JazzHere are entered jazz instrumental works for two or more performers. Songs performed in jazz style by a vocalist or vocal group, with or without accompaniment, are entered under Jazz vocals. See also what's at Wikipedia, your library, or elsewhere.
Broader terms:Narrower terms:Used for:- Accordion and piano music (Jazz)
- Clarinet and piano music (Jazz)
- Cornet and piano music (Jazz)
- Double bass and piano music (Jazz)
- Jazz duets
- Jazz ensembles
- Jazz music
- Jazz nonets
- Jazz octets
- Jazz quartets
- Jazz quintets
- Jazz septets
- Jazz sextets
- Jazz trios
- Jazz -- United States
- Jive (Music)
- Saxophone and piano music (Jazz)
- Vibraphone and piano music (Jazz)
- Wind instrument and piano music (Jazz)
- Xylophone and piano music (Jazz)
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Filed under: Jazz -- Germany -- 1921-1930 -- History and criticism
Filed under: Jazz -- Social aspects -- Germany -- History -- 20th centuryFiled under: Jazz -- History and criticism- Make It New: Reshaping Jazz in the 21st Century (Amherst, MA: Lever Press, c2019), by Bill Beuttler
Filed under: Jazz -- Instruction and study
Filed under: Jazz -- Washington (State) -- Periodicals
Filed under: Jazz -- Social aspects -- United States- Make It New: Reshaping Jazz in the 21st Century (Amherst, MA: Lever Press, c2019), by Bill Beuttler
Filed under: Jazz -- Social aspects -- United States -- History -- 21st century- Make It New: Reshaping Jazz in the 21st Century (Amherst, MA: Lever Press, c2019), by Bill Beuttler
Filed under: Jazz-rock (Music)
Items below (if any) are from related and broader terms.
Filed under: African Americans -- Music- Slave Songs of the United States (reprint; New York: P. Smith, 1951), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison (page images at HathiTrust)
- Hampton Series: Negro Folk-Songs (4 volumes; New York and Boston: G. Schirmer, c1918-1919), ed. by Natalie Curtis Burlin
- Slave Songs of the United States (New York: A. Simpson and Co., 1867), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison
- Twenty-Four Negro Melodies, Transcribed for the Piano (Boston: O. Ditson Co.; et al., c1905), ed. by Samuel Coleridge-Taylor, contrib. by Booker T. Washington (page images at HathiTrust)
- God Wills the Negro: An Anthropological and Geographical Restoration of the Lost History of the American Negro People, Being in Part a Theological Interpretation of Egyptian and Ethiopian Backgrounds (Chicago: Geographical Institute Press, 1939), by Theodore P. Ford (page images at HathiTrust)
- The Book of American Negro Spirituals (New York: Viking Press, 1925), ed. by James Weldon Johnson, contrib. by J. Rosamond Johnson and Lawrence Brown (multiple formats at archive.org)
- Hampton and its Students, by M. F. Armstrong and Helen W. Ludlow (page images at MOA)
- Uncle Remus and His Friends: Old Plantation Stories, Songs, and Ballads, With Sketches of Negro Character (Boston and New York: Houghton, Mifflin and Co., c1892), by Joel Chandler Harris, illust. by A. B. Frost (page images at HathiTrust)
- Uncle Remus and His Friends: Old Plantation Stories, Songs, and Ballads, With Sketches of Negro Character ("Booklovers edition"; New York: McKinlay, Stone and Mackenzie, ca. 1922), by Joel Chandler Harris, illust. by A. B. Frost (page images at HathiTrust)
Filed under: African Americans -- Music -- Discography
Filed under: Blues (Music) -- DiscographyFiled under: African Americans -- Music -- History and criticism- A Change is Gonna Come: Music, Race and the Soul of America (revised edition; Ann Arbor: University of Michigan Press, 2006), by Craig Hansen Werner (page images at HathiTrust)
