The Online Books Page

Painting -- France -- 19th century

See also what's at your library, or elsewhere.

• Painting -- France
• 19th century

• Émile Bernard (1868-1941) (in French; Paris: Editions Citadelles et Nazenod, c2013), by Fred Leeman (page images with commentary at wpi.art)

Items below (if any) are from related and broader terms.

• Émile Bernard (1868-1941) (in French; Paris: Editions Citadelles et Nazenod, c2013), by Fred Leeman (page images with commentary at wpi.art)

• Nicholas Flammel, His Exposition of the Hieroglyphicall Figures Which he Caused to Bee Painted Upon an Arch in St. Innocents Church-yard, in Paris; Together with the Secret Booke of Artephius, and the Epistle of Iohn Pontanus, Concerning Both the Theoricke and the Practicke of the Philosophers Stone (London: Printed by T. Snodham for T. Walkley, 1624), by Nicolas Flamel, Artephius, and Joannes Pontanus, trans. by Eirenaeus Orandus
  • PDF at E-Rara
  • HTML at EEBO TCP

• Radiance and Reflection: Medieval Art from the Raymond Pitcairn Collection (New York: Metropolitan Museum of Art, 1982), by Jane Hayward and Walter Cahn (page images and PDF with commentary at metmuseum.org and Google)

• Painted Love: Prostitution in French Art of the Impressionist Era (second edition; Los Angeles: Getty Research Institute, c2003), by Hollis Clayson (PDF and page images with commentary at getty.edu and Google)
• The Great Wave: The Influence of Japanese Woodcuts on French Prints (New York: Metropolitan Museum of Art, 1974), by Colta Feller Ives (page images and PDF with commentary at metmuseum.org and Google)

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Pissarro: Critical Catalogue of Paintings (3 volumes; Skira: Wildenstein Institute Publications, c2005), by Joachim Pissarro and Claire Durand-Ruel Snollaerts (page images with commentary at wpi.art)

• Origins of Impressionism (New York: Metropolitan Museum of Art, c1994), by Gary Tinterow and Henri Loyrette (page images and PDF at Metropolitan Museum of Art and Google)
• Impressionism: A Centenary Exhibition (New York: Metropolitan Museum of Art, 1974), by Anne Distel, Michel Hoog, and Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Degas, 1834-1917 (New York: Metropolitan Museum of Art; Ottawa: National Gallery of Canada, 1988), by Jean Sutherland Boggs, Douglas W. Druick, Henri Loyrette, Michael Pantazzi, and Gary Tinterow, illust. by Edgar Degas (page images and PDF with commentary at metmuseum.org and Google)
• L'Exposition de 1900 et l'Impressionnisme (in French; Paris: H. Floury, 1900), by André Mellerio
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• Louis Moreau: Un Peintre de Paysage au XVIIIe Siècle (in French; Paris: Les Beaux-Arts, Édition d'Études et de Documents, 1923), by Georges Wildenstein, illust. by Louis Gabriel Moreau (page images with commentary at wpi.art)

• La Caverne de Font-de-Gaume aux Eyzies (Dordogne) (in French; Monaco: Impr. Vve A. Chêne, 1910), by L. Capitan, Henri Breuil, and D. Peyrony (page images at HathiTrust; US access only)

• France in the Golden Age: Seventeenth-Century French Paintings in American Collections (New York: Metropolitan Museum of Art, c1982), by Pierre Rosenberg (page images and PDF with commentary at metmuseum.org and Google)

• Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art and Harry N. Abrams, 1985), by Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• Mimic Life, or, Before and Behind the Curtain: A Series of Narratives (Boston: Ticknor and Fields, 1856), by Anna Cora Mowatt Ritchie (page images at MOA)

• Fact Into Figure: Typology in Carlyle, Ruskin, and the Pre-Raphaelite Brotherhood (Columbus, OH: Ohio State University Press, c1979), by Herbert L. Sussman (PDF at Ohio State)
• The Aesthetic and Critical Theories of John Ruskin, by George P. Landow (HTML at Victorian Web)

• The Chain of Things: Divinatory Magic and the Practice of Reading in German Literature and Thought, 1850-1940 (Ithaca and London: Cornell University Press and Cornell University Library, c2018), by Eric Downing
  • Epub with commentary at Cornell University Press
  • PDF files with commentary at Project MUSE
• Nietzsche and Art (London: Constable and Co., 1911), by Anthony M. Ludovici
  • Gutenberg text and illustrated HTML
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
  • illustrated HTML at anthonymludovici.com
• Nietzsche and Art (Boston: J. W. Luce and Co., 1912), by Anthony M. Ludovici (page images at HathiTrust)

