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Organ (Musical instrument)

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• Keyboard instruments

• Organ (Musical instrument) -- Instruction and study
• Organ (Musical instrument) -- Italy
• Organ (Musical instrument) -- Methods
• Organ (Musical instrument) -- Periodicals
• Organ (Musical instrument) -- Studies and exercises
• Electronic organ
• Hydraulic organ

• Enharmonic organ
• Organ
• Organs
• Pipe organ

• School of Organ Playing: Based Upon the Course of Instruction of the Schola Cantorum, Paris (op. 31; Boston et al.: Boston Music Co., c1921), by Edward Shippen Barnes
  • multiple formats at Google
  • page images at HathiTrust

• A Method for Pipe Organ: A Series of One Hundred Graded Lessons in Two Volumes (Cincinnati et al.: J. Church Co., c1917), by Clarence Eddy
  • both volumes: page images at HathiTrust
  • Volume II: multiple formats at archive.org
• School of Organ Playing: Based Upon the Course of Instruction of the Schola Cantorum, Paris (op. 31; Boston et al.: Boston Music Co., c1921), by Edward Shippen Barnes
  • multiple formats at Google
  • page images at HathiTrust

• Monografia dell'Organo, e Cronologia Biografica dei Più Celebri Fabbricanti d'Organo, Toscani e Italiani: Cenno Storico (in Italian; Florence: Tip. della SS. Concezione di R. Ricci, 1880), by Fabio Pucci
  • multiple formats at Google
  • multiple formats at archive.org
  • page images at HathiTrust

• The Organ (partial serial archives)
• The Diapason (partial serial archives)

• School of Organ Playing: Based Upon the Course of Instruction of the Schola Cantorum, Paris (op. 31; Boston et al.: Boston Music Co., c1921), by Edward Shippen Barnes
  • multiple formats at Google
  • page images at HathiTrust

• Hammond as in Organ: The Laurens Hammond Story (c1974), by Stuyvesant Barry (illustrated HTML with commentary at thehammondorganstory.com)

• Les Raisons des Forces Mouuantes Avec Diverses Machines Tant Utilles Que Plaisantes: Aus Quelles Sont Adioints Plusieurs Desseings de Grotes et Fontaines (in French; Frankfurt: I. Norton, 1615), by Salomon de Caus (multiple formats at archive.org)

Items below (if any) are from related and broader terms.

• Theory and Practice of Pianoforte Building (New York: E. L. Bill, ca. 1906), by William Braid White (page images at HathiTrust)
• The Pianoforte: Its Origin, Progress, and Construction (with a selection of specimens of music; London: R. Cocks and Co., 1860), by Edward F. Rimbault (page images at HathiTrust)

• The Gibson Upright (1919), by Booth Tarkington and Harry Leon Wilson (Gutenberg text)

• The Pianoforte: Its Origin, Progress, and Construction (with a selection of specimens of music; London: R. Cocks and Co., 1860), by Edward F. Rimbault (page images at HathiTrust)

• Fundamentals of Piano Practice (electronic edition, c2009), by Chuan C. Chang (PDF with commentary at pianopractice.org)
• The Aesthetics of Pianoforte-Playing (translated from the third German edition; New York: G. Schirmer, 1907), by Adolf Kullak, ed. by Hans Bischoff, trans. by Theodore Baker (page images at HathiTrust)
• Briefe Über den Unterricht auf dem Pianoforte vom Anfange bis zur Ausbildung als Anhang zu Jeder Clavierschule (in German; Vienna: A. Diabelli, ca. 1839?), by Carl Czerny (page images at HathiTrust)
• Master Rules for Successful Piano Practice (Philadelphia: T. Presser Co., c1910), ed. by James Francis Cooke, contrib. by Fannie Bloomfield-Zeisler, Amy Fay, John J. Hattstaedt, Emil Liebling, Louis G. Heinze, Perlee V. Jervis, Ernest R. Kroeger, Alexander Lambert, B. J. Lang, F. H. Shepard, William H. Sherwood, Marie von Unschuld, Charles E. Watt, Leopold Winkler, Francis L. York, J. De Zielinski, Robert Schumann, and Ernest Lent (page images at HathiTrust)
• Modern Masters of the Keyboard (New York: F. A. Stokes Co., 1926), by Harriette Brower (page images at HathiTrust)
• Piano Mastery, Second Series: Talks with Master Pianists and Teachers (first series; New York: F. A. Stokes Co., c1917), by Harriette Brower (multiple formats at archive.org)
• Piano Mastery: Talks with Master Pianists and Teachers (first series; New York: F. A. Stokes Co., 1915), by Harriette Brower (Gutenberg text and illustrated HTML)

• Class Piano (Bloomington, IN and London: Indiana University Press, c1969), by Margaret Starr McLain (HTML at Indiana)

• The Pianolist: A Guide for Pianola Players (New York: Moffat, Yard and Co., 1907), by Gustav Kobbé (Gutenberg text)

• Phonophotography in Folk Music: American Negro Songs in New Notation (Chapel Hill, NC: University of North Carolina Press, 1928), by Milton Metfessel, contrib. by Carl E. Seashore (page images at HathiTrust)