Fair use (Copyright) -- United States -- Comic books, strips, etc.
See also what's at your library, or elsewhere.
Broader terms:![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
Tales From the Public Domain: Bound by Law? (2006), by Keith Aoki, James Boyle, and Jennifer Jenkins (page images with commentary at Duke)
Items below (if any) are from related and broader terms.
Filed under: Fair use (Copyright) -- United States- Fair Use for Nonfiction Authors: Common Scenarios with Guidance from Community Practice (Berkeley: Authors Alliance, c2017), by Brianna Schofield and Robert Kirk Walker (PDF at authorsalliance.org)
- Copy(write): Intellectual Property in the Writing Classroom (c2011), ed. by Martine Courant Rife, Shaun Slattery, and Dànielle Nicole DeVoss (PDF files with commentary at Colorado State)
- Documentary Filmmakers' Statement of Best Practices in Fair Use (2005), by Association of Independent Video and Filmmakers, Independent Feature Project, International Documentary Association, National Alliance for Media Arts and Culture (U.S.), and Women in Film and Video (Washington DC chapter) (PDF with commentary at centerforsocialmedia.org)
- Will Fair Use Survive? Free Expression in the Age of Copyright Control (New York: Brennan Center for Justice, c2005), by Marjorie Heins and Tricia Beckles (PDF with commentary at brennancenter.org)
- Copyright and Home Copying: Technology Challenges the Law (1989), by United States Congress Office of Technology Assessment (PDF files at Princeton)
- Owning and Using Scholarship: An IP Handbook for Teachers and Researchers (Chicago: Association of College and Resarch Libraries, 2014), by Kevin L. Smith (PDF at ala.org)
- The Section 108 Study Group Report: An Independent Report Sponsored by the United States Copyright Office and the National Digital Information Infrastructure and Preservation Program of the Library of Congress (2008), by Section 108 Study Group (PDF with commentary at section108.gov)
- Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives (2009), by June M. Besek (PDF with commentary at clir.org)
- Copyright Issues Relevant to Digital Preservation and Dissemination of Pre-1972 Commercial Sound Recordings by Libraries and Archives (2005), by June M. Besek (HTML and PDF with commentary at clir.org)
- Reproduction of Copyrighted Works by Educators and Librarians (Circular 21), by Library of Congress Copyright Office
- Code of Best Practices in Fair Use for Academic and Research Libraries (Washington: Association of Research Libraries, 2012), contrib. by Association of Research Libraries, American University Center for Social Media, and Washington College of Law Program on Information Justice and Intellectual Property (HTML and PDF with commentary at arl.org)
- So What... About Copyright? What Artists Need to Know About Copyright and Trademarks (Washington: Public Knowledge, 2005), ed. by David Bollier, Gigi Bradford, Laurie Racine, and Gigi B. Sohn
- Protection for Pre-1972 Sound Recordings under State Law and Its Impact on Use by Nonprofit Institutions: A 10-State Analysis (2009), by Washington College of Law Program on Information Justice and Intellectual Property, contrib. by Peter Jaszi and Nicholas B. Lewis (HTML and PDF with commentary at clir.org)
- Digital Copyright (Maize Books edition, 2017), by Jessica Litman (HTML with commentary at Maize Books)
- Acquiring Copyright Permission to Digitize and Provide Open Access to Books (2005), by Denise Troll Covey (HTML and PDF with commentary at clir.org)
- Project Looking Forward: Sketching the Future of Copyright in a Networked World (1998), by I. Trotter Hardy (PDF at LOC; 1.3 MB)
- Intellectual Property Rights in an Age of Electronics and Information (Washington: GPO, 1986), by United States Congress Office of Technology Assessment
- Copyright in the Digital Era: Building Evidence for Policy (Washington: National Academies Press, c2013), ed. by Stephen A. Merrill and William J. Raduchel (HTML and PDF at NAP)
- The Digital Dilemma: Intellectual Property in the Information Age (2000), by National Research Council Computer Science and Telecommunications Board (illustrated HTML with commentary at NAP)
