The Online Books Page

Chronophotography -- Technique

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• Chronophotography
• Photography -- Technique
• Technique

• Descriptive Zoopraxography: or, The Science of Animal Locomotion Made Popular (Philadelphia: University of Pennsylvania, 1893), by Eadweard Muybridge (multiple formats at archive.org)

Items below (if any) are from related and broader terms.

• International Photographer (partial serial archives)

• American Cinematographer (partial serial archives)
• International Photographer (partial serial archives)

• Expanded Cinema (1970), by Gene Youngblood, contrib. by R. Buckminster Fuller (PDF files at vasulka.org)

• Design Calculations for Rotating-Mirror Cameras (Los Alamos, NM: Los Alamos Scientific Laboratory of the University of California, 1962), by Eugene A. Igel (page images at HathiTrust)

• History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)

• The Survival of American Silent Feature Films: 1912-1929 (CLIR publication #158; Washington: Council on Library and Information Resources and Library of Congress, 2013), by David Pierce (PDF with commentary at clir.org)

• Tom Swift and His Wizard Camera, by Victor Appleton (Gutenberg text)

• The Cinematograph and Natural Science: The Achievements and Possibilities of Cinematography as an Aid to Scientific Research (London: Ganes, 1912), by Leonard Donaldson (page images at HathiTrust; US access only)

• Computer Animation Primer (1984), by David Fox and Mitchell Waite (illustrated HTML at atariarchives.org)

• Cinema of Confinement (Evanston: Northwestern University Press, c2019), by Thomas J. Connelly (PDF files at Project MUSE)

• History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)

• History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)

• Home Truths? Video Production and Domestic Life (c2011), by David Buckingham, Rebekah Willett, and Maria Pini (HTML with commentary at digitalculture.org)

• Deep Lab (Pittsburgh: Deep Lab and the Frank-Ratchye Studio for Creative Inquiry, 2014), by Addie Wagenknecht, Allison Burtch, Claire L. Evans, Denise Caruso, Harlo Holmes, Ingrid Burrington, Jillian C. York, Kate Crawford, Lindsay Howard, Lorrie Faith Cranor, Maddy Varner, Maral Pourkazemi, and Runa A. Sandvik (PDF with commentary at studioforcreativeinqury.org)

• Official and Tentative Methods of Analysis of the Association of Official Agricultural Chemists (partial serial archives)

• Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust)

• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)

• Practical Hints for Art Students (New York: Duffield and Co., 1910), by Charles Augustus Lasar (page images at HathiTrust)
• The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only)

• Jane Austen: Irony as Defense and Discovery (Princeton: Princeton University Press, 1952), by Marvin Mudrick (page images at HathiTrust)

• Bacteriology and Surgical Technique for Nurses (Philadelphia: W. B. Saunders, 1900), by Emily M. A. Stoney (page images at HathiTrust)

• The Novel According to Cervantes (Berkeley: University of California Press, 1989), by Stephen Gilman (HTML at UC Press)

• Virtue of Necessity: Inconclusiveness and Narrative Form in Chaucer's Poetry (Columbus, OH: Ohio State University Press, c1984), by Larry Sklute (PDF files with commentary at Ohio State Press)
• A Distinction of Stories: The Medieval Unity of Chaucer's Fair Chain of Narratives for Canterbury (Columbus, OH: Ohio State University Press, c1981), by Judson Boyce Allen and Theresa Anne Moritz
  • PDF at Ohio State
  • PDF files with commentary at Ohio State Press

• Dante's Commedia: Elements of Structure (originally published 1954; open access edition Baltimore: Johns Hopkins University Press, 2019), by Charles S. Singleton (HTML and PDF files with commentary at Project MUSE)

• Studies in the Narrative Method of Defoe (Urbana, IL: University of Illinois, 1924), by Arthur Wellesley Secord (page images at HathiTrust)

• The Technique of the Mystery Story, by Carolyn Wells (HTML at Gutenberg Australia)

• Vanishing Points: Dickens, Narrative, and the Subject of Omniscience (Berkeley: University of California Press, 1991), by Audrey Jaffe (HTML at UC Press)

• Dickinson's Fascicles: A Spectrum of Possibilities (Columbus, OH: Ohio State University Press, c2014), ed. by Paul Crumbley and Eleanor Elson Heginbotham (PDF at Ohio State)

• The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
• The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
• How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
• Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)

• The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin)
• De L'Enseignement du Dessin, Sous le Point de Vue Industriel (in French; Paris: Giroux, et al., 1836), by Alexandre Dupuis (multiple formats at Google)
• How to Draw: A Practical Book of Instruction in the Art of Illustration (New York and London: Harper and Bros., c1904), by Leon Barritt (page images at HathiTrust)
• The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc)
• The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
  • multiple formats at archive.org
  • page images at HathiTrust

• Antichità, Vantaggi, e Metodo della Pittura Encausta: Discorso Letto nella Pubblica Adunanza della R. Accademia Economica di Firenze il dì 10. Settembre 1794 (in Italian; Venice: S. Apollinare, 1800), by Giovanni Valentino Mattia Fabbroni
  • multiple formats at archive.org
  • page images at HathiTrust

• Engraving Metals, With Numerous Engravings and Diagrams (Philadelphia: D. McKay, 1912), ed. by Paul N. Hasluck (page images at HathiTrust)

• An Account of a Method of Etching or Engraving, via Sicca, by Means of Voltaic Electricity (Weston-Super-Mare, J. Whereat; et al., 1848), by James H. Pring
  • multiple formats at Google
  • page images at HathiTrust
• Traicté des Manieres de Graver en Taille Douce sur l'Airin, par le Moyen des Eaux Fortes, et des Vernix Durs et Mols (in French; Paris: Bosse, 1645), by Abraham Bosse (multiple formats at archive.org)

• How to Make Etchings (Pelham, NY: Bridgman Publishers, c1929), by John J. Barry (page images at HathiTrust)
• Traicté des Manieres de Graver en Taille Douce sur l'Airin, par le Moyen des Eaux Fortes, et des Vernix Durs et Mols (in French; Paris: Bosse, 1645), by Abraham Bosse (multiple formats at archive.org)

More items available under broader and related terms at left.