The Online Books Page

Modernism (Art) -- Influence

See also what's at your library, or elsewhere.

• Modernism (Art)
• Influence

• Hendrik Petrus Berlage: Thoughts on Style, 1886-1909 (Santa Monica, CA: Getty Center for the History of Art and the Humanities, c1996), by H. P. Berlage, trans. by Iain Boyd Whyte and Wim de Wit (page images and PDF with commentary at getty.edu and Google)
• Style-Architecture and Building-Art: Transformations of Architecture in the Nineteenth Century and Its Present Condition (based on first and second editions; Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1994), by Hermann Muthesius, ed. by Stanford Anderson (PDF and page images with commentary at getty.edu and Google)

Items below (if any) are from related and broader terms.

• Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)

• Kandinsky in Paris, 1934-1944 (New York: Solomon R. Guggenheim Foundation, 1985), by Solomon R. Guggenheim Museum, contrib. by Vivian Endicott Barnett, Christian Derouet, and Wassily Kandinsky (multiple formats at archive.org)

• Situationist International Anthology, ed. by Ken Knabb (HTML at bopsecrets.org)

• Kandinsky in Munich, 1896-1914 (New York: Solomon R. Guggenheim Foundation, c1982), by Solomon R. Guggenheim Museum, contrib. by Peter Jelavich, Carl E. Schorske, and Peg Weiss, illust. by Wassily Kandinsky (multiple formats at archive.org)

• Painted Love: Prostitution in French Art of the Impressionist Era (second edition; Los Angeles: Getty Research Institute, c2003), by Hollis Clayson (PDF and page images with commentary at getty.edu and Google)
• The Great Wave: The Influence of Japanese Woodcuts on French Prints (New York: Metropolitan Museum of Art, 1974), by Colta Feller Ives (page images and PDF with commentary at metmuseum.org and Google)

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Pissarro: Critical Catalogue of Paintings (3 volumes; Skira: Wildenstein Institute Publications, c2005), by Joachim Pissarro and Claire Durand-Ruel Snollaerts (page images with commentary at wpi.art)

• Origins of Impressionism (New York: Metropolitan Museum of Art, c1994), by Gary Tinterow and Henri Loyrette (page images and PDF at Metropolitan Museum of Art and Google)
• Impressionism: A Centenary Exhibition (New York: Metropolitan Museum of Art, 1974), by Anne Distel, Michel Hoog, and Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Degas, 1834-1917 (New York: Metropolitan Museum of Art; Ottawa: National Gallery of Canada, 1988), by Jean Sutherland Boggs, Douglas W. Druick, Henri Loyrette, Michael Pantazzi, and Gary Tinterow, illust. by Edgar Degas (page images and PDF with commentary at metmuseum.org and Google)
• L'Exposition de 1900 et l'Impressionnisme (in French; Paris: H. Floury, 1900), by André Mellerio
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)

• Amazons of the Avant-Garde (New York: Solomon R. Guggenheim Museum, c2000), ed. by John E. Bowlt and Matthew Drutt, illust. by Alexandra Exter, Nataliia Sergeevna Goncharova, Liubov' Sergeevna Popova, Ol'ga Vladimirovna Rozanova, Varvara Fedorovna Stepanova, and Nadezhda Udal'tsova (multiple formats at archive.org)

• Futurism, a Modern Focus: the Lydia and Harry Lewis Winston Collection, Dr. and Mrs. Barnett Malbin (New York: Solomon R. Guggenheim Museum, c1973), by Solomon R. Guggenheim Museum, contrib. by Marianne W. Martin and Linda Shearer (multiple formats at archive.org)

• American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (New York: Metropolitan Museum of Art, c1994), by H. Barbara Weinberg, Doreen Bolger, and David Park Curry (PDF with commentary at metmuseum.org)

• Modernism and the Spiritual in Russian Art: New Perspectives (Cambridge, UK et al.: Open Book Publishers, c2017), ed. by Louise Hardiman and Nicola Kozicharow (PDF and HTML with commentary at Open Book Publishers)

