Drama -- History and criticismHere are entered works on criticism of the drama as a literary form. Works on criticism of the drama as presented on the stage are entered under Dramatic criticism. Collections of reviews of dramatic performances are entered under Theater -- Reviews. See also what's at your library, or elsewhere.
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Filed under: Drama -- History and criticism
Filed under: Drama -- History and criticism -- Theory, etc.Filed under: Drama, Medieval -- History and criticismFiled under: Mysteries and miracle-plays -- History and criticism
Filed under: Mysteries and miracle-plays, English -- History and criticism Ancient Mysteries Described: Especially the English Miracle Plays, Founded on Apocryphal New Testament Story, Extant Among the Unpublished Manuscripts in the British Museum (London: Printed for W. Hone, 1823), by William Hone, illust. by George Cruikshank Bibliographical and Textual Problems of the English Miracle Cycles (London: A. Moring, 1914), by W. W. Greg Stage Properties, Costumes, Scenery and Music of the English Miracle Plays (University of Illinois masters thesis, 1906), by Allie V. Parks
Filed under: Mysteries and miracle-plays, English -- England -- York -- History and criticism -- Sources Records of Early English Drama: York (2 volumes; Toronto et al.: University of Toronto Press, c1979), ed. by Alexandra F. Johnston and Margaret Rogerson Filed under: Mysteries and miracle-plays, French -- History and criticism
Filed under: Historical drama, English -- History and criticism Shakespeare's History Plays: The Family and the State (Columbus, OH: Ohio State University Press, c1971), by Robert B. Pierce Filed under: Historical drama, Spanish -- History and criticismFiled under: Monodramas -- History and criticismFiled under: Political plays -- History and criticism
Filed under: Political plays, English -- History and criticismFiled under: Religious drama -- History and criticism
Filed under: Television plays, Chinese -- History and criticismFiled under: Television plays, Korean -- History and criticismFiled under: Drama -- 19th century -- History and criticismFiled under: Drama -- 20th century -- History and criticism
Items below (if any) are from related and broader terms.
Filed under: Drama
Filed under: Drama -- Bibliography
Filed under: Drama -- Chorus (Greek drama)
Filed under: Drama -- Collections Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org) The Pocket University (23 volumes; Garden City, NY: Pub. for N. Doubleday, Inc. by Doubleday, Page and Co., 1924), ed. by Bliss Perry, Thomas L. Masson, Henry Van Dyke, Hardin Craig, Asa Don Dickinson, George Iles, Hamilton Wright Mabie, and Lyman Abbott (page images at HathiTrust)
Filed under: Drama -- Editing
Filed under: Drama -- Indexes
Filed under: Drama -- Periodicals
Filed under: Drama -- Psychological aspects Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust) Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece (Ann Arbor: University of Michigan Press, c1998), by Karen Bassi (page images at HathiTrust) Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman N. Holland (page images at Florida)
Filed under: Drama -- Social aspects
Filed under: Drama -- Stories, plots, etc.
Filed under: Drama -- Technique The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust) How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org) Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text) Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org) The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust) Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust) Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust) Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text) The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
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