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Motion pictures -- Social aspects -- Prairie Provinces -- History

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• Motion pictures -- Social aspects -- Prairie Provinces
• Motion pictures -- History
• Prairie Provinces -- History

• Reel Time: Movie Exhibitors and Movie Audiences in Prairie Canada, 1896 to 1986 (c2013), by R. M. Seiler and Tamara Palmer Seiler (PDF with commentary at AU Press)

Items below (if any) are from related and broader terms.

• Haute Couture (New York: Metropolitan Museum of Art, c1995), by Richard Martin and Harold Koda (page images and PDF with commentary at metmuseum.org and Google)

• Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Amsterdam: Amsterdam University Press, c2007), by Tim Bergenfelder, Sue Harris, and Sarah Street (PDF at OAPEN)

• Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)

• Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy (Minneapolis and London: University of Minnesota Press, c2023), by Lorenzo Fabbri (PDF with commentary at Project MUSE)

• Humour and Irony in Dutch Post-War Fiction Film (Amsterdam: Amsterdam University Press, c2016), by Peter Verstraten
  • PDF with commentary at OAPEN
  • page images at HathiTrust

• Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)

• Revisioning Europe: The Films of John Berger and Alain Tanner (Calgary: University of Calgary Press, 2011), by Jerry White (PDF at University of Calgary)

• Writing National Cinema: Film Journals and Film Culture in Peru (Hanover, NH: Dartmouth College Press, Published by University Press of New England, c2009), by Jeffrey Middents (multiple formats at Dartmouth Digital Publishing)

• Living Labor: Fiction, Film, and Precarious Work (Ann Arbor: University of Michigan Press, c2023), by Joseph B. Entin (multiple formats with commentary at fulcrum.org)
• The Roman Salute: Cinema, History, Ideology (Columbus, OH: Ohio State University Press, c2009), by Martin M. Winkler (PDF at Ohio State)

• Motion Picture News Blue Book (partial serial archives)

• Clothing and Style: For Dressmakers, Milliners, Buyers, Designers, Students of Clothing, and Stylers (c1930), by William H. Dooley (page images at Wisconsin)

• Selected illustrations (unique bound volume of 80 images from Diversarum Nationum Habitus and other Bertelli works, ca. 1590), by Pietro Bertelli
  • multiple formats at archive.org
  • page images at HathiTrust

• Selected illustrations (unique bound volume of 80 images from Diversarum Nationum Habitus and other Bertelli works, ca. 1590), by Pietro Bertelli
  • multiple formats at archive.org
  • page images at HathiTrust

• Selected illustrations (unique bound volume of 80 images from Diversarum Nationum Habitus and other Bertelli works, ca. 1590), by Pietro Bertelli
  • multiple formats at archive.org
  • page images at HathiTrust

• The History of the Coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II (London, 1687), by Francis Sandford and Gregory King (frame- and JavaScript-dependent page images at rarebookroom.org)

• Haute Couture (New York: Metropolitan Museum of Art, c1995), by Richard Martin and Harold Koda (page images and PDF with commentary at metmuseum.org and Google)

• The Mirror of the Graces: or, the English Lady's Costume (London: Printed for B. Crosby and Co., 1811), by A Lady of Distinction (page images at Wisconsin)

• The Manchu Dragon: Costumes of the Ch'ing Dynasty, 1644-1912 (New York: Metropolitan Museum of Art, 1980), by Jean Mailey (page images and PDF at Metropolitan Museum of Art and Google)

• The History of Fashion in France: or, The Dress of Women From the Gallo-Roman Period to the Present Time (New York, Scribner and Welford, 1882), by Augustin Challamel, trans. by Frances Cashel Hoey and John Lillie (multiple formats at archive.org)

• A Complete View of the Dress and Habits of the People of England, From the Establishment of the Saxons In Britain to the Present Time, Illustrated By Engravings Taken From the Most Authentic Remains of Antiquity; To Which Is Prefixed an Introduction, Containing a General Description of the Ancient Habits In Use Among Mankind, From the Earliest Period of Time to the Conclusion of the Seventh Century (2 volumes; London: Printed by J. Nichols, 1796-1799), by Joseph Strutt
  • Volume I: multiple formats at archive.org
  • Volume II: multiple formats at archive.org
  • both volumes: page images at HathiTrust
• A Complete View of the Dress and Habits of the People of England, From the Establishment of the Saxons In Britain to the Present Time, Illustrated By Engravings Taken From the Most Authentic Remains of Antiquity; To Which Is Prefixed an Introduction, Containing a General Description of the Ancient Habits In Use Among Mankind, From the Earliest Period of Time to the Conclusion of the Seventh Century (new and improved edition, 2 volumes; London: H. G. Bohn, 1842), by Joseph Strutt, ed. by J. R. Planché
  • Volume I: multiple formats at archive.org
  • Volume II: multiple formats at archive.org

