Musical analysis
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Broader terms:Related term:Narrower term:Used for:- Analysis, Musical
- Analytical guides (Music)
- Hermeneutics (Music)
- Music -- Analysis, appreciation
- Music analysis
- Music -- Analytical guides
![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
The Aesthetics of Pianoforte-Playing (translated from the third German edition; New York: G. Schirmer, 1907), by Adolf Kullak, ed. by Hans Bischoff, trans. by Theodore Baker (page images at HathiTrust)
- Conversations on Harmony (London: Longman, Brown, Green, and Longmans, 1855), by Sarah Mary Fitton (multiple formats at Google)
Items below (if any) are from related and broader terms.
Filed under: Music appreciation- How to Listen to Music: Hints and Suggestions to Untaught Lovers of the Art (seventh edition; New York: C. Scribner's Sons, 1897), by Henry Edward Krehbiel (Gutenberg text and illustrated HTML)
- Sound Reasoning, by Anthony K. Brandt and Robert McClure (multimedia with commentary at libretexts.org)
- The Aesthetics of Pianoforte-Playing (translated from the third German edition; New York: G. Schirmer, 1907), by Adolf Kullak, ed. by Hans Bischoff, trans. by Theodore Baker (page images at HathiTrust)
- How to Appreciate Music (New York: Moffat, Yard and Co., 1912), by Gustav Kobbé (Gutenberg text and illustrated HTML)
- The Boston Musical Review (full serial archives)
- Music: Its Language, History, and Culture (c2014), by Ray Allen, Douglas Cohen, Nancy Barnes Hager, and Jeffrey Taylor (illustrated HTML with commentary at cuny.edu)
- Teaching Difficult Topics: Reflections from the Undergraduate Music Classroom (Ann Arbor: University of Michigan Press, c2024), ed. by Olivia R. Lucas and Laura Moore Pruett (multiple formats with commentary at fulcrum.org)
- Elements of Music and of Fingering the Harpsichord; To Which is Added a Collection of Airs and Lessons for the Harpsichord or Piano Forte (Glasgow: Pub. for the author, ca. 1802), by Anne Gunn, contrib. by Joseph Haydn (page images at HathiTrust)
- Musikalische Didaktik, oder, Die Kunst des Unterrichts in der Musik: Ein Nothwendiges Hand- und Hülfsbuch für Alle Lehrer und Lernende der Musik, Erzieher, Schulvorsteher, Organisten, Volkschullehrer &c. (in German; Eisleben: F. Kuhnt, 1851), by Gustav Schilling
- The Rural Harmony: Being an Original Composition in Three and Four Parts, for the Use of Singing Schools and Musical Societies (Boston: I. Thomas and E. T. Andrews, 1793), by Jacob Kimball (multiple formats at archive.org)
- Harmonia Americana: Containing a Concise Introduction to the Grounds of Music, With a Variety of Airs, Suitable for Divine Worship, and the Use of Musical Societies, Consisting of Three and Four Parts (Boston: Printed by I. Thomas and E. T. Andrews, 1791), by Samuel Holyoke (multiple formats at archive.org)
- Music-Study in Germany: From the Home Correspondence of Amy Fay (9th edition; Chicago, A. C. McClurg and Co., 1886), by Amy Fay, ed. by Fay Peirce (multiple formats at archive.org)
- Music-Study in Germany: From the Home Correspondence of Amy Fay (18th edition; New York and London: Macmillan, 1908), by Amy Fay, ed. by Fay Peirce (multiple formats at archive.org)
- A Trip to Music-Land: A Fairy-Tale, Forming and Allegorical and Pictorial Exposition of the Elements of Music (London: Houlston and Sons, ca. 1875), by Emma L. Shedlock, illust. by J. King James (page images at Florida)
- Journal of Music History Pedagogy (2010-) (full serial archives)
- Journal of Music History Pedagogy (2010-) (full serial archives)
- Music Supervisors' Journal (partial serial archives)
- Music Supervisors' Bulletin (full serial archives)
- Rethinking Social Action through Music: The Search for Coexistence and Citizenship in Medellín's Music Schools (Cambridge, UK: Open Book Publishers, c2021), by Geoffrey Baker (multiple formats with commentary at Open Book Publishers)
