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Motion pictures -- Political aspects -- Italy -- History

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• Motion pictures -- Political aspects -- Italy
• Motion pictures -- Political aspects -- Europe -- History
• Motion pictures -- Italy -- History

• Motion pictures -- Political aspects -- Italy -- History -- 20th century

• Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)

Items below (if any) are from related and broader terms.

• Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)

• Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)

• Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)

• Come vestivano gli uomini del "Decameron"; saggio di storia del costume (Roma, 1898), by Carlo Merkel (page images at HathiTrust)

• Pompei. (1840) (page images at HathiTrust)

• Le costume de la garde suisse pontificale et la renaissance italienne (Imprimerie polyglotte Vaticane, 1917), by Guilio Repond (page images at HathiTrust; US access only)

• The Roman Salute: Cinema, History, Ideology (Columbus, OH: Ohio State University Press, c2009), by Martin M. Winkler (PDF at Ohio State)