Music -- Philosophy and aestheticsHere are entered works on the philosophy and aesthetics of music. Works on the relationship between music and philosophy are entered under Music and philosophy. See also what's at your library, or elsewhere.
Broader terms:Narrower terms:Used for:- Hermeneutics (Music)
- Music -- Aesthetics
- Musical aesthetics
- Music -- Philosophy
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Filed under: Music -- Philosophy and aesthetics Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity (Cambridge, UK: Open Book Publishers, c2021), ed. by Emily Wilbourne and Suzanne G. Cusick (multiple formats with commentary at Open Book Publishers) Instruments for New Music: Sound, Technology, and Modernism (Oakland, CA: University of California Press, c2016), by Thomas Patteson Die Metalogik: Die Musikalische Logik, Geometrie der Empfindungen (in German; Munich: Musarion verlag, 1919), by Walter Harburger (page images at HathiTrust; US access only) The Magic of Tone and the Art of Music, by Dane Rudhyar (HTML at khaldea.com) Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine) Music Ho! A Study of Music in Decline (c1934), by Constant Lambert (HTML in Canada; NO US ACCESS) Aesthetik: oder Wissenschaft des Schönen (3 volumes (third in multiple parts), in German; 1846-1857), by Friedrich Theodor Vischer (page images at HathiTrust) Music and Meaning (Cambridge, MA: Harvard University Press, 1932), by Elizabeth Robinson Woods (page images at HathiTrust) The Art-Work of the Future, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine) The Birth of Tragedy: or, Hellenism and Pessimism (from the Complete Works v1), by Friedrich Wilhelm Nietzsche, ed. by Oscar Levy, trans. by William A. Haussmann The Birth of Tragedy Out of the Spirit of Music, by Friedrich Wilhelm Nietzsche, trans. by Ian Johnston
Filed under: Music -- Philosophy and aesthetics -- History Die Rationalen und Soziologischen Grundlagen der Musik (in German; Munich: Drei Masken Verlag, 1921), by Max Weber, contrib. by Theodor Kroyer Filed under: Popular music -- Philosophy and aestheticsFiled under: Style, Musical
Filed under: Romanticism in musicFiled under: Music -- 19th century -- Philosophy and aestheticsFiled under: Music -- India -- Philosophy and aestheticsFiled under: Music -- Performance -- Philosophy and aesthetics
Items below (if any) are from related and broader terms.
Filed under: Music Curiosités Musicales: Notes, Analyses, Interprétation de Certaines Particularités Contenues dans les Oeuvres des Grands Maîtres (in French; Paris: Firmin Didot Frères, Fils et cie., 1873), by Édouard Marie Ernest Deldevez (multiple formats at archive.org) Digital Mozart Edition (comprehensive set of his musical compositions, with German commentary and English and German user interfaces), by Wolfgang Amadeus Mozart, ed. by Internationale Stiftung Mozarteum Salzburg (searchable page images in Austria) How to Appreciate Music (New York: Moffat, Yard and Co., 1912), by Gustav Kobbé (Gutenberg text and illustrated HTML) The Merry-Go-Round (New York: A. A. Knopf, 1918), by Carl Van Vechten (Gutenberg text and page images) Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text) Richard Wagner's Prose Works (8 volumes; London: K. Paul, Trench, Trubner and Co., 1895-1907), by Richard Wagner, trans. by William Ashton Ellis Prose Miscellany (Cincinnati: R. Clarke and Co., 1881), by Horace P. Biddle (HTML and page images at Indiana) Mozart, Weber and Wagner, With Various Essays on Musical Subjects (London: W. Reeves, ca. 1918), by Hector Berlioz, trans. by Edwin Evans (multiple formats at archive.org)
Filed under: Music -- Acoustics and physics
Filed under: Music -- Africa Musical Instruments and Their Homes (New York: Dodd, Mead and Co., 1888), by Mary Elizabeth Brown and William Adams Brown
Filed under: Music -- Anecdotes Bluebeard: A Musical Fantasy, by Kate Douglas Wiggin
Filed under: Music -- Arab countries A History of Arabian Music to the XIIIth Century (London: Luzac and Co., 1929), by Henry George Farmer
Filed under: Music -- Asia Musical Instruments and Their Homes (New York: Dodd, Mead and Co., 1888), by Mary Elizabeth Brown and William Adams Brown
Filed under: Music -- Bibliography
Filed under: Music -- Bio-bibliography
Filed under: Music -- Chinese influences
Filed under: Music -- Data processing
Filed under: Music -- Dictionaries
Filed under: Music -- Essays
Filed under: Music -- Fiction
Filed under: Music -- Handbooks, manuals, etc.
Filed under: Music -- History and criticism Theft! A History of Music (2017), by Keith Aoki, James Boyle, and Jennifer Jenkins (PDF with commentary at Duke) Music: Its Language, History, and Culture (c2014), by Ray Allen, Douglas Cohen, Nancy Barnes Hager, and Jeffrey Taylor (illustrated HTML with commentary at cuny.edu) An Outline-History of Music (New York: Barnes and Noble, c1947), by Hugh Milton Miller (page images at HathiTrust) The Art Melodious (third edition, augmented; London and New York: F. Tennyson Neely, c1897), by Louis Lombard (page images at HathiTrust) Chopin, and Other Musical Essays (New York: C. Scribner's Sons, 1894), by Henry T. Finck (Gutenberg text) The History of Music: A Handbook and Guide for Students (New York: G. Schirmer, c1907), by Waldo Selden Pratt (PDF at djm.cc) The Magic of Tone and the Art of Music, by Dane Rudhyar (HTML at khaldea.com) Critical Reflections on Poetry, Painting and Music; With an Inquiry into the Rise and Progress of the Theatrical Entertainments of the Ancients (3 volumes; London: Printed for J. Nourse, 1748), by abbé Dubos, trans. by Thomas Nugent Plays, Acting and Music: A Book of Theory (revised edition; London: Constable and Co., 1909), by Arthur Symons (Gutenberg text)
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