The Online Books Page

Experimental films

See also what's at Wikipedia, your library, or elsewhere.

• Motion pictures

• Video art

• Experimental films -- France
• Experimental films -- History and criticism

• Avant-garde films
• Experimental videos
• Personal films
• Underground films

• French cinema : the first wave, 1915-1929 (Princeton University Press, 1987), by Richard Abel (page images at HathiTrust)

• Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (Berkeley: University of California Press, 1992), by William C. Wees (HTML at UC Press)
• Expanded Cinema (1970), by Gene Youngblood, contrib. by R. Buckminster Fuller (PDF files at vasulka.org)

Items below (if any) are from related and broader terms.

• Watching television : a video event. (School of Art and Design, University of Illinois at Urbana-Champaign, 1983), by University of Illinois at Urbana-Champaign. School of Art and Design (page images at HathiTrust)

• Folklore/Cinema: Popular Film as Vernacular Culture (Logan, UT: Utah State University Press, 2007), ed. by Sharon R. Sherman and Mikel J. Koven (PDF with commentary at usu.edu)
• Film Quarterly: Forty Years, A Selection (Berkeley: University of California Press, c1999), ed. by Brian Henderson, Ann Martin, and Lee Amazonas (frame-dependent HTML with commentary at UC Press)
• Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press)
• Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)
• Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
• Movies From A.A.P.: Programs of Quality From Quality Studios (1957), by Associated Artists Productions (multiple formats at archive.org)
• Framing French Culture (Adelaide: University of Adelaide Press, c2015), ed. by Natalie Edwards, Ben McCann, and Peter Poiana (PDF with commentary at Adelaide)
• The Art of Cineplastics (Boston: Four Seas Co., 1923), by Élie Faure, trans. by Walter Pach (page images at HathiTrust)
• The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
• Der Film: Seine Mittel, Seine Ziele (In German; Berlin: Schuster und Loeffler, 1921), by Urban Gad (page images at HathiTrust; US access only)
• Making the Movies (New York: The Macmillan Co., 1919), by Ernest A. Dench (page images at HathiTrust)
• That Marvel, the Movie: A Glance at its Reckless Past, its Promising Present, and its Significant Future (New York and London: G. P. Putnam's Sons, 1923), by Edward S. Van Zile, contrib. by Will H. Hays
  • Gutenberg text and illustrated HTML
  • page images at HathiTrust
• Behind the Screen (New York: G. H. Doran Co., c1923), by Samuel Goldwyn
  • Gutenberg text and illustrated HTML
  • multiple formats at archive.org
  • page images at HathiTrust
• Radiomovies, Radiovision, Television (Washington: National Capital Press, c1929), by C. Francis Jenkins (page images at HathiTrust)
• Annual report of the Motion Picture Commission (J.B. Lyon company, printers., 1921), by New York (State) Motion Picture Commission (page images at HathiTrust)
• L'art cinématographique. (Librairie Félix Alcan, 1926) (page images at HathiTrust; US access only)
• Report of the Pennsylvania State Board of Censors June 1-Dec. 1, 1914 (Harrisburg, Pa., 1914), by Pennsylvania. State Board of Censors (page images at HathiTrust)
• Lichtbildkunde (G. Hackebeil, 1927), by Friedrich Willy Frerk (page images at HathiTrust; US access only)
• A primer for playgoers; an introduction to the understanding and appreciation of cinema, stage, television. (Prentice Hall, 1958), by Edward A. Wright (page images at HathiTrust)
• The contemporary cinema. (Penguin Books, 1963), by Penelope Houston (page images at HathiTrust)
• Motion pictures and youth, a summary (Macmillan, 1933), by W. W. Charters and Motion Picture Research Council (page images at HathiTrust; US access only)
• The 7 lively arts. (Sagamore Press, 1957), by Gilbert Vivian Seldes (page images at HathiTrust; US access only)
• Moving pictures, how they are made and worked (J. B. Lippincott company, 1923), by Frederick Arthur Ambrose Talbot (page images at HathiTrust; US access only)
• How motion pictures are made. (Harper, 1918), by Homer Croy (page images at HathiTrust)
• Pictorial continuity; how to shoot a movie story (Essential Books, 1947), by Arthur L. Gaskill and David A. Englander (page images at HathiTrust; US access only)
• The story of the motion picture, 65 B.C. to 1920 A.D. (Reeland, 1920), by Ben J. Lubschez (page images at HathiTrust)
• Motion picture photography for the amateur (Falk Pub. Co., Inc., 1924), by Herbert C. McKay and New York Institute of Photography (page images at HathiTrust)
• Simpatías y diferencias, tercera serie. ([Talleres tipográficos del Suc. de E. Teodoro], 1922), by Alfonso Reyes (page images at HathiTrust; US access only)
• The army of the vigilantes, recruiting for national defense (National capital press, inc., 1916), by Francis Holley and D.C.) Extension division American University (Washington (page images at HathiTrust)
• Advertising by motion pictures (The Standard publishing company, 1916), by Ernest Alfred Dench (page images at HathiTrust)
• Stability of motion-picture films as determined by accelerated aging (U. S. Govt. print. off., 1936), by John Regli Hill and Charles G. Weber (page images at HathiTrust)
• The path of the modern Russian stage, and other essays (C. Palmer [&] Hayward, 1916), by Alexander Bakshy (page images at HathiTrust; US access only)
• The cinema in education (G. Allen & Unwin ltd., 1925), by National Council of Public Morals. Cinema Commission of Inquiry and James Marchant (page images at HathiTrust)
• The film : its use in popular education (Grafton ;, 1922), by M. Jackson-Wrigley (page images at HathiTrust; US access only)
• Combines investigation act. Investigation into an alleged combine in the motion picture industry in Canada. Report of commissioner. April 30, 1931. (Acland, printer to the King, 1931), by Canada. Department of Labour and Peter White (page images at HathiTrust)
• Some desirable goals for motion pictures; a consideration of motion pictures, children, and community life (University of Chicago press], 1927), by H. Dora Stecker (page images at HathiTrust)
