Plon et cie, 1881), by Charles Timbal and Henri Delaborde (page images at HathiTrust)
- Vom Wesen des Lachens (E. Rentsch, 1922), by Charles Baudelaire (page images at HathiTrust)
- Art & critique (Bibliothèque d'art de la critique, 1898), by Charles Fuinel (page images at HathiTrust)
- Hinterlassne Werke (In J.C. Hendels Verlage, 1786), by Anton Raphael Mengs, Johann Christian Hendel, Christian Gottlieb August Liebe, Christian Gottlieb Geyser, and Christian Friedrich Prange (page images at HathiTrust)
- Gepraegte form; zeugnisse unserer seelischen schöpferkraft. (Hanseatische verlagsanstalt, 1923), by Ludwig Benninghoff (page images at HathiTrust; US access only)
- L'art de reconnaître les styles (Garnier, 1926), by Emile Bayard (page images at HathiTrust; US access only)
- A simple guide to pictures and painting (Chatto and Windus, 1927), by Margaret Hattersley Bulley (page images at HathiTrust)
- Criticizing criticism (Stuart Art Gallery, 1952), by J. B. Deering (page images at HathiTrust)
- Basic criteria for contemporary painting and sculpture : a gallery-goer's guide, and what to like in modern art (L. Stern, 1959), by Lucia Stern (page images at HathiTrust)
- Examen du Salon de mille huit cent quarante-neuf (Paris : Gide et J. Baudry, éditeurs : et chez Guérin et La Motte, [1849], 1849), by Auguste Galimard (page images at HathiTrust)
- Cžanne's place in art. (Stuart Art Gallery, 1952), by Reed Ebaj (page images at HathiTrust)
- Die deutsche Litterärgeschichte der Kunst im 18. Jahrhundert. Ein Beitrag zur Geschichte der Kunstwissenschaft ... ([Karlsruhe], 1916), by Kurt Karl Eberlein (page images at HathiTrust; US access only)
- La moderna critica d'arte (L. F. Cogliati, 1927), by Fernanda Wittgens and Paolo D'Ancona (page images at HathiTrust; US access only)
- Museumsgänge : eine Einführung in Kunstbetrachtung und Kunstgeschichte (Velhagen & Klasing, 1922), by H. Löschhorn (page images at HathiTrust; US access only)
- Curiosités esthétiques. Notice, notes et éclaircissements de Jacques Crépet. (L. Conrad, 1923), by Charles Baudelaire and Jacques Crépet (page images at HathiTrust; US access only)
- A margem da musica : (critica e fantasia) (Braz Lauria, 1918), by Júlio Reis (page images at HathiTrust; US access only)
- The literary interest in painting in the nineteenth century. ([Place of publication not identified] : [publisher not identified], 1928., 1928), by Frances H. McGrew (page images at HathiTrust)
- On books and arts, by Frederick Wedmore (Gutenberg ebook)
- Horae subsecivae. Rab and His Friends, and Other Papers, by John Brown, illust. by W. A. McCullough and Jessie Curtis Shepherd (Gutenberg ebook)
- The Enjoyment of Art, by Carleton Eldredge Noyes (Gutenberg ebook)
- The Gate of Appreciation: Studies in the Relation of Art to Life, by Carleton Eldredge Noyes (Gutenberg ebook)
- Spare Hours, by John Brown (Gutenberg ebook)
- Pictorial Composition and the Critical Judgment of Pictures, by Henry Rankin Poore (Gutenberg ebook)
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