Happenings (Art)
See also what's at Wikipedia, your library, or elsewhere.
Broader terms:Related term:Used for:- Action theater
- Event art
- Happening (Art)
- Manifestations (Happenings)
- Mixed means, Theater of
- Painter's theater (Happenings)
- Realizations (Happenings)
- Theater of mixed means
- Total art (Happenings)
- Total theater (Happenings)
![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
English Composition as a Happening (Logan, UT: Utah State University Press, c2002), by Geoffrey Michael Sirc (PDF with commentary at usu.edu)
Items below (if any) are from related and broader terms.
Filed under: Performance art- Performing the Sentence: Research and Teaching in Performative Fine Arts (Pub. series of the Academy of Fine Arts Vienna, v13; Berlin: Sternberg Press, c2014), ed. by Carola Dertnig and Felicitas Thun-Hohenstein (PDF with commentary in Austria)
- Mapping Intermediality in Performance (Amsterdam: Amsterdam University Press, c2010), ed. by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender, and Robin Nelson (PDF with commentary at oapen.org)
- Interfaces: Women, Autobiography, Image, Performance (Ann Arbor: University of Michigan Press, c2002), ed. by Sidonie Smith and Julia Watson (page images at HathiTrust)
- In Other Los Angeleses: Multicentric Performance Art (Berkeley: University of California Press, c2002), by Meiling Cheng (frame-dependent illustrated HTML with commentary at UC Press)
- Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-89 (Ann Arbor: University of Michigan Press, c2016), by Branislav Jakovljević
- Democracy on the Wall: Street Art of the Post-Dictatorship Era in Chile (Columbus, OH: Ohio State University Press, c2019), by Guisela Latorre (PDF and Epub at Ohio State)
- Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-89 (Ann Arbor: University of Michigan Press, c2016), by Branislav Jakovljević
- Democracy on the Wall: Street Art of the Post-Dictatorship Era in Chile (Columbus, OH: Ohio State University Press, c2019), by Guisela Latorre (PDF and Epub at Ohio State)
- The Fluxus Reader (Chicester, UK and New York: Academy Editions, 1998), ed. by Ken Friedman (PDF files at Swinburne Research Bank)
- Artist and Computer (1976), ed. by Ruth Leavitt (illustrated HTML at atariarchives.org)
- Beasts of the Modern Imagination: Darwin, Nietzsche, Kafka, Ernst, and Lawrence (originally published 1985; open access edition Baltimore: Johns Hopkins University Press, 2019), by Margot Norris (HTML and PDF files with commentary at Project MUSE)
- The Painted Word: Samuel Beckett's Dialogue With Art (Ann Arbor: University of Michigan Press, c2000), by Lois Oppenheim (page images at HathiTrust)
- Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
- The "New Woman" Revised: Painting and Gender Politics on Fourteenth Street (Berkeley: University of California Press, 1993), by Ellen Wiley Todd (HTML at UC Press)
- Modern Masters from the Collection of the Solomon R. Guggenheim Museum (1961), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer (multiple formats at archive.org)
- From Degas to Calder: Sculpture and Works on Paper From the Guggenheim Museum Collection (New York: Solomon R. Guggenheim Museum, c1984), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer (multiple formats at archive.org)
- Gauguin and the Decorative Style (New York: Solomon R. Guggenheim Museum, c1966), by Solomon R. Guggenheim Museum, contrib. by Lawrence Alloway and Marilyn Hunt-Nishi, illust. by Paul Gauguin (multiple formats at archive.org)
- Women of the 1913 Armory Show: Their Contributions to the Development of American Modern Art (dissertation; Louisville, KY: University of Louisville, 2014), by Jennifer Pfeifer Shircliff (PDF with commentary at lousville.edu)
- Six Painters and the Object (New York: Solomon R. Guggenheim Museum, c1963), by Lawrence Alloway (multiple formats at archive.org)
- Catalogue of an Exhibition of Paintings by Robert Henri, Charles Bittinger, Theresa Bernstein; and Etchings by William Meyerowitz: April, Nineteen Hundred Twenty (Rochester, NY: Memorial Art Gallery, 1920), by University of Rochester Memorial Art Gallery
- Offizieller Katalog der Internationalen Kunst-Ausstellung des Vereins Bildender Künstler Münchens (A. V.), "Secession", 1898 im Kgl. Kunstausstellungsgebäude am Königsplatz gegenüber der Glyptothek (4th edition, in German; Munich: F. Bruckmann A.-G., 1898), by Internationale Kunst-Ausstellung
- American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)
- Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)
- Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)
- New Images From Spain (New York: Solomon R. Guggenheim Museum, 1980), by Margit Rowell (multiple formats at archive.org)
- Futurism, a Modern Focus: the Lydia and Harry Lewis Winston Collection, Dr. and Mrs. Barnett Malbin (New York: Solomon R. Guggenheim Museum, c1973), by Solomon R. Guggenheim Museum, contrib. by Marianne W. Martin and Linda Shearer (multiple formats at archive.org)
- A Quick and Dirty Guide to Art, Music, and Culture, by Clayton Funk (multiple formats with commentary at at Pressbooks)
- Broom: An International Magazine of the Arts (1921-1924), ed. by Harold Loeb (partial serial archives)
- Art of Tomorrow: Fourty-One Reproductions From the Collection of the Solomon R. Guggenheim Foundation for Non-Objective Painting (ca. 1947), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org)
- Out of Eden: Essays on Modern Art (Berkeley: University of California Press, 1991), by W. S. Di Piero (HTML at UC Press)
- Marion Nicoll: Silence and Alchemy (Calgary: University of Calgary Press, 2013), by Ann Davis and Elizabeth Herbert, contrib. by Jennifer E. Salahub and Christine Sowiak (PDF at University of Calgary)
- Grenze/Granica: Art on the German-Polish Border After 1990 (Cologne: Böhlau Verlag, c2024), by Burcu Dogramaci and Marta Smolińska (PDF and EPub files at V&R eLibrary)
- Cut/Copy/Paste: Fragments from the History of Bookwork (Minneapolis and London: University of Minnesota Press, c2021), by Whitney Trettien (HTML with commentary at mn.edu)
- Du "Cubisme" (6th edition, in French; Paris: E. Figuière et cie, ca. 1912), by Albert Gleizes and Jean Metzinger (page images at HathiTrust; US access only)
- The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
- Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
- Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
- Van Gogh and Expressionism (New York: Solomon R. Guggenheim Foundation, c1964), by Maurice Tuchman (multiple formats at archive.org)
- American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)
- My Life in Garbology, by A. J. Weberman (illustrated HTML at garbology.com)
- The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
- Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
- Art and Contemporary Critical Practice: Reinventing Institutional Critique (London: MayFly Books, 2009), ed. by Gerald Raunig and Gene Ray (PDF and HTML with commentary at MayFlyBooks)
- The Current Line (1996), by Johanna Drucker (page images with commentary at artistsbooksonline.org)
- The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
- Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
- Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
- Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
- Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
More items available under broader and related terms at left.