• Children's attendance at motion pictures (The Macmillan company, 1935), by Edgar Dale (page images at HathiTrust)
• The seven lively arts (Harper & brothers, 1924), by Gilbert Seldes (page images at HathiTrust; US access only)
• The photodrama; the philosophy of its principles, the nature of its plot, its dramatic construction and technique, illumined by copious examples, together with a complete photoplay and a glossary, making the work a practical treatise. (The Stanhope-Dodge publishing company, 1914), by Henry Albert Phillips and J. Stuart Blackton (page images at HathiTrust)
• On picture-play writing : a hand-book of workmanship (F. Smith, 1912), by James Slevin (page images at HathiTrust)
• Motion pictures for community needs; a practical manual of information and suggestion for educational, religious and social work (Holt and company, 1922), by Gladys Bollman and Henry Bollman (page images at HathiTrust; US access only)
• The mind and the film; a treatise on the psychological factors in the film (G. Routledge & sons, ltd., 1926), by Gerard Fort Buckle (page images at HathiTrust)
• The art of photoplay making (Macmillan, 1918), by Victor Oscar Freeburg (page images at HathiTrust)
• How to write moving picture plays (Atlas publishing company, 1914), by William Lewis Gordon (page images at HathiTrust)
• When the movies were young (E. P. Dutton, 1925), by Linda Arvidson (page images at HathiTrust)
• The photodrama; its place among the fine arts (The Ruskin press, 1915), by William Morgan Hannon (page images at HathiTrust)
• The whole truth and nothing but (Doubleday, 1963), by Hedda Hopper (page images at HathiTrust)
• Movies in society : (sex, crime, and censorship). (R. Speller, 1962), by Mark Koenigil (page images at HathiTrust)
• The art of the moving picture. (Macmillan, 1915), by Vachel Lindsay (page images at HathiTrust)
• The photoplay; a psychological study (D. Appleton and company, 1916), by Hugo Münsterberg (page images at HathiTrust; US access only)
• The photoplay. (Arno Press, 1970), by Hugo Münsterberg (page images at HathiTrust)
• The morals of the movie (The Penn publishing company, 1922), by Ellis Paxson Oberholtzer (page images at HathiTrust)
• Motion pictures as a phase of commercial amusement in Toledo, Ohio. (Printed by Little Book Press, 1919), by John Joseph Phelan (page images at HathiTrust)
• Father Goose, the story of Mack Sennett (Covici, Friede, 1934), by Gene Fowler (page images at HathiTrust)
• Motion-picture films. (U. S. Govt. print. off., 1936), by United States House Committee on Interstate and Foreign Commerce (page images at HathiTrust)
• Motion-picture films (compulsory block and blind selling) (U. S. Govt. print. off., 1940), by United States House Committee on Interstate and Foreign Commerce (page images at HathiTrust)
• Federal motion picture commission. (U.S. Govt. print. off., 1934), by United States House Committee on Interstate and Foreign Commerce (page images at HathiTrust)
• Compulsory block-booking and blind selling in the motion picture industry. (U. S. Govt. print. off., 1938), by United States. Congress. Senate. Committee on Interstate Commerce (page images at HathiTrust)
• Motion pictures; a study in social legislation (Printed by Westbrook Publishing Co., 1922), by Donald Young (page images at HathiTrust)
• Russische Filmkunst (E. Pollak, 1927), by Alfred Kerr (page images at HathiTrust; US access only)
• The handbook of kinematography; the history, theory, and practice of motion photography and projection (The Kinematograph weekly, 1913), by Colin N. Bennett (page images at HathiTrust; US access only)
• The cinematograph book; a complete practical guide to the taking and projecting of cinematograph pictures (London, New York, Cassell, 1919), by Bernard E. Jones (page images at HathiTrust; US access only)
• Of all places! (Frederick A. Stokes Co., 1937), by Patience Abbe, Johnny Abbe, and Richard Abbe (page images at HathiTrust)
• The motion picture in its economic and social aspects .. . (The American academy of political and social science, 1926), by American Academy of Political and Social Science, Frank A. Tichnor, and Clyde Lyndon King (page images at HathiTrust)
• Documentations of the Reds and fellow-travellers in Hollywood and TV (Hollywood, Calif. : Cinema Educational Guild, 1961., 1950), by Myron C. Fagan (page images at HathiTrust; US access only)
• Visual education : a comparative study of motion pictures and other methods of instruction (The University of Chicago press, 1924), by Frank N. Freeman (page images at HathiTrust)
• Motion picture bulletin, answering questions repeatedly asked regarding moving picture work in education. ([Los Angeles?, 1917), by Los Angeles County (Calif.). Office of Superintendent of Schools (page images at HathiTrust)
• The new theatre and cinema of soviet Russia; being an analysis and synthesis of the unified theatre produced in Russia by the 1917 revolution, and an account of its growth and development from 1917 to the present day. (Chapman & Dodd, ltd., 1924), by Huntly Carter (page images at HathiTrust)
• Stage and film decor (Sir I. Pitman & sons, ltd., 1918), by Raymond Myerscough-Walker (page images at HathiTrust; US access only)
• How to write for moving pictures : a manual of instruction and information (G.H. Doran, 1917), by Marguerite Bertsch (page images at HathiTrust)
• Im Banne des Films. Die Weltherrschaft des Kinos. (F. Boepple, 1927), by Hans Buchner (page images at HathiTrust; US access only)
• Films: facts and forecasts. (G. Bles, 1927), by L'Estrange Fawcett (page images at HathiTrust; US access only)
• The photo drama; its place among the fine arts. (Ruskin Press, 1915), by William Morgan Hannon (page images at HathiTrust)
• Breaking into the movies. (Unicorn Press, 1927), by Charles Reed Jones (page images at HathiTrust)
• Naissance du cinema. (J. Povolozky & cie., 1925), by Léon Moussinac (page images at HathiTrust; US access only)
• The public and the motion picture industry (The Macmillan company, 1926), by William Marston Seabury (page images at HathiTrust)
