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Avant-garde (Aesthetics) -- History

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• Avant-garde (Aesthetics)
• Aesthetics -- History
• History

• Avant-garde (Aesthetics) -- History -- 20th century
• Avant-garde (Aesthetics) -- Japan -- Tokyo -- History
• Avant-garde (Aesthetics) -- Russia (Federation) -- History

• Amazons of the Avant-Garde (New York: Solomon R. Guggenheim Museum, c2000), ed. by John E. Bowlt and Matthew Drutt, illust. by Alexandra Exter, Nataliia Sergeevna Goncharova, Liubov' Sergeevna Popova, Ol'ga Vladimirovna Rozanova, Varvara Fedorovna Stepanova, and Nadezhda Udal'tsova (multiple formats at archive.org)

• Mavo: Japanese Artists and the Avant-Garde, 1905-1931 (Berkeley et al.: University of California Press, c2002), by Gennifer S. Weisenfeld (multiple formats at archive.org)

Items below (if any) are from related and broader terms.

• CMOK to YOu To: A Correspondence (Punctum Books, c2016), by Nina Živančević and Marc James Léger
  • PDF with commentary at Punctum Books
  • PDF files with commentary at Project Muse
• Le Petit Journal des Refusées (originally published 1896; this edition 2009), ed. by Johanna Drucker, contrib. by Gelett Burgess (multiple formats at archive.org)
• The Fluxus Reader (Chicester, UK and New York: Academy Editions, 1998), ed. by Ken Friedman (PDF files at Swinburne Research Bank)

• Situationist International Anthology, ed. by Ken Knabb (HTML at bopsecrets.org)

• Kandinsky in Munich, 1896-1914 (New York: Solomon R. Guggenheim Foundation, c1982), by Solomon R. Guggenheim Museum, contrib. by Peter Jelavich, Carl E. Schorske, and Peg Weiss, illust. by Wassily Kandinsky (multiple formats at archive.org)

• The Avant-Garde and Geopolitics in Latin America (Pittsburgh: University of Pittsburgh Press, c2006), by Fernando J. Rosenberg (page images at Pitt)

• Art of the Avant-Garde in Russia: Selections From the George Costakis Collection (New York: Solomon R. Guggenheim Museum, c1981), by Margit Rowell and Angelica Zander Rudenstine (multiple formats at archive.org)

• The Black Mountain College Review (1951) (full serial archives)

• The Desperado Age: British Literature at the Start of the Third Millennium, by Lidia Vianu
  • PDF at liternet.ro
  • HTML at e-scoala.ro (scroll down past the ads)
• British Desperadoes at the Turn of the Millennium, by Lidia Vianu
  • PDF at liternet.ro
  • HTML at e-scoala.ro (scroll down past the ads)
• Alan Brownjohn and the Desperado Age, by Lidia Vianu
  • PDF at liternet.ro
  • HTML at e-scoala.ro (scroll down past the ads)

• The End of Books, or Books Without End? Reading Interactive Narratives (Ann Arbor: University of Michigan Press, c2000), by J. Yellowlees Douglas (page images at HathiTrust)

• Tactics of the Human: Experimental Technics in American Fiction (Ann Arbor: University of Michigan Press, 2014), by Laura Shackelford (illustrated HTML with commentary at digitalculture.org)

• Yeats and Postmodernism (Syracuse, NY: Syracuse University Press, c1991), ed. by Leonard Orr (Epub with commentary at Syracuse)

• American Literature and the Destruction of Knowledge: Innovative Writing in the Age of Epistemology (Durham, NC and London: Duke University Press, c1991), by Ronald E. Martin (page images at HathiTrust)

• Fuck You: A Magazine of the Arts (issues online 1962-1965), ed. by Ed Sanders (partial serial archives)

• 0 to 9 (New York-based literary magazine, 1967-1969), ed. by Vito Acconci and Bernadette Mayer (partial serial archives)

• Gadsby: A Story of Over 50,000 Words Without Using the Letter "E", by Ernest Vincent Wright (PDF with commentary at holybooks.com)

• 0 to 9 (New York-based literary magazine, 1967-1969), ed. by Vito Acconci and Bernadette Mayer (partial serial archives)

• Early Postmodernism: Foundational Essays (compilation of essays published in "boundary 2"; Durham, NC and London: Duke University Press, 1995), ed. by Paul A. Bové (page images at HathiTrust)
• À Chacun sa Quête: Essais sur les Nouveaux Visages de la Transcendance (in French; Sainte-Foy, QC: Presses de l'Université du Québec, 2000), ed. by Yves Boisvert and Lawrence Olivier (PDF files at Project MUSE)
• The Future of Class in History: What's Left of the Social? (Ann Arbor: University of Michigan Press, c2007), by Geoff Eley and Keith Nield (page images at HathiTrust)
• The Culture of Citizenship: Inventing Postmodern Civic Culture (second edition, 2001), by Thomas Bridges (PDF at crvp.org)
• The Painted Word: Samuel Beckett's Dialogue With Art (Ann Arbor: University of Michigan Press, c2000), by Lois Oppenheim (page images at HathiTrust)
• The Subject and Other Subjects: On Ethical, Aesthetic, and Political Identity (Ann Arbor: University of Michigan Press, c1998), by Tobin Siebers (page images at HathiTrust)
• Doom Patrols: A Theoretical Fiction About Postmodernism, by Steven Shivaro (HTML at dhalgren.com)
• Jean Baudrillard: From Marxism to Postmodernism and Beyond, by Douglas Kellner (PDF at UCLA)

• The Electronic Disturbance, by Critical Art Ensemble (PDF files at critical-art.net)

• Sensational Subjects: The Dramatization of Experience in the Modern World (London: Bloomsbury Academic, c2015), by John Jervis (HTML with commentary at Bloomsbury Collections)

• Absolutes or Not (Springfield, MO: Global University, 2009), by David Kowalski (PDF at globalreach.org)
• Overcoming Onto-Theology: Toward a Postmodern Christian Faith (New York: Fordham University Press, 2001), by Merold Westphal (PDF with commentary at bepress.com)

• The Charmed Circle of Ideology: A Critique of Laclau and Mouffe, Butler and Žižek (c2008), by Geoff Boucher (multiple formats at archive.org)
• Doom Patrols: A Theoretical Fiction About Postmodernism, by Steven Shivaro (HTML at dhalgren.com)
• The Electronic Disturbance, by Critical Art Ensemble (PDF files at critical-art.net)

• Panic Encyclopedia: The Definitive Guide to the Postmodern Scene (WWW edition), by Arthur Kroker (HTML at archive.org)

• An Architecture for Our Time: The New Classicism (2008), by Charles Siegel (illustrated HTML at Wayback Machine)

• The Topography of Modernity: Karl Philipp Moritz and the Space of Autonomy (Ithaca, NY: Cornell University Press and Cornell University Library, c2012), by Elliott Schreiber (PDF and Epub at Cornell Open)
• The Role of the Sublime in Kant's Moral Metaphysics, by John R. Goodreau (PDF at crvp.org)

• Cities Built to Music: Aesthetic Theories of the Victorian Gothic Revival (Columbus, OH: Ohio State University Press, c1984), by Michael Bright
  • PDF at Ohio State
  • PDF files with commentary at Ohio State Press
• Flight From Eden: The Origins of Modern Literary Criticism and Theory (Berkeley: University of California Press, 1990), by Steven Cassedy (HTML at UC Press)
• Asthetik des Hässlichen (in German; Konigsberg: Bornträger, 1853), by Karl Rosenkranz (page images in Germany)

• 1910: The Emancipation of Dissonance (Berkeley: University of California Press, c1996), by Thomas J. Harrison (HTML at UC Press)
• Revenge of the Aesthetic: The Place of Literature in Theory Today (Berkeley : University of California Press, c2000), ed. by Michael Clark (frame-dependent HTML with commentary at UC Press)
• The Aesthetics of Paradoxism (second edition, 2002), by Titu Popescu, trans. by Florentin Smarandache, Lucian Popescu, and Paul Georgelin (PDF at UNM)
• Flight From Eden: The Origins of Modern Literary Criticism and Theory (Berkeley: University of California Press, 1990), by Steven Cassedy (HTML at UC Press)

• Bigger Than You: Big Data and Obesity (Goleta, CA: Punctum Books, c2016), by Katherine Behar (PDF with commentary at Punctum Books)
• Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (Durham, NC and London: Duke University Press, 2018), by Ari Larissa Heinrich (PDF files at Project MUSE)

• Chic Ironic Bitterness (Ann Arbor: University of Michigan Press, c2007), by R. Jay Magill (page images at HathiTrust)

More items available under broader and related terms at left.