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Art, Chinese -- Study and teaching

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Filed under: Art, Chinese -- Study and teaching

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Filed under: Art, Chinese -- 19th centuryFiled under: Art, Chinese -- 20th century Filed under: Art, Chinese -- 20th century -- Congresses Filed under: Art, Chinese -- 20th century -- Themes, motives -- ExhibitionsFiled under: Art, Chinese -- CatalogsFiled under: Art, Chinese -- Exhibitions Filed under: Art, Chinese -- Qin-Han dynasties, 221 B.C.-220 A.D. -- ExhibitionsFiled under: Art, Chinese -- Tang-Five dynasties, 618-960 -- ExhibitionsFiled under: Art, Chinese -- Three kingdoms-Sui dynasty, 220-618 -- ExhibitionsFiled under: Art, Chinese -- Japanese influencesFiled under: Art, Chinese -- Periodicals Filed under: Art, Chinese -- Song-Yuan dynasties, 960-1368 -- CongressesFiled under: Art, Chinese -- Three kingdoms-Sui dynasty, 220-618 Filed under: Art -- Study and teaching Filed under: Architecture -- Study and teaching -- CongressesFiled under: Architecture -- Study and teachingFiled under: Art, Byzantine -- Study and teachingFiled under: Art, Greek -- Study and teachingFiled under: Art, Korean -- Study and teachingFiled under: Art, Medieval -- Study and teachingFiled under: Art, Roman -- Study and teachingFiled under: Art, South Asian -- Study and teachingFiled under: Art, Southeast Asian -- Study and teachingFiled under: Drawing -- Study and teaching Filed under: Drawing -- Study and teaching -- 17th centuryFiled under: Drawing -- Study and teaching -- Early works to 1800
  • [Info] The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
Filed under: Islamic art -- Study and teachingFiled under: Art -- Africa -- Study and teaching

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