• Proposed federal motion picture commission. Hearings before the Committee on education. House of representatives, Sixty ninth Congress, first session, on H. R. 1091 and H. R. 6233, bills to create a commission to be known as the Federal motion picture commission, and defining its powers and duties. April 14, 15, 16, 17, 27, and May 4, 1926 ... (Govt. print. off., 1926), by United States. Congress. House. Committee on Education (page images at HathiTrust)
• United States educational, scientific and cultural motion pictures and filmstrips suitable and available for use abroad (Dept of State], 1952), by U.S. National Commission for UNESCO. Panel on Educational Films (page images at HathiTrust; US access only)
• Movies and conduct (Macmillan, 1933), by Herbert Blumer (page images at HathiTrust)
• The application of sound motion pictures for recording billet analysis information. (Dept. of the Navy, Office of Naval Research, Special Devices Center, 1954), by Pennsylvania State University. Instructional Film Research Program, Edward Paul McCoy, and Charles John McIntyre (page images at HathiTrust)
• Motion pictures (The Office :, 1939), by Library of Congress Copyright Office and Howard Lamarr Walls (page images at HathiTrust)
• Zhonghua ying ye nian jian. ([publisher not identified], 1927), by Yazi Gan and Dingxiu Chen (page images at HathiTrust; US access only)
• Zhi bian wai shi te kan (1926), by Da Zhonghua bai he ying pian gong si bian ji bu (page images at HathiTrust; US access only)
• The technique of the photoplay. (Moving Picture World, 1913), by Epes Winthrop Sargent (page images at HathiTrust)
• Le Tout-cinéma : annuaire professionel du monde cinematographique. ([Société nouvelle des éditions guilhamou], 1921) (page images at HathiTrust; US access only)
• Catechism on motion pictures in inter-state commerce (Lord's Day Alliance of the United States, 1922), by William Sheafe Chase and Lord's Day Alliance of the United States (page images at HathiTrust)
• Film folk; "close-ups" of the men, women, and children who make the "movies" (The Century co., 1918), by Robert Leicester Wagner (page images at HathiTrust)
• Eigageki gairon : eigageki e no "daiichi no mon" (Shunnansha :, 1927), by Toshimoto Kawazoe (page images at HathiTrust; US access only)
• Dynamics of the film (Hermitage House, 1952), by Joseph Feldman (page images at HathiTrust)
• Drinking driver and traffic safety project: final report, vol. I. (1972), by Oksana R. Didenko, Alexander W. McEachern, Raymond M. Berger, and Seymour Pollack (page images at HathiTrust)
• [Countermeasures for young drivers; comparison among experimental groups over 18 months following treatment. Final report] (1972), by D. C. Pelz and S. H. Schuman (page images at HathiTrust)
• Thoracic impact injury mechanism. Volume I. Final report. (1975), by M. M. Reddi, H. C. Tsai, F. W. Wendt, V. A. Rogers, R. A. Erb, and L. Ovenshire (page images at HathiTrust)
• Truck splash and spray tests at Madras, Oregon. Final report. (1974), by T. E. Ritter (page images at HathiTrust)
• Using trigger films: a guide for discussion leaders. (1972), by J. D. Tiffany (page images at HathiTrust)
• Measurement of pedestrian behavior: a handbook for identifying the behaviors to measure and the measurement systems for use in countermeasure evaluation. Interim report. (1976), by Andrew M. Rose, Jerrold M. Levine, and Ellen J. Eisner (page images at HathiTrust)
• High speed film motion analysis system. Final report. (1988), by M. Anderson and H. Asghar (page images at HathiTrust)
• Folklore / cinema : popular film as vernacular culture (Utah State University Press, 2007), by Mikel J. Koven and Sharon R. Sherman (page images at HathiTrust)
• Elektrisches fernsehen, fernkinematographie und bildfernübertragung (H. Meusser, 1925), by Walter Friedel (page images at HathiTrust; US access only)
• The handbook of motion picture photography (Falk publishing company, inc., 1927), by Herbert C. McKay and New York Institute of Photography (page images at HathiTrust; US access only)
• How I filmed the war; a record of the extraordinary experiences of the man who filmed the great Somme battles, etc. (H. Jenkens Limited, 1920), by Geoffrey H. Malins and Low Warren (page images at HathiTrust; US access only)
• Newsreel man (Doubleday, Doran & company, inc., 1932), by Charles Peden (page images at HathiTrust)
• Make your own movies, for fun and profit. (Coward-McCann, 1939), by Arthur Loran Gale and King Pessels (page images at HathiTrust; US access only)
• Histoire du cinématographe de ses origines à nos jours (Éditions du "Cinéopse" [etc.], 1925), by G.-Michel Coissac (page images at HathiTrust; US access only)
• Who's who in the movies (Small, Maynard & Company, 1923) (page images at HathiTrust)
• A lady goes to Hollywood, being the casual adventures of an author's wife in the much misunderstood capital of filmland (The Macmillan company, 1941), by Helen Partridge (page images at HathiTrust)
• Our modern art: the movies. (Center for the Study of Liberal Education for Adults, 1955), by Ernest Callenbach and Center for the Study of Liberal Education for Adults (page images at HathiTrust)
• Motion picture projection; an elementary text-book (Theatre Supply Co., 1921), by James R. Cameron (page images at HathiTrust)
• The film industry (Sir I. Pitman & sons, 1921), by Davidson Boughey (page images at HathiTrust; US access only)
• The motion-picture cameraman (C. Scribner's Sons, 1927), by Edwin George Lutz (page images at HathiTrust)
• Motion picture handbook; a guide for managers and operators of motion picture theatres (The Moving Picture World, 1916), by F. H. Richardson (page images at HathiTrust)
• What chance have I in Hollywood? Intimate information concerning the movie capital of the world. ([New York, 1924), by Marilynn Conners (page images at HathiTrust)
• The photoplay writer (L. Radnor, 1913), by Leona Radnor (page images at HathiTrust)
• The crisis of the film (University of Washington Book Store, 1929), by John Gould Fletcher (page images at HathiTrust)
• Pictorial beauty on the screen (The Macmillan company, 1923), by Victor Oscar Freeburg (page images at HathiTrust)
