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Painting, Japanese -- Exhibitions

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• Painting, Japanese
• Painting -- Exhibitions
• Exhibitions

• Ukiyoe -- Exhibitions
• Painting, Japanese -- Edo period, 1600-1868 -- Exhibitions

• The Masters of Ukioye: A Complete Historical Description of Japanese Paintings and Color Prints of the Genre School (c1896), by Ernest Fenollosa, contrib. by William H. Ketcham and Frederick William Gookin
  • page images at HathiTrust
  • multiple formats at archive.org

• The Masters of Ukioye: A Complete Historical Description of Japanese Paintings and Color Prints of the Genre School (c1896), by Ernest Fenollosa, contrib. by William H. Ketcham and Frederick William Gookin
  • page images at HathiTrust
  • multiple formats at archive.org

Items below (if any) are from related and broader terms.

• The Great Wave: The Influence of Japanese Woodcuts on French Prints (New York: Metropolitan Museum of Art, 1974), by Colta Feller Ives (page images and PDF with commentary at metmuseum.org and Google)

• Painting in the Far East: An Introduction to the History of Pictorial Art in Asia, Especially China and Japan (second edition; London: E. Arnold, 1913), by Laurence Binyon (multiple formats at archive.org)

• Masterpieces of Painting in the Metropolitan Museum of Art (Greenwich, CT: Dist. by the New York Graphic Society, 1970), by Edith Appleton Standen and Thomas M. Folds, contrib. by Claus Virch (page images and PDF with commentary at metmuseum.org and Google)
• Twenty Contemporary Painters From the Philippe Dotremont Collection, Brussels (1959), by Solomon R. Guggenheim Museum, contrib. by Paul Fierens and James Johnson Sweeney (multiple formats at archive.org)
• Art of Tomorrow: Fifth Catalogue of the Solomon R. Guggenheim Collection of Non-Objective Paintings, Part of Which is Temporarily Exhibited at 24 East 54th Street, New York City, Opening June 1st, 1939 (c1939), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org)
• Fifteenth Annual Exhibition of American Paintings at Gill's Art Galleries, Springfield, Mass., 1892 (c1892), by James Dwyer Gill
  • multiple formats at Google; US access only
  • page images at HathiTrust
• Van Gogh and Expressionism (New York: Solomon R. Guggenheim Foundation, c1964), by Maurice Tuchman (multiple formats at archive.org)

• Futurism, a Modern Focus: the Lydia and Harry Lewis Winston Collection, Dr. and Mrs. Barnett Malbin (New York: Solomon R. Guggenheim Museum, c1973), by Solomon R. Guggenheim Museum, contrib. by Marianne W. Martin and Linda Shearer (multiple formats at archive.org)

• Origins of Impressionism (New York: Metropolitan Museum of Art, c1994), by Gary Tinterow and Henri Loyrette (page images and PDF at Metropolitan Museum of Art and Google)
• Impressionism: A Centenary Exhibition (New York: Metropolitan Museum of Art, 1974), by Anne Distel, Michel Hoog, and Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)
• Degas, 1834-1917 (New York: Metropolitan Museum of Art; Ottawa: National Gallery of Canada, 1988), by Jean Sutherland Boggs, Douglas W. Druick, Henri Loyrette, Michael Pantazzi, and Gary Tinterow, illust. by Edgar Degas (page images and PDF with commentary at metmuseum.org and Google)
• L'Exposition de 1900 et l'Impressionnisme (in French; Paris: H. Floury, 1900), by André Mellerio
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• Monet's Years at Giverny: Beyond Impressionism (New York: Metropolitan Museum of Art, c1978), by Daniel Wildenstein, contrib. by Philippe De Montebello, James N. Wood, and Charles S. Moffett, illust. by Claude Monet (page images and PDF at Metropolitan Museum of Art and Google)

• American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (New York: Metropolitan Museum of Art, c1994), by H. Barbara Weinberg, Doreen Bolger, and David Park Curry (PDF with commentary at metmuseum.org)

• Catalogue of New York State Loan Exhibit of Embroideries, Miniatures, Watches, Snuff-Boxes, Fans and Laces (New York: The Knickerbocker Press, ca. 1893), by Ill.) World's Columbian Exposition (1893 : Chicago (PDF at OCLC)

• Indian Court Painting, 16th-19th Century (New York: Metropolitan Museum of Art, 1997), by Steven Kossak (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Third Enlarged Catalogue of the Solomon R. Guggenhaim Collection of Non-Objective Paintings: March 7 Until April 17th, 1938, Gibbes Memorial Art Gallery, Charleston, South Carolina (c1938), by Solomon R. Guggenheim Foundation, contrib. by Hilla Rebay (multiple formats at archive.org)
• Second Enlarged Catalogue of the Solomon R. Guggenhaim Collection of Non-Objective Paintings, On Exhibition From February 8, 1937 Through February 28, 1937: Presented by the Philadelphia Art Alliance, Philadelphia, Pennsylvania (c1937), contrib. by Hilla Rebay and Yarnall Abbott (multiple formats at archive.org)
• Solomon R. Guggenhaim Collection of Non-Objective Paintings, On Exhibition From March 1, 1936 Through April 12, 1936: Presented by the Carolina Art Association at the Gibbes Memorial Art Gallery, Charleston, South Carolina (c1936), contrib. by Hilla Rebay (multiple formats at archive.org)

