Cinematography -- Scientific applications
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Broader terms:Used for:- Motion pictures -- Scientific applications
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The Cinematograph and Natural Science: The Achievements and Possibilities of Cinematography as an Aid to Scientific Research (London: Ganes, 1912), by Leonard Donaldson (page images at HathiTrust; US access only)
Items below (if any) are from related and broader terms.
Filed under: Cinematography- Expanded Cinema (1970), by Gene Youngblood, contrib. by R. Buckminster Fuller (PDF files at vasulka.org)
- Design Calculations for Rotating-Mirror Cameras (Los Alamos, NM: Los Alamos Scientific Laboratory of the University of California, 1962), by Eugene A. Igel (page images at HathiTrust)
- History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)
- The Survival of American Silent Feature Films: 1912-1929 (CLIR publication #158; Washington: Council on Library and Information Resources and Library of Congress, 2013), by David Pierce (PDF with commentary at clir.org)
- Tom Swift and His Wizard Camera, by Victor Appleton (Gutenberg text)
- American Cinematographer (partial serial archives)
- Bulletin de la Société Française de Photographie (in French) (partial serial archives)
- Cinema News (New York, 1916-1919?) (partial serial archives)
- International Photographer (partial serial archives)
- Computer Animation Primer (1984), by David Fox and Mitchell Waite (illustrated HTML at atariarchives.org)
- Cinema of Confinement (Evanston: Northwestern University Press, c2019), by Thomas J. Connelly (PDF files at Project MUSE)
- History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)
- History of the Kinetograph, Kinetoscope, and Kinetophonograph (reprint, originally published 1895; New York: Arno Press and the New York Times, 1970), by W. K.-L. Dickson and Antonia Dickson (page images at HathiTrust)
- Home Truths? Video Production and Domestic Life (c2011), by David Buckingham, Rebekah Willett, and Maria Pini (HTML with commentary at digitalculture.org)
- Deep Lab (Pittsburgh: Deep Lab and the Frank-Ratchye Studio for Creative Inquiry, 2014), by Addie Wagenknecht, Allison Burtch, Claire L. Evans, Denise Caruso, Harlo Holmes, Ingrid Burrington, Jillian C. York, Kate Crawford, Lindsay Howard, Lorrie Faith Cranor, Maddy Varner, Maral Pourkazemi, and Runa A. Sandvik (PDF with commentary at studioforcreativeinqury.org)
- Folklore/Cinema: Popular Film as Vernacular Culture (Logan, UT: Utah State University Press, 2007), ed. by Sharon R. Sherman and Mikel J. Koven (PDF with commentary at usu.edu)
- Film Quarterly: Forty Years, A Selection (Berkeley: University of California Press, c1999), ed. by Brian Henderson, Ann Martin, and Lee Amazonas (frame-dependent HTML with commentary at UC Press)
- Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press)
- Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)
- Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
- Movies From A.A.P.: Programs of Quality From Quality Studios (1957), by Associated Artists Productions (multiple formats at archive.org)
- Framing French Culture (Adelaide: University of Adelaide Press, c2015), ed. by Natalie Edwards, Ben McCann, and Peter Poiana (PDF with commentary at Adelaide)
- The Art of Cineplastics (Boston: Four Seas Co., 1923), by Élie Faure, trans. by Walter Pach (page images at HathiTrust)
- The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
- Der Film: Seine Mittel, Seine Ziele (in German; Berlin: Schuster und Loeffler, 1921), by Urban Gad (page images at HathiTrust; US access only)
- Making the Movies (New York: The Macmillan Co., 1919), by Ernest A. Dench (page images at HathiTrust)
- That Marvel, the Movie: A Glance at its Reckless Past, its Promising Present, and its Significant Future (New York and London: G. P. Putnam's Sons, 1923), by Edward S. Van Zile, contrib. by Will H. Hays
- Behind the Screen (New York: G. H. Doran Co., c1923), by Samuel Goldwyn
- Breaking Into the Movies (Philadelphia: G. W. Jacobs and Co., c1921), by John Emerson and Anita Loos (Gutenberg text and illustrated HTML)
- Radiomovies, Radiovision, Television (Washington: National Capital Press, c1929), by C. Francis Jenkins (page images at HathiTrust)
- Frame by Frame: A Materialist Aesthetics of Animated Cartoons (Oakland, CA: University of California Press, c2019), by Hannah Frank, ed. by Daniel Morgan, contrib. by Tom Gunning (multiple formats with commentary at Luminos)
- Ozu and the Poetics of Cinema (1998), by David Bordwell (page images and PDF with commentary at Michigan)
- Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (Berkeley: University of California Press, 1992), by William C. Wees (HTML at UC Press)
- An Anagram of Ideas on Art, Form and Film (Yonkers, NY: Alicat Book Shop Press, 1946), by Maya Deren (page images at HathiTrust; US access only)
- Photogénie (in French; Paris: M. de Brunoff, ca. 1920), by Louis Delluc (page images at HathiTrust; US access only)
- The Photoplay: A Psychological Study (New York and London: D. Appleton and Co., 1916), by Hugo Münsterberg (Gutenberg text)
- The Tread of a White Man's Foot: Australian Pacific Colonialism and the Cinema, 1925-62 (Canberra: Pandanus Books, c2006), by Jane Landman (page images at HathiTrust)
- Hollywood Undressed: Observations of Sylvia as Noted by Her Secretary (New York: Brentano's, 1931), contrib. by Sylvia of Hollywood (page images at HathiTrust)
- The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
- Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism (Columbus, OH: Ohio State University Press, c2014), by Sheri-Marie Harrison (PDF at Ohio State)
- Library of Congress Catalog: Motion Pictures and Filmstrips (partial serial archives)
- Motion Pictures, 1894-1912, Identified From the Records of the United States Copyright Office (1953), by Library of Congress Copyright Office, ed. by Howard Lamarr Walls
- Descriptive Catalogue of Kodascope Library Motion Pictures (6th edition; c1936), by Kodascope Libraries (multiple formats at archive.org)
- Catalogue of the National Film Library of Sixteen Millimeter Motion Pictures (first edition; Los Angeles: National Film Library, c1931), by National Film Library (multiple formats at archive.org)
- Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1912-1939, by Library of Congress Copyright Office
- Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1960-1969, by Library of Congress Copyright Office
- In the Supreme Court of the United States, October Term, 1949, No. 248: John Howard Lawson, Petitioner, vs. United States of America, Respondent; No. 249: Dalton Trumbo, Petitioner, vs. United States of America, Respondent: Brief of Alexander Meiklejohn, of Cultural Workers in Motion Pictures and Other Arts, and of Members of the Professions, as Amici Curiae (Los Angeles: Parker and Co., printers, ca. 1949), by Max Radin and Carey McWilliams, contrib. by Alexander Meiklejohn (page images at HathiTrust; US access only)
- A Code to Govern the Making of Motion Pictures, the Reasons Supporting it and the Resolution for Uniform Interpretation (aka the Hays code; original version adopted 1930; this edition includes changes up to 1955), by Motion Picture Association of America
- European Cinema: Face to Face With Hollywood (Amsterdam: Amsterdam University Press, c2005), by Thomas Elsaesser (PDF with commentary at oapen.org)
- The Phantom Herd (1916), by B. M. Bower (Gutenberg text)
More items available under broader and related terms at left.