The Online Books Page

Painting, Chinese -- 20th century

See also what's at your library, or elsewhere.

• Painting, Chinese
• 20th century

• Painters and Politics in the People's Republic of China, 1949-1979 (Berkeley: University of California Press, c1994), by Julia Frances Andrews (HTML at UC Press)

Items below (if any) are from related and broader terms.

• Imperial Chinese Art: A Catalogue of Writings and Paintings by the Chinese Emperors, Empresses and Princes Dating from the T'ang Dynasty to the End of the Ch'ing Dynasty, A. D. 618-1912 (Shanghai: Kelly and Walsh, 1919), by Reikichi Kurosawa
  • multiple formats at archive.org
  • page images at HathiTrust; US access only

• Along the Riverbank: Chinese Painting From the C. C. Wang Family Collection (New York: Metropolitan Museum of Art, c1999), by Maxwell K. Hearn and Wen Fong (page images and PDF with commentary at metmuseum.org and Google)

• Along the Border of Heaven: Sung and Yüan Paintings from the C. C. Wang Family Collection (New York: Metropolitan Museum of Art, c1983), by Richard M. Barnhart (page images and PDF with commentary at metmuseum.org and Google)

• Issues of Authenticity in Chinese Painting (New York: Metropolitan Museum of Art, 1999), ed. by Judith G. Smith and Wen Fong, contrib. by Richard M. Barnhart, James Cahill, Robert E. Harrist, Maxwell K. Hearn, Hironobu Kohara, Sherman E. Lee, Stephen Little, Qi Gong, Shih Shou-chien, Jerome Silbergeld, and Wango H. C. Weng (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Peach Blossom Spring: Gardens and Flowers in Chinese Painting (New York: Metropolitan Museum of Art, c1983), by Richard M. Barnhart (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Peach Blossom Spring: Gardens and Flowers in Chinese Painting (New York: Metropolitan Museum of Art, c1983), by Richard M. Barnhart (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Issues of Authenticity in Chinese Painting (New York: Metropolitan Museum of Art, 1999), ed. by Judith G. Smith and Wen Fong, contrib. by Richard M. Barnhart, James Cahill, Robert E. Harrist, Maxwell K. Hearn, Hironobu Kohara, Sherman E. Lee, Stephen Little, Qi Gong, Shih Shou-chien, Jerome Silbergeld, and Wango H. C. Weng (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Painting in the Far East: An Introduction to the History of Pictorial Art in Asia, Especially China and Japan (second edition; London: E. Arnold, 1913), by Laurence Binyon (multiple formats at archive.org)

• Eighteen Songs of a Nomad Flute: The Story of Lady Wen-chi, a Fourteenth-Century Handscroll in The Metropolitan Museum of Art (New York: Metropolitan Museum of Art, 1974), by Liu Shang, ed. by Robert A. Rorex and Wen Fong (page images and PDF with commentary at metmuseum.org and Google)
• Beyond Representation: Chinese Painting and Calligraphy, Eighth-Fourteenth Century (New York: Metropolitan Museum of Art; New Haven and London: Yale University Press, c1992), by Wen Fong (page images and PDF with commentary at metmuseum.org and Google)

• Beyond Representation: Chinese Painting and Calligraphy, Eighth-Fourteenth Century (New York: Metropolitan Museum of Art; New Haven and London: Yale University Press, c1992), by Wen Fong (page images and PDF with commentary at metmuseum.org and Google)

• 1910: The Emancipation of Dissonance (Berkeley: University of California Press, c1996), by Thomas J. Harrison (HTML at UC Press)
• Revenge of the Aesthetic: The Place of Literature in Theory Today (Berkeley : University of California Press, c2000), ed. by Michael Clark (frame-dependent HTML with commentary at UC Press)
• The Aesthetics of Paradoxism (second edition, 2002), by Titu Popescu, trans. by Florentin Smarandache, Lucian Popescu, and Paul Georgelin (PDF at UNM)
• Flight From Eden: The Origins of Modern Literary Criticism and Theory (Berkeley: University of California Press, 1990), by Steven Cassedy (HTML at UC Press)

• Distinction and Denial: Race, Nation, and the Critical Construction of the African American Artist, 1920-40 (Ann Arbor: University of Michigan Press, c2007), by Mary Ann Calo (page images at HathiTrust)

• The Selected Plays of Jerome Lawrence and Robert E. Lee (includes Inherit the Wind; Auntie Mame; The Gang's All Here; Only in America; A Call on Kuprin; Diamond Orchid; The Night Thoreau Spent in Jail; First Monday in October; Columbus, OH: Ohio State University Press, c1995), by Jerome Lawrence and Robert Edwin Lee, ed. by Alan Woods (PDF at Ohio State)
• Kumu Kahua Plays (Honolulu: University of Hawaii Press, c1983), ed. by Dennis Carroll (PDF and Epub with commentary at Hawaii)
• Alice in Blunderland: A Farce in One Act for Four Male and Two Female Performers (Boston: W. H. Baker, c1903), by William Lincoln Balch (page images at HathiTrust)
• The Provincetown Plays (Cincinnati: Stewart Kidd Co., c1921), ed. by George Cram Cook and Frank Shay, contrib. by George Cram Cook, Susan Glaspell, Edna St. Vincent Millay, Pendleton King, James Oppenheim, Neith Boyce, Hutchins Hapgood, Floyd Dell, Eugene O'Neill, Alice Rostetter, Rita Wellman, and Wilbur Daniel Steele (multiple formats at archive.org)
• The Provincetown Plays, First Series (New York: F. Shay, 1916), ed. by Frank Shay, contrib. by Eugene O'Neill, Louise Stevens Bryant, and Floyd Dell
  • multiple formats at archive.org
  • page images at HathiTrust
• The Provincetown Plays, Third Series (New York: Frank Shay, 1916), contrib. by Neith Boyce, Alfred Kreymborg, and Eugene O'Neill (multiple formats at archive.org)

