The Online Books Page

Influence (Literary, artistic, etc.)

See also what's at your library, or elsewhere.

• Art
• Influence (Psychology)
• Literature

• Intermediality
• Originality in literature
• Intertextuality

• Influence (Literary, artistic, etc.) -- Bibliography
• Influence (Literary, artistic, etc.) -- History

• Artistic impact
• Artistic influence
• Impact (Literary, artistic, etc.)
• Literary impact
• Literary influence
• Literary tradition
• Tradition (Literature)

• The Joycean Monologue (revised edition, with added articles; 2010), by Constantin-George Sandulescu (PDF with commentary in Romania)
• The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet (originally published 1997; open access edition Baltimore: Johns Hopkins University Press, 2019), by Shawn Rosenheim (HTML and PDF files with commentary at Project MUSE)
• La Mirada Elíptica: El Trasfondo Barroco De La Poesía Española Contemporánea (in Spanish; Madrid: Visor Libros, 2004), by Luis Martín-Estudillo (PDF files at Iowa)
• Job, Boethius, and Epic Truth (Ithaca, NY and London: Cornell University Press, c1994), by Ann W. Astell (PDF and EPub with commentary at Cornell Open)
• Yeats's Shakespeare (open access reprint; originally published Evanston: Northwestern University Press, 1971), by Rupin W. Desai (PDF at Northwestern)

• Shakespeare and the Classical Tradition: A Critical Guide to Commentary, 1660-1960, by John W. Velz (page images at uvic.ca)

• The Influence of Gothic Literature on Sir Walter Scott (Rostock, Germany: H. Winterberg's Buchdruckerei, 1902), by Walter Freye (multiple formats at archive.org)

• ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition (Berkeley: University of California Press, 1992), by Christopher Beach (HTML at UC Press)
• Cross-Cultural Visions in African American Modernism: From Spatial Narrative to Jazz Haiku (Columbus, OH: Ohio State University Press, c2006), by Yoshinobu Hakutani (PDF from Ohio State University Press)

Items below (if any) are from related and broader terms.

• Mapping Intermediality in Performance (Amsterdam: Amsterdam University Press, c2010), ed. by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender, and Robin Nelson (PDF with commentary at oapen.org)

• Conjectures on Original Composition, by Edward Young (HTML at Toronto)

• Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press)
• Montaigne's Unruly Brood: Textual Engendering and the Challenge to Paternal Authority (Berkeley: University of California Press, 1996), by Richard L. Regosin (HTML at UC Press)

