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Panel painting

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• Painting

• Panel painting -- Conservation and restoration
• Panel painting -- Expertising
• Panel painting, German
• Panel painting, Gothic
• Panel painting, Italian

• Motifs for panels and other decoration (J. Ward, 1881), by John Ward (page images at HathiTrust)

• The Structural Conservation of Panel Paintings: Proceedings of a Symposium at the J. Paul Getty Museum, April 1995 (Los Angeles: Getty Conservation Institute, c1998), ed. by Kathleen Dardes and Andrea Rothe (PDF and page images at getty.edu and Google)

• The Structural Conservation of Panel Paintings: Proceedings of a Symposium at the J. Paul Getty Museum, April 1995 (Los Angeles: Getty Conservation Institute, c1998), ed. by Kathleen Dardes and Andrea Rothe (PDF and page images at getty.edu and Google)

• Die anfänge der tafel-malerei (Insel-verlag, 1924), by Wilhelm Worringer (page images at HathiTrust)

• Die älteste Tafelmalerei Westfalens : beitrag zur Geschichte der Altwestfälischen Kunst (Heinrich Schöningh, 1882), by Cl Heereman von Zuydwyk (page images at HathiTrust)

• Triptyque d'Albert Durer. (Impr. de D. Jouaust, 1876), by Charles Ephrussi (page images at HathiTrust)

• Die älteste Tafelmalerei Westfalens : beitrag zur Geschichte der Altwestfälischen Kunst (Heinrich Schöningh, 1882), by Cl Heereman von Zuydwyk (page images at HathiTrust)

• Pitture antiche ritrovate nello scavo (Si vendono al Negozio di Venanzio Monaldini al Corso, 1783), by Giovanni Maria Casini (page images at HathiTrust)

• Pitture antiche ritrovate nello scavo (Si vendono al Negozio di Venanzio Monaldini al Corso, 1783), by Giovanni Maria Casini (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• Painting as a Pastime (with paintings by the author; text based on edition published in 1932), by Winston Churchill (illustrated HTML in Canada; NO US ACCESS)
• The Book of Art for Young People, by Agnes Ethel Conway and William Martin Conway (Gutenberg text and illustrated HTML)
• The Meaning of Pictures: Six Lectures Given for Columbia University at the Metropolitan Museum of Art (New York: C. Scribner's Sons, 1911), by John C. Van Dyke (Gutenberg text and illustrated HTML)
• On the Spiritual in Art (first complete English translation; New York: Solomon R. Guggenheim Foundation, 1946), by Wassily Kandinsky, ed. by Hilla Rebay (multiple formats at archive.org)
• Art and Architecture (2 volumes; Philadelphia: G. Barrie, 1893), by William Walton (HTML and page images at iit.edu)
• Concerning the Spiritual in Art, by Wassily Kandinsky, trans. by Michael Sadleir (Gutenberg text)
• A Theory of Pure Design: Harmony, Balance, Rhythm (Boston and New York: Houghton, Mifflin and Co., 1907), by Denman Waldo Ross
  • Gutenberg text and illustrated HTML
  • page images at HathiTrust
• Die Kunst des Realismus und des Impressionismus im 19. Jahrhundert. (Propyläen-Verlag, 1927), by Emil Waldmann (page images at HathiTrust)
• Saggio dell'istoria pittorica d'Inghilterra : ridotta a metodo. (G. Lombardi, 1843), by G. Lombardi (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh, in November, 1853 (J. Wiley, 1877), by John Ruskin (page images at HathiTrust)
• The works of the late Edward Dayes : containing An excursion through the principal parts of Derbyshire and Yorkshire, with illustrative notes by E.W. Brayley : Essays on painting; Instructions for drawing and coloring landscapes : and Professional sketches of modern artists. (Printed by T. Malden :, 1805), by Edward Dayes and E. W. Brayley (page images at HathiTrust)
• Critical reflections on poetry, painting and music. With an inquiry into the rise and progress of the theatrical entertainments of the ancients. (Printed for J. Nourse, 1748), by abbé Dubos and Thomas Nugent (page images at HathiTrust)
• Réflexions critiques sur la poésie et sur la peinture (Pissot, 1770), by abbé Dubos (page images at HathiTrust)
• The art of spiritual harmony (Constable and Company limited, 1914), by Wassily Kandinsky and Michael Sadleir (page images at HathiTrust)
• The works of John Ruskin. (Wiley, 1885), by John Ruskin (page images at HathiTrust)
• Méthode et entretiens d'atelier (Typ. de L. Guérin, 1978), by Thomas Couture (page images at HathiTrust)
• Notes on pictures in the Royal collections (Chatto & Windus on behalf of the Burlington magazine, 1911), by Lionel Cust (page images at HathiTrust)
• Catalogue of paintings and sculpture placed in the Minneapolis public library ([Minneapolis?], 1909), by Minneapolis Public Library and T. B. Walker (page images at HathiTrust)
• The art of the Wallace Collection, including an account of its founders, a description of the pictures, and a survey of the chief exhibits in the galleries devoted to objects of art and arms and armour. (L.C. Page & company, 1913), by Henry C. Shelley (page images at HathiTrust)
• A descriptive catalogue of the pictures in the Fitzwilliam museum, comp. largely from materials supplied by Sidney Colvin ... (University press, 1902), by Fitzwilliam Museum, F. R. Earp, and Sidney Colvin (page images at HathiTrust)
• Noticia de los cuadros que se hallan colocados en la galería del Museo del rey nuestro Señor, sito en el Prado de esta Corte. (Por la hija de D. Francisco Martinez Dávila, impresor de Cámara de S.M., 1828), by Museo del Prado and Luis Eusebi (page images at HathiTrust)
• Illustrations (three hundred and thirty-six engravings) from the Art gallery of the World's Columbian Exposition. (G. Barrie, 1893), by Ill.) World's Columbian Exposition (1893 : Chicago and Charles M. Kurtz (page images at HathiTrust)
• Le salon de 1888; cent planches en photogravure par Goupil & cie. (Boussod, Valadon & cie, 1888), by Henry Houssaye and Coupil & cie (page images at HathiTrust)
• Salons de 1907. (Goupil & Cie., Manzi, Joyant & Cie., successeurs, 1907), by Louis Vauxcelles (page images at HathiTrust)
• Salon de 1884 (L. Baschet, 1884), by Armand Pierre Marie Dayot and Goupil & Cie (page images at HathiTrust)
• A catalogue of the celebrated collection of pictures of the late John Julius Angerstein : containing a finished etching of every picture, and accompanied with historical and biographical notices (Moon, Boys & Graves, 1929), by John Young and John Julius Angerstein (page images at HathiTrust)
• Histoire de l'art par les monumens, depuis sa décadence au IVe siècle jusqu'à son renouvellement au XIVe (Treuttel et Würtz, 1823), by J. B. L. G. Seroux d'Agincourt, Achille Étienne Gigault de La Salle, Laurent-François Feuillet, T.-B. Emeric-David, and Léon Dufourny (page images at HathiTrust)
• Le salon de 1899 (Goupil & cie, J. Boussod, Manzi, Joyant & cie, successeurs, 1899), by Antonin Proust and Goupil & Cie (page images at HathiTrust)
• Selections in modern art : consisting of one hundred and twenty-five steel engravings and etchings after the works of recent and contemporaneous artists (D. Appleton and company, 1885), by George William Sheldon (page images at HathiTrust)
• Die Kunst des Realismus und des Impressionismus im 19. Jahrhundert (Propyläen-Verlag, 1927), by Emil Waldmann (page images at HathiTrust)
• Charlton lectures on art (Pub. by the Clarendon press for Armstrong college, 1925), by William Norton Howe, George Clausen, and Walter John James Northbourne (page images at HathiTrust)