• Writers on America (Washington: U.S. Department of State, Bureau of International Information Programs, 2002), ed. by George Clack (PDF at state.gov)
• Health and Wealth (East Aurora, NY: The Roycrofters, 1908), by Elbert Hubbard (multiple formats at archive.org)

• The Brand of Silence: A Detective Story (published under "Harrington Strong" pseudonym; New York: Chelsea House, 1919), by Johnston McCulley (Gutenberg text)

• The Hopwood Awards: 75 Years of Prized Writing (Ann Arbor: University of Michigan Press, c2006), ed. by Nicholas Delbanco, Andrea Beauchamp, and Michael Barrett (page images at HathiTrust)
• The Second Book of the Authors Club: Liber Scriptorum (New York: Authors Club, 1921) (page images at CMU)

• The North American Review (partial serial archives)

• You Work Tomorrow: An Anthology of American Labor Poetry, 1929-41 (Ann Arbor: University of Michigan Press, c2007), ed. by John Marsh (page images at HathiTrust)
• Caroling Dusk: An Anthology of Verse by Negro Poets (originally New York and London: Harper and Bros., 1927; reprinted Lincoln, NE: Zea Books, 2023), ed. by Countee Cullen, illust. by Aaron Douglas (PDF at unl.edu)
• American Poets: An Anthology of Contemporary Verse (Munich: K. Wolff Verlag, c1923), ed. by Leonora Speyer, contrib. by Conrad Aiken, Maxwell Bodenheim, Anna Hempstead Branch, Witter Bynner, Adelaide Crapsey, Emily Dickinson, H. D. (Hilda Doolittle), T. S. Eliot, John Gould Fletcher, Robert Frost, Orrick Johns, Alfred Kreymborg, Vachel Lindsay, Amy Lowell, Edwin Markham, Edgar Lee Masters, Edna St. Vincent Millay, William Vaughn Moody, Marianne Moore, Rose Cecil O'Neill, Ezra Pound, Lola Ridge, Edwin Arlington Robinson, Carl Sandburg, Wallace Stevens, Sara Teasdale, Ridgely Torrence, Louis Untermeyer, William Carlos Williams, and Elinor Wylie (page images at HathiTrust; US access only)
• Anthology of Magazine Verse for 1913, ed. by William Stanley Braithwaite (HTML at Poets' Corner)
• Anthology of Magazine Verse for 1920, and Year Book of American Poetry, ed. by William Stanley Braithwaite (HTML at Michigan)
• The Ballad of the Harp-Weaver (New York: Printed For Frank Shay (Flying Cloud Press), 1922), by Edna St. Vincent Millay (illustrated HTML at Celebration of Women Writers)
• The Bellman Book of Verse, 1906-1919 (Minneapolis: Bellman Co., 1919), ed. by William C. Edgar (multiple formats at archive.org)
• The Book of Repulsive Women: 8 Rhythms and 5 Drawings (based on the 1948 edition), by Djuna Barnes (illustrated HTML with commentary in Germany)
• The Book of Repulsive Women: 8 Rhythms and 5 Drawings (New York: Guido Bruno, 1915), by Djuna Barnes (illustrated HTML at Celebration of Women Writers)
• A Few Figs from Thistles (New York and London: Harper & Brothers, 1922), by Edna St. Vincent Millay
  • HTML at Celebration of Women Writers
  • HTML at terrenceberres.com
  • Gutenberg text
• Modern American Poets (London: Martin Secker, 1922), ed. by Conrad Aiken (multiple formats at archive.org)
• Navigable Waterways, by Pamela Alexander (HTML at CAPA)
• The New Poetry: An Anthology (New York: Macmillan, 1917), ed. by Harriet Monroe and Alice Corbin Henderson (searchable HTML at Bartleby)
• Precipitations (New York: Nicholas L. Brown, 1920), by Evelyn Scott
  • HTML at Celebration of Women Writers
  • Gutenberg text
• Second April, by Edna St. Vincent Millay
  • HTML at Celebration of Women Writers
  • HTML at Michigan
  • Gutenberg text
• The Second Book of Modern Verse, ed. by Jessie B. Rittenhouse (Gutenberg text)
• Sudden Hunger, by Debra Bruce (HTML at CAPA)
• Vigils (New York: George H. Doran Company, c1921), by Aline Kilmer
  • HTML at Celebration of Women Writers
  • multiple formats at archive.org
• Anthology of Massachusetts Poets, ed. by William Stanley Braithwaite (Gutenberg text)
• Modern American Poetry: An Introduction (1919 edition), ed. by Louis Untermeyer (HTML at Bartleby)
• Some Imagist Poets: An Anthology, by Richard Aldington, H. D. (Hilda Doolittle), John Gould Fletcher, F. S. Flint, D. H. Lawrence, and Amy Lowell
  • Gutenberg text
  • HTML at Poet's Corner

• The Gateway to Modern Arabic Poetry (English language version, 2007), ed. by Abdul-Settar Al-Assady, trans. by Munir Mezyed (multiple formats at archive.org)

More items available under broader and related terms at left.