• Cities Built to Music: Aesthetic Theories of the Victorian Gothic Revival (Columbus, OH: Ohio State University Press, c1984), by Michael Bright
  • PDF at Ohio State
  • PDF files with commentary at Ohio State Press
• Flight From Eden: The Origins of Modern Literary Criticism and Theory (Berkeley: University of California Press, 1990), by Steven Cassedy (HTML at UC Press)

• Connecting Histories in Afghanistan: Market Relations and State Formation on a Colonial Frontier (c2008), by Shah Mahmoud Hanifi (HTML and PDF files at gutenberg-e.org)

• The First Book of the Authors Club: Liber Scriptorum (New York: Authors Club, 1893) (page images at CMU)
• Tales and Sketches for the Fireside, by the Best American Authors: Selected from Putnam's magazine (New York: A. Dowling, 1857) (page images at HathiTrust)
• A Cyclopedia of the Literature of Amateur Journalism (Hartford: T. J. Spencer, 1891), by T. J. Spencer (page images at HathiTrust)

• The North American Review (partial serial archives)

• Leaves of Grass, by Walt Whitman (multiple editions)
• An American Anthology, 1787-1900: Selections Illustrating the Editor's Critical Review of American Poetry in the Nineteenth Century (Boston: Houghton Mifflin, 1900), ed. by Edmund Clarence Stedman (HTML at Bartleby)
• An American Anthology, 1787-1900: Selections Illustrating the Editor's Critical Review of American Poetry in the Nineteenth Century (Boston and New York: Houghton, Mifflin and Co., 1901), ed. by Edmund Clarence Stedman
  • multiple formats at archive.org
  • page images at HathiTrust
• The Man with the Hoe and Other Poems (New York: Doubleday and McClure Co., 1900), by Edwin Markham (multiple formats at archive.org)
• A Masque of Poets: Including Guy Vernon, a Novelette in Verse, ed. by George Parsons Lathrop (page images at MOA)
• Modern American Poetry: An Introduction (1919 edition), ed. by Louis Untermeyer (HTML at Bartleby)
• The Single Hound: Poems of a Lifetime (Boston: Little, Brown, and Co., 1914), by Emily Dickinson, contrib. by Martha Dickinson Bianchi (HTML at Celebration of Women Writers)
• The Single Hound: Poems of a Lifetime (Boston: Little, Brown, and Co., 1915), by Emily Dickinson, contrib. by Martha Dickinson Bianchi
  • multiple formats at archive.org
  • page images at HathiTrust
• The Ladies' Vase of Wild Flowers: A Collection of Gems From the Best Authors (Auburn, MA: J. M. Alden, 1850), ed. by Miss Colman (page images at HathiTrust)
• Southern Poems, ed. by Charles W. Kent (HTML and TEI at UNC)

• Romantic Antiquarianism (2014), ed. by Noah Heringman and Crystal B. Lake (HTML at Romantic Circles)

• The Origins of Modernism in Russian Architecture (Berkeley: University of California Press, 1991), by William Craft Brumfield (HTML at UC Press)

• The Dwellings of the Labouring Classes, Their Arrangement and Construction (third edition; London: The Society For Improving The Condition Of The Labouring Classes, ca. 1853), by Henry Roberts (page images at HathiTrust)

• Style-Architecture and Building-Art: Transformations of Architecture in the Nineteenth Century and Its Present Condition (based on first and second editions; Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1994), by Hermann Muthesius, ed. by Stanford Anderson (PDF and page images with commentary at getty.edu and Google)
• Modern Architecture: A Guidebook for His Students to This Field of Art (based on 1902-1914 editions; Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1988), by Otto Wagner, ed. by Harry Francis Mallgrave (PDF and page images with commentary at getty.edu and Google)

• The Role of Japan in Modern Chinese Art (Berkeley et al.: Global, Area, and International Archive; University of California Press, c2012), ed. by Joshua A. Fogel (page images and PDF at escholarship.org)

• Victorian Lessons in Empathy and Difference (Columbus, OH: Ohio State University Press, c2011), by Rebecca N. Mitchell (PDF at Ohio State)

• Painted Love: Prostitution in French Art of the Impressionist Era (second edition; Los Angeles: Getty Research Institute, c2003), by Hollis Clayson (PDF and page images with commentary at getty.edu and Google)

• Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Cambridge, UK: Open Book Publishers, c2021), ed. by Marie-Stephanie Delamaire and Will Slauter (multiple formats with commentary at Open Book Publishers)

• L'Art Ottoman: Les Peintres de Turquie (reprint of 1910 original, in French; Istanbul: Arkeoloji ve Sanat Yayınları, 1988), by Adolphe Thalasso (page images at HathiTrust; US access only)

More items available under broader and related terms at left.