The Online Books Page

Conspiracies -- Drama

See also what's at your library, or elsewhere.

• Conspiracies
• Drama

• Julius Caesar, by William Shakespeare (multiple editions)
• Much Ado About Nothing, by William Shakespeare (HTML at folger.edu)
• Much Ado About Nothing (London: Oxford University Press, 1914), by William Shakespeare, ed. by W. J. Craig (HTML at Bartleby)
• Much Ado About Nothing (with annotations and scene index), by William Shakespeare, ed. by Philip Weller (HTML at Shakespeare Navigators)
• Much Adoe About Nothing (Old-Spelling Shakespeare series; London: Chatto and Windus; New York: Duffield and Co., 1908), by William Shakespeare, ed. by W. G. Boswell-Stone, contrib. by F. W. Clarke (multiple formats at archive.org)

Items below (if any) are from related and broader terms.

• Conspiracy: A Biblical View (revised online edition, ca. 1996), by Gary North (PDF at garynorth.com)
• The Secret World Government, or, "The Hidden Hand": The Unrevealed in History; 100 Historical "Mysteries" Explained (New York: Anti-Bolshevist Publishing Association, 1926), by Arthur Cherep-Spiridovich (multiple formats at archive.org)
• InTERRORgation: The CIA's Secret Manual on Coercive Questioning (KUBARK manual (slightly censored), and commentary), by United States Central Intelligence Agency and John Elliston (HTML at Wayback Machine)

• Der Genius (4 volumes in German; Halle: J. C. Hendels Verlage, 1791-1794), by Carl Grosse
  • Volume 1: multiple formats at archive.org
  • Volume 2: multiple formats at archive.org
  • Volume 3: multiple formats at archive.org
  • Volume 4: multiple formats at archive.org
  • all volumes; page images at HathiTrust
• Invisible Armies, by Jon Evans (HTML with commentary at rezendi.com and Wattpad)
• Eastern Standard Tribe, by Cory Doctorow (multiple formats with commentary at craphound.com)

• Plots of Opportunity: Representing Conspiracy in Victorian England (Columbus, OH: Ohio State University Press, 2004), by Albert D. Pionke (PDF at Ohio State)

• Konspira: Solidarity Underground (Berkeley: University of California Press, 1990), by Maciej Lopinski, Marcin Moskit, and Mariusz Wilk, trans. by Jane Cave, contrib. by Lawrence Weschler (HTML at UC Press)

• Plots of Opportunity: Representing Conspiracy in Victorian England (Columbus, OH: Ohio State University Press, 2004), by Albert D. Pionke (PDF at Ohio State)

• Of Dramatic Poesie, by John Dryden (HTML at Toronto)
• Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
• Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text)

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
• Bibliography of Dramatic Literature (La Jolla, CA: World Drama Prompters, c1915), ed. by H. N. Clugston
  • multiple formats at archive.org
  • page images at HathiTrust
• Viewpoints in Modern Drama: An Arrangement of Plays According to Their Essential Interest (Chicago: American library association, 1925), by Francis K. W. Drury (page images at HathiTrust)

• Musical Design in Sophoclean Theater (Hanover, NH: Dartmouth College Press; University Press of New England, c1996), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
• Musical Design in Aeschylean Theater (Hanover, NH: Dartmouth College Press; Published by University Press of New England, 1984), by William C. Scott (multiple formats at Dartmouth Digital Publishing)

• Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org)
• The Pocket University (23 volumes; Garden City, NY: Pub. for N. Doubleday, Inc. by Doubleday, Page and Co., 1924), ed. by Bliss Perry, Thomas L. Masson, Henry Van Dyke, Hardin Craig, Asa Don Dickinson, George Iles, Hamilton Wright Mabie, and Lyman Abbott (page images at HathiTrust)

• On Editing Shakespeare and the Elizabethan Dramatists (Philadelphia: Pub. for the Philip H. and A. S. W. Rosenbach Foundation by the University of Pennsylvania Library, 1955), by Fredson Bowers (page images at HathiTrust)

• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Scene is Changed (c1942), by Ashley Dukes (HTML in Canada; NO US ACCESS)
• The Theory of the Theatre, and Other Principles of Dramatic Criticism (New York: Henry Holt and Co., 1910), by Clayton Meeker Hamilton (Gutenberg text)
• A Book About the Theater (New York: C. Scribner's Sons, 1916), by Brander Matthews (Gutenberg text and illustrated HTML)

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
• Annual Magazine Subject-Index (including a dramatic index for most years) (partial serial archives)

• The Drama (partial serial archives)
• The Dramatic Index (partial serial archives)
• Bulletin de la Société des Historiens du Théâtre (in French) (partial serial archives)

• Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust)
• Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece (Ann Arbor: University of Michigan Press, c1998), by Karen Bassi (page images at HathiTrust)
• Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner
  • PDF files with commentary at Ohio State Press
  • PDF at Ohio State
• Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman N. Holland (page images at Florida)

• The Social Significance of the Modern Drama (Boston: R. G. Badger; Toronto: Copp Clark Co., c1914), by Emma Goldman
  • Gutenberg text and illustrated HTML
  • multiple formats at archive.org
  • page images at HathiTrust

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)

• The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
• How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
• The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
• Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)

• Principles of Drama-Therapy (New York: Sopherim, 1917), by Stephen F. Austin
  • multiple formats at archive.org
  • page images at HathiTrust

More items available under broader and related terms at left.