• Opening and operating a motion picture theatre, how it is done successfully. (Scenario publishing company, 1912), by James Floyd Hodges (page images at HathiTrust)
• What's wrong with the movies? (The Waverly company, 1923), by Tamar Lane (page images at HathiTrust)
• Let's go to the movies. (Payson & Clarke, 1926), by Iris Barry (page images at HathiTrust; US access only)
• The soul of the moving picture (E.P. Dutton & Company, 1924), by Walter Bloem and Allen Wilson Porterfield (page images at HathiTrust)
• The public relations of the motion picture industry (New York, N.Y., 1931), by Federal Council of the Churches of Christ in America. Dept. of Research and Education (page images at HathiTrust)
• An appraisal and abstract of available literature on the occupation of the motion picture actor (National occupational conference, 1937), by Shirley Wells and National Occupational Conference (U.S.) (page images at HathiTrust; US access only)
• Pen to silversheet (Harvey White publishing co., 1922), by Melvin M. Riddle (page images at HathiTrust)
• The path of the modern Russian stage, and other essays. (J. W. Luce, 1918), by Alexander Bakshy (page images at HathiTrust)
• Motion picture directing; the facts and theories of the newest art. (Falk Publishing Co., 1922), by Peter Milne and New York Institute of Photography (page images at HathiTrust)
• The attitude of high school students toward motion pictures (National board of review of motion pictures, 1923), by Clarence Arthur Perry (page images at HathiTrust)
• Motion picture making and exhibiting. (Charles C. Thompson company, 1914), by John B. Rathbun (page images at HathiTrust)
• How to write a moving picture play. (Printed by Ernest L. Fantus co.], 1927), by Felix Fantus (page images at HathiTrust)
• Screen acting : its requirements and rewards (Falk, 1922), by Inez Klumph, Helen Klumph, and New York Institute of Photography (page images at HathiTrust; US access only)
• Behind the motion-picture screen, how the scenario writer, director, cameraman, scene painter and carpenter, laboratory man, art director, property man, electrician, projector operator and others contribute their share of work toward the realization of the wonderful photoplays of today; and how the motion picture is rapidly extending into many fields aside from that of entertainment (Scientific American publishing company [etc.], 1921), by Austin C. Lescarboura (page images at HathiTrust)
• The Society of motion picture engineers; its aims and accomplishments; synopses of papers published, with author and subject indexes; committees. July, 1916-April, 1928. (George Banta publishing co., 1929), by Society of Motion Picture and Television Engineers (page images at HathiTrust)
• Census of manufactures: 1931. Motion pictures. (U. S. Govt. print. off., 1934), by United States Bureau of the Census (page images at HathiTrust)
• The theatre of science; a volume of progress and achievement in the motion picture industry (Broadway publishing company, 1914), by Robert Grau (page images at HathiTrust; US access only)
• Moving pictures, how they are made and worked (J.B. Lippincott company; [etc.,etc.], 1912), by Frederick Arthur Ambrose Talbot (page images at HathiTrust; US access only)
• It took nine tailors (Whittlesey House, 1948), by Adolphe Menjou and M. M. Musselman (page images at HathiTrust)
• Hopwood's Living pictures; their history, photo-production, and practical working (The Hatton Press, 1915), by Henry V. Hopwood and R. B. Foster (page images at HathiTrust; US access only)
• Stage and screen (M.H. Brazier, 1920), by Marion Howard Brazier (page images at HathiTrust)
• Hollywood without make-up (J. B. Lippincott Co., 1948), by Pete Martin (page images at HathiTrust)
• Motion pictures in advertising and selling (The Stirling press, 1929), by Edward F. Stevenson (page images at HathiTrust)
• The art of the moving picture ... being the 1922 revision of the book first issued in 1915 ... (The Macmillan Company, 1922), by Vachel Lindsay (page images at HathiTrust)
• How They make a motion picture (Thomas Y. Crowell co., 1939), by Ray Hoadley and Roman Freulich (page images at HathiTrust; US access only)
• How to organize a film festival (Film council of America, 1949), by Virginia Beard and R. H. Nissley (page images at HathiTrust; US access only)
• How to obtain and screen films for community use. (Film Council of America, 1948), by Cecile Starr (page images at HathiTrust; US access only)
• Screen acting (Photostar publishing co., 1921), by Mae Marsh (page images at HathiTrust)
• Cyclopedia of motion-picture work, a general reference work. (American Technical Society, 1911), by David Sherrill Hulfish (page images at HathiTrust)
• The cinematograph book; a complete practical guide to the taking and projecting of cinematograph pictures (Cassell and Company, ltd., 1915), by Bernard Edward Jones (page images at HathiTrust; US access only)
• Motion picture acting; how to prepare for photoplaying, what qualifications are necessary, how to secure an engagement, salaries paid to photoplayers (Reliance Newspaper Syndicate, 1913), by Frances Agnew (page images at HathiTrust)
• Who's who on the screen (Ross publishing co., 1920), by Charles Donald Fox and Milton L. Silver (page images at HathiTrust; US access only)
• The nurserymatograph (John Lane;, 1921), by Serjeant-major and Lawyer (page images at HathiTrust; US access only)
• Opportunities in the motion picture industry : and how to qualify for positions in its many branches. (Photoplay Research Society, Bureau of Vocational Guidance, 1922), by Los Angeles. Bureau of Vocational Guidance Photoplay Research Society (page images at HathiTrust)
• How to become a film artiste : the art of photo-play acting (Odhams Press, 1921), by Fred Dangerfield and Norman Howard (page images at HathiTrust; US access only)
• The law of motion pictures, including the law of the theatre treating of the various rights of the author, actor, professional scenario writer, director, producer, distributor, exhibitor and the public, with chapters on unfair competition, and copyright protection in the United States, Great Britain and her colonial possessions (Baker, Voorhis, 1918), by Louis D. Frohlich and Charles Schwartz (page images at HathiTrust)
