Motion pictures -- Europe
Here are entered general works on motion pictures shown in Europe or produced by European film companies. Works on motion pictures produced by European film companies and shown outside of Europe are entered under Motion pictures, European.
See also what's at Wikipedia, your library, or elsewhere.
Broader terms:Narrower terms:![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
European Cinema: Face to Face With Hollywood (Amsterdam: Amsterdam University Press, c2005), by Thomas Elsaesser (PDF with commentary at oapen.org)
- Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Amsterdam: Amsterdam University Press, c2007), by Tim Bergenfelder, Sue Harris, and Sarah Street (PDF at OAPEN)
- Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)
- Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)
- Humour and Irony in Dutch Post-War Fiction Film (Amsterdam: Amsterdam University Press, c2016), by Peter Verstraten
- Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)
- Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)
- The History of Fashion in France: or, The Dress of Women From the Gallo-Roman Period to the Present Time (New York, Scribner and Welford, 1882), by Augustin Challamel, trans. by Frances Cashel Hoey and John Lillie (multiple formats at archive.org)
- The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present (Ann Arbor: University of Michigan Press, c2007), ed. by Stephan K. Schindler and Lutz P. Koepnick (page images at HathiTrust)
- Hollywood in Berlin: American Cinema and Weimar Germany (Berkeley: University of California Press, 1994), by Thomas J. Saunders (HTML at UC Press)
- A Complete View of the Dress and Habits of the People of England, From the Establishment of the Saxons In Britain to the Present Time, Illustrated By Engravings Taken From the Most Authentic Remains of Antiquity; To Which Is Prefixed an Introduction, Containing a General Description of the Ancient Habits In Use Among Mankind, From the Earliest Period of Time to the Conclusion of the Seventh Century (2 volumes; London: Printed by J. Nichols, 1796-1799), by Joseph Strutt
- A Complete View of the Dress and Habits of the People of England, From the Establishment of the Saxons In Britain to the Present Time, Illustrated By Engravings Taken From the Most Authentic Remains of Antiquity; To Which Is Prefixed an Introduction, Containing a General Description of the Ancient Habits In Use Among Mankind, From the Earliest Period of Time to the Conclusion of the Seventh Century (new and improved edition, 2 volumes; London: H. G. Bohn, 1842), by Joseph Strutt, ed. by J. R. Planché
- The History of the Coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II (London, 1687), by Francis Sandford and Gregory King (frame- and JavaScript-dependent page images at rarebookroom.org)
- The Mirror of the Graces: or, the English Lady's Costume (London: Printed for B. Crosby and Co., 1811), by A Lady of Distinction (page images at Wisconsin)
- The Roman Salute: Cinema, History, Ideology (Columbus, OH: Ohio State University Press, c2009), by Martin M. Winkler (PDF at Ohio State)
- The New German Cinema: Music, History, and the Matter of Style (Berkeley: University of California Press, c2004), by Caryl Flinn (frame-dependent HTML with commentary at UC Press)
- Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub (Berkeley: University of California Press, 1995), by Barton Byg (HTML at UC Press)
- The New German Cinema: Music, History, and the Matter of Style (Berkeley: University of California Press, c2004), by Caryl Flinn (frame-dependent HTML with commentary at UC Press)
- Hollywood in Berlin: American Cinema and Weimar Germany (Berkeley: University of California Press, 1994), by Thomas J. Saunders (HTML at UC Press)
- Fashioning Change: The Trope of Clothing in High- and Late-Medieval England (Columbus, OH: Ohio State University Press, c2012), by Andrea Denny-Brown (PDF at Ohio State)
- McIan's Costumes of the Clans of Scotland: Seventy-Four Coloured Illustrations, With Descriptive Letterpress (reduced-size reprint; Glasgow: D. Bryce and Son: New York: F. A. Stokes Co., 1899), by James Logan, illust. by Robert Ronald McIan
- The Roman Salute: Cinema, History, Ideology (Columbus, OH: Ohio State University Press, c2009), by Martin M. Winkler (PDF at Ohio State)
- Peasant Art in Italy (1913), ed. by Charles Holme
- Nuova Raccolta di Figurini Teatrali: Giusta il Costume Di Tutti i Tempi e di Tutte de Nazioni (text in Italian; Milan: Presso l'editore Ricordi, ca. 1828), ed. by Giovanni Ricordi, illust. by Gallo Gallina
- Selected illustrations (unique bound volume of 80 images from Diversarum Nationum Habitus and other Bertelli works, ca. 1590), by Pietro Bertelli
- Selected illustrations (unique bound volume of 80 images from Diversarum Nationum Habitus and other Bertelli works, ca. 1590), by Pietro Bertelli
- Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)
- Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Amsterdam: Amsterdam University Press, c2007), by Tim Bergenfelder, Sue Harris, and Sarah Street (PDF at OAPEN)
Items below (if any) are from related and broader terms.
