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Dotted prints (Engravings)

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• Dots (Art)
• Engraving
• Stipple engraving

• White-line engraving for relief-printing (Washington, Government Printing Office, 1892), by S. R. Koehler (page images at HathiTrust)
• White-line engraving for relief-printing in the fifteenth and sixteenth centuries. [Dotted prints, gravures en manière criblée, Schrotblätter) (Government Printing Office, 1892), by S. R. Koehler (page images at HathiTrust)
• Die Einblattdrucke des XV. Jahrhunderts in der Kupferstichsammlung der Hofbibliothek zu Wien ... (Gesellschaft für vervielfältigende Kunst, 1920), by Österreichische Nationalbibliothek, Alfred Stix, and Franz Martin Haberditzl (page images at HathiTrust; US access only)

Items below (if any) are from related and broader terms.

• The relations between dot area, dot density and tone value in lithography. (Lithographic Technical Foundation, Inc., 1949), by inc Lithographic Technical Foundation (page images at HathiTrust; US access only)

• D'Eugene Delacroix au néo-impressionnisme. Introd. et notes par Françoise Cachin. (Hermann, 1924), by Paul Signac (page images at HathiTrust; US access only)
• Recent additions to the W. J. Holliday Collection. (Indianapolis Museum of Art, 1971), by Indianapolis Museum of Art (page images at HathiTrust)

• The aura of neo-impressionism : the W.J. Holliday Collection (Indianapolis Museum of Art, 1983), by Ellen Wardwell Lee, Tracy E. Smith, and Indianapolis Museum of Art (page images at HathiTrust)

• Recent additions to the W. J. Holliday collection, being a fully illustrated appendix with ten colour plates to the book entitled Homage to Seurat (University of Arizona Press, 1968) to accompany an exhibition of the expanded collection at the Indianapolis Museum of Art, Summer 1971. (Indianapolis Museum of Art, 1971), by Indianapolis Museum of Art and Indianapolis Museum of Art. W.J. Holliday Collection (page images at HathiTrust)

• Ostern 1919 (G. Kiepenheuer, 1919), by Germany) Galerie Alfred Flechtheim (Düsseldorf (page images at HathiTrust; US access only)
• Libre esthétique (Libre esthétique, 1894), by Libre esthétique (Society). Exposition and Octave Maus (page images at HathiTrust)

• Libre esthétique (Libre esthétique, 1894), by Libre esthétique (Society). Exposition and Octave Maus (page images at HathiTrust)

• Neo-impressionisten : Seurat tot Struycken. (Waanders, 1988), by Ellen Wardwell Lee, Indianapolis Museum of Art, and Rijksmuseum Vincent van Gogh (page images at HathiTrust)

• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)
• Loan exhibition of impressionist and post-impressionist paintings. (The Museum, 1921), by Metropolitan Museum of Art (New York, N.Y.) (page images at HathiTrust)
• Catalogue de l'exposition de peintures du groupe impressionniste et synthétiste : faite dans le local de M. Volpini au Champs-de-Mars, 1889. ([Paris] : [publisher not identified], [1889], 1889), by France) Cafe des arts (Paris (page images at HathiTrust)

• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
• En avant Dada; eine Geschichte des Dadaismus ... (P. Steegemann, 1920), by Richard Hülsenbeck (page images at HathiTrust; US access only)
• Lebendige Kunst-Wissenschaft. Zur Krise der Kunst und der Kunstgeschichte. (Krystall-Verlag ges. m. b. h., 1925), by Hans Tietze (page images at HathiTrust; US access only)
• Die neue Kunst (Verlag der Sturm, 1918), by Lothar Schreyer (page images at HathiTrust; US access only)
• Die Welt als Vorstellung : ein Weg zur Kunstanschauung (G. Kiepenheuer, 1919), by Paul Westheim (page images at HathiTrust; US access only)
• A. E. Gallatin collection, "Museum of living art." ([Philadelphia], 1954), by Philadelphia Museum of Art, A. E. Gallatin, and New York University. Gallery of Living Art (page images at HathiTrust)
• Museum of Living Art, A. E. Gallatin collection, New York University. (G. Grady press, 1940), by Gallery of Living Art, Jean Hélion, James Johnson Sweeney, George L. K. Morris, and A. E. Gallatin (page images at HathiTrust)
• Cubists and post-impressionism (A.C. McClurg, 1914), by Arthur Jerome Eddy (page images at HathiTrust)
• The post impressionists (Methuen & co. ltd., 1911), by C. Lewis Hind (page images at HathiTrust; US access only)
• Since Cezanne (Harcourt, Brace and Company, 1922), by Clive Bell, Harcourt Brace & Company, and Cloister Press (page images at HathiTrust)
• Since Cézanne (Harcourt, Brace and company, 1923), by Clive Bell (page images at HathiTrust)
• L'art vivant. (G. Crès et cie., 1920), by André Salmon (page images at HathiTrust; US access only)
• Modern French painters,by Jan Gordon. With forty illustrations. (Dodd, Mead and company, 1923), by Jan Gordon (page images at HathiTrust)
• Modern French painters (J. Lane;, 1926), by Jan Gordon (page images at HathiTrust; US access only)
• The letters of a post-impressionist; being the familiar correspondence of Vincent van Gogh. (Houghton Mifflin Company, 1913), by Vincent van Gogh and Anthony M. Ludovici (page images at HathiTrust)
• Brieven aan zijn broeder; uitgegeven en toegelicht door zijn schoonzuster, J. van Gogh-Bonger. (Mij. voor Goede en Goedkoope Lectuur, 1914), by Vincent van Gogh (page images at HathiTrust; US access only)
• Is it art? : post-impressionism, futurism, cubism (New York : The International Press, 1913., 1913), by J. Nilsen Laurvik (page images at HathiTrust)
• The letters of a post-impressionist; being the familiar correspondence of Vincent van Gogh. (Constable, 1912), by Vincent van Gogh (page images at HathiTrust; US access only)
• Cubistes, futuristes, passéistes. (Librairie Ollendorff, 1914), by Gustave Coquiot (page images at HathiTrust; US access only)
• Impressionismus und Expressionismus : eine Einführung in das Wesen der neuen Kunst (Klinkhardt & Biermann, 1919), by Franz Landsberger (page images at HathiTrust; US access only)
• Modern painting, its tendency and meaning. (Dodd, Mead, 1922), by S. S. Van Dine (page images at HathiTrust)
• Modern movements in painting (Chapman and Hall ltd., 1920), by Charles Marriott (page images at HathiTrust; US access only)
• Von Monet zu Picasso; grundzüge einer ästhetik und entwicklung der modernen malerei (Delphin-verlag, 1913), by Max Raphael (page images at HathiTrust; US access only)
• Cézanne und Hodler; Einführung in die Probleme der Malerei der Gegenwart (Delphin-verlag, 1920), by Fritz Burger (page images at HathiTrust; US access only)
• Futurists' color schemes (The Author, 1915), by Louis W. Wilson (page images at HathiTrust)
• Cézanne und Hodler : einführung in die Probleme der Malerei der Gegenwart (Delphin, 1918), by Fritz Burger (page images at HathiTrust; US access only)
• Cubists and post-impressionism (A.C. McClurg & Co., 1919), by Arthur Jerome Eddy (page images at HathiTrust)
• Ce zanne und Hodler; einfu hrung in die probleme der malerei der gegenwart (Delphin-verlag, 1919), by Fritz Burger (page images at HathiTrust; US access only)
• Cubists and Post-impressionism. With twenty-three reproductions in color...and forty-six half-tone illustrations. (A. C. McClurg & Co., 1914), by Arthur Jerome Eddy (page images at HathiTrust)
• Cubistes, futuristes, passéistes (Librairie Ollendorff, 1923), by Gustave Coquiot (page images at HathiTrust; US access only)
• Catalogue de l'exposition de peintures du groupe impressionniste et synthétiste : faite dans le local de M. Volpini au Champs-de-Mars, 1889. ([Paris] : [publisher not identified], [1889], 1889), by France) Cafe des arts (Paris (page images at HathiTrust)
• Moderne Kunst og Sindssygdom. (N.C. Rom, 1919), by Sophus Adam Danneskiold-Samsøe, Johannes C. Bjerg, Harald Giersing, Oluf Thomsen, Leo Swane, and Carl Julius Salomonsen (page images at HathiTrust; US access only)
• Cubists and Post-Impressionism, by Arthur Jerome Eddy (Gutenberg ebook)
• The Letters of a Post-Impressionist: Being the Familiar Correspondence of Vincent Van Gogh, by Vincent van Gogh, trans. by Anthony M. Ludovici (Gutenberg ebook)

More items available under broader and related terms at left.