• George Kleine's cycle of film classics: Spartacus, Julius Caesar, Antony and Cleopatra, "Quo vadis?", The last days of Pompeii, Othello, The lion of Venice, Vanity fair. (G. Kleine, 1916), by George Kleine (Firm) (page images at HathiTrust)
• Picture theatre advertising (The Moving picture world, 1915), by Epes Winthrop Sargent and George P. Johnson (page images at HathiTrust)
• Motion-picture work : a general treatise on picture taking, picture making, photo-plays, and theater management and operation (American School of Correspondence, 1913), by Ill.) American School (Lansing and David Sherrill Hulfish (page images at HathiTrust)
• Motion picture handbook; a guide for managers and operators of motion picture theatres (The Moving picture world, 1910), by Frank Herbert Richardson (page images at HathiTrust; US access only)
• Moving pictures : how they are made and worked (J. B. Lippincott Co., 1914), by Frederick Arthur Ambrose Talbot (page images at HathiTrust)
• Apparatebau und arbeitsmethoden zur mikroprojektion (Geschäftsstelle des Mikrokosmos, 1925), by J. Georgi and Fritz Köhler (page images at HathiTrust; US access only)
• How to make and operate moving pictures; a complete practical guide to the taking and projecting of cinematograph pictures (Funk & Wagnalls company, 1916), by Bernard Edward Jones (page images at HathiTrust)
• The photoplaywrights' handy text-book (Manhattan motion picture institute, 1913), by Florence Radinoff (page images at HathiTrust)
• The art of the photoplay. (Veritas publishing company, 1913), by Eustace Hale Ball (page images at HathiTrust)
• Studio directory. (Motion picture news, incorporated, 1918) (page images at HathiTrust)
• The ABC of art (Vanguard press, 1927), by John Haldane Blackie (page images at HathiTrust)
• The cinema handbook; a guide to practical motion picture work of the nontheatrical order, particularly as applied to the reporting of news, to industrial and educational purposes, to advertising, selling and general publicity, to the production of amateur photoplays, and to entertainment in the school, church, club, community center and home. (Scientific American Publishing Co., 1921), by Austin C. Lescarboura (page images at HathiTrust; US access only)
• The photoplay; a psychological study (D. Appleton and company, 1916), by Hugo Münsterberg (page images at HathiTrust; US access only)
• Still and moving pictures of war preparations and of the American expeditionary force. (Govt. print. off., 1918), by United States. War Dept (page images at HathiTrust)
• Visual instruction through lantern slides and motion pictures (The University, 1917), by Newman Leander Hoopingarner and George Simon Wehrwein (page images at HathiTrust)
• Über Herzbewegung und Herzstoss (Fischer, 1898), by Ludwig Braun (page images at HathiTrust; US access only)
• Motion picture films. (U. S. Govt. print. off., 1928), by United States. Congress. Senate. Committee on Interstate Commerce (page images at HathiTrust)
• Motion pictures in education in the United States; a report compiled for the International Congress of Educational and Instructional Cinematography (Washington, D.C., 1934), by Cline Morgan Koon, United States Office of Education, and International Congress of Educational and Instructional Cinematography (1934 : Rome) (page images at HathiTrust)
• A-B-C of motion pictures (Harper & Brothers, 1916), by Robert Emmet Welsh (page images at HathiTrust; US access only)
• Philosophie des films, seine āsthetischen and metaphysischen grundlagen (F. Meiner, 1926), by Rudolf Harms (page images at HathiTrust; US access only)
• Motion picture film ; a résumé of results of test on protective requirements for safe storage. (National board of fire underwriters, Committee on fire prevention and engineering standards, 1919), by National Board of Fire Underwriters. Committee on Fire Prevention and Engineering Standards (page images at HathiTrust)
• The guide to kinematography for camera men, operators, and all who want to know, by Colin N. Bennett at the suggestion and guidance of E. T. Heron. (E. T. Heron, 1917), by Colin Noël Bennett (page images at HathiTrust; US access only)
• Short-subject film market of Europe. (U.S. Govt. Print. Off., 1927), by Nathan Daniel Golden (page images at HathiTrust)
• The European motion-picture industry in 1927 (U.S. Govt. print. off., 1928), by George Romuald Canty (page images at HathiTrust)
• Short-subject film market in Latin America, Canada, the Far East, Africa, and the Near East. (U.S. Govt. Print. Off., 1928), by Nathan Daniel Golden (page images at HathiTrust)
• Market for motion pictures in Scandinavia and the Baltic states. (U.S. Govt. Print. Off., 1928), by United States. Bureau of Foreign and Domestic Commerce and George Romuald Canty (page images at HathiTrust)
• Market for motion pictures in central Europe, Italy and Spain : compiled in Motion-picture Section, Bureau of Foreign and Domestic Commerce (U.S. Government Printing Office, 1927), by United States. Bureau of Foreign and Domestic Commerce (page images at HathiTrust)
• Markets for industrial and educational motion pictures abroad. (U.S. Govt. Print. Off., 1927), by Eugene Irving Way (page images at HathiTrust)
• Motion pictures in Japan, Philippine Islands, Netherland East Indies, Siam, British Malaya, and French Indo-China ... (U.S. Govt. Print. Off., 1929), by Eugene Irving Way (page images at HathiTrust)
• Latin American and Canadian markets for American motion-picture equipment ... (U.S. Govt. print. off., 1929), by Nathan Daniel Golden (page images at HathiTrust)
• Motion pictures in India ... (U.S. Govt. print. off., 1929), by Eugene Irving Way (page images at HathiTrust)
• European markets for American motion-picture equipment ... (U.S. Govt. print Off., 1929), by Nathan Daniel Golden (page images at HathiTrust)
• The motion-picture industry in the united kingdom ... 1931- (U.S. Govt. print. off., 1932), by James Summerville (page images at HathiTrust)
• Markets for American motion-picture equipment in Asia, Africa, and Oceania. (U.S. Govt. print. off., 1930), by Nathan Daniel Golden (page images at HathiTrust)
