Engravers
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Broader terms:Narrower terms:Used for:- Metal engravers
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Le Peintre Graveur (21 volumes in French, published in Vienna 1803-1821), by Adam von Bartsch (page images at HathiTrust)
- A Biographical and Critical Dictionary of Recent and Living Painters and Engravers: Forming a Supplement to Bryan's Dictionary of Painters and Engravers As Edited by George Stanley (London: H. G. Bohn, 1866), by Henry Ottley (page images at HathiTrust)
- Bryan's Dictionary of Painters and Engravers (new edition revised and enlarged; 5 volumes; New York: Macmillan; London: G. Bell and Sons, 1903-1905), by George C. Williamson, contrib. by Michael Bryan (page images at HathiTrust)
- A Trio of Eighteenth Century French Engravers of Portraits in Miniature: Ficquet, Savart, Grateloup (New York: W. L. Andrews, 1899), by William Loring Andrews
- A History of French Etching From the Sixteenth Century to the Present Day (London: John Lane; New York: Dodd, Mead and Co., c1924), by F. L. Leipnik (page images at HathiTrust; US access only)
- Japanese Colour Prints (New York: C. Scribner's Sons, 1923), by Laurence Binyon and J. J. O'Brien Sexton (page images at CMU)
- Etchings (second edition; London: Methuen and Co., 1912), by Frederick Wedmore (multiple formats at archive.org)
- Sir D. Y. Cameron, R. A. (Modern Masters of Etching #7; London: The Studio, 1925), by Malcolm C. Salaman, illust. by David Young Cameron (illustrated HTML at Gutenberg Canada)
- Sir D. Y. Cameron, R. A. (Modern Masters of Etching #7; London: The Studio, 1925), by Malcolm C. Salaman, illust. by David Young Cameron (illustrated HTML at Gutenberg Canada)
- Dutch Etchers of the Seventeenth Century (Portfolio #21; London: Seeley and Co.; New York: Macmillan, 1895), by Laurence Binyon (Gutenberg text and illustrated HTML)
- Illustrated Catalogue of Etchings by American Artists, With Biographical Sketches (Chicago: Albert Roullier's Art Galleries, 1913), by Albert Roullier's Art Rooms, contrib. by H. H. Tolerton
- Mezzotints (New York: G. P. Putnam's Sons; London: Methuen and Co., 1903), by Cyril Davenport (multiple formats at archive.org)
- A Memoir of Thomas Bewick (1862), by Thomas Bewick, contrib. by Jane Bewick (multiple formats at archive.org)
- A Memoir of Thomas Bewick (1862), by Thomas Bewick, contrib. by Jane Bewick (multiple formats at archive.org)
- Period Piece: A Cambridge Childhood (c1952), by Gwen Raverat (text in Canada; NO US ACCESS)
Items below (if any) are from related and broader terms.
Filed under: Artists- Artists Past and Present: Random Studies (New York: Moffat, Yard and Co., 1909), by Elisabeth Luther Cary (page images at HathiTrust)
- Twelve Great Artists (Boston: Little, Brown and Company, 1900), by William Howe Downes
- Little Journeys to the Homes of Eminent Artists, by Elbert Hubbard (Gutenberg text)
- Success in Life: The Artist (Cincinnati and New York: Henry W. Derby, James C. Derby, 1854), by Louisa C. Tuthill (page images and uncorrected OCR text at MOA)
- 1860-1930, Memories: A Winning Crusade To Revive George Washington's Vision of a Capital City (Washington: Press of W. F. Roberts Co., 1931), by Glenn Brown (page images at HathiTrust)
- Nights: Rome, Venice in the Aesthetic Eighties; London, Paris in the Fighting Nineties (Philadelphia and London: J. B. Lippincott Co., 1916), by Elizabeth Robins Pennell (Gutenberg text and illustrated HTML)
- Reminiscences of My Life (London: W. Heinemann, c1914), by Henry Holiday (page images at HathiTrust)
- Wilde v. Whistler: Being an Acrimonious Correspondence on Art Between Oscar Wilde and James A. McNeill Whistler (unauthorized publication of correpondence taken from Whistler's "The Gentle Art of Making Enemies"; London: Privately printed, 1906), by Oscar Wilde and James McNeill Whistler
