The Online Books Page

Motion picture industry

See also what's at Wikipedia, your library, or elsewhere.

• Cultural industries

• Motion picture industry -- California
• Motion picture industry -- Canada
• Motion picture industry -- Employees
• Motion picture industry -- Fiction
• Motion picture industry -- History
• Motion picture industry -- Periodicals
• Motion picture industry -- United States
• Motion picture industry -- Yugoslavia

• Moving-picture industry
• Film industry (Motion pictures)
• Film industry

• What's Really Going On in Hollywood!, by John W. Cones (HTML at homevideo.net)

• Cinema Canada (partial serial archives)

• The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)

• Motion Picture News Blue Book (partial serial archives)

• The Loved One (c1948; this edition 1965), by Evelyn Waugh (HTML in Canada; NO US ACCESS)
• The Day of the Locust (c1939), by Nathanael West (text in Australia; NO US ACCESS)
• Souls for Sale (New York and London: Harper and Bros., c1922), by Rupert Hughes (multiple formats at archive.org)
• The Phantom Herd (1916), by B. M. Bower (Gutenberg text)
• Shoot! (Si Gira) The Notebooks of Serafino Gubbio, Cinematograph Operator, by Luigi Pirandello, trans. by C. K. Scott-Moncrieff (text at Gutenberg Australia)

• 54 (London: W. Heinemann, c2005), by Wu Ming (Writers collective), trans. by Shaun Whiteside (multiple formats at archive.org)

• Exporting Entertainment: America in the World Film Market, 1907-1934 (London: BFI Publishing, c1985), by Kristin Thompson (PDF with commentary at davidbordwell.net)

• Boxoffice (partial serial archives)

• Screen Guide for Americans, by Ayn Rand (PDF page images at MSU)
• Hollywood Reds Are "On the Run"! (Hollywood, CA: Cinema Educational Guild, 1949), by Myron C. Fagan (PDF page images at MSU)
• Report on Blacklisting (2 volumes; New York: Fund for the Republic, c1956), by John Cogley
  • Volume I (Movies): multiple formats at archive.org
  • Volume II (Radio - Television): multiple formats at archive.org
• Red Stars in Hollywood: Their Helpers, Fellow Travelers, and Co-Conspirators (St. Louis: Patriotic Tract Society, ca. 1948), by Myron C. Fagan (PDF page images at MSU)
• For Justice and Peace, by Wives of the Hollywood Ten (PDF page images at MSU)

Items below (if any) are from related and broader terms.

• Developing Cultural Industries: Learning from the Palimpsest of Practice (Amsterdam: European Cultural Foundation, 2015), by Christiaan De Beukelaer (PDF at European Cultural Foundation)
• Critique of Creativity: Precarity, Subjectivity and Resistance in the "Creative Industries" (London: MayFlyBooks, 2011), ed. by Gerald Raunig, Gene Ray, and Ulf Wuggenig (PDF and Flash with commentary at MayFlyBooks)

• How Canadians Communicate III: Contexts of Canadian Popular Culture (2010), ed. by Bart Beaty, Derek Briton, Gloria Filax, and Rebecca Sullivan (PDF with commentary at AU Press)

• Canadian Television Today (Calgary: University of Calgary Press, c2006), by Bart Beaty and Rebecca Sullivan (PDF files at University of Calgary)

• Precarious Creativity: Global Media, Local Labor (Oakland, CA: University of California Press, c2016), ed. by Michael Curtin and Kevin Sanson
  • multiple formats with commentary at Luminos
  • PDF files at JSTOR

• Remix: Making Art and Commerce Thrive in the Hybrid Economy (London: Bloomsbury Academic, 2008), by Lawrence Lessig
  • HTML at Bloomsbury Academic (registration optional)
  • multiple formats at archive.org

• The Piracy Crusade: How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties (Amherst and Boston: University of Massachusetts Press, c2013), by Aram Sinnreich (PDF with commentary at piracycrusade.com and various other sites)

• Peers, Pirates, and Persuasion: Rhetoric in the Peer-to-Peer Debates (2006), by John Logie (PDF with commentary at parlorpress.com)