• Opere di Antonio Raffaello Mengs (Stamperia Pagliarini, 1787), by Anton Raphael Mengs, Carlo Fèa, and José Nicolás de Azara (page images at HathiTrust)
• Black's dictionary of pictures; a guide to the best work of the best masters (A. & C. Black, ltd., 1921), by Randall Davies and Adam and Charles Black (Firm) (page images at HathiTrust)
• Schools of painting (G. P. Putnam's Sons, 1911), by Mary Innes and Charles DeKay (page images at HathiTrust)
• A text-book of the history of painting (Longmans, Green, and co., 1922), by John Charles Van Dyke (page images at HathiTrust)
• Looking at modern painting ([Los Angeles], 1957), by Los Angeles. Department of Art University of California (page images at HathiTrust)
• The old masters (George H. Doran company, 1926), by Frank Rutter (page images at HathiTrust)
• Nineteenth century art (J. Maclehose & Sons, 1902), by D. S. MacColl and Thomas David Gibson- Carmichael (page images at HathiTrust)
• Painters of the modern mind (W. W. Norton & company, inc., 1929), by Mary Cecil Allen (page images at HathiTrust)
• ... Propos de peintre; de Gauguin à la Revue nègre. Troisième série: Gauguin, Monet, Sargent, Helleu, Van Gogh, La peinture anglaise moderne, Dada, La Revue nègre. (Emile-Paul frères, 1928), by Jacques-Émile Blanche (page images at HathiTrust)
• Modern painting. (W. Scott, limited, 1893), by George Moore and Walter Scott Press (page images at HathiTrust)
• Lectures on painting and design. (London, Brown, Green, and Longmans, 1844), by Benjamin Robert Haydon (page images at HathiTrust)
• Art for art's sake; seven university lectures on the technical beauties of painting, by John C. Van Dyke. (C. Scribner's sons, 1925), by John C. Van Dyke (page images at HathiTrust)
• A notion of the historical draught or tablature of the judgment of Hercules ([London], 1713), by Anthony Ashley Cooper Shaftesbury (page images at HathiTrust)
• The future of painting (B.W. Huebsch, inc., 1923), by Willard Huntington Wright (page images at HathiTrust)
• Miscellanies (J. Nicols and son, 1802), by Daniel Webb (page images at HathiTrust)
• Les écrits de James Ensor : avec 36 reproductions d'après les dessins originaux du peintre. (Editions "Sélection", 1921), by James Ensor (page images at HathiTrust)
• Twenty-fifth anniversary, 1936-1961. (New York, 1961), by inc. Schaeffer Galleries (page images at HathiTrust)
• One hundred crowned masterpieces of modern painting, being a collection of photogravures, from the most celebrated works of contemporary artists of all nations. (Gebbie & co., 1888), by J. E. Reed (page images at HathiTrust)
• One hundred masterpieces of painting (Doubleday, Page & company, 1912), by John La Farge (page images at HathiTrust)
• Choice observations upon the art of painting : together with Vasari's Lives of the most eminent painters, from Cimabue to the time of Raphael and Michael Angelo : with an explanation of the difficult terms. (Printed for R. King, 1719), by William Aglionby and Giorgio Vasari (page images at HathiTrust)
• Art treasures of Germany. A collection of the most important pictures of the galleries of Dresden, Cassel, Brunswick, Berlin, Munich and Vienna. (S. Walker & Company, 1873), by Alfred Friedrich Gottfried Albert Woltmann, Bruno Meyer, and Adolph Görling (page images at HathiTrust)
• Grundprobleme der Malerei; ein Buch für Künstler und Lernende. (Klinkhardt & Biermann, 1908), by Rudolph Czapek (page images at HathiTrust)
• Modern chromatics; with applications to art and industry (D. Appleton and company, 1879), by Ogden N. Rood (page images at HathiTrust)
• The theory of color in its relation to art and art-industry. (L. Prang and Company, 1876), by Wilhelm von Bezold, Edward C. Pickering, and S. R. Koehler (page images at HathiTrust)
• The children and the pictures (Heinemann ;, 1907), by Pamela Grey (page images at HathiTrust)
• Das Studium und die Ziele der Malerei. (E. Diederichs, 1905), by Paul Schultze-Naumburg (page images at HathiTrust)
• Famous paintings as seen and described by famous writers (Dodd, Mead & Company, 1905), by Esther Singleton (page images at HathiTrust)
• Conférence inédites de l'Académie Royale de Peinture et de Sculpture d'après les manuscrits des archives de l'École des Beauxarts. (A. Fontemoing, 1903), by André Fontaine and Académie royale de peinture et de sculpture (France) (page images at HathiTrust)
• Adventures among pictures (A. and C. Black, 1904), by C. Lewis Hind (page images at HathiTrust)
• Lectures on painting delivered at the Royal academy (Bradbury, Evans, & co., 1866), by Henry Nelson O'Neil (page images at HathiTrust)
• Studies in pictures; an introduction to the famous galleries (Charles Scribner's sons, 1915), by John C. Van Dyke (page images at HathiTrust)
• Great works of art and what makes them great; reprint of articles published in "The Art world" magazine, 1916-1918. (G. P. Putnam's sons, 1925), by F. W. Ruckstull and Theophilus Bulkeley Hyslop (page images at HathiTrust)
• Vasari on technique; being the introduction to the three arts of design, architecture, sculpture and painting, prefixed to the Lives of the most excellent painters, sculptors and architects (J.M. Dent, 1907), by Giorgio Vasari, G. Baldwin Brown, and Louisa S. Maclehose (page images at HathiTrust)
• The education of an artist (A. and C. Black, 1906), by C. Lewis Hind (page images at HathiTrust)
• Manière de bien juger des ouvrages de peinture (Chez Claude-Antoine Jombert, fils aîné ..., 1771), by Marc-Antoine Laugier (page images at HathiTrust)
• Conversations of James Northcote R.A. with James Ward on art and artists (Methuen & co., 1901), by James Northcote, Ernest Fletcher, and James Ward (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh, in November, 1853 (J. Wiley, 1854), by John Ruskin (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh in November 1853 (G. Allen, 1902), by John Ruskin (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh in November 1853 (G.Allen, 1891), by John Ruskin (page images at HathiTrust)
• The modern school of art (Cassell & co., 1887), by Wilfred Meynell (page images at HathiTrust)
• Studies on modern painters (W. E. Rudge, 1925), by Arthur Symons (page images at HathiTrust)
• Modern painting. (Bretano's, 1910), by George Moore (page images at HathiTrust)
• The Norwich school; John ("Old") Crome, John Sell Cotman, George Vincent, James Stark, J. Berney Crome, John Thirtle, R. Ladbrooke, David Hodgson, M.E. & J.J. Cotman, etc. ("The Studio", 1920), by C. Geoffrey Holme, Herbert Minton Cundall, and Studio international (page images at HathiTrust)
• Manet and the French impressionists : Pissarro--Claude Monet--Sisley--Renoir--Berthe Morisot--Cézanne--Guillaumin (London : Grant Richards ; Philadelphia : J.B. Lippincott Company, 1910., 1910), by Théodore Duret and J. E. Crawford Flitch (page images at HathiTrust)
• Manet und sein Kreis (Bard, Marquardt & Co., 1904), by Julius Meier-Graefe and Édouard Manet (page images at HathiTrust)
• Painting in France, after the decline of classicism. (Seeley, Jackson, and Halliday, 1869), by Philip Gilbert Hamerton and Jennie McGraw Fiske (page images at HathiTrust)
• Great pictures as seen and described by famous writers. (Dodd, Mead & Co., 1907), by Esther Singleton (page images at HathiTrust)