• Motion pictures in China. (U.S. Govt. print. off., 1930), by Eugene Irving Way (page images at HathiTrust)
• Kinematograph studio technique; a practical outline of the artistic and technical work in the production of film plays, for producers, camera-men, artistes, and others engaged in or desirous of entering the kinematograph industry (Sir I. Pitman & Sons, Ltd., 1922), by L. C. Macbean (page images at HathiTrust; US access only)
• Making the movies (The Macmillan company, 1915), by Ernest A. Dench (page images at HathiTrust)
• NASA TN D-6312 (National Aeronautics and Space Administration ;, 1971), by Leo F. Donovan, Lewis Research Center, and United States National Aeronautics and Space Administration (page images at HathiTrust; US access only)
• Le cinéma (Renaissance du livre, 1919), by Henri Diamant-Berger (page images at HathiTrust; US access only)
• Motion picture making and exhibiting : A comprehensive volume treating the principles of motography : the making of motion pictures : the scenario, the motion picture theater, the projector, the conduct of film exhibiting, methods of coloring films, talking pictures, etc. (Holmes Book, 1914), by John B. Rathbun (page images at HathiTrust)
• The romance of motion picture production (Royal Pub. Co., 1920), by Lee Royal (page images at HathiTrust)
• Filmen, dens midler og maal. (Gyldendal, Nordisk forlag, 1919), by Urban Gad (page images at HathiTrust; US access only)
• Motion picture acting for professionals and amateurs (Producers Service Company, 1916), by Jean Bernique (page images at HathiTrust)
• The path of the modern Russian stage (J. W. Luce company, 1918), by Alexandr Bakshy (page images at HathiTrust; US access only)
• The cinematograph book (Cassell and company, ltd., 1919), by Bernard Edward Jones (page images at HathiTrust; US access only)
• A psychological study of motion pictures in relation to venereal disease campaigns (United States Interdepartmental social hygiene board, 1922), by Karl S. Lashley, John B. Watson, Johns Hopkins University. Psychological Laboratory, and United States Interdepartmental Social Hygiene Board (page images at HathiTrust)
• Censorship of motion pictures. ([s.n.], 1913), by Robert O. Bartholomew (page images at HathiTrust; US access only)
• How to write a photoplay (Magazine maker publishing company, 1912), by Herbert Case Hoagland (page images at HathiTrust)
• The photoplay ... (Washington printing co.], 1914), by James A. Taylor (page images at HathiTrust)
• Une nouvelle source de l'histoire. (Creation d'un dépot de cinematographie historique). (Paris, 1898), by Bolesław Matuszewski (page images at HathiTrust; US access only)
• The science of animal locomotion (zoopraxography) : an electro-photographic investigation of consecutive phases of animal movements (Philadelphia ; London : Eadweard Muybridge, Univeristy of Pennsylvania, [1891], 1891), by Eadweard Muybridge and University of Pennsylvania (page images at HathiTrust)
• Living pictures : their history, photo-production and practical working, with a digest of British patents and annotated bibliography (Optician & Photographic Trades Review, 1899), by Henry V. Hopwood (page images at HathiTrust)
• Catechism on motion pictures in inter-state commerce (New York Civic League, 1922), by William Sheafe Chase and New York Civic League (page images at HathiTrust)
• Motion picture operation, stage electrics and illusions; a practical hand-book and guide for theater electricians, motion picture operators and managers of theaters and productions (Frederick J. Drake & co., 1917), by Henry Charles Horstmann and Victor Hugo Tousley (page images at HathiTrust)
• Report of the Joint legislative committee to investigate the moving picture industry. Transmitted to the Legislature March 15, 1917. (J.B. Lyon company, printers, 1917), by New York (State). Legislature. Joint committee on the moving picture industry and Heber E. Wheeler (page images at HathiTrust)
• Bureau of commercial economics, Department of public instruction, Washington ... (Bureau of Commercial Economics, Inc., 1916), by Bureau of Commercial Economics (page images at HathiTrust)
• How to write a photoplay (C.G. Winkopp, 1900), by C. G. Winkopp (page images at HathiTrust; US access only)
• Practical hints on acting for the cinema (Stanley Paul, 1921), by Agnes Platt (page images at HathiTrust)
• How to evaluate films for community use. (Film Council of America, 1949), by Robertson Sillars (page images at HathiTrust; US access only)
• How to form a film council. (Film Council of America, 1848), by Glen Burch (page images at HathiTrust)
• Motion picture operation, stage electrics and illusions. (F. J. Drake & co., 1914), by Henry Charles Horstmann and Victor Hugo Tousley (page images at HathiTrust)
• How to organize and conduct community film workshops. (Film council of America, 1948), by Louis S. Goodman (page images at HathiTrust; US access only)
• Le cinématographe scientifique et industriel : traité pratique de cinématographie (L. Geisler, 1911), by Jacques Ducom (page images at HathiTrust; US access only)
• Contre le cinéma, école du vice et du crime. Pour le cinéma, école d'éducation, moralisation et vulgarisation. (Imprimerie de l'Est, 1917), by Édouard Poulain (page images at HathiTrust; US access only)
• Press book (Famous Players-Lasky Corporation., between 1000 and 1999), by inc Paramount Pictures and Charles Kenmore Ulrich (page images at HathiTrust)
• Die Kinematographenzensur in Preussen ... (1912), by Hans Müller-Sanders (page images at HathiTrust; US access only)
• Film flashes : the wit and humor of a nation in pictures. (Leslie-Judge Co., 1916) (page images at HathiTrust)
• "Eye beholds" (Printed by Ferris & Leach], 1915), by Bureau of Commercial Economics (page images at HathiTrust)
• Showing movies for profit - in school and church. (Class Publications, 1919), by Lyne Shackleford Metcalfe (page images at HathiTrust)
• The art of photoplay making (The Macmillan company, 1918), by Victor Oscar Freeburg (page images at HathiTrust; US access only)
