Drawing -- ExhibitionsSee also what's at your library, or elsewhere.
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Filed under: Drawing, American -- Exhibitions
Filed under: Drawing, American -- 20th century -- Exhibitions- American Drawings (1964), by Solomon R. Guggenheim Museum, contrib. by Lawrence Alloway and Thomas M. Messer (multiple formats at archive.org)
Filed under: Drawing, Austrian -- ExhibitionsFiled under: Drawing, European -- Exhibitions
Filed under: Drawing, French -- 18th century -- ExhibitionsFiled under: Drawing, French -- 19th century -- ExhibitionsFiled under: Drawing, Iranian -- ExhibitionsFiled under: Drawing, Italian -- Exhibitions- Architectural and Ornament Drawings: Juvarra, Vanvitelli, the Bibiena Family, and Other Italian Draughtsmen (New York: Metropolitan Museum of Art, 1975), ed. by Mary L. Myers (page images and PDF with commentary at metmuseum.org and Google)
- Italian Renaissance Drawings from the Musée du Louvre, Paris: Roman, Tuscan, and Emilian Schools, 1500-1575 (New York: Metropolitan Museum of Art, 1974), by Roseline Bacou and Françoise Viatte (page images and PDF with commentary at Metropolitan Museum of Art and Google)
- The Italian Renaissance (Drawings from New York Collections series, vol. 1; New York: Metropolitan Museum of Art, Pierpont Morgan Library, 1965), by Jacob Bean and Felice Stampfle (page images with commentary at metmuseum.org and Google)
Filed under: Drawing, Italian -- 17th century -- ExhibitionsFiled under: Drawing, Italian -- 18th century -- ExhibitionsFiled under: Drawing, Italian -- Italy -- Genoa -- ExhibitionsFiled under: Drawing, Medieval -- Exhibitions- Pen and Parchment: Drawing in the Middle Ages (New York: Metropolitan Museum of Art; New Haven and London: Yale University Press, c2009), by Melanie Holcomb, contrib. by Lisa Bessette, Barbara Drake Boehm, Evelyn M. Cohen, Kathryn B. Gerry, Ludovico V. Geymonat, Aden Kumler, Lawrence Nees, William Noel, Wendy Alpern Stein, Faith Wallis, Karl Whittington, Elizabeth Williams, and Nancy Y. Wu (page images and PDF with commentary at Metropolitan Museum of Art and Google)
Filed under: Drawing, Renaissance -- ExhibitionsFiled under: Drawing -- 15th century -- ExhibitionsFiled under: Drawing -- 16th century -- ExhibitionsFiled under: Drawing -- 17th century -- ExhibitionsFiled under: Drawing -- 18th century -- ExhibitionsFiled under: Drawing -- New York (State) -- New York -- Exhibitions
Items below (if any) are from related and broader terms.
Filed under: Drawing- The Elements of Drawing, in Three Letters to Beginners (New York: J. Wiley and Sons, 1876), by John Ruskin (page images at HathiTrust)
- Line and Form (London: G. Bell and Sons, 1914), by Walter Crane (Gutenberg text, illustrated HTML, and page images)
- Sehen und Zeichnen: Vortrag Gehalten auf dem Rathause zu Zürich, 1. Februar 1894 (in German; Basel: B. Schwabe, 1894), by Albert Heim
Filed under: Drawing -- Congresses- Drawing Futures: Speculations in Contemporary Drawing for Art and Architecture (London: UCL Press, 2016), ed. by Laura Allen and Luke Pearson
Filed under: Drawing -- Early works to 1800- Divina Proportione: Opera a Tutti Glingegni Perspicaci e Curiosi Necessaria oue Ciascun Studioso di Philosophia; Prospettiua Pictura Sculptura; Architectura; Musica; e Altre Mathematice; Suavissima; Sotile; e Admirabile Doctrina Consequira; e Delecterassi, Co Varie Questione de Secretissima Scientia (in Italian; Venice: A. Paganius Paganinus characteribus elegantissimis accuratissime imprimebat, 1509), by Luca Pacioli, contrib. by Antonio Capella, illust. by Leonardo da Vinci
Filed under: Drawing -- Periodicals
Filed under: Drawing -- Study and teaching- The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin)
- Drawing Made Easy: A Book That Can Teach You How to Draw (Chicago: Hall and McCreary Co., 1923), by Charles Lederer (page images at HathiTrust)
- How Children Learn to Draw (Boston et al.: Ginn and Co., 1916), by Walter Sargent and Elizabeth Miller Lobingier (page images at HathiTrust)
- The Rudiments of Drawing Cabinet and Upholstery Furniture (second edition; London: Printed for M. Taylor, 1835), by Richard Brown (multiple formats at Google)
- Groups of Flowers: Drawn and Accurately Coloured After Nature, With Full Directions for the Young Artist (1817), by George Brookshaw (page images at Wisconsin)
- Groups of Fruit: Accurately Drawn and Coloured After Nature, With Full Directions for the Young Artist (London: Printed for William Stockdale, 1817), by George Brookshaw (page images at Wisconsin)
- Mott's Elementary Book, No. II: Containing Exercises in Spelling and Reading, Modern Exercises in Drawing, and Appropriate Exercises in Mental Arithmetic (stereotype edition; New York: G. C. Mott, 1850), by George Mott
- The New Art Geometry: or, Geometrical Drawing Applied to Design (London: G. W. Bacon and Co., 1901), by Frank Steeley and Bernard H. Trotman
- Six Birds, Accurately Drawn and Coloured After Nature, With Full Directions for the Young Artist (1817), by George Brookshaw (page images at Wisconsin)
- Guide for Drawing the Acanthus, and Every Description of Ornamental Foliage (London: B. Quaritch, reprinted 1886), by James Page
- Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust)
- Student's Manual of Fashion Drawing: Thirty Lessons with Conventional Charts (New York: John Wiley and Sons, 1919), by Edith Young (page images at Wisconsin)
Filed under: Drawing -- Technique- The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin)
- De L'Enseignement du Dessin, Sous le Point de Vue Industriel (in French; Paris: Giroux, et al., 1836), by Alexandre Dupuis (multiple formats at Google)
- How to Draw: A Practical Book of Instruction in the Art of Illustration (New York and London: Harper and Bros., c1904), by Leon Barritt (page images at HathiTrust)
- The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc)
- The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
Filed under: Architectural drawingFiled under: CaricatureFiled under: Drawing, EnglishMore items available under broader and related terms at left. |