- Rock This Way: Cultural Constructions of Musical Legitimacy (Ann Arbor: University of Michigan Press, c2023), by Mel Stanfill (multiple formats with commentary at fulcrum.org)
- Phonophotography in Folk Music: American Negro Songs in New Notation (Chapel Hill, NC: University of North Carolina Press, 1928), by Milton Metfessel, contrib. by Carl E. Seashore (page images at HathiTrust)
- Negro Musicians and Their Music (based on the first and second editions, 1936 and 1943), by Maud Cuney-Hare (illustrated HTML at Celebration of Women Writers)
- Blues Then and Now: The History of the Blues, by Frank Leanza (HTML with commentary at publicbookshelf.com)
Filed under: Blues (Music) -- History and criticism
Filed under: Rap (Music) -- California -- Los Angeles -- History and criticism
Filed under: Ragtime music -- Periodicals
Filed under: Piano music (Ragtime) -- PeriodicalsFiled under: Gospel music
Filed under: Revival hymns
Filed under: Rap (Music) -- Psychological aspects- Music Violence: How Does it Affect our Children: Hearing Before the Subcommittee on Oversight of Government Management, Restructuring, and the District of Columbia of the Committee on Governmental Affairs, United States Senate, One Hundred Fifth Congress, First Session, November 6, 1997 (Washington: GPO, 1998), by United States Senate Committee on Governmental Affairs (page images at HathiTrust)
- Music Lyrics and Commerce: Hearings Before the Subcommittee on Commerce, Consumer Protection, and Competitiveness of the Committee on Energy and Commerce, House of Representatives, One Hundred Third Congress, Second Session, February 11 and May 5, 1994 (Washington: GPO, 1994), by United States House. Committee on Energy and Commerce (page images at HathiTrust)
Filed under: Rap (Music) -- Religious aspects -- Christianity
Filed under: Rap (Music) -- Social aspects -- United StatesFiled under: Soul musicFiled under: Spirituals (Songs)
Filed under: Spirituals (Songs) -- Instrumental settingsFiled under: Spirituals (Songs) -- Southern StatesFiled under: Spirituals (Songs) -- United States- Slave Songs of the United States (reprint; New York: P. Smith, 1951), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison (page images at HathiTrust)
- Hampton Series: Negro Folk-Songs (4 volumes; New York and Boston: G. Schirmer, c1918-1919), ed. by Natalie Curtis Burlin
- Slave Songs of the United States (New York: A. Simpson and Co., 1867), ed. by William Francis Allen, Charles Pickard Ware, and Lucy McKim Garrison
Filed under: Music- Curiosités Musicales: Notes, Analyses, Interprétation de Certaines Particularités Contenues dans les Oeuvres des Grands Maîtres (in French; Paris: Firmin Didot Frères, Fils et cie., 1873), by Édouard Marie Ernest Deldevez (multiple formats at archive.org)
- Digital Mozart Edition (comprehensive set of his musical compositions, with German commentary and English and German user interfaces), by Wolfgang Amadeus Mozart, ed. by Internationale Stiftung Mozarteum Salzburg (searchable page images in Austria)
- How to Appreciate Music (New York: Moffat, Yard and Co., 1912), by Gustav Kobbé (Gutenberg text and illustrated HTML)
- The Merry-Go-Round (New York: A. A. Knopf, 1918), by Carl Van Vechten (Gutenberg text and page images)
- Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text)
- Richard Wagner's Prose Works (8 volumes; London: K. Paul, Trench, Trubner and Co., 1895-1907), by Richard Wagner, trans. by William Ashton Ellis
- Prose Miscellany (Cincinnati: R. Clarke and Co., 1881), by Horace P. Biddle (HTML and page images at Indiana)
- Mozart, Weber and Wagner, With Various Essays on Musical Subjects (London: W. Reeves, ca. 1918), by Hector Berlioz, trans. by Edwin Evans (multiple formats at archive.org)
More items available under broader and related terms at left. |