- Maurice Guest, by Henry Handel Richardson (Gutenberg text)
- A Jazz Improvisation Primer, by Marc Sabatella (HTML at outsideshore.com)
- Teaching Difficult Topics: Reflections from the Undergraduate Music Classroom (Ann Arbor: University of Michigan Press, c2024), ed. by Olivia R. Lucas and Laura Moore Pruett (multiple formats with commentary at fulcrum.org)
- Guide to Memorizing Music (Cincinnati et al.: John Church Co., c1906), by A. J. Goodrich (page images at HathiTrust)
- The Academic Manual of the Rudiments of Music (London: Weekes and Co., 1915), by G. Augustus Holmes (page images at HathiTrust)
- Methodo de Musica (in Portuguese; Coimbra: Na Real Imprensa da Universidade, 1806), by José Maurício
- Understanding Basic Music Theory, by Catherine Schmidt-Jones (illustrated HTML at libretexts.org)
- Harmonielehre (4th revised edition, in German; Stuttgart: C. Grüninger, ca. 1915), by Rudolf Louis and Ludwig Thuille (page images at HathiTrust; US access only)
- Harmonielehre (7th edition, in German; Stuttgart: C. Grüninger, ca. 1920), by Rudolf Louis and Ludwig Thuille (multiple formats at archive.org)
- Musicae Compendium (in Latin; Amsterdam: Typ. Blaviana, 1683), by René Descartes
- Utriusque Cosmi Maioris Scilicet et Minoris Metaphysica, Physica atque Technica Historia (2 volumes, in Latin; ca. 1617), by Robert Fludd
- Harmonies of the World, by Johannes Kepler, trans. by Charles Glenn Wallis (HTML with commentary at sacred-texts.com)
- Die Rationalen und Soziologischen Grundlagen der Musik (in German; Munich: Drei Masken Verlag, 1921), by Max Weber, contrib. by Theodor Kroyer
- Journal of Music Theory (partial serial archives)
- Gamut, by Music Theory Society of the Mid-Atlantic (full serial archives)
- Direct Approach to Counterpoint in 16th Century Style (New York: F. S Crofts and Co., 1947), by Gustave Fredric Soderlund (page images at HathiTrust; some margins cut off)
- Cours de Contre-Point Théorique et Pratique (in French; Paris: H. Le Moine, ca. 1881), by François Bazin (page images at HathiTrust)
- Sounding the Depths: Tradition and the Voices of History (2011), by Victor Grauer (HTML with commentary at blogspot.com)
- Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity (Cambridge, UK: Open Book Publishers, c2021), ed. by Emily Wilbourne and Suzanne G. Cusick (multiple formats with commentary at Open Book Publishers)
- Instruments for New Music: Sound, Technology, and Modernism (Oakland, CA: University of California Press, c2016), by Thomas Patteson
- Die Metalogik: Die Musikalische Logik, Geometrie der Empfindungen (in German; Munich: Musarion verlag, 1919), by Walter Harburger (page images at HathiTrust; US access only)
- The Magic of Tone and the Art of Music, by Dane Rudhyar (HTML at khaldea.com)
- Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
- Music Ho! A Study of Music in Decline (c1934), by Constant Lambert (HTML in Canada; NO US ACCESS)
- Aesthetik: oder Wissenschaft des Schönen (3 volumes (third in multiple parts), in German; 1846-1857), by Friedrich Theodor Vischer (page images at HathiTrust)
- Music and Meaning (Cambridge, MA: Harvard University Press, 1932), by Elizabeth Robinson Woods (page images at HathiTrust)
- The Art-Work of the Future, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
- The Birth of Tragedy: or, Hellenism and Pessimism (from the Complete Works v1), by Friedrich Wilhelm Nietzsche, ed. by Oscar Levy, trans. by William A. Haussmann
- The Birth of Tragedy Out of the Spirit of Music, by Friedrich Wilhelm Nietzsche, trans. by Ian Johnston
- On the Musical Scales of Various Nations (extracted from Journal of the Society of the Arts, 1885), by Alexander John Ellis (page images at HathiTrust)
More items available under broader and related terms at left.