The Online Books Page

Neo-impressionism (Art)

See also what's at Wikipedia, your library, or elsewhere.

• Art, Modern -- 19th Century
• Dots (Art)
• Impressionism (Art)
• Painting, Modern -- 19th century

• Post-impressionism (Art)

• Divisionism
• Pointillism

• The New Tendency in Art: Post Impressionism, Cubism, Futurism (Garden City, NY: Doubleday, Page and Co., 1913), by Henry Rankin Poore (multiple formats at archive.org)
• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Since Cézanne (ca. 1922), by Clive Bell (Gutenberg text)
• Après le Cubisme (in French; Paris: Éditions des Commentaires, 1918), by Amédée Ozenfant and Le Corbusier
  • multiple formats at Google; US access only
  • page images at HathiTrust; US access only

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

Items below (if any) are from related and broader terms.

• Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Cambridge, UK: Open Book Publishers, c2021), ed. by Marie-Stephanie Delamaire and Will Slauter (multiple formats with commentary at Open Book Publishers)

• The New Nineteenth-Century European Paintings and Sculpture Galleries (New York: The Metropolitan Museum of Art, c1993), by Gary Tinterow, contrib. by Susan Alyson Stein and Barbara Burn (page images and PDF with commentary at metmuseum.org and Google)

• L'Arte Mondiale a Venezia (in Italian; Naples: L. Pierro, 1897), by Vittorio Pica
  • multiple formats at Google
  • multiple formats at archive.org
  • page images at HathiTrust

• The Private Collection of Edgar Degas (New York: Metropolitan Museum of Art, c1997), by Ann Dumas, Colta Feller Ives, Susan Alyson Stein, and Gary Tinterow, trans. by Mark Polizzotti, contrib. by Françoise Cachin, Caroline Durand-Ruel Godfroy, Richard Kendall, Mari Kálmán Meller, Juliet Wilson-Bareau, Rebecca A. Rabinow, Theodore Reff, and Barbara Stern Shapiro (page images and PDF with commentary at metmuseum.org and Google)
• The Private Collection of Edgar Degas: A Summary Catalogue (New York: Metropolitan Museum of Art, c1997), by Colta Feller Ives, Susan Alyson Stein, and Julie A. Steiner, contrib. by Ann Dumas, Rebecca A. Rabinow, and Gary Tinterow (page images and PDF with commentary at metmuseum.org and Google)
• The Arts Under Napoleon (New York: Metropolitan Museum of Art, c1978), by James David Draper (page images and PDF with commentary at metmuseum.org and Google)

• Origins of Impressionism (New York: Metropolitan Museum of Art, c1994), by Gary Tinterow and Henri Loyrette (page images and PDF at Metropolitan Museum of Art and Google)
• Impressionism: A Centenary Exhibition (New York: Metropolitan Museum of Art, 1974), by Anne Distel, Michel Hoog, and Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Degas, 1834-1917 (New York: Metropolitan Museum of Art; Ottawa: National Gallery of Canada, 1988), by Jean Sutherland Boggs, Douglas W. Druick, Henri Loyrette, Michael Pantazzi, and Gary Tinterow, illust. by Edgar Degas (page images and PDF with commentary at metmuseum.org and Google)
• L'Exposition de 1900 et l'Impressionnisme (in French; Paris: H. Floury, 1900), by André Mellerio
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (New York: Metropolitan Museum of Art, c1994), by H. Barbara Weinberg, Doreen Bolger, and David Park Curry (PDF with commentary at metmuseum.org)

• Caricaturisti e Caricaturati al Caffè "Michelangiolo" (in Italian; Florence: G. Civelli, 1893), by Telemaco Signorini
  • page images at Gallica
  • page images at HathiTrust

• Victorian Lessons in Empathy and Difference (Columbus, OH: Ohio State University Press, c2011), by Rebecca N. Mitchell (PDF at Ohio State)

• Painted Love: Prostitution in French Art of the Impressionist Era (second edition; Los Angeles: Getty Research Institute, c2003), by Hollis Clayson (PDF and page images with commentary at getty.edu and Google)

• Claudius Lavergne: Peintre d'Histoire et Peintre Verrier (in French; Paris: Bloud et cie, ca. 1910), by Georges Claudius Lavergne, contrib. by Claudius Lavergne (page images at HathiTrust; US access only)

• Nineteenth Century (Victorian Society in America, 1975-) (partial serial archives)

• Nineteenth Century (Victorian Society in America, 1975-) (partial serial archives)

• In Pursuit of Beauty: Americans and the Aesthetic Movement (New York: Metropolitan Museum of Art, 1986), by Doreen Bolger (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Modern Painting: Its Tendency and Meaning (New York: Dodd, Mead and Co., 1922), by Willard Huntington Wright
  • multiple formats at archive.org
  • Gutenberg text and illustrated HTML
• Reminiscences of the Impressionist Painters (Tower Press booklet #3; Dublin: Maunsel and Co., 1906), by George Moore
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• New Paths: Verse, Prose, Pictures, 1917-1918, ed. by Cyril W. Beaumont and Michael Sadleir, illust. by Anne Estelle Rice (multiple formats at archive.org)

• Painted Love: Prostitution in French Art of the Impressionist Era (second edition; Los Angeles: Getty Research Institute, c2003), by Hollis Clayson (PDF and page images with commentary at getty.edu and Google)
• The Great Wave: The Influence of Japanese Woodcuts on French Prints (New York: Metropolitan Museum of Art, 1974), by Colta Feller Ives (page images and PDF with commentary at metmuseum.org and Google)

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Pissarro: Critical Catalogue of Paintings (3 volumes; Skira: Wildenstein Institute Publications, c2005), by Joachim Pissarro and Claire Durand-Ruel Snollaerts (page images with commentary at wpi.art)

• American Impressionist and Realist Paintings and Drawings from the Collection of Mr. and Mrs. Raymond J. Horowitz, Exhibited at the Metropolitan Museum of Art, 19 April through 3 June 1973 (New York: Metropolitan Museum of Art, c1973), by Dianne H. Pilgrim, contrib. by John K. Howat (multiple formats with commentary at metmuseum.org and Google)

• The Pageant, ed. by Charles Shannon and Gleeson White (partial serial archives)

• Nineteenth- and Twentieth-Century Paintings in the Robert Lehman Collection (Robert Lehman Collection series v3; New York: Metropolitan Museum of Art; Princeton, NJ: Princeton University Press, 2009), by Richard R. Brettell, contrib. by Paul Hayes Tucker and Natalie Henderson Lee (page images and PDF with commentary at metmuseum.org and Google)

• One Hundred Paintings From the G. David Thompson Collection (New York: Solomon R. Guggenheim Museum, 1961), by G. David Thompson (multiple formats at archive.org)

• Pissarro: Critical Catalogue of Paintings (3 volumes; Skira: Wildenstein Institute Publications, c2005), by Joachim Pissarro and Claire Durand-Ruel Snollaerts (page images with commentary at wpi.art)
• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Claudius Lavergne: Peintre d'Histoire et Peintre Verrier (in French; Paris: Bloud et cie, ca. 1910), by Georges Claudius Lavergne, contrib. by Claudius Lavergne (page images at HathiTrust; US access only)

• Origins of Impressionism (New York: Metropolitan Museum of Art, c1994), by Gary Tinterow and Henri Loyrette (page images and PDF at Metropolitan Museum of Art and Google)
• Impressionism: A Centenary Exhibition (New York: Metropolitan Museum of Art, 1974), by Anne Distel, Michel Hoog, and Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)