• Love in art (L.C. Page and company, 1898), by Mary Knight Potter, Amy M. Sacker, C.H. Simonds & Co, Mass.) Colonial Press (Boston, and L.C. Page & Company (1897-1914) (page images at HathiTrust)
• Practical pictorial composition; a guide to the appreciation of pictures (C. Scribner's sons, 1926), by Edwin George Lutz (page images at HathiTrust)
• Quelques peintres (G. Crés, 1923), by Léon Werth (page images at HathiTrust)
• Paul Huet (1803-1869) d'après ses notes, sa correspondance, ses contemporains; documents recueillis et précédés d'une notice biographique par son fils, René Paul Huet; préface de Georges Lafenestre. (H. Laurens, 1911), by Paul Huet, Georges Lafenestre, and René Paul Huet (page images at HathiTrust)
• De friaste konsternas akademi; en dagbok om modernt måleri. (A. Bonnier, 1917), by Ragnar Josephson (page images at HathiTrust)
• Catalogue of paintings (New York, 1924), by Metropolitan Museum of Art (New York, N.Y.) and Bryson Burroughs (page images at HathiTrust)
• Der schriftliche Nachlass des Anton Raphael Mengs; ein Beitrag zur Erklärung des Kunstempfindens im spätern 18. Jarhundert ... (B. Schwabe & co., 1918), by Ulrich Christoffel (page images at HathiTrust)
• Der schriftliche Nachlass des Anton Raphael Mengs, ein Beitrag zur Erklärung des Kunstempfindens im spätern 18. Jarhundert (B. Schwabe & co., 1918), by Ulrich Christoffel (page images at HathiTrust)
• Evolution in Italian art (A. Wessels Company;, 1908), by Grant Allen and J. W. Cruikshank (page images at HathiTrust)
• Art studies, the "old masters" of Italy, painting. (Derby and Jackson; [etc., etc.], 1861), by James Jackson Jarves (page images at HathiTrust)
• Die Malerei der Spätrenaissance in Rom und Florenz (G. Grote, 1920), by Hermann Voss (page images at HathiTrust)
• The Venetian school of painting. (MacMillan, 1912), by Evelyn March Phillipps (page images at HathiTrust)
• Modern painters ... (G. Allen, 1888), by John Ruskin (page images at HathiTrust)
• La peinture au Musée de Lille (Hachette, 1909), by Lille (France). Musée des beaux-arts and François Benoit (page images at HathiTrust)
• Catalogue of the royal picture gallery in Dresden. With an historical introduction and notices concerning the acquisition and signatures of the paintings. (W. Hoffmann, 1884), by Germany) Gemäldegalerie (Dresden, K. Woermann, and Julius Hübner (page images at HathiTrust)
• Bilder-Brevier der Dresdner Gallerie (R. Kuntze, 1857), by Julius Hübner and Hugo Bürkner (page images at HathiTrust)
• Les musées d̕Europe. La Hollande: Amsterdam--Alkmaar--Haarlem--Leyde--La Haye--Rotterdam--Dordrecht--Utrecht (Librairie Nilsson, P. Lamm, succr, 1900), by Gustave Geffroy (page images at HathiTrust)
• Catalogue raisonné des tableaux et des sculptures. (Imprimé par ordre de la Direction chez Mouton & cie, 1914), by Netherlands) Mauritshuis (Hague (page images at HathiTrust)
• Nürnberger malerei an der wende zur renaissance und die anfänge der Dürerschule (J.H.E. Heitz, 1921), by Martin Weinberger (page images at HathiTrust)
• Della pittura veneziana e delle opere pubbliche de' veneziani maestri libri V. (Nella stamperia di Giambatista Albrizzi ..., 1771), by Antonio Maria Zanetti and Giovanni Battista Albrizzi (page images at HathiTrust)
• The Peel collection and the Dutch school of painting (Seeley and co., limited;, 1904), by Walter Armstrong (page images at HathiTrust)
• Spanish painting ("The Studio," Ltd., 1921), by A. de Beruete y Moret, Lewis Spence, and C. Geoffrey Holme (page images at HathiTrust)
• Der schöne Mensch in Mittelalter und Renaissance (G. Hirth, 1900), by Artur Weese (page images at HathiTrust)
• Chinese painting (University of Chicago Press, 1927), by John C. Ferguson (page images at HathiTrust)
• Three essays on Oriental painting (B. Quaritch, 1910), by Sei-ichi Taki (page images at HathiTrust)
• Della nobilissima pittura (Alla Insegna di Appolline, 1549), by Michelangelo Biondo (page images at HathiTrust)
• Trattato delle materie pi necessarie, per apprendere con fondamento quest' arte (Per Salvatore e Giandomenico Marescandoli, 1739), by Antonio Franchi and Giuseppe Rigacci (page images at HathiTrust)
• Concerning painting; considerations theoretical and historical (C. Scribner's Sons, 1917), by Kenyon Cox (page images at HathiTrust)
• The principles of painting under the heads of anatomy ... unity, etc. : in which is contained, an account of the Athenian, Roman, Venetian and Flemish schools : to which is added, the balance of painters, being the names of the most noted painters, and their degrees of perfection in the four principal parts of their art : of singular use to those who would form an idea of the value of paintings and pictures (Printed for J. Osborn, at the Golden Ball, in Pater-noster Row, 1743), by Roger de Piles, James Mynde, and John Osborn (page images at HathiTrust)
• Recueil de divers ouvrages sur la peinture et le coloris (Cellot & Jombert, 1775), by Roger de Piles (page images at HathiTrust)
• Saggio pittorico ed analisi delle pitture più famose esistenti in Roma, con il compendio delle vite de' più eccellenti pitori ec. ec. (G. Petrucci, 1818), by Michelangelo Prunetti (page images at HathiTrust)
• Lectures on painting. Delivered to the students of the Royal Academy (G. P. Putman's sons, 1883), by Edward Armitage (page images at HathiTrust)
• The art in painting (The Barnes foundation press, 1925), by Albert C. Barnes (page images at HathiTrust)
• The art in painting (Harcourt, Brace and company, 1925), by Albert C. Barnes (page images at HathiTrust)
• The art in painting (Harcourt, Brace and company, 1928), by Albert C. Barnes (page images at HathiTrust)
• Estimates in art (C. Scribner's Sons, 1916), by Frank Jewett Mather (page images at HathiTrust)
• Painting popularly explained; including fresco, water-glass, oil, tempera, mosaic, encaustic, water-colour, miniature, painting on ivory, vellum, pottery, porcelain, enamel, glass, &c. With historical sketches of the progress of the art (Lockwood & Co., 1864), by Thomas John Gullick and John Timbs (page images at HathiTrust)
• The study and enjoyment of pictures (G. Sully and company, 1918), by Gertrude Richardson Brigham (page images at HathiTrust)
• Notes on the science of picture-making (Chatto & Windus, 1927), by C. J. Holmes (page images at HathiTrust)
• How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods (The Century co., 1906), by Charles H. Caffin (page images at HathiTrust)
• W. M. Hunt's talks on art. [First-second series] (H. O. Houghton, Osgood and company, 1879), by William Morris Hunt and Helen M. Knowlton (page images at HathiTrust)
• The art of looking at pictures; an introduction to the old masters (Dodd, Mead, 1916), by Carl H. P. Thurston (page images at HathiTrust)
• The art of looking at pictures; and introduction to the old masters (Dodd, Mead and Company, 1927), by Carl Hammond Philander Thurston (page images at HathiTrust)
• The appreciation of painting. (Scribner, 1921), by Percy Moore Turner (page images at HathiTrust)
• How to judge of a picture. Familiar talks in the gallery with the uncritical lovers of art. (Chautauqua press, 1888), by John C. Van Dyke (page images at HathiTrust)
• Masterpieces of painting, their qualities and meanings; an introductory study (Boston, R. G. Badger; [etc., etc., 1915), by Louise R. Jewett (page images at HathiTrust)