- Painters, Sculptors, Architects, Engravers, and Their Works: A Handbook (New York: Hurd and Houghton, 1874), by Clara Erskine Clement Waters (multiple formats at archive.org)
- Why Are Artists Poor? The Exceptional Economy of the Arts (Amsterdam: Amsterdam University Press, c2002), by Hans Abbing (PDF with commentary at OAPEN)
- English Female Artists (2 volumes; London: Tinsley Bros., 1876), by Ellen C. Clayton
- The Coast of Bohemia (biographical edition; New York and London: Harper and Bros., 1899), by William Dean Howells (Gutenberg text, illustrated HTML, and page images)
- Forward the Mage, by Eric Flint and Richard Roach (multiple formats at freedoors.org)
- Imago (in German; Jena: E. Diederichs, 1907), by Carl Spitteler (page images at HathiTrust; US access only)
- Imago (in German; Jena: E. Diederichs, 1907), by Carl Spitteler (multiple formats at archive.org)
- Love Among the Artists (New York: Brentano's, 1910), by Bernard Shaw (multiple formats at archive.org)
- Tarr (London: The Egoist Ltd., 1918), by Wyndham Lewis
- The Third Violet (New York: D. Appleton and Company, 1897), by Stephen Crane
- The Tragic Muse (based on the 1-volume 1891 edition, with commentary), by Henry James, ed. by Adrian Dover (HTML at the Ladder)
- The Tragic Muse (London: Macmillan and Co., 1921), by Henry James (Gutenberg text)
- Tristan (in German), by Thomas Mann (Gutenberg text)
- The Woman Gives: A Story of Regeneration (Boston: Little, Brown and Co., 1916), by Owen Johnson, illust. by Howard Chandler Christy (Gutenberg text and illustrated HTML)
- Youth and the Bright Medusa, by Willa Cather (HTML at Virginia)
- The Magic Story (sixth edition; New York: F. E. Morrison, c1914), by Frederic Van Rensselaer Dey (page images at HathiTrust)
- Ulysses, by James Joyce (multiple editions)
- The Marble Faun, by Nathaniel Hawthorne
- The Marble Faun (Boston and New York: Houghton Mifflin Co., c1889), by Nathaniel Hawthorne (illustrated HTML with commentary at fiftywordsforsnow.com)
- Of Human Bondage, by W. Somerset Maugham (Gutenberg text)
- Trilby (New York: International Book and Publishing Co., 1899), by George Du Maurier (illustrated HTML at Gutenberg Australia)
- Trilby (New York and London: Harper and Bros., 1901), by George Du Maurier
- Nollekens and His Times: Comprehending a Life of That Celebrated Sculptor; and Memoirs of Several Contemporary Artists, from the Time of Roubiliac, Hogarth, and Reynolds, to That of Fuseli, Flaxman, and Blake (2 volumes; London: H. Colburn, 1828), by John Thomas Smith (page images at HathiTrust)
- The Jolliest Term on Record (London et al.: Blackie and Son, n.d.), by Angela Brazil, illust. by Balliol Salmon (Gutenberg text and illustrated HTML)
- American Art Annual (partial serial archives)
- Biographical Sketches of American Artists (third edition; Lansing: Michigan State Library, 1915), ed. by Helen L. Earle
- Biographical Sketches of American Artists (fifth edition; Lansing: Michigan State Library, 1924), ed. by Helen L. Earle (page images at HathiTrust)
- The Paradox of Acting: Translated With Annotations From Diderot's "Paradoxe sur le Comédien" (London: Chatto and Windus, 1883), by Denis Diderot, ed. by Walter Herries Pollock, contrib. by Henry Irving (multiple formats at archive.org)
- Plays, Acting and Music: A Book of Theory (revised edition; London: Constable and Co., 1909), by Arthur Symons (Gutenberg text)
- Stage-Land, by Jerome K. Jerome (Gutenberg text)
- Stage-Land (New York: H. Holt and Co., 1906), by Jerome K. Jerome, illust. by Bernard Partridge (illustrated HTML with commentary at fiftywordsforsnow.com)
- Shadows of the Stage (New York and London: Macmillan, 1893), by William Winter (Gutenberg text)
More items available under broader and related terms at left.