Melville, Herman, 1819-1891 -- Technique
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Melville's Thematics of Form: The Great Art of Telling the Truth (originally published 1968; open access edition Baltimore: Johns Hopkins University Press, 2019), by Edgar A. Dryden (multiple formats with commentary at Project MUSE)
Items below (if any) are from related and broader terms.
Filed under: Melville, Herman, 1819-1891- Herman Melville, Mariner and Mystic (New York: G. H. Doran Co., c1921), by Raymond M. Weaver (multiple formats at archive.org)
- Ishmael (originally published 1956; open access edition Baltimore: Johns Hopkins University Press, 2019), by James Baird (multiple formats with commentary at Project MUSE)
- Genius Ignored: Rembrandt, Vermeer, Bach, Thoreau, Melville, Van Gogh, Nabokov, and Casablanca (last revised 2018), by Lucius Furius (illustrated HTML at humanist-art.org)
- Some Personal Letters of Herman Melville and a Bibliography (New York: Edmond Byrne Hackett, 1922), by Meade Minnigerode, contrib. by Herman Melville (page images at Google; US access only)
- Some Personal Letters of Herman Melville and a Bibliography (New York: Edmond Byrne Hackett, 1922), by Meade Minnigerode, contrib. by Herman Melville (page images at Google; US access only)
- Melville Unfolding: Sexuality, Politics, and the Versions of Typee: A Fluid-Text Analysis, with an Edition of the Typee Manuscript (Ann Arbor, MI: University of Michigan Press, c2008), by John Bryant, contrib. by Herman Melville (page images at HathiTrust)
- On Melville: The Best From American Literature (Durham, NC and London: Duke University Press, 1988), ed. by Louis J. Budd and Edwin Harrison Cady (page images at HathiTrust)
- The Arbiters of Reality: Hawthorne, Melville, and the Rise of Mass Information Culture (Columbus, OH: Ohio State University Press, c2008), by Peter West (PDF at Ohio State)
- Writing for the Street, Writing in the Garret: Melville, Dickinson, and Private Publication (Columbus, OH: Ohio State University Press, c2010), by Michael S. Kearns (PDF at Ohio State)
- The Meaning of Moby Dick (New York: Russell and Russell, 1962), by William S. Gleim (page images at HathiTrust)
- Melville Unfolding: Sexuality, Politics, and the Versions of Typee: A Fluid-Text Analysis, with an Edition of the Typee Manuscript (Ann Arbor, MI: University of Michigan Press, c2008), by John Bryant, contrib. by Herman Melville (page images at HathiTrust)
- Official and Tentative Methods of Analysis of the Association of Official Agricultural Chemists (partial serial archives)
- Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust)
- Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
- Practical Hints for Art Students (New York: Duffield and Co., 1910), by Charles Augustus Lasar (page images at HathiTrust)
- The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only)
- Jane Austen: Irony as Defense and Discovery (Princeton: Princeton University Press, 1952), by Marvin Mudrick (page images at HathiTrust)
- Bacteriology and Surgical Technique for Nurses (Philadelphia: W. B. Saunders, 1900), by Emily M. A. Stoney (page images at HathiTrust)
- The Novel According to Cervantes (Berkeley: University of California Press, 1989), by Stephen Gilman (HTML at UC Press)
- Virtue of Necessity: Inconclusiveness and Narrative Form in Chaucer's Poetry (Columbus, OH: Ohio State University Press, c1984), by Larry Sklute (PDF files with commentary at Ohio State Press)
- A Distinction of Stories: The Medieval Unity of Chaucer's Fair Chain of Narratives for Canterbury (Columbus, OH: Ohio State University Press, c1981), by Judson Boyce Allen and Theresa Anne Moritz
- Descriptive Zoopraxography: or, The Science of Animal Locomotion Made Popular (Philadelphia: University of Pennsylvania, 1893), by Eadweard Muybridge (multiple formats at archive.org)
- Dante's Commedia: Elements of Structure (originally published 1954; open access edition Baltimore: Johns Hopkins University Press, 2019), by Charles S. Singleton (HTML and PDF files with commentary at Project MUSE)
- Studies in the Narrative Method of Defoe (Urbana, IL: University of Illinois, 1924), by Arthur Wellesley Secord (page images at HathiTrust)
- The Technique of the Mystery Story, by Carolyn Wells (HTML at Gutenberg Australia)
- Vanishing Points: Dickens, Narrative, and the Subject of Omniscience (Berkeley: University of California Press, 1991), by Audrey Jaffe (HTML at UC Press)
- Dickinson's Fascicles: A Spectrum of Possibilities (Columbus, OH: Ohio State University Press, c2014), ed. by Paul Crumbley and Eleanor Elson Heginbotham (PDF at Ohio State)
- The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
- How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
- Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
- Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
- The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
- Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
- Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
- Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
- The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
- The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin)