• Suggestions for developing units of study in motion picture appreciation ... (Harrisburg, 1935), by Pennsylvania. Dept. of Public Instruction (page images at HathiTrust; US access only)
• Brief submitted to the Committee on Education of the House of Representatives in opposition to H. R. 456 of the first session of the 64th Congress, December 6, 1915, known as the Federal censorship bill [by] William M. Seabury. ([New York?, 1915), by Motion Picture Board of Trade of America, William Marston Seabury, and United States. Congress. House. Committee on Education (page images at HathiTrust)
• Cash from your camera; how to make and sell photographic prints, with a market list: also, how to make and sell motion picture newsreels and special films (American photographic publishing company, 1929), by H. Rossiter Snyder and Karl A. Barleben (page images at HathiTrust; US access only)
• Report regarding investigation directed to be made by the President in his Executive order of November 27, 1933, approving the Code of fair competition for the motion picture industry. (U. S. Govt. print. off., 1934), by United States National Recovery Administration and United States. National recovery administration. Code of fair competition for the motion picture industry (page images at HathiTrust)
• The truth about the movies (Hollywood publishers, inc., 1924), by Laurence A. Hughes (page images at HathiTrust)
• Dancing in films. (Dance Index-Ballet Caravan], 1947), by Arthur Knight (page images at HathiTrust; US access only)
• Moving pictures : how they are made and worked (W. Heinemann, 1914), by Frederick Arthur Ambrose Talbot (page images at HathiTrust)
• Motion picture research; an occupational brief (Western Personnel Service, 1941), by Pasadena Western Personnel Service (page images at HathiTrust; US access only)
• The ten essentials for successful pictures. (J. Murray, 1933), by Eugene Valentine Brewster (page images at HathiTrust; US access only)
• Political cinematology : how motion pictures and television will shape the political destiny of America. ([Variety press], 1943), by Michael Melucci (page images at HathiTrust; US access only)
• Motion pictures, educational, industrial : issued by the International & educational section, Motion picture division : composite list of nontheatrical film sources. ([publisher not identified], 1932), by United States. Bureau of Foreign and Domestic Commerce (page images at HathiTrust; US access only)
• Bureau of Commercial Economics : industrial information by means of the cinematograph. ([Thomson Print. Co.], 1914), by Bureau of Commercial Economics (page images at HathiTrust)
• I scout for movie talent; a guide to the requirements for an artist's entry into motion pictures, with practical suggestions applicable to any line of dramatic endeavor (A. Kroch and son, 1940), by Clarence M. Shapiro (page images at HathiTrust; US access only)
• Guide to motion pictures. (Community Chests and Councils, Inc., 1935), by Inc Community Chests and Councils (page images at HathiTrust; US access only)
• Motion picture projection and sound pictures (Cameron publishing company, 1933), by James Ross Cameron, Aaron Nadell, Joseph Albert Dubray, and John Francis Rider (page images at HathiTrust; US access only)
• Catalog: films, filmstrips (The Library, 1974), by Illinois State Library (page images at HathiTrust; US access only)
• How to make your own motion picture plays, including 12 scenarios for amateur actors (Greenberg, 1926), by John Ernest Bechdolt (page images at HathiTrust)
• Instructions for working gelatine films, and the 100-fold filmograph ([Place of publication not identified] : [publisher not identified], 1882., 1882), by Alfred Pumphrey (page images at HathiTrust)
• Motion-picture distribution trade practices--1956 : report ... problems of independent motion-picture exhibitors. (U.S. G.P.O., 1956), by United States. Congress. Senate. Select Committee on Small Business and Paramount Pictures Corporation (page images at HathiTrust)
• The 7 lively arts (A.S. Barnes, 1962), by Gilbert Seldes (page images at HathiTrust; US access only)
• The question of motion picture censorship (Yale University Library, 1914), by National Board of Review of Motion Pictures (U.S.) and Frederic Clemson Howe (page images at HathiTrust)
• Movie making made easy : a handbook for the amateur movie maker who would make the best use of his equipment (Moorfield & Shannon, 1935), by William J. Shannon (page images at HathiTrust; US access only)
• Motion picture operation, stage electrics and illusions; a practical handbook and guide for theater electricians, motion picture operators and managers of theaters and productions (F.J. Drake & Co., 1923), by Henry Charles Horstmann and Victor Hugo Tousley (page images at HathiTrust)
• Motion picture projection and sound pictures (Cameron Pub. Co., 1942), by James Ross Cameron and John Francis Rider (page images at HathiTrust; US access only)
• Making better movies (Amateur cinema league, inc., 1935), by Arthur Loran Gale, Frederick George Beach, James W. Moore, and Russell C. Holslag (page images at HathiTrust; US access only)
• "We second the motion!" : pointers and suggestions for those who produce their own business motion pictures. (Burton Holmes Films, Inc., 1938), by Inc Burton Holmes Films (page images at HathiTrust; US access only)
• World of children; films from the 1970 White House Conference on Children ([For sale by the Supt. of Docs., U.S. Govt. Print. Off.], 1970), by Victor Margolin and D.C.) White House Conference on Children (1970 : Washington (page images at HathiTrust)
• Descriptive list of motion picture films of the U.S. Bureau of Mines [and plan of distribution, December 1927] ([Washington, D.C.] : U.S. G.P.O., [1928], 1928), by United States Bureau of Mines, R. A. Wood, and M. F. Leopold (page images at HathiTrust)
• Motion picture films of the United States Bureau of Mines, 1931. ([Washington, D.C.] : U.S. G.P.O., [1931], 1931), by United States Bureau of Mines (page images at HathiTrust)