Filed under: Motion pictures- Folklore/Cinema: Popular Film as Vernacular Culture (Logan, UT: Utah State University Press, 2007), ed. by Sharon R. Sherman and Mikel J. Koven (PDF with commentary at usu.edu)
- Film Quarterly: Forty Years, A Selection (Berkeley: University of California Press, c1999), ed. by Brian Henderson, Ann Martin, and Lee Amazonas (frame-dependent HTML with commentary at UC Press)
- Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press)
- Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)
- Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
- Movies From A.A.P.: Programs of Quality From Quality Studios (1957), by Associated Artists Productions (multiple formats at archive.org)
- Framing French Culture (Adelaide: University of Adelaide Press, c2015), ed. by Natalie Edwards, Ben McCann, and Peter Poiana (PDF with commentary at Adelaide)
- The Art of Cineplastics (Boston: Four Seas Co., 1923), by Élie Faure, trans. by Walter Pach (page images at HathiTrust)
- The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
- Der Film: Seine Mittel, Seine Ziele (in German; Berlin: Schuster und Loeffler, 1921), by Urban Gad (page images at HathiTrust; US access only)
- Making the Movies (New York: The Macmillan Co., 1919), by Ernest A. Dench (page images at HathiTrust)
- That Marvel, the Movie: A Glance at its Reckless Past, its Promising Present, and its Significant Future (New York and London: G. P. Putnam's Sons, 1923), by Edward S. Van Zile, contrib. by Will H. Hays
- Behind the Screen (New York: G. H. Doran Co., c1923), by Samuel Goldwyn
- Breaking Into the Movies (Philadelphia: G. W. Jacobs and Co., c1921), by John Emerson and Anita Loos (Gutenberg text and illustrated HTML)
- Radiomovies, Radiovision, Television (Washington: National Capital Press, c1929), by C. Francis Jenkins (page images at HathiTrust)
- Frame by Frame: A Materialist Aesthetics of Animated Cartoons (Oakland, CA: University of California Press, c2019), by Hannah Frank, ed. by Daniel Morgan, contrib. by Tom Gunning (multiple formats with commentary at Luminos)
- Ozu and the Poetics of Cinema (1998), by David Bordwell (page images and PDF with commentary at Michigan)
- Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (Berkeley: University of California Press, 1992), by William C. Wees (HTML at UC Press)
- An Anagram of Ideas on Art, Form and Film (Yonkers, NY: Alicat Book Shop Press, 1946), by Maya Deren (page images at HathiTrust; US access only)
- Photogénie (in French; Paris: M. de Brunoff, ca. 1920), by Louis Delluc (page images at HathiTrust; US access only)
- The Photoplay: A Psychological Study (New York and London: D. Appleton and Co., 1916), by Hugo Münsterberg (Gutenberg text)
- The Tread of a White Man's Foot: Australian Pacific Colonialism and the Cinema, 1925-62 (Canberra: Pandanus Books, c2006), by Jane Landman (page images at HathiTrust)
- Hollywood Undressed: Observations of Sylvia as Noted by Her Secretary (New York: Brentano's, 1931), contrib. by Sylvia of Hollywood (page images at HathiTrust)
- The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
More items available under broader and related terms at left.