• Claude Monet: The Water-Lilies; and Other Writings on Art (Urbana, IL: Windsor and Downs Press; 2017), by Georges Clemenceau, trans. by Bruce Michelson (illustrated HTML and Epub with commentary at Illinois)
• A. Hyatt Mayor: Selected Writings and a Bibliography (New York: Metropolitan Museum of Art, 1983), by A. Hyatt Mayor (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• The Visual Experience; An Introduction To Art (Englewood Cliffs, NJ: Prentice-Hall, ca. 1961), by Bates Lowry (page images at HathiTrust)
• The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only)
• Barbaren und Klassiker: Ein Buch von der Bildnerei Exotischer Völker (in German; title page appears to be missing; Munich: R. Piper and Co., 1922), by Wilhelm Hausenstein (page images at HathiTrust; US access only)
• Kunst ("Art" translated into German; Dresden: Sibyllenverlag, 1922), by Clive Bell, ed. by Paul Westheim (page images at HathiTrust; US access only)
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
• Adventures in the Arts: Informal Chapters on Painters, Vaudeville, and Poets (New York: Boni and Liveright, c1921), by Marsden Hartley (Gutenberg text and page images)
• Art (New York: F. A. Stokes Co., ca. 1914), by Clive Bell (Gutenberg text and illustrated HTML)
• Art and Socialism, by William Morris (HTML at marxists.org)
• Art Culture: A Hand-Book of Art Technicalities and Criticisms, Selected From The Works of John Ruskin, and Arranged and Supplemented by Rev. W.H. Platt, for the Use of Schools and Colleges; Together With a New Glossary of Art Terms, And an Alphabetical and Chronological List of Artists (New York: J. Wiley and Son, 1873), by John Ruskin, ed. by W. H. Platt (multiple formats at archive.org)
• Art Culture: A Hand-Book of Art Technicalities and Criticisms, Selected From The Works of John Ruskin, and Arranged and Supplemented by Rev. W.H. Platt, for the Use of Schools and Colleges; Together With a New Glossary of Art Terms, And an Alphabetical and Chronological List of Artists (New York: J. Wiley and Sons, 1877), by John Ruskin, ed. by W. H. Platt (page images at HathiTrust)
• A Course of Lectures Delivered at the New York School of Applied Design for Women (New York: Irving Press, 1912), ed. by Mrs. Dunlap Hopkins, contrib. by Frank Edwin Elwell, Henry Reuterdahl, Louis R. Metcalfe, H. K. Kevorkian, and Albert Sterner (page images at HathiTrust)
• The Creative Will: Studies in the Philosophy and the Syntax of Aesthetics (New York and London: J. Lane, 1916), by Willard Huntington Wright (multiple formats at archive.org)
• Hopes and Fears for Art, by William Morris (Gutenberg text)
• L'Art et le Geste (in French; Paris: F. Alcan, 1910), by Jean d' Udine (page images at HathiTrust)
• Lectures on Art, and Poems, by Washington Allston (page images at MOA)
• Prose Miscellany (Cincinnati: R. Clarke and Co., 1881), by Horace P. Biddle (HTML and page images at Indiana)
• Seven Discourses on Art, by Joshua Reynolds (Gutenberg text)
• Sketches of Art, Literature, and Character (Boston and New York: Houghton, Mifflin, 1885), by Mrs. Jameson (multiple formats at archive.org)
• The Two Paths, by John Ruskin (Gutenberg text)
• An Anagram of Ideas on Art, Form and Film (Yonkers, NY: Alicat Book Shop Press, 1946), by Maya Deren (page images at HathiTrust; US access only)
• System and Dialectics of Art (New York: Delphic studios, 1937), by John Graham (page images at HathiTrust)
• The Aesthetic and Miscellaneous Works of Friedrich von Schlegel: Comprising Letters on Christian Art; An Essay on Gothic Architecture; Remarks on the Romance-Poetry of the Middle Ages and on Shakspere; On the Limits of the Beautiful; On the Language and Wisdom of the Indians (London: H. G. Bohn, 1860), by Friedrich von Schlegel, trans. by E. J. Millington
  • page images at HathiTrust
  • multiple formats at Google
• Elements of Art Criticism, by G. W. Samson (page images at MOA)
• The Sanity of Art: An Exposure of the Current Nonsense about Artists being Degenerate (London: The New Age Press, 1908), by Bernard Shaw (PDF at modjourn.org)
• Pot-Boilers (London: Chatto and Windus, 1918), by Clive Bell (Gutenberg text)
• Signs of Change, by William Morris (Gutenberg text)
• The Decay of Lying, by Oscar Wilde (HTML in Ireland)
• Questioni Pratiche di Belle Arti: Restauri, Concorsi, Legislazione, Professione, Insegnamento (in Italian; Milano: U. Hoepli, 1893), by Camillo Boito (page images at HathiTrust)

• Publications of the Metropolitan Museum of Art, 1964-2005: A Bibliography (c2006), by Metropolitan Museum of Art (New York, N.Y.), contrib. by John Philip O'Neill (page images and PDF with commentary at metmuseum.org and Google)
• Apollo: An Illustrated Manual of the History of Art Throughout the Ages (new edition; New York: Charles Scribner's Sons; London: William Heinemann, 1917), by Salomon Reinach, trans. by Florence Simmonds (PDF at djm.cc)

• Guggenheim International Award, 1964 (New York: Solomon R. Guggenheim Museum, 1963), ed. by Lawrence Alloway (multiple formats at archive.org)
• Guggenheim International Award, 1960 (New York: Solomon R. Guggenheim Museum, 1960), ed. by Louise Averill Svendsen (multiple formats at archive.org)
• Guggenheim International Award, 1958 (New York: Solomon R. Guggenheim Museum, 1958), ed. by Louise Averill Svendsen (multiple formats at archive.org)
• Ten Young Artists: Theodoron Awards (New York: Solomon R. Guggenheim Foundation, 1971), by Solomon R. Guggenheim Museum, contrib. by Thomas M. Messer, Linda Shearer, and Diane Waldman (multiple formats at archive.org)
• Questioni Pratiche di Belle Arti: Restauri, Concorsi, Legislazione, Professione, Insegnamento (in Italian; Milano: U. Hoepli, 1893), by Camillo Boito (page images at HathiTrust)

• Negro Art in the Belgian Congo (fourth edition; New York: Belgian Government Information Center, 1958), by Léon Kochnitzky (multiple formats at archive.org)

More items available under broader and related terms at left.