• Letters to a painter on the theory and practice of painting (Ginn, 1907), by Wilhelm Ostwald, Harry W. Morse, and Woodrow Wilson Collection (Library of Congress) (page images at HathiTrust)
• Modern painters. (G. Allen, 1906), by John Ruskin (page images at HathiTrust)
• The appeal of the picture; an examination of the principles in picture-making (J. M. Dent & sons, ltd;, 1915), by F. C. Tilney (page images at HathiTrust)
• Painting and the personal equation (Houghton Mifflin Company, 1919), by Charles H. Woodbury (page images at HathiTrust)
• Lectures on painting (H.G. Bohn, 1848), by Ralph Nicholson Wornum, Henry Fuseli, John Opie, and James Barry (page images at HathiTrust)
• Picture readings; a study of paintings by the great masters (Public school publishing company, 1918), by Edgar Packard (page images at HathiTrust)
• Modern paintings as seen and described by great writers (Dodd, Mead & company, 1911), by Esther Singleton (page images at HathiTrust)
• The world's great pictures fully illustrated, with descriptive notes of the chief masterpieces of painting in the public and private collections of Europe. (Funk and Wagnalls, 1909) (page images at HathiTrust)
• Pictures that every child should know; a selection of the world's art masterpieces for young people (Grosset & Dunlap, 1908), by Mary Schell Hoke Bacon (page images at HathiTrust)
• The classic point of view; six lectures on painting. Delivered on the Scammon Foundation at the Art Institute of Chicago, in the year 1911 (Scribner, 1911), by Kenyon Cox (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts. Seconde collection. Partie ancienne. (Paris, 1810), by C. P. Landon and baron Massias (page images at HathiTrust)
• Réflexions critiques sur la poësie et sur la peinture (Pissot, 1755), by abbé Dubos (page images at HathiTrust)
• Modern painters ... (Smith, Elder, and co., 1851), by John Ruskin (page images at HathiTrust)
• Pleasure from pictures (American library association, 1926), by Henry Turner Bailey and American Library Association (page images at HathiTrust)
• Conversations of James Northcote, R.A. (R. Bentley, 1894), by James Northcote, Edmund Gosse, and William Hazlitt (page images at HathiTrust)
• The mirror of the passing world (W.W. Norton, 1928), by Mary Cecil Allen (page images at HathiTrust)
• Stil und weltanschauung. (E. Diederichs, 1920), by Herman Nohl (page images at HathiTrust)
• El sentimiento de la naturaleza en la pintura y en la literatura española. (F. Serrano, impr, 1929), by J. Lillo Rodelgo (page images at HathiTrust)
• On drawing and painting. (Houghton Mifflin company, 1912), by Denman Waldo Ross (page images at HathiTrust)
• A book about fans; the history of fans and fan-painting (Macmillan and co., 1895), by M. A. Flory and Mary Cadwalader Jones (page images at HathiTrust)
• Théorie scientifique des couleurs et leurs applications à l'art et à l'industrie (G. Baillière et cie, 1881), by Ogden N. Rood (page images at HathiTrust)
• Why we look at pictures : a study in the evolution of taste (Dodd, Mead and company, 1926), by Carl H. P. Thurston (page images at HathiTrust)
• Gedanken über die nachahmung der griechischen werke in der malerei und bildhauerkunst (Gebr. Henninger, 1885), by Johann Joachim Winckelmann, Ludwig von Urlichs, and B. Seuffert (page images at HathiTrust)
• Indische Miniaturen der islamischen Zeit (E. Wasmuth, 1920), by Sattar Kheiri (page images at HathiTrust)
• La peinture chinoise au Musée Guimet (Paris, P. Geuthner, 1910), by Chang I-chu, Emile Guimet, and Joseph Hackin (page images at HathiTrust)
• Modern painters ... (Wiley & Halstead, 1857), by John Ruskin (page images at HathiTrust)
• Élémens de perspective pratique à l'usage des artistes; suivis de réflexions et conseils à un élève sur la peinture, et particuliérement sur le genre du paysage. (A. Payen, 1820), by Pierre Henri Valenciennes (page images at HathiTrust)
• The painter looks at nature (University of Washington book store, 1928), by Walter F. Isaacs (page images at HathiTrust)
• Shu hua bei tie jin shi yong shu (Shang wu yin shu guan, 1929) (page images at HathiTrust)
• Wen fang si kao tu shuo ([Place of publication not identified], 1778), by Bingjun Tang (page images at HathiTrust)
• Wang shi shu hua yuan (Tai dong tu shu ju, 1922), by Shizhen Wang (page images at HathiTrust)
• Bokusui gashu (1831), by Bokusui Uesugi (page images at HathiTrust)
• Hua fa yao lu : [6 juan (Place of publication not identified, 1926), by Shaosong Yu (page images at HathiTrust)
• Gu hua wei (Shang wu, 1925), by Binhong Huang (page images at HathiTrust)
• Un discours sur la science d'un connoisseur (Chez Herman Uytwerf, 1728), by Jonathan Richardson, Claude Duflos, Gabriel François Louis Debrie, Lambert ten Kate, and Jonathan Richardson (page images at HathiTrust)
• Modern painters (J. M. Dent;, 1906), by John Ruskin and Lionel Cust (page images at HathiTrust)
• La pittura in Parnaso : opera (Nella stamperia di Michele Nestenus, 1725), by Giovanni Maria Ciocchi and Michele Nestenus (page images at HathiTrust)
• On drawing and painting. (AMS Press, 1971), by Denman Waldo Ross (page images at HathiTrust)
• W. M. Hunt's Talks about art (AMS Press, 1975), by William Morris Hunt (page images at HathiTrust)
• Annual exhibition of the Yale School of the Fine Arts ... (The School, 1867), by Yale University. School of Fine Arts (page images at HathiTrust)
• Die wirtschaftlichen grundlagen der malkunst; versuch einer kunstökonomie (J. G. Cotta, 1910), by Paul Drey (page images at HathiTrust)
• Catalogue des reproductions inaltérables au charbon d'après les chefs-d'oeuvre de la peinture dans les musées d'Europe ... (Braun, 1907), by Clément Braun (page images at HathiTrust)
• Art and artists. (Press of A. M. Clapp & Co., 1851), by R. W. Haskins (page images at HathiTrust)
• Mornings in Florence. (Wiley, 1875), by John Ruskin (page images at HathiTrust)
• Cézanne (New York city, Association of American painters and sculptors, inc., 1913), by Élie Faure and Walter Pach (page images at HathiTrust)
• Music in art (L.C. Page & Company, 1903), by Luna May Ennis (page images at HathiTrust)
• The glistening bridge : Léopold Survage and the spatial problem in painting (Covici-Friede, 1929), by Samuel Putnam (page images at HathiTrust)
• A wanderer among pictures (Garden City Pub. Co., 1924), by E. V. Lucas (page images at HathiTrust)
• The art of the Pitti palace : with a short history of the building of the palace, and its owners, and an appreciation of its treasures (L. C. Page & Company, 1904), by Julia de Wolf Gibbs Addison (page images at HathiTrust)
• Modern painters and their paintings. For the use of schools andlearners in art. (Roberts Brothers, 1876), by Sarah Tytler (page images at HathiTrust)
• Die Entwicklung der modernen Malerei : ein Wegweiser für Laien (Klinkhardt & Biermann, 1925), by Helene Emma Laura Juliane Kröller-Müller (page images at HathiTrust)
• The graphic arts; a treatise on the varieties of drawing, painting, and engraving in comparison with each other and with nature (Roberts Brothers, 1886), by Philip Gilbert Hamerton (page images at HathiTrust)
• Die Weltanschauungen der Malerei : mit einem Anhang über die Gedankenmalerei (Eugen Diederichs, 1908), by Herman Nohl (page images at HathiTrust)
• Essays upon art: the old masters and modern artists. (G. P. Putnam, 1849) (page images at HathiTrust)