• Motion-picture films : extracts hearings before a subcommittee of the Committee on interstate and foreign commerce, house of representatives, 74th congress, 2nd session : statement of C. C. Pettijohn, General Counsel, Motion Picture Producers and Distributers of America, Inc. (Government Printing Office, 1936), by United States House Committee on Interstate and Foreign Commerce (page images at HathiTrust)
• Motion-picture films : extracts hearings before a subcommittee of the Committee on Interstate and Foreign Commerce, House of Representatives, 74th congress, 2nd session : statement of George J. Schaffer, Vice President and General Manager United Artist Corporatin, New York, N.Y. (Government Printing Office, 1936), by United States House Committee on Interstate and Foreign Commerce (page images at HathiTrust)
• Stage and screen (Fund for the Republic, 1962), by Walter Kerr, Donald McDonald, Stanley Kramer, and Center for the Study of Democratic Institutions (page images at HathiTrust; US access only)
• The new theatre and cinema of soviet Russia (International publishers, 1925), by Huntly Carter (page images at HathiTrust)
• Hätte ich das Kino (E. Reiss, 1920), by Carlo Mierendorff (page images at HathiTrust; US access only)
• Teaching motion-picture appreciation; a manual for teachers of high-school classes (Bureau of Educational Research, Ohio State University, 1933), by Elizabeth Watson Pollard and Edgar Dale (page images at HathiTrust; US access only)
• Ciné titling and editing (Falk Pub. Co., inc., 1932), by Herbert C. McKay (page images at HathiTrust; US access only)
• Audio-visual bulletin for foreign languages : junior and senior high school. ([Oakland] : [Oakland Public Schools] [1953], 1953), by Oakland (Calif.). Public Schools (page images at HathiTrust; US access only)
• Film-magazin ... (Kühn, 1920), by Victor Neuenberg (page images at HathiTrust; US access only)
• The voice of the films : a simple description of the processes used in making films with synchronized sound (Falk Pub. Co., Inc., 1930), by Herbert C. McKay, MCA Inc. Film Research Collection, and New York Institute of Photography (page images at HathiTrust; US access only)
• Le cinématographe devant le droit. (Paris, 1908), by E. Maugras and Guégan (page images at HathiTrust; US access only)
• Les mystères de New-York : (Edouard Mignot, 1916), by Pierre Decourcelle and Julio Mario Santo Domingo Collection (page images at HathiTrust; US access only)
• Julius Cahn's official theatrical guide 1896-1910 (Julius Cahn-Gus Hill, 1896), by Julius Cahn and Gus Hill (page images at HathiTrust)
• Simpatías y diferencias. ([Talleres tipográficos del Suc. de E. Teodoro], 1922), by Alfonso Reyes (page images at HathiTrust; US access only)
• Literatura i kinematograf (880-03 Berlin : Russkoe Universalʹnoe Izdatelʹstvo, 1923., 1923), by Viktor Shklovskiĭ (page images at HathiTrust; US access only)
• Let's go to the pictures (Chatto & Windus, 1926), by Iris Barry (page images at HathiTrust; US access only)
• Kodak films and plates for professional use. (The Company, 1946), by Eastman Kodak Company (page images at HathiTrust; US access only)
• G.C.P.; the official journal of the George Clark Productions. ([George Clark Productions], 1920) (page images at HathiTrust; US access only)
• Cinematography for amateurs : a handbook for beginners in motion-photography (Hazell, Watson & Viney, 1916), by Leonard Donaldson (page images at HathiTrust; US access only)
• Vision. (Washington, D.C. : Bureau of Commercial Economics, in the 20th century), by Bureau of Commercial Economics (page images at HathiTrust)
• The novel and the screen. (Motion Picture Producers and Distributors of America, 1925), by Motion Picture Association of America (page images at HathiTrust)
• Moving pictures in the United States and foreign countries : a selected list of recent writings (Library of Congress, Division of Bibliography, 1936), by Anne L. Baden and Library of Congress Division of Bibliography (page images at HathiTrust)
• Children and the movies ([N.Y.S. Lib.], 1924), by Ben B. Lindsey and New York State Library. Legislative Reference Section (page images at HathiTrust)
• Film and African development (African Studies Center, Michigan State University, 1970), by Norman N. Miller (page images at HathiTrust; US access only)
• Library of Congress catalogs (Rowman and Littlefield, 1961), by Library of Congress and American Library Association. Committee on Resources of American Libraries (page images at HathiTrust; US access only)
• Making better movies (Amateur cinema league, inc., 1937), by Arthur Loran Gale, Frederick George Beach, James W. Moore, and Russell C. Holslag (page images at HathiTrust; US access only)
• Behind the screen (Grant Richards, 1924), by Samuel Goldwyn (page images at HathiTrust; US access only)
• Preliminary directory of local film information centers. (Chicago, 1950), by Film Council of America and Merrie Anne Newman (page images at HathiTrust; US access only)
• Movies from a.a.p. (The Corporation, 1956), by Associated Artists Productions Corp and Warner Bros (page images at HathiTrust; US access only)
• The Motion picture monthly. (Motion Picture Producers and Distributors of America, Inc., 1925) (page images at HathiTrust)
• Advertising by motion pictures, by Ernest A. Dench (Gutenberg ebook)
• Moving Pictures: How They Are Made and Worked, by Frederick Arthur Ambrose Talbot (Gutenberg ebook)
• The Seven Lively Arts, by Gilbert Seldes (Gutenberg ebook)
• Breaking into the movies, by John Emerson and Anita Loos (Gutenberg ebook)
• Das lebende Lichtbild: Entwicklung, Wesen und Bedeutung des Kinematographen (in German), by Franz Paul Liesegang (Gutenberg ebook)
• Kino und Kunst: Lichtbühnen-Bibliothek Nr. 2 (in German), by Hermann Häfker (Gutenberg ebook)
• The Science of Animal Locomotion (Zoopraxography): An Electro-Photographic Investigation of Consecutive Phases of Animal Movements, by Eadweard Muybridge (Gutenberg ebook)
• Kino und Erdkunde: Lichtbühnen-Bibliothek Nr. 7 (in German), by Hermann Häfker (Gutenberg ebook)
• How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc., by Geoffrey H. Malins, ed. by Low Warren (Gutenberg ebook)
• The Art of the Moving Picture, by Vachel Lindsay (Gutenberg ebook)

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