Austen, Jane, 1775-1817 -- TechniqueSee also what's at your library, or elsewhere.
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Filed under: Austen, Jane, 1775-1817 -- Technique
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Filed under: Austen, Jane, 1775-1817
Filed under: Austen, Jane, 1775-1817 -- Characters -- FictionFiled under: Austen, Jane, 1775-1817 -- Characters -- MenFiled under: Austen, Jane, 1775-1817 -- Correspondence Letters of Jane Austen, by Jane Austen, ed. by Edward Hugessen Knatchbull-Hugessen Brabourne (HTML at pemberley.com) Filed under: Austen, Jane, 1775-1817 -- Criticism and interpretation Disciplining Love: Austen and the Modern Man (Columbus, OH: Ohio State University Press, c2008), by Michael Kramp (PDF at Ohio State) Re-Reading Box Hill: Reading the Practice of Reading Everyday Life (2000), ed. by William H. Galperin (HTML at Romantic Circles) In the Pride of the Moment: Encounters in Jane Austen's World (Columbus, OH: Ohio State University Press, c1990), by John A. Dussinger (PDF at Ohio State) Jane Austen's Novels: The Fabric of Dialogue (Columbus, OH: Ohio State University Press, c1962), by Howard S. Babb An Interview With Anne Mellor (2014), by Anne K. Mellor, ed. by Roxanne Eberle (HTML at Romantic Circles) Imagining Minds: The Neuro-Aesthetics of Austen, Eliot, and Hardy (Columbus, OH: Ohio State University Press, c2010), by Kay Young (PDF at Ohio State) Filed under: Austen, Jane, 1775-1817 -- Friends and associatesFiled under: Austen, Jane, 1775-1817 -- Homes and hauntsFiled under: Austen, Jane, 1775-1817 -- InfluenceFiled under: Austen, Jane, 1775-1817 -- Political and social views
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Filed under: Cervantes Saavedra, Miguel de, 1547-1616 -- Technique
Filed under: Chaucer, Geoffrey, -1400 -- Technique
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Filed under: Drama -- Technique The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust) The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust) How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org) Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text) Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org) Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust) Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust) The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org) Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
Filed under: Drawing -- Technique The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin) De L'Enseignement du Dessin, Sous le Point de Vue Industriel (in French; Paris: Giroux, et al., 1836), by Alexandre Dupuis (multiple formats at Google) How to Draw: A Practical Book of Instruction in the Art of Illustration (New York and London: Harper and Bros., c1904), by Leon Barritt (page images at HathiTrust) The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc) The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
Filed under: Encaustic painting -- Technique Antichità, Vantaggi, e Metodo della Pittura Encausta: Discorso Letto nella Pubblica Adunanza della R. Accademia Economica di Firenze il dì 10. Settembre 1794 (in Italian; Venice: S. Apollinare, 1800), by Giovanni Valentino Mattia Fabbroni
Filed under: Engraving (Metal-work) -- Technique
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