• Art for art's sake; seven university lectures on the technical beauties of painting (C. Scribner's Sons, 1893), by John C. Van Dyke (page images at HathiTrust)
• The meaning of pictures; six lectures given for Columbia University at the Metropolitan Museum of Art (C. Scribner's Sons, 1903), by John Charles Van Dyke (page images at HathiTrust)
• Vergleichende Gemäldestudien (G. Müller, 1908), by Karl Voll (page images at HathiTrust)
• Frondes agrestes : readings in 'Modern painters' (G. Allen, 1891), by John Ruskin and Susanna Beever (page images at HathiTrust)
• Considerations on painting; lectures given in the year 1893 at the Metropolitan Museum of New York (Macmillan and Co., 1895), by John La Farge (page images at HathiTrust)
• Die Phantasie in der Malerei. (B.Cassirer, 1916), by Max Liebermann (page images at HathiTrust)
• Trattato dell' arte della pittura, scultura ed architettura (Presso S. Del-Monte, 1844), by Giovanni Paolo Lomazzo (page images at HathiTrust)
• The art of decorative painting (Chapman and Hall, 1927), by Walter Bayes (page images at HathiTrust)
• Great pictures, as seen and described by famous writers (Dodd, Mead and Company, 1899), by Esther Singleton (page images at HathiTrust)
• The practice of oil painting and of drawing as associated with it (J. B. Lippincott Co.;, 1921), by Solomon J. Solomon (page images at HathiTrust)
• Modern color (Harvard university press; [etc., etc.], 1923), by Carl Gordon Cutler and Stephen Coburn Pepper (page images at HathiTrust)
• The German and Flemish masters in the National gallery (G. Bell & sons, 1904), by Mary Helene Witt and National Gallery (Great Britain) (page images at HathiTrust)
• How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet : with historical and biographical summaries and appreciations of the painters' motives and methods (The Century Co., 1925), by Charles Henry Caffin (page images at HathiTrust)
• How to study pictures by means of a series of comparisons of the painters' motives and methods (D. Appleton-Century company, incorporated, 1941), by Charles H. Caffin, Alfred Busselle, and Roberta Murray Fansler (page images at HathiTrust)
• Die deutsche Malerei im 19. Jahrhundert. Mit 257 abbildungen. (B.G. Teubner, 1914), by Richard Hamann (page images at HathiTrust)
• La Technique moderne du tableau; et les procédés secrets des grands coloristes des XVe, XVIe et XVIIe siècles recueillis et restitués par un homme du métier (Delagrave, 1929), by Maurice Busset (page images at HathiTrust)
• In picture land : children's favorite masterpieces, with little stories in verse (E.P. Dutton & Co., 1917), by Florence Weinstock Switton (page images at HathiTrust)
• Modern painters ... (G. Allen, 1892), by John Ruskin (page images at HathiTrust)
• An introduction to the language of drawing and painting ... (Harvard University Press, 1929), by Arthur Pope (page images at HathiTrust)
• Critique d'art : ancien et moderne : première série : Musées de province (Perrin, 1923), by Marcel Nicolle (page images at HathiTrust)
• Studi sopra la storia della pittura italiana dei secoli XIV e XV e della scuola pittorica veronese fino al secolo XVIII (A. Forni, 1977), by Cesare Bernasconi (page images at HathiTrust)
• La science des couleurs et l'art du peintre. (F. Alcan, 1923), by Maurice Auguste Joseph Boigey (page images at HathiTrust)
• The graphic arts; a treatise on the varieties of drawing, painting, and engraving, in comparison with each other and with nature (Roberts Brothers, 1883), by Philip Gilbert Hamerton (page images at HathiTrust)
• The home book of great paintings (Houghton Mifflin company, 1902), by Estelle M. Hurll (page images at HathiTrust)
• Anvers, Musée royal illustré (Imprimerie générale, G. J. Huysmans, 1894), by Jules de Brauwere (page images at HathiTrust)
• Tableaux anciens ([s.n., 1894), by Musées royaux des beaux-arts de Belgique and Jules de Brauwere (page images at HathiTrust)
• Art principles with special reference to painting; together with notes on the illusions produced by the painter (G. P. Putnam's sons, 1919), by Ernest Govett (page images at HathiTrust)
• Traité théorique et pratique des connaissances qui sont nécessaires a tout amateur de tableaux, et a tous ceux qui veulent apprendre a juger, apprécier et conserver les productions de la peinture; suivi d'observations sur les collections publiques et particulières, qui existaient en 1808, et de la description des tableaux qui formaient la galerie de l'auteur. (Librairie scientifique et industrielle de A. Leroux, 1846), by François-Xavier de Burtin (page images at HathiTrust)
• Children's preferences for traditional and modern paintings. (Bureau of Publications, Teachers College, Columbia University, 1944), by Elias Katz (page images at HathiTrust)
• Catalogue raisonné des tableaux et des sculptures. (Martinus Nijhoff, 1895), by Netherlands) Mauritshuis (Hague (page images at HathiTrust)
• Catalogus van het Rijks-museum van schilderijen (T. van Holkema, 1886), by Rijksmuseum (Netherlands) and Abraham Bredius (page images at HathiTrust)
• A wanderer among pictures; a companion to the galleries of Europe (Methuen, 1924), by E. V. Lucas (page images at HathiTrust)
• Arthur Atkins : extracts from the letters ; with notes on painting and landscape ; written during the period of his work as a painter in the last two years of his life, 1896-1898. (A. M. Robertson, 1908), by Arthur Atkins, Bruce Porter, and Stanley-Taylor Co (page images at HathiTrust)
• The sketcher (W. Blackwood, 1856), by John Eagles (page images at HathiTrust)
• Los museos de Europa. El Museo del Prado de Madrid ... Traducción española de J.R. Ferreruela. (Gutenberg de José Ruiz, 1908), by Gustave Geffroy and J. R. Ferreruela (page images at HathiTrust)
• Six lectures on painting : delivered to the students of the Royal Academy of Arts in London, January 1904 (Methuen, 1906), by George Clausen (page images at HathiTrust)
• Famous paintings as seen and described by famous writers (P. F. Collier & son, 1911), by Esther Singleton (page images at HathiTrust)
• Arte de pintar. (Impr. de J. Rius, 1854), by Gregorio Mayans y Siscar (page images at HathiTrust)
• The laws of Fésole. A familiar treatise on the elementary principles and practice of drawing and painting. As determined by the Tuscan masters. Arranged for the use of schools. (J. Wiley, 1886), by John Ruskin (page images at HathiTrust)
• El signo de Euforion. (J. Lajouane & cia., 1927), by Héctor Díaz Leguizamón (page images at HathiTrust)
• Exhibition of works by the old masters, and by deceased masters of the British school (Printed by Wm. Clowes and Sons, 1870), by Royal Academy of Arts (Great Britain) (page images at HathiTrust)
• Estimates in art (Henry Holt, 1923), by Frank Jewett Mather (page images at HathiTrust)
• Traité complet de la peinture (J.F. Delion, 1829), by Jacques Nicolas Paillot de Montabert (page images at HathiTrust)
• The painter looks at nature (University of Washington Book Store, 1927), by Walter F. Isaacs (page images at HathiTrust)
• Gallery of living art, A. E. Gallatin collection, 100 Washington square east, New York. ([New York?, 1933), by Gallery of Living Art, Jean Hélion, James Johnson Sweeney, and A. E. Gallatin (page images at HathiTrust)