- De L'Enseignement du Dessin, Sous le Point de Vue Industriel (in French; Paris: Giroux, et al., 1836), by Alexandre Dupuis (multiple formats at Google)
- How to Draw: A Practical Book of Instruction in the Art of Illustration (New York and London: Harper and Bros., c1904), by Leon Barritt (page images at HathiTrust)
- The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc)
- The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
- Antichità, Vantaggi, e Metodo della Pittura Encausta: Discorso Letto nella Pubblica Adunanza della R. Accademia Economica di Firenze il dì 10. Settembre 1794 (in Italian; Venice: S. Apollinare, 1800), by Giovanni Valentino Mattia Fabbroni
- Engraving Metals, With Numerous Engravings and Diagrams (Philadelphia: D. McKay, 1912), ed. by Paul N. Hasluck (page images at HathiTrust)
- An Account of a Method of Etching or Engraving, via Sicca, by Means of Voltaic Electricity (Weston-Super-Mare, J. Whereat; et al., 1848), by James H. Pring
- Traicté des Manieres de Graver en Taille Douce sur l'Airin, par le Moyen des Eaux Fortes, et des Vernix Durs et Mols (in French; Paris: Bosse, 1645), by Abraham Bosse (multiple formats at archive.org)
- How to Make Etchings (Pelham, NY: Bridgman Publishers, c1929), by John J. Barry (page images at HathiTrust)
- Traicté des Manieres de Graver en Taille Douce sur l'Airin, par le Moyen des Eaux Fortes, et des Vernix Durs et Mols (in French; Paris: Bosse, 1645), by Abraham Bosse (multiple formats at archive.org)
- The Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century Fiction (Columbus, OH: Ohio State University Press, c2013), by Paul Dawson (PDF at Ohio State)
- Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction (Columbus, OH: Ohio State University Press, c2006), by Brian Richardson (PDF at Ohio State)
- Structure and Theme: "Don Quixote" to James Joyce (Columbus, OH: Ohio State University Press, c1983), by Margaret Church (PDF files with commentary at Ohio State Press)
- Social Minds in the Novel (Columbus, OH: Ohio State University Press, c2010), by Alan Palmer (PDF at Ohio State)
- Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology (Columbus, OH: Ohio State University Press, c1996), by James Phelan (PDF files with commentary at Ohio State Press)
- How to Write Stories That Sell (Boston: The Writer, c1961), by Edward S. Fox (page images at HathiTrust)
- Primer of the Novel (New York: Random House, c1950), by Vincent McHugh (page images at HathiTrust)
- How to Write and Sell a Novel (revised from Why Write a Novel?; New York: Woodford Press, 1948), by Jack Woodford (page images at HathiTrust)
- The Rhetoric of Fictionality: Narrative Theory and the Idea of Fiction (Columbus, OH: Ohio State University Press, c2007), by Richard Walsh (PDF at Ohio State)
- The Beautiful, Novel, and Strange: Aesthetics and Heterodoxy (originally published 1995; open access edition Baltimore: Johns Hopkins University Press, 2019), by Ronald Paulson (HTML and PDF files with commentary at Project MUSE)
- The Novel-Machine: The Theory and Fiction of Anthony Trollope (originally published 1980; open access edition Baltimore: Johns Hopkins University Press, 2019), by Walter M. Kendrick (multiple formats with commentary at Project MUSE)
- Pater's Portraits: Mythic Pattern in the Fiction of Walter Pater (originally published 1967; open access edition Baltimore: Johns Hopkins University Press, 2019), by Gerald Monsman (multiple formats with commentary at Project MUSE)
- The Taciturn Text: The Fiction of Robert Penn Warren (Columbus, OH: Ohio State University Press, 1990), by Randolph Runyon (PDF at Ohio State)
- Fundamentals of Fiction Writing (Indianapolis: Bobbs-Merrill Co., c1922), by Arthur Sullivant Hoffman
- Metamorphosis of Language in Apuleius: A Study of Allusion in the Novel (Ann Arbor: University of Michigan Press, c1998), by Ellen D. Finkelpearl (page images at HathiTrust)
- Narrative Innovation and Incoherence: Ideology in Defoe, Goldsmith, Austen, Eliot, and Hemingway (Durham, NC and London: Duke University Press, 1992), by Michael M. Boardman (page images at HathiTrust)
- In the Pride of the Moment: Encounters in Jane Austen's World (Columbus, OH: Ohio State University Press, c1990), by John A. Dussinger (PDF at Ohio State)
- This Fiction Business (New York: Covici, Friede, 1929), by H. Bedford-Jones (page images at HathiTrust)
- The Dramatic Unity of "Huckleberry Finn" (Columbus, OH: Ohio State University Press, c1976), by George C. Carrington
- How to Write a Novel: A Practical Guide to the Art of Fiction (London: Grant Richards, 1901) (Gutenberg text)
- How to Write Fiction, Especially the Art of Short Story Writing (New York: Riverside Literary Bureau, C. T. Dillingham and Co., c1894), by Sherwin Cody
- How to Write Fiction, Especially the Art of Short Story Writing: A Practical Study of Technique (London: Bellairs and Co., 1895), by Sherwin Cody (multiple formats at archive.org)
- Mrs. Radcliffe: Her Relation Towards Romanticism; With an Appendix on the Novels Falsely Ascribed to Her (Amsterdam: H. J. Paris, 1926), by Alida Alberdina Sibbellina Wieten (page images at delpher.nl)
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