- The Section 108 Study Group Report: An Independent Report Sponsored by the United States Copyright Office and the National Digital Information Infrastructure and Preservation Program of the Library of Congress (2008), by Section 108 Study Group (PDF with commentary at section108.gov)
- Remix: Making Art and Commerce Thrive in the Hybrid Economy (London: Bloomsbury Academic, 2008), by Lawrence Lessig
- University Copyright Policies in ARL Libraries (ARL SPEC Kit #138, 1987), by Kenneth D. Crews (page images at HathiTrust)
- Final Report of the National Commission on New Technological Uses of Copyrighted Works, July 31, 1978, by United States National Commission on New Technological Uses of Copyrighted Works (HTML and PDF at digital-law-online.info)
- More Fun Comics (partial serial archives)
- New Fun (partial serial archives)
- The Gridley Wave (partial serial archives)
- Censorship of Comic Books: A Statement in Opposition on Civil Liberties Grounds (1955), by American Civil Liberties Union (page images at HathiTrust)
- Manga Vision: Cultural and Communicative Perspectives (Clayton, Victoria: Monash University Publishing, c2016), ed. by Sarah E. Pasfield-Neofitou and Cathy Sell, illust. by Queenie Chan (PDF and Epub with commentary at monash.edu)
- Code of the Comics Magazine Association on America, Inc. (aka the Comics Code, 1954), by Comics Magazine Association of America (page images at HathiTrust)
- Joe Camel With Feathers: How the NRA With Gun and Tobacco Industry Dollars Uses its Eddie Eagle Program to Market Guns to Kids (Washington: Violence Policy Center, 1997; two appendices omitted), by Susan Glick and Josh Sugarmann (HTML at vpc.org)
- Manga Vision: Cultural and Communicative Perspectives (Clayton, Victoria: Monash University Publishing, c2016), ed. by Sarah E. Pasfield-Neofitou and Cathy Sell, illust. by Queenie Chan (PDF and Epub with commentary at monash.edu)
- Manga Vision: Cultural and Communicative Perspectives (Clayton, Victoria: Monash University Publishing, c2016), ed. by Sarah E. Pasfield-Neofitou and Cathy Sell, illust. by Queenie Chan (PDF and Epub with commentary at monash.edu)
- Good White Queers? Racism and Whiteness in Queer U.S. Comics (Bielefeld: Transcript Verlag, c2021), by Kai Linke (PDF with commentary at OAPEN)
- Good White Queers? Racism and Whiteness in Queer U.S. Comics (Bielefeld: Transcript Verlag, c2021), by Kai Linke (PDF with commentary at OAPEN)
- Good White Queers? Racism and Whiteness in Queer U.S. Comics (Bielefeld: Transcript Verlag, c2021), by Kai Linke (PDF with commentary at OAPEN)
- Corpse Crusaders: The Zombie in American Comics (Ann Arbor: University of Michigan Press, c2024), by Chera Kee (multiple formats with commentary at fulcrum.org)
- Negro Romance (partial serial archives)
- All-Negro Comics (full serial archives)
- Pep Comics (partial serial archives)
- The Story of the Federal Reserve System (color comic book, c2018), by Federal Reserve Bank of New York (PDF at newyorkfed.org)
- Once Upon a Dime (color comic book, c2017), by Federal Reserve Bank of New York (PDF at newyorkfed.org)
- Foxy Grandpa Playing Ball (Chicago: M. A. Donohue, ca. 1908), illust. by Bunny (page images at HathiTrust)
- Big Daddy? (Ontario, CA: Chick Publications, c2002), by Jack T. Chick (page images with commentary at chick.com)
- Terms of Service: Understanding Our Role in the World of Big Data (Al Jazeera America, c2014), by Michael Keller and Josh Neufeld (multiple formats at aljazeera.com)
- Bill Blackbeard: The Collector Who Rescued the Comics, by Jenny E. Robb and Alec Longstreth (page images at Ohio State)
- Bookhunter (c2007), by Jason Shiga (page images at shigabooks.com)
- The Tycoon (Ontario, CA: Chick Publications, c1993), by Jack T. Chick (page images with commentary at chick.com)
- Holocaust (Ontario, CA: Chick Publications, c1984), by Jack T. Chick (page images with commentary at chick.com)
- Who Cares? (Ontario, CA: Chick Publications, c2002), by Jack T. Chick (page images with commentary at chick.com)
- Bill Blackbeard: The Collector Who Rescued the Comics, by Jenny E. Robb and Alec Longstreth (page images at Ohio State)
More items available under broader and related terms at left.