• The mirror of the passing world (W. W. Norton, 1928), by Mary Cecil Allen (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh, in November, 1853 (New York : J. Wiley & son, 1866., 1866), by John Ruskin (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh, in November, 1853. (J. Wiley & son, 1872), by John Ruskin (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts: École Flamande. (Pillet Ainé, 1825), by C. P. Landon (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts: École Française. (Pillet Ainé, 1829), by C. P. Landon (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts: École française moderne. (Pillet Ainé, 1832), by C. P. Landon (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts: École Italiennese. (Pillet Ainé, 1829), by C. P. Landon (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts: Galerie Massias (Pillet Ainé, 1830), by C. P. Landon (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts: Galerie Giustiniani. (Pillet Ainé, 1829), by C. P. Landon (page images at HathiTrust)
• Annales du musée et de l'école moderne des beaux-arts: Salon (Pillet Ainé, 1808), by C. P. Landon (page images at HathiTrust)
• Shepp's library of history and art : a pictorial history of all lands and times; the great incidents of history set forth by the magic pencils of the world's greatest artists. (Globe Bible Pub. Co., 1905), by Daniel B. Shepp (page images at HathiTrust)
• Peinture et perspective descriptive : Conférence faite à Paris le 22 mars 1927, à la Fondation Carnegie, pour l'Union intellectuelle française. Augm. de quelques notes. (Éditions Moly-Sabata, 1927), by Albert Gleizes (page images at HathiTrust)
• Appreciation of art: painting. ([Grand Forks, N.D., 1924), by Erwin Ottomar Christensen (page images at HathiTrust)
• A painter's camp (Roberts bros., 1875), by Philip Gilbert Hamerton (page images at HathiTrust)
• Essays in the arts (International Pocket Library, 1923), by Élie Faure, W. A. Sinclair, and Edward John Moreton Drax Plunkett Dunsany (page images at HathiTrust)
• Hölzel und sein Kreis, 1916. (Strecker und Schröder, 1916) (page images at HathiTrust)
• Studies in pictures; an introduction to the famous galleries (C. Scribner's sons, 1907), by John Charles Van Dyke (page images at HathiTrust)
• Masterpieces in colour. (Stokes, 1908) (page images at HathiTrust)
• Treatise on the knowledge necessary to amateurs in pictures. (Longman, Brown, Green, and Longmans, 1845), by François-Xavier de Burtin and Robert White (page images at HathiTrust)
• Reviews and appreciations of some old Italian masters (W. Heinemann, 1912), by Herbert Frederick Cook (page images at HathiTrust)
• Considerations on painting : lectures given in the year 1893 at the Metropolitan Museum of New York (Macmillan, 1901), by John La Farge (page images at HathiTrust)
• Frondes agrestes : readings in modern painters (G. Allen, 1875), by John Ruskin and Susanna Beever (page images at HathiTrust)
• Frondes agrestes. Readings in "Modern painters," chosen at her pleasure by the author's friend, the younger lady of the Thwaite, Coniston. (Thomas Y. Crowell & Co., 1874), by John Ruskin (page images at HathiTrust)
• University prints : miscellaneous prints. (The University prints, 1900), by Mass.) University Prints (Winchester (page images at HathiTrust)
• The meaning of pictures; six lectures given for Columbia University at the Metropolitan Museum of Art (G. Newnes, 1903), by John Charles Van Dyke (page images at HathiTrust)
• The grammar of painting and engraving (S. C. Griggs and Company, 1891), by Charles Blanc and Kate Doggett (page images at HathiTrust)
• Modern painting. (W. Scott, Ltd., 1906), by George Moore (page images at HathiTrust)
• The home book of great paintings; a collection of one hundred and five famous pictures (Tudor, 1902), by Estelle M. Hurll (page images at HathiTrust)
• Comparative aesthetics. (G. P. Putnam's sons, 1894), by George Lansing Raymond (page images at HathiTrust)
• Frondes agrestes. Readings in 'Modern painters'. (G. Allen, 1889), by John Ruskin and Susanna Beever (page images at HathiTrust)
• Art for art's sake : seven university lectures on the technical beauties of painting (C. Scribner's Sons, 1905), by John Charles Van Dyke (page images at HathiTrust)
• Painters, pictures and the people (Philopolis press, 1918), by Eugen Neuhaus (page images at HathiTrust)
• Treatises on the fine arts. (R. Griffin and Company, 1800) (page images at HathiTrust)
• An essay on painting: in two epistles to Mr. Romney ... (J. Dodsley, 1781), by William Hayley (page images at HathiTrust)
• Modern painters. (G. Allen, 1888), by John Ruskin (page images at HathiTrust)
• On the philosophy of painting: a theoretical and practical treatise... (Longman, Brown, Green, and Longmans, 1849), by Henry Twining (page images at HathiTrust)
• Die niederländischen Schulen im herzoglichen Museum zu Braunschweig. (Weidmann, 1882), by Herman Riegel (page images at HathiTrust)
• The people's art union. The historic gallery of portraits & paintings, with brief memoirs of the most celebrated men, of every age and country, embellished by engravings in outline, of the finest specimens of the arts, ancient and modern ... (Willoughby & co., 1835) (page images at HathiTrust)
• Salon de 1889 (L. Baschet, 1889), by Paul Mantz (page images at HathiTrust)
• The Paris salon (Goupil, 1890), by Antonin Proust and Armand Dayot (page images at HathiTrust)
• Catalogue ... annual exhibition, Carnegie art galleries. ([Carnegie Institute], 1896), by Carnegie Institute (page images at HathiTrust)
• The cabinet of the arts: (T. Ostell, 1805), by Thomas Hodson (page images at HathiTrust)
• Opere. (L. Manini, 1778), by Francesco Algarotti (page images at HathiTrust)
• Painting personified; or, the caricature and sentimental pictures of the principal artists of the present times, fancifully explained. (R. Baldwin, 1790), by Alexander Bicknell (page images at HathiTrust)
• Ut pictura poesis. (The [Modern Language] Association, 1909), by William Guild Howard (page images at HathiTrust)
• Catalogue des tableaux de la Pinacothèque royale à Munich. ([s.n.], 1858), by Germany) Alte Pinakothek (Munich (page images at HathiTrust)
• Annales du Musée et de l'Ecole moderne des beaux-arts; recueil de gravures au trait, d'apreès les principaux ouvrages de peinture, sculpture, ou projets d'architectur qui chaque année ont remporté le prix ... les productions des artistes en tous genres qui, aux diffeʹrentes expositions, ont eʹteʹ citeʹes avec eʹloges ... (Chez C.P. Landon, 1801), by C. P. Landon (page images at HathiTrust)
• Musée de peinture et de sculpture; ou, Recueil des principaux tableaux, statues et bas-reliefs des collections publiques et particulières de l'Europe (Ve A. Morel & cie., 1872), by Etienne Achille Réveil, René Ménard, and Louis Ménard (page images at HathiTrust)
• L'Art dans les deux mondes; peinture et sculpture (1878). (E. Plon, 1881), by Joseph de Pesquidoux (page images at HathiTrust)
• Le Majeriane, ovvero Lettere sul bello ideale di Giusppe Carpani, in risposta al libro Della initazione pittorica del eav. Andrea Majer. (Tip. della Minerva, 1824), by Giuseppe Carpani (page images at HathiTrust)
• The old masters and their pictures, for the use of schools and learners in art (Roberts, 1874), by Sarah Tytler (page images at HathiTrust)
• The Ruskin reader : being passages selected from Modern painters, The seven lamps of architecture, and The stones of Venice (George Allen, 1895), by John Ruskin and W. G. Collingwood (page images at HathiTrust)