• American Impressionist and Realist Paintings and Drawings from the Collection of Mr. and Mrs. Raymond J. Horowitz, Exhibited at the Metropolitan Museum of Art, 19 April through 3 June 1973 (New York: Metropolitan Museum of Art, c1973), by Dianne H. Pilgrim, contrib. by John K. Howat (page images and PDF with commentary at metmuseum.org and Google)

• Panic Encyclopedia: The Definitive Guide to the Postmodern Scene (WWW edition), by Arthur Kroker (HTML at archive.org)

• Marion Nicoll: Silence and Alchemy (Calgary: University of Calgary Press, 2013), by Ann Davis and Elizabeth Herbert, contrib. by Jennifer E. Salahub and Christine Sowiak (PDF at University of Calgary)

• From Realism to Abstraction: The Art of J. B. Taylor (Calgary: University of Calgary Press, 2014), by Adriana A. Davies (PDF at University of Calgary)

• Art of Tomorrow: Fourty-One Reproductions From the Collection of the Solomon R. Guggenheim Foundation for Non-Objective Painting (ca. 1947), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org)

• CMOK to YOu To: A Correspondence (Punctum Books, c2016), by Nina Živančević and Marc James Léger
  • PDF with commentary at Punctum Books
  • PDF files with commentary at Project Muse
• Le Petit Journal des Refusées (originally published 1896; this edition 2009), ed. by Johanna Drucker, contrib. by Gelett Burgess (PDF and Epub with commentary at cnx.org)
• The Fluxus Reader (Chicester, UK and New York: Academy Editions, 1998), ed. by Ken Friedman (PDF files at Swinburne Research Bank)

• Du "Cubisme" (6th edition, in French; Paris: E. Figuière et cie, ca. 1912), by Albert Gleizes and Jean Metzinger (page images at HathiTrust; US access only)
• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML

• Van Gogh and Expressionism (New York: Solomon R. Guggenheim Foundation, c1964), by Maurice Tuchman (multiple formats at archive.org)
• American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)

• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML

• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Reminiscences of the Impressionist Painters (Tower Press booklet #3; Dublin: Maunsel and Co., 1906), by George Moore
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• New Paths: Verse, Prose, Pictures, 1917-1918, ed. by Cyril W. Beaumont and Michael Sadleir, illust. by Anne Estelle Rice (multiple formats at archive.org)

• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)

• Early Postmodernism: Foundational Essays (compilation of essays published in "boundary 2"; Durham, NC and London: Duke University Press, 1995), ed. by Paul A. Bové (page images at HathiTrust)
• À Chacun sa Quête: Essais sur les Nouveaux Visages de la Transcendance (in French; Sainte-Foy, QC: Presses de l'Université du Québec, 2000), ed. by Yves Boisvert and Lawrence Olivier (PDF files at Project MUSE)
• The Future of Class in History: What's Left of the Social? (Ann Arbor: University of Michigan Press, c2007), by Geoff Eley and Keith Nield (page images at HathiTrust)
• The Culture of Citizenship: Inventing Postmodern Civic Culture (second edition, 2001), by Thomas Bridges (PDF at crvp.org)
• The Painted Word: Samuel Beckett's Dialogue With Art (Ann Arbor: University of Michigan Press, c2000), by Lois Oppenheim (page images at HathiTrust)
• The Subject and Other Subjects: On Ethical, Aesthetic, and Political Identity (Ann Arbor: University of Michigan Press, c1998), by Tobin Siebers (page images at HathiTrust)
• Doom Patrols: A Theoretical Fiction About Postmodernism, by Steven Shivaro (HTML at dhalgren.com)
• Jean Baudrillard: From Marxism to Postmodernism and Beyond, by Douglas Kellner (PDF at UCLA)

More items available under broader and related terms at left.