• American Impressionist and Realist Paintings and Drawings from the Collection of Mr. and Mrs. Raymond J. Horowitz, Exhibited at the Metropolitan Museum of Art, 19 April through 3 June 1973 (New York: Metropolitan Museum of Art, c1973), by Dianne H. Pilgrim, contrib. by John K. Howat (multiple formats with commentary at metmuseum.org and Google)
• American Paintings and Historical Prints From the Middendorf Collection (New York: Metropolitan Museum of Art, 1967), by Metropolitan Museum of Art (New York, N.Y.), contrib. by Stuart P. Feld (page images and PDF with commentary at metmuseum.org and Google)
• Systemic Painting (New York: Solomon R. Guggenheim Foundation, 1966), by Solomon R. Guggenheim Museum, contrib. by Lawrence Alloway (multiple formats at archive.org)
• Six Painters and the Object (New York: Solomon R. Guggenheim Museum, c1963), by Lawrence Alloway (multiple formats at archive.org)
• American Abstract Expressionists and Imagists (c1961), by Solomon R. Guggenheim Museum, ed. by H. H. Amason (multiple formats at archive.org)
• Younger American Painters: A Selection (New York: Solomon R. Guggenheim Foundation, ca. 1954), by Solomon R. Guggenheim Museum, contrib. by James Johnson Sweeney (multiple formats at archive.org)
• Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries, Collected by Thomas B. Clarke, Exhibited at the Philadelphia Museum of Art, Fairmount, 1928 (c1928), by Thomas B. Clarke (page images at HathiTrust; US access only)

• American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (New York: Metropolitan Museum of Art, c1994), by H. Barbara Weinberg, Doreen Bolger, and David Park Curry (PDF with commentary at metmuseum.org)

• American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (New York: Metropolitan Museum of Art, c1994), by H. Barbara Weinberg, Doreen Bolger, and David Park Curry (PDF with commentary at metmuseum.org)

• Gustav Klimt and Egon Schiele (New York: Solomon R. Guggenheim Museum, 1965), by Solomon R. Guggenheim Museum, contrib. by Alessandra Comini, James Demetrion, Johannes Dobai, and Thomas M. Messer, illust. by Gustav Klimt and Egon Schiele (multiple formats at archive.org)

• France in the Golden Age: Seventeenth-Century French Paintings in American Collections (New York: Metropolitan Museum of Art, c1982), by Pierre Rosenberg (page images and PDF with commentary at metmuseum.org and Google)

• Peach Blossom Spring: Gardens and Flowers in Chinese Painting (New York: Metropolitan Museum of Art, c1983), by Richard M. Barnhart (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Peach Blossom Spring: Gardens and Flowers in Chinese Painting (New York: Metropolitan Museum of Art, c1983), by Richard M. Barnhart (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Dutch and Flemish Paintings from the Hermitage (New York: Metropolitan Museum of Art, 1988), by I. A. Sokolova (page images and PDF with commentary at metmuseum.org and Google)

• Younger European Painters: A Selection (New York: Solomon R. Guggenheim Foundation, ca. 1953), by Solomon R. Guggenheim Museum, contrib. by James Johnson Sweeney (multiple formats at archive.org)

• Flemish Primitives: An Exhibition Organized by the Belgian Government Through the Belgian Information Center, New York (1942), by Belgian Information Center (New York, N.Y.)
  • multiple formats at archive.org
  • page images at HathiTrust; US access only

• Dutch and Flemish Paintings from the Hermitage (New York: Metropolitan Museum of Art, 1988), by I. A. Sokolova (page images and PDF with commentary at metmuseum.org and Google)

• L'Exposition de 1900 et l'Impressionnisme (in French; Paris: H. Floury, 1900), by André Mellerio
  • multiple formats at archive.org
  • page images at HathiTrust; US access only

• France in the Golden Age: Seventeenth-Century French Paintings in American Collections (New York: Metropolitan Museum of Art, c1982), by Pierre Rosenberg (page images and PDF with commentary at metmuseum.org and Google)

• Origins of Impressionism (New York: Metropolitan Museum of Art, c1994), by Gary Tinterow and Henri Loyrette (page images and PDF at Metropolitan Museum of Art and Google)
• Impressionism: A Centenary Exhibition (New York: Metropolitan Museum of Art, 1974), by Anne Distel, Michel Hoog, and Charles S. Moffett (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Painters of Reality: The Legacy of Leonardo and Caravaggio in Lombardy (New York: Metropolitan Museum of Art; New Haven and London: Yale University Press, c2004), ed. by Andrea Bayer (page images and PDF with commentary at metmuseum.org and Google)

• Painting in Renaissance Siena, 1420-1500 (New York: Metropolitan Museum of Art, c1988), by Keith Christiansen, Laurence B. Kanter, and Carl Brandon Strehlke (page images and PDF at Metropolitan Museum of Art and Google)

• One Hundred Paintings From the G. David Thompson Collection (New York: Solomon R. Guggenheim Museum, 1961), by G. David Thompson (multiple formats at archive.org)

• Guggenheim International Award, 1964 (New York: Solomon R. Guggenheim Museum, 1963), ed. by Lawrence Alloway (multiple formats at archive.org)
• One Hundred Paintings From the G. David Thompson Collection (New York: Solomon R. Guggenheim Museum, 1961), by G. David Thompson (multiple formats at archive.org)
• Guggenheim International Award, 1960 (New York: Solomon R. Guggenheim Museum, 1960), ed. by Louise Averill Svendsen (multiple formats at archive.org)
• Guggenheim International Award, 1958 (New York: Solomon R. Guggenheim Museum, 1958), ed. by Louise Averill Svendsen (multiple formats at archive.org)

• Chua Ek Kay: After the Rain (Singapore : National Gallery Singapore, 2015), ed. by Sze Wee Low (PDF with commentary at Project MUSE)

• Before Picasso; After Miró (New York: Solomon R. Guggenheim Museum, 1960), by Solomon R. Guggenheim Museum, contrib. by James Johnson Sweeney (multiple formats at archive.org)

More items available under broader and related terms at left.