• Religio pictoris (Houghton, Mifflin & company, 1899), by Helen Bigelow Merriman, Bruce Rogers, Pforzheimer Bruce Rogers Collection (Library of Congress), and Shapiro Bruce Rogers Collection (Library of Congress) (page images at HathiTrust)
• Saint Anthony in art, and other sketches (Marlier & Co., 1901), by Mary F. Nixon-Roulet (page images at HathiTrust)
• Indian sculpture and painting, illustrated by typical masterpieces, with an explanation of their motives and ideals (J. Murray, 1908), by E. B. Havell (page images at HathiTrust)
• Three vested German paintings : hearing before the Subcommittee on Commerce and Finance ... Eighty-ninth Congress, second session, on H.R. 12543 ... September 19, 1966. (U.S. Govt. Print. Off., 1966), by United States. Congress. House. Committee on Interstate and Foreign Commerce. Subcommittee on Commerce and Finance (page images at HathiTrust)
• Modern painting (Printed for subscribers only by Boni and Liveright, 1923), by George Moore (page images at HathiTrust)
• Loan exhibition of the works of Albert P. Ryder (The De Vinne press, 1918), by Metropolitan Museum of Art (New York, N.Y.) (page images at HathiTrust)
• Die grossen Maler in Wort und Farbe (E.A. Seemann, 1922), by Adolf Philippi (page images at HathiTrust)
• Gowan's art books ([Gowans & Gray], 1907), by Adam Luke Gowans (page images at HathiTrust)
• Alte malerkunst und Johann Gottlieb Walter's ... leben und werke. ([s.n.], 1821), by Friedrich August Walter (page images at HathiTrust)
• The historic gallery of portraits and paintings; or, Biographical review: (Vernor, Hood, and Sharpe, 1807) (page images at HathiTrust)
• Rhymes on art; or, The remonstrance of a painter: in two parts. With notes, and a preface, including strictures on the state of the arts, criticism, patronage, and public taste. (W. Miller, 1809), by Martin Archer Shee (page images at HathiTrust)
• An essay on painting: in two epistles to Mr. Romney. (Printed for J. Dodsley, 1781), by William Hayley (page images at HathiTrust)
• The graphic arts : a treatise on the varieties of drawing, painting, and engraving : in comparison with each other and with nature (Macmillan and Co., 1882), by Philip Gilbert Hamerton (page images at HathiTrust)
• Painting, and the fine arts: being the articles under those heads contributed to the seventh edition of the Encyclopædia britannica (A. and C. Black, 1838), by Benjamin Robert Haydon and William Hazlitt (page images at HathiTrust)
• De la musique et de la peinture; de leurs effets sur les hommes en général et de leur influence sur les moeurs (Imprimerie et Librairie Helvetique, 1833), by Laurent Ravoire (page images at HathiTrust)
• Cyclopedia of painters and paintings (C. Scribner, 1913), by John Denison Champlin and Charles C. Perkins (page images at HathiTrust)
• Catalogue of the ... library, drawings ... engravings, paintings, silver plate ... of the late J.F. Marsh, Esq. ... (J. Davy & Sons, 1882), by John Fitchett Marsh (page images at HathiTrust)
• Essays towards the history of painting. (E. MoXon, 1836), by Maria Callcott (page images at HathiTrust)
• Six lectures on painting delivered to the students of the Royal academy of arts in London, January, 1904 (E. Stock, 1904), by George Clausen (page images at HathiTrust)
• The cabinet gallery of pictures by the first masters of the English and foreign schools : in seventy-two line engravings : with biographical and critical dissertations (G. and W. Nicol, 1834), by Allan Cunningham (page images at HathiTrust)
• The cabinet gallery of pictures by the first masters of the English and foreign schools, in seventy-three line engravings (G. and W. Nicol [etc.], 1836), by Allan Cunningham (page images at HathiTrust)
• Great pictures by great painters : more than two hundred photographic reproductions of choice paintings, together with descriptions of the paintings and biographical notes of the artists represented. (Crowell & Kirkpatrick Co., 1901), by Techniko Epimelētērio Hellados (page images at HathiTrust)
• Museum of painting and sculpture, or, Collection of the principal pictures, statues and bas-reliefs in the public and private galleries of Europe (Bossange;, 1828), by Etienne Achille Réveil and Jean Duchesne (page images at HathiTrust)
• Museum of painting and sculpture, or, Collection of the principal pictures, statues and bas-reliefs in the public and private galleries of Europe (Printed by Rignoux, etc.], 1829), by Etienne Achille Réveil and Jean Duchesne (page images at HathiTrust)
• Painting (The Four Seas Company, 1918), by W. A. Sinclair (page images at HathiTrust)
• Cyclopedia of painters and paintings (C. Scribner's Sons, 1886), by John Denison Champlin and Charles C. Perkins (page images at HathiTrust)
• Modern painters and their paintings. For the use of schools and learners in art. (Roberts Brothers, 1874), by Sarah Tytler (page images at HathiTrust)
• Traité théorique et pratique des connoissances qui sont nécessaires à tout amateur de tableaux, et à tous ceux qui veulent apprendre à juger, apprécier et conserver les productions de la peinture; suivi d'observations sur les collections publiques et particulières, et de la description des tableaux que possède en ce moment (Impr. de Weissenbruch, se trouve chez l'auteur, 1808), by François-Xavier de Burtin (page images at HathiTrust)
• Traité théorique et pratique des connaissances qui sont nécessaires à tout amateur de tableaux : et à tous ceux qui veulent apprendre à juger, apprécier et conserver les productions de la peinture ; suivi d'observations sur les collections publiques et particulières, qui existaient en 1808, et de la description des tableaux que formaient la galerie de l'auteur (Lemaitre, 1846), by François-Xavier de Burtin (page images at HathiTrust)
• Traité complet de la peinture (Bossange père, 1829), by Jacques Nicolas Paillot de Montabert and Hector Bossange (page images at HathiTrust)
• Kleine Academie der zeichnenden Künste und der Malerei, enthaltend einen vollständigen Cursus der Elemente der Anatomie und der Verhältnisse des menschlichen Körpers ... (B.F. Voigt, 1844), by A. W. Hertel (page images at HathiTrust)
• Manuel du peintre et du sculpteur. Ouvrage dans lequel on traite de la philosophie de l'art et des moyens pratiques, avec une notice sur les manuscrits à miniatures de l'Orient et du moyen-âge, et sur les voyages à figures, dans leurs rapports avec la peinture moderne (Roret, 1833), by L.-C. Arsenne and Ferdinand Denis (page images at HathiTrust)
• Del romanticismo nella pittura; discorso di Arcangiolo M. Migliarini ... detto in occasione della solenne distribuzione dei premj triennali nella I. e R. Accademia delle belle arti in Firenze l'anno 1834. (Stamperia Piatti, 1834), by Arcangelo Michele Migliarini and Italy) Regia Accademia di belle arti (Florence (page images at HathiTrust)
• Beiträge zur niederländischen Kunstgeschichte (Weidmannsche Buchhandlung, 1882), by Herman Riegel (page images at HathiTrust)
• Essai sur l'histoire de la peinture en Italie depuis les temps les plus anciens jusqu'a nos jours (Galerie de Bossange père, 1823), by Grigoriĭ Vladimirovich Orloff (page images at HathiTrust)
• Il Maestro del dipingere in miniatura, a tempera e ad acquerello ... Con in fine une lettera di Gessner sul modo d'imparare a dipingere paesetti. (L. Sonzogno, 1829) (page images at HathiTrust)
