Edward II, King of England, 1284-1327 -- DramaSee also what's at your library, or elsewhere.
Broader terms: |
Filed under: Edward II, King of England, 1284-1327 -- Drama
Items below (if any) are from related and broader terms.
Filed under: Edward II, King of England, 1284-1327- The History of the Most Unfortunate Prince, King Edward II: With Choice Political Observations on Him and His Unhappy Favorites, Gaveston and Spencer, Containing Several Rare Passages of Those Times, not Found in Other Historians (presumed in this edition to be by Henry Cary, Viscount Falkland; now usually attributed to his wife Elizabeth; London: Printed by A. G. and F. P., 1680), by Elizabeth Cary, contrib. by Henry Cary Falkland (multiple formats at Google)
- An Exact Abridgement of the Records in the Tower of London, From the Reign of King Edward the Second, Unto King Richard the Third, of All the Parliaments Holden in Each Kings Reign, and the Several Acts in Every Parliament; Together With the Names and Titles of All the Dukes, Marquesses, Earls, Viscounts, and Barons, Summoned To Every of the Said Parliaments (originally collected by Cotton, revised by Prynne; London: Printed for W. Leake, 1657), ed. by Robert Cotton and William Prynne, contrib. by Robert Bowyer and William Morrell
Filed under: Drama
Filed under: Drama -- Bibliography
Filed under: Drama -- Chorus (Greek drama)
Filed under: Drama -- Collections- Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org)
- The Pocket University (23 volumes; Garden City, NY: Pub. for N. Doubleday, Inc. by Doubleday, Page and Co., 1924), ed. by Bliss Perry, Thomas L. Masson, Henry Van Dyke, Hardin Craig, Asa Don Dickinson, George Iles, Hamilton Wright Mabie, and Lyman Abbott (page images at HathiTrust)
Filed under: Drama -- Editing
Filed under: Drama -- History and criticism
Filed under: Drama -- Indexes
Filed under: Drama -- Periodicals
Filed under: Drama -- Psychological aspects- Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust)
- Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece (Ann Arbor: University of Michigan Press, c1998), by Karen Bassi (page images at HathiTrust)
- Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner
- Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman N. Holland (page images at Florida)
Filed under: Drama -- Social aspects- The Social Significance of the Modern Drama (Boston: R. G. Badger; Toronto: Copp Clark Co., c1914), by Emma Goldman
Filed under: Drama -- Stories, plots, etc.
Filed under: Drama -- Technique- The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
- How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
- Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
- Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
- The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
- Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
- Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
- Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
- The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
Filed under: Drama -- Therapeutic use- Principles of Drama-Therapy (New York: Sopherim, 1917), by Stephen F. Austin
Filed under: Amateur plays- Drawing-Room Plays and Parlour Pantomimes (London: S. River and Co., 1870), ed. by Clement Scott, contrib. by E. L. Blanchard, J. Palgrave Simpson, W. S. Gilbert, Tom Hood, Charles Smith Cheltnam, Robert Reece, Arthur Sketchley, Alfred Thompson, Thomas Archer, John C. Brough, J. Ashby-Sterry, Sidney Daryl, and A. B. (multiple formats at Google)
- Festival Plays: One-Act Pieces for New Year's Day, St. Valentine's Day, Easter, All Hallowe'en, Christmas and a Child's Birthday (New York: Duffield and Co., 1913), by Marguerite Merington (page images at HathiTrust)
Filed under: Children's plays
Filed under: Christmas plays
Filed under: Comedy- An Essay on Comedy and the Uses of the Comic Spirit, by George Meredith (Gutenberg text)
- The Dramatic Values in Plautus (1918), by Wilton W. Blancké (Gutenberg text)
- Laughter: An Essay on the Meaning of the Comic, by Henri Bergson, trans. by Cloudesley Brereton and Fred Rothwell (Gutenberg text)
- Retractatio in the Ambrosian and Palatine Recensions of Plautus: A Study of the Persa, Poenulus, Pseudolus, Stichus and Trinummus (Bryn Mawr, PA: Bryn Mawr College, 1911), by Cornelia Catlin Coulter (page images at HathiTrust)
- Jonson's Moral Comedy (Evanston: Northwestern University Press, c1971), by Alan C. Dessen (PDF with commentary at Northwestern)
More items available under broader and related terms at left. |