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Cervantes Saavedra, Miguel de, 1547-1616 -- Technique

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• Cervantes Saavedra, Miguel de, 1547-1616
• Technique

• The Novel According to Cervantes (Berkeley: University of California Press, 1989), by Stephen Gilman (HTML at UC Press)

Items below (if any) are from related and broader terms.

• A Catalogue of the Talfourd P. Linn Collection of Cervantes Materials on Deposit in the Ohio State University Libraries (Columbus, OH: Ohio State University Press, c1963), by Dorothy Petersen Ackerman, ed. by Paul J. Kann and Rolland E. Stevens (PDF at Ohio State)

• Works by Miguel de Cervantes Saavedra in the Library of Congress (Washington: Library of Congress, 1994), by Library of Congress, ed. by Georgette M. Dorn and Reynaldo Aguirre (page images at HathiTrust)
• Works by Miguel de Cervantes Saavedra in the Library of Congress (Washington: Hispanic Foundation, Reference Dept., Library of Congress, 1960), by Library of Congress, ed. by Francisco Aguilera (page images at HathiTrust)

• Cervantes' Women of Literary Tradition (New York: Instituto de las Españas en los Estados Unidos, 1932), by Sadie Edith Trachman (page images at HathiTrust)

• (A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque (West Lafayette, IN: Purdue University Press, c2001), by David R. Castillo (PDF at Purdue)

• Don Quijote Dictionary, ed. by Tom Lathrop (HTML at tamu.edu)

• Don Quijote Dictionary, ed. by Tom Lathrop (HTML at tamu.edu)

• Cervantes and the Burlesque Sonnet (Berkeley: University of California Press, 1991), by Adrienne Laskier Martin (HTML at UC Press)

• La Filosofía del Derecho en el Quijote (Ensayos de Psicología Colectiva) (in Spanish; Girona, Spain: Tip. de Carreras y Mas, 1903), by Tomás Carreras y Artau (page images at HathiTrust; US access only)

• A Continuation of the Comical History of the Most Ingenious Knight, Don Quixote de la Mancha, by the Licentiate Alonzo Fernandez de Avellaneda: Being a Third Volume, Never Before Printed in English (London: Printed for J. Wale and J. Senex, 1705), by Alonso Fernández de Avellaneda, trans. by John Stevens (page images at HathiTrust)

• Anales Cervantinos (in Spanish) (partial serial archives)

• La Filosofía del Derecho en el Quijote (Ensayos de Psicología Colectiva) (in Spanish; Girona, Spain: Tip. de Carreras y Mas, 1903), by Tomás Carreras y Artau (page images at HathiTrust; US access only)

• Cervantes and the Burlesque Sonnet (Berkeley: University of California Press, 1991), by Adrienne Laskier Martin (HTML at UC Press)

• Adventures in Paradox: Don Quixote and the Western Tradition (University Park, PA: Pennsylvania State University Press, 2001), by Charles D. Presberg (PDF at PSU)
• The Novel According to Cervantes (Berkeley: University of California Press, 1989), by Stephen Gilman (HTML at UC Press)
• La Filosofía del Derecho en el Quijote (Ensayos de Psicología Colectiva) (in Spanish; Girona, Spain: Tip. de Carreras y Mas, 1903), by Tomás Carreras y Artau (page images at HathiTrust; US access only)
• Au Pays de Don Quichote (translated into French; 1901), by August F. Jaccaci, contrib. by Arsène Alexandre, illust. by Daniel Vierge (page images at Gallica)
• Don Quijote Dictionary, ed. by Tom Lathrop (HTML at tamu.edu)
• El Camino de Don Quijote (Por Tierras de La Mancha) (in Spanish; Madrid: Clasica Espanola, ca. 1915), by August F. Jaccaci, trans. by Ramón Jaén (page images at HathiTrust; US access only)
• On the Trail of Don Quixote: Being a Record of Rambles in the Ancient Province of La Mancha (New York: C. Scribner's Sons, 1896), by August F. Jaccaci, illust. by Daniel Vierge (multiple formats at archive.org)

• An Iconography of Don Quixote, 1605-1895 (London: Printed for the author at the University Press, Aberdeen, 1895), by Henry Spencer Ashbee
  • multiple formats at archive.org
  • page images at HathiTrust

• Official and Tentative Methods of Analysis of the Association of Official Agricultural Chemists (partial serial archives)

• Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust)

• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)

• Practical Hints for Art Students (New York: Duffield and Co., 1910), by Charles Augustus Lasar (page images at HathiTrust)
• The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only)

• Jane Austen: Irony as Defense and Discovery (Princeton: Princeton University Press, 1952), by Marvin Mudrick (page images at HathiTrust)

• Bacteriology and Surgical Technique for Nurses (Philadelphia: W. B. Saunders, 1900), by Emily M. A. Stoney (page images at HathiTrust)

• Virtue of Necessity: Inconclusiveness and Narrative Form in Chaucer's Poetry (Columbus, OH: Ohio State University Press, c1984), by Larry Sklute (PDF files with commentary at Ohio State Press)
• A Distinction of Stories: The Medieval Unity of Chaucer's Fair Chain of Narratives for Canterbury (Columbus, OH: Ohio State University Press, c1981), by Judson Boyce Allen and Theresa Anne Moritz
  • PDF at Ohio State
  • PDF files with commentary at Ohio State Press

• Descriptive Zoopraxography: or, The Science of Animal Locomotion Made Popular (Philadelphia: University of Pennsylvania, 1893), by Eadweard Muybridge (multiple formats at archive.org)

• Dante's Commedia: Elements of Structure (originally published 1954; open access edition Baltimore: Johns Hopkins University Press, 2019), by Charles S. Singleton (HTML and PDF files with commentary at Project MUSE)

• Studies in the Narrative Method of Defoe (Urbana, IL: University of Illinois, 1924), by Arthur Wellesley Secord (page images at HathiTrust)

• The Technique of the Mystery Story, by Carolyn Wells (HTML at Gutenberg Australia)

• Vanishing Points: Dickens, Narrative, and the Subject of Omniscience (Berkeley: University of California Press, 1991), by Audrey Jaffe (HTML at UC Press)

• Dickinson's Fascicles: A Spectrum of Possibilities (Columbus, OH: Ohio State University Press, c2014), ed. by Paul Crumbley and Eleanor Elson Heginbotham (PDF at Ohio State)

• The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
• The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
• How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
• Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)

• The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin)
• De L'Enseignement du Dessin, Sous le Point de Vue Industriel (in French; Paris: Giroux, et al., 1836), by Alexandre Dupuis (multiple formats at Google)
• How to Draw: A Practical Book of Instruction in the Art of Illustration (New York and London: Harper and Bros., c1904), by Leon Barritt (page images at HathiTrust)
• The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc)
• The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
  • multiple formats at archive.org
  • page images at HathiTrust

More items available under broader and related terms at left.