• Descriptive catalogue of a choice assemblage of original pictures by some of the most esteemed masters of the Italian, French, Flemish, Dutch, and British schools; selected, during a period of thirty years (Univ. Press, 1807), by George Walker (page images at HathiTrust)
• Studies among the painters. (Society for Promoting Christian Knowledge [etc., etc., 1874), by J. Beavington Atkinson and Society for Promoting Christian Knowledge (Great Britain). General Literature Committee (page images at HathiTrust)
• La peinture décorative (J. Rouam, 1892), by L. Roger-Milès (page images at HathiTrust)
• Discursos practicables del nobilísimo arte de la pintura, sus rudimentos, medios y fines que enseña la experiencia, con los ejemplares de obras insignes de artífices ilustres (M. Tello, 1866), by Jusepe Martínez, Valentin Carderera y Solana, and Real Academia de Bellas Artes de San Fernando (page images at HathiTrust)
• Das Wesen der Malerei, begründet und erläutert durch die in den Kunstwerken der bedeutendsten Meister enthaltenen Principien. Ein Leitfaden für denkende Künstler und gebildete Kunstfreunde. (H. Schultze, 1851), by M. Unger (page images at HathiTrust)
• A hand-book for young painters. (J. Murray, 1855), by Charles Robert Leslie (page images at HathiTrust)
• Annales du Musée et de l'École moderne des beaux-arts : recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture, ou projets d'architecture qui chaque année ont remporté le prix ... (C.P. Landon, 1801), by C. P. Landon (page images at HathiTrust)
• Gems of art; six photo-gravures. (F.A. Stokes Co., 1890) (page images at HathiTrust)
• Historic men and scenes, portrayed by the masters; a magnificent selection of most interesting pictures collected from all lands; with ... descriptions, and sketches of the artists (The Werner Company, 1889), by Franklin Edson Belden (page images at HathiTrust)
• Lettres au R. P. Parrenin, Jésuite, missionnaire à Pékin : contenant diverses questions sur la Chine (Imprimerie Royale, 1770), by Dortous de Mairan (page images at HathiTrust)
• Lives and legends of the great hermits and fathers of the church, with other contemporary saints (G. Bell, 1902), by N. D'Anvers (page images at HathiTrust)
• Official, the Art Gallery illustrated, World's Columbian Exposition (George Barrie, 1893), by Charles M. Kurtz (page images at HathiTrust)
• The grammar of painting and engraving (Hurd and Houghton, 1874), by Charles Blanc, Kate Newell Doggett, and Emily Shaw Forncau (page images at HathiTrust)
• Young artist's assistant; or, Elements of the fine arts, containing the principles of drawing, painting in general, crayon painting, oil painting, portrait painting, miniature painting, designing, colouring, engraving, &c., &c. (T. Tegg; [etc., etc., 1820), by William Enfield (page images at HathiTrust)
• Élémens de perspective pratique, à l'usage des artistes, suivis de Réflexions et conseils à un élève sur la peinture, et particulièrement sur le genre du paysage. (A. Payen, 1820), by Pierre Henri Valenciennes (page images at HathiTrust)
• Notice des tableaux de la galerie royale de Munic. (Se vend a la galerie., 1818), by Germany) Alte Pinakothek (Munich (page images at HathiTrust)
• Music in art (L. C. Page & Company, 1907), by Luna May Ennis (page images at HathiTrust)
• Salon de 1883; cent vingt planches en photogravure par Goupil et cie; trente dessins d'après les originaux des artistes. (L. Baschet, 1883), by Philippe Burty and Goupil & Cie (page images at HathiTrust)
• Le salon de 1896 (Boussod, Valadon, 1896), by François Thiébault-Sisson (page images at HathiTrust)
• Le salon de 1897; cent planches en photogravure et à l'eauforte et un fac-simile en couleurs (Goupil, J. Boussod, Manzi, Joyant, successeurs, 1897), by Gaston Schéfer and Goupil & Cie (page images at HathiTrust)
• The Pittsburgh international exhibition of contemporary painting. ([Pittsburgh], 1896), by Carnegie Institute and Carnegie Institute. Department of Fine Arts (page images at HathiTrust)
• Modern painters. (J. Wiley, 1854), by John Ruskin (page images at HathiTrust)
• Modern painters (John W. Lovell company, 1885), by John Ruskin (page images at HathiTrust)
• The works of Anthony Raphael Mengs ... : Tr. from the Italian (R. Faulder [etc, 1796), by Anton Raphael Mengs and José Nicolás de Azara y Perera (page images at HathiTrust)
• Modern painters (J. Wiley, 1848), by John. Ruskin (page images at HathiTrust)
• Hints for pupils in drawing and painting (Houghton, Osgood and company, 1879), by Helen M. Knowlton and William Morris Hunt (page images at HathiTrust)
• Modern painters / [v.1] - 2, 4. (J. Wiley, 1862), by John Ruskin (page images at HathiTrust)
• The education of an artist ... (A. & C. Black, 1906), by C. Lewis Hind (page images at HathiTrust)
• Art, artists and landscape painting (Longmans, Green and co., 1911), by William James Laidlay (page images at HathiTrust)
• Art for art's sake : seven university lectures on the technical beauties of painting (C. Scribner's sons, 1893), by John Charles Van Dyke (page images at HathiTrust)
• Nuova raccolta di lettere sulla pittura, scultura ed architettura, scritte da'più celebri personaggi dei secoli XV. a XIX... (Editore, 1844), by Michelangelo Gualandi (page images at HathiTrust)
• What is art? Studies in the technique and criticism of painting (C. Scribner's sons, 1910), by John Charles Van Dyke (page images at HathiTrust)
• Lectures on Architecture and Painting, delivered at Edinburgh in November, 1853 ... (Smith, Elder, and Co., 1855), by John Ruskin (page images at HathiTrust)
• Modern painters (Wiley, 1887), by John Ruskin (page images at HathiTrust)
• One hundred masterpieces of painting (Doubleday, Page & company, 1913), by John La Farge (page images at HathiTrust)
• How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods (The Century Co., 1905), by Charles H. Caffin (page images at HathiTrust)
• Ideen zur archäologie der malerei ... (Walther, 1811), by Karl August Böttiger (page images at HathiTrust)
• Réflexions sur la peinture et la gravure : accompagnées d'une courte dissertation sur le commerce de la curiosité, et les ventes en générale : ouvrage utile aux amateurs, aux artistes et aux marchands (C. Lamort, 1786), by F. C. Joullain (page images at HathiTrust)
• Klassiker der Malerei (Bruno Lemme, 1882), by J. E. Wessely (page images at HathiTrust)
• Versuch den Ursprung der Spielkarten, die Einführung des Leinenpapieres, und den Anfang der Holzschneidekunst in Europa zu erforschen (J.G.I. Breitkopf, 1784), by Johann Gottlob Immanuel Breitkopf and Johann Christian Friedrich Roch (page images at HathiTrust)
• Recueil des principaux tableaux, statues et bas-reliefs des collections publiques et particulières de l'Europe (Audot, 1828), by Etienne Achille Réveil and Jean Duchesne (page images at HathiTrust)
• Katalog über die Gemälde-Sammlung in Landes-Museum (Ferdinandeum) zu Innsbruck ... (Druck der Wagner'schen Universitäts-Buchdruckerei, 1874), by Tiroler Landesmuseum Ferdinandeum (page images at HathiTrust)
• Rhymes on art, or, The remonstrance of a painter : in two parts, with notes and a preface including strictures on the state of the arts, criticism, patronage and publick taste (Published by Edward Earle, 1815), by Martin Archer Shee (page images at HathiTrust)
• Andacht in der Malerei; Beiträge zur Psychologie der Grossmeister. (J. Zeitