The Online Books Page

Music trade

See also what's at your library, or elsewhere.

• Cultural industries

• Music trade -- England
• Music trade -- Great Britain
• Music trade -- Law and legislation
• Music trade -- Periodicals
• Music trade -- United States
• Sound recording industry

• Music business
• Music industry

• Pay for Play: How the Music Industry Works, Where the Money Goes, and Why (c2023), by Larry Wayte (multiple formats at Oregon)

• Musical Opinion and Music Trade Review (partial serial archives)

• Can Music Make You Sick? Measuring the Price of Musical Ambition (London: University of Westminster Press, c2020), by Sally-Anne Gross and George Musgrave (multiple formats with commentary at University of Westminster Press)

• The Piracy Crusade: How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties (Amherst and Boston: University of Massachusetts Press, c2013), by Aram Sinnreich (PDF with commentary at piracycrusade.com and various other sites)

• Peers, Pirates, and Persuasion: Rhetoric in the Peer-to-Peer Debates (West Lafayette, IN: Parlor Press, c2006), by John Logie (multiple formats at archive.org)

• Billboard (partial serial archives)
• The Musical Courier (partial serial archives)

• Recording Musician (British magazine, 1992-1993) (full serial archives)
• Cash Box (partial serial archives)

• Music Lyrics and Commerce: Hearings Before the Subcommittee on Commerce, Consumer Protection, and Competitiveness of the Committee on Energy and Commerce, House of Representatives, One Hundred Third Congress, Second Session, February 11 and May 5, 1994 (Washington: GPO, 1994), by United States House. Committee on Energy and Commerce (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• Developing Cultural Industries: Learning from the Palimpsest of Practice (Amsterdam: European Cultural Foundation, 2015), by Christiaan De Beukelaer (PDF at European Cultural Foundation)
• Critique of Creativity: Precarity, Subjectivity and Resistance in the "Creative Industries" (London: MayFlyBooks, 2011), ed. by Gerald Raunig, Gene Ray, and Ulf Wuggenig (PDF and HTML with commentary at MayFlyBooks)

• How Canadians Communicate III: Contexts of Canadian Popular Culture (2010), ed. by Bart Beaty, Derek Briton, Gloria Filax, and Rebecca Sullivan (PDF with commentary at AU Press)

• Canadian Television Today (Calgary: University of Calgary Press, c2006), by Bart Beaty and Rebecca Sullivan (PDF files at University of Calgary)

• Cinema Canada (partial serial archives)

• Precarious Creativity: Global Media, Local Labor (Oakland, CA: University of California Press, c2016), ed. by Michael Curtin and Kevin Sanson
  • multiple formats with commentary at Luminos
  • PDF files at JSTOR

• Hollywood Undressed: Observations of Sylvia as Noted by Her Secretary (New York: Brentano's, 1931), contrib. by Sylvia of Hollywood (page images at HathiTrust)
• The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)

• Motion Picture News Blue Book (partial serial archives)

• Remix: Making Art and Commerce Thrive in the Hybrid Economy (London: Bloomsbury Academic, 2008), by Lawrence Lessig
  • HTML at Bloomsbury Academic (registration optional)
  • multiple formats at archive.org

• Broadcasting and Government: Responsibilities and Regulations (East Lansing, MI: Michigan State University Press, c1961), by Walter B. Emery (page images at HathiTrust)

• Ending Book Hunger: Access to Print Across Barriers of Class and Culture (New Haven and London: Yale University Press, c2019), by Lea Bishop Shaver (PDF with commentary at bookhunger.org)
• The Florentine Book Fair; The Book Section of the Exposition of Decorative Arts; The German Book Exhibit at Columbia University: Notes Gathered by Theodore Wesley Koch (Evanston, IL: Printed for subscribers, 1926), by Theodore Wesley Koch (page images at HathiTrust)

• The Book Chain in Anglophone Africa: A Survey and Directory (c2002), ed. by Roger Stringer (PDF in the UK)

• ABC for Book Collectors (8th edition, 2004), by John Carter and Nicolas Barker (PDF at ilab.org)

• Turning the Page: The Future of Ebooks (2010), by PricewaterhouseCoopers LLP (PDF with commentary at pwc.com)

• The Florentine Book Fair; The Book Section of the Exposition of Decorative Arts; The German Book Exhibit at Columbia University: Notes Gathered by Theodore Wesley Koch (Evanston, IL: Printed for subscribers, 1926), by Theodore Wesley Koch (page images at HathiTrust)

• Kilo: Being the Love Story of Eliph' Hewlett, Book Agent, by Ellis Parker Butler (Gutenberg text)

• A Checklist of American Copies of "Short-Title Catalogue" Books (second edition; Ann Arbor: University of Michigan Press, 1950), ed. by William Warner Bishop (page images at HathiTrust)
• The Struggles of a Book Against Excessive Taxation (London, ca. 1850), by Charles Knight (multiple formats at archive.org)

• Cut/Copy/Paste: Fragments from the History of Bookwork (Minneapolis and London: University of Minnesota Press, c2021), by Whitney Trettien (HTML with commentary at mn.edu)

• The Bookseller (UK book trade journal, 1858-) (partial serial archives)

• The Late Age of Print: Everyday Book Culture From Consumerism to Control (New York: Columbia University Press, 2009), by Theodore G. Striphas (zipped PDF with commentary at thelateageofprint.org)
• Turning the Page: The Future of Ebooks (2010), by PricewaterhouseCoopers LLP (PDF with commentary at pwc.com)
• The Book Trade in the United States in 1905 (typescript thesis; 1905), by Francis K. W. Drury
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• The Colonial Printer (New York: Grolier Club, 1931), by Lawrence C. Wroth (page images at HathiTrust)

• Book: A Futurist's Manifesto (c2012), ed. by Hugh McGuire and Brian O'Leary (HTML with commentary at pressbooks.com)
• Whose Book is it Anyway? A View From Elsewhere on Publishing, Copyright and Creativity (Cambridge, UK: Open Book Publishers, c2019), ed. by Janis Jefferies and Sarah Kember (multiple formats with commentary at Open Book Publishers)
• A Publisher's Confession (New York: Doubleday, Page and Co., 1905), by Walter Hines Page
  • Gutenberg text and illustrated HTML
  • page images at HathiTrust
• Where and How to Sell Manuscripts: A Directory for Writers (revised edition; Springfield, MA: Home Correspondence School, c1920), ed. by William B. McCourtie (multiple formats at archive.org)
• Where to Sell Manuscripts: An Alphabetical and Classified List Arranged for the Writer's Convenience (New York: Hannis Jordan Co., 1915), by Hannis Jordan Company (page images at HathiTrust)
• Writing for Money: How to Write Saleable Manuscripts; Where and Way to Sell Manuscripts; Over Two Thousand Places to Sell Manuscripts (Chicago: International literary bureau, c1913), by John V. Lambert (page images at HathiTrust)
• "1001 Places to Sell Manuscripts" (Ridgewood, NJ: The Editor Co., c1915), ed. by William Reno Kane (multiple formats at archive.org)
• Five Hundred Places to Sell Manuscripts: A Manual Designed for the Guidance of Writers in Disposing of Their Work (fourth edition; Franklin, OH: Editor Pub. Co., 1900), ed. by James Knapp Reeve (multiple formats at archive.org)
• The New 1001 Places to Sell Manuscripts: A Complete Guide for All Writers Who are Seeking Avenues for the Publication of Original Manuscripts (Franklin, OH: James Knapp Reeve, 1922), ed. by James Knapp Reeve and Agnes M. Reeve (multiple formats at archive.org)
• Writing for the Magazines (Springfield, MA: Home Correspondence School, c1916), by J. Berg Esenwein (multiple formats at archive.org)

• Broadcasting, Voice, and Accountability: A Public Interest Approach to Policy, Law, and Regulation (2008), by Steve Buckley, Kreszentia Duer, Toby Mendel, and Seán Ó Siochrú, contrib. by Monroe E. Price and Marc Raboy (HTML with commentary at digitalculture.org)
• Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)

• Breaking Into the Movies (Philadelphia: G. W. Jacobs and Co., c1921), by John Emerson and Anita Loos (Gutenberg text and illustrated HTML)

More items available under broader and related terms at left.