• The Book Chain in Anglophone Africa: A Survey and Directory (c2002), ed. by Roger Stringer (PDF in the UK)

• The Book Chain in Anglophone Africa: A Survey and Directory (c2002), ed. by Roger Stringer (PDF in the UK)

• The Book Chain in Anglophone Africa: A Survey and Directory (c2002), ed. by Roger Stringer (PDF in the UK)

• The Book Chain in Anglophone Africa: A Survey and Directory (c2002), ed. by Roger Stringer (PDF in the UK)

• The Book Chain in Anglophone Africa: A Survey and Directory (c2002), ed. by Roger Stringer (PDF in the UK)

• The Book Chain in Anglophone Africa: A Survey and Directory (c2002), ed. by Roger Stringer (PDF in the UK)

• ABC for Book Collectors (8th edition, 2004), by John Carter and Nicolas Barker (PDF with commentary at ilab.org)

• Turning the Page: The Future of Ebooks (2010), by PricewaterhouseCoopers LLP (PDF with commentary at pwc.com)

• Kilo: Being the Love Story of Eliph' Hewlett, Book Agent, by Ellis Parker Butler (Gutenberg text)

• A Checklist of American Copies of "Short-Title Catalogue" Books (second edition; Ann Arbor: University of Michigan Press, 1950), ed. by William Warner Bishop (page images at HathiTrust)
• The Struggles of a Book Against Excessive Taxation (London, ca. 1850), by Charles Knight (multiple formats at archive.org)

• The Bookseller (UK book trade journal, 1858-) (partial serial archives)
• The Dolphin: A Journal of the Making of Books (full serial archives)

• The Late Age of Print: Everyday Book Culture From Consumerism to Control (New York: Columbia University Press, 2009), by Theodore G. Striphas (zipped PDF with commentary at thelateageofprint.org)
• Turning the Page: The Future of Ebooks (2010), by PricewaterhouseCoopers LLP (PDF with commentary at pwc.com)

• Book: A Futurist's Manifesto (c2012), ed. by Hugh McGuire and Brian O'Leary (HTML with commentary at pressbooks.com)
• A Publisher's Confession (New York, Doubleday Page and Co., 1905), by Walter Hines Page (page images at HathiTrust)
• Where and How to Sell Manuscripts: A Directory for Writers (revised edition; Springfield, MA: Home Correspondence School, c1920), ed. by William B. McCourtie (multiple formats at archive.org)
• Where to Sell Manuscripts: An Alphabetical and Classified List Arranged for the Writer's Convenience (New York: Hannis Jordan Co., 1915), by Hannis Jordan Company (page images at HathiTrust)
• Writing for Money: How to Write Saleable Manuscripts; Where and Way to Sell Manuscripts; Over Two Thousand Places to Sell Manuscripts (Chicago: International literary bureau, c1913), by John V. Lambert (page images at HathiTrust)
• The New 1001 Places to Sell Manuscripts: A Complete Guide for All Writers Who are Seeking Avenues for the Publication of Original Manuscripts (Franklin, OH: James Knapp Reeve, 1922), ed. by James Knapp Reeve and Agnes M. Reeve (multiple formats at archive.org)
• "1001 Places to Sell Manuscripts" (Ridgewood, NJ: The Editor Co., c1915), ed. by William Reno Kane (multiple formats at archive.org)
• Five Hundred Places to Sell Manuscripts: A Manual Designed for the Guidance of Writers in Disposing of Their Work (fourth edition; Franklin, OH: Editor Pub. Co., 1900), ed. by James Knapp Reeve (multiple formats at archive.org)
• Writing for the Magazines (Springfield, MA: Home Correspondence School, c1916), by J. Berg Esenwein (multiple formats at archive.org)

• Broadcasting, Voice, and Accountability: A Public Interest Approach to Policy, Law, and Regulation (2008), by Steve Buckley, Kreszentia Duer, Toby Mendel, and Seán Ó Siochrú, contrib. by Monroe E. Price and Marc Raboy (HTML with commentary at digitalculture.org)

More items available under broader and related terms at left.