• American Dresses 1790-1900: Identification and Significance of 148 Extant Dresses (second edition, expanded; Ithaca, NY: Cornell University, 2020), by Elsie Frost McMurry, ed. by Susan W. Greene, illust. by Cathie Simpson (PDF at Cornell)

• Hollywood Undressed: Observations of Sylvia as Noted by Her Secretary (New York: Brentano's, 1931), contrib. by Sylvia of Hollywood (page images at HathiTrust)
• The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)

• The New Woman International: Representations in Photography and Film from the 1870s through the 1960s (c2011), ed. by Elizabeth Otto and Vanessa Rocco (illustrated HTML with commentary at digitalculture.org)

• Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946 (Calgary: University of Calgary Press, c2007), by Malek Khouri (PDF files at University of Calgary)

• Chinese Film: Realism and Convention From the Silent Era to the Digital Age (Minneapolis and London: University of Minnesota Press, c2022), by Jason McGrath (PDF files with commentary at Project MUSE)

• China's iGeneration: Cinema and Moving Image Culture for the Twenty-First Century (New York and London: Bloomsbury Academic, c2014), ed. by Matthew D. Johnson, Keith B. Wagner, Kiki Tianqi Yu, and Luke Vulpiani
  • PDF with commentary at OAPEN
  • page images at HathiTrust

• Reel Time: Movie Exhibitors and Movie Audiences in Prairie Canada, 1896 to 1986 (c2013), by R. M. Seiler and Tamara Palmer Seiler (PDF with commentary at AU Press)

• The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present (Ann Arbor: University of Michigan Press, c2007), ed. by Stephan K. Schindler and Lutz P. Koepnick (page images at HathiTrust)
• Hollywood in Berlin: American Cinema and Weimar Germany (Berkeley: University of California Press, 1994), by Thomas J. Saunders (HTML at UC Press)

• The Roman Salute: Cinema, History, Ideology (Columbus, OH: Ohio State University Press, c2009), by Martin M. Winkler (PDF at Ohio State)

• Legal Tender: Love and Legitimacy in the East German Cultural Imagination (Ithaca, NY: Cornell University Press and Cornell University Library, c2010), by John Griffith Urang (PDF files with commentary at Project MUSE)

• Familiar and Foreign: Identity in Iranian Film and Literature (Edmonton: AU Press, c2015), ed. by Manijeh Mannani and Veronica Thompson (PDF with commentary at AU Press)

• Japanese Cinema: Film Style and National Character (1971), by Donald Richie (page images at PDF with commentary at Michigan)

• Main Street Amusements: Movies and Commercial Entertainment in a Southern City, 1896-1930 (Washington and London: Smithsonian Institution Press, c1995), by Gregory A. Waller (page images at HathiTrust)

• Writing National Cinema: Film Journals and Film Culture in Peru (Hanover, NH: Dartmouth College Press, Published by University Press of New England, c2009), by Jeffrey Middents (multiple formats at Dartmouth Digital Publishing)

• Writing National Cinema: Film Journals and Film Culture in Peru (Hanover, NH: Dartmouth College Press, Published by University Press of New England, c2009), by Jeffrey Middents (multiple formats at Dartmouth Digital Publishing)

• Kino and the Woman Question: Feminism and Soviet Silent Film (Columbus, OH: Ohio State University Press, 1989), by Judith Mayne (PDF at Ohio State)

• Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company (Berkeley: University of California Press, 1991), by Charles Musser (HTML at UC Press)

• Living Labor: Fiction, Film, and Precarious Work (Ann Arbor: University of Michigan Press, c2023), by Joseph B. Entin (multiple formats with commentary at fulcrum.org)

• Views From Fort Battleford: Constructed Visions of an Anglo-Canadian West (Edmonton: AU Press, 2008), by Walter Hildebrandt (PDF with commentary at AU Press)

• Reel Time: Movie Exhibitors and Movie Audiences in Prairie Canada, 1896 to 1986 (c2013), by R. M. Seiler and Tamara Palmer Seiler (PDF with commentary at AU Press)

• Reel Time: Movie Exhibitors and Movie Audiences in Prairie Canada, 1896 to 1986 (c2013), by R. M. Seiler and Tamara Palmer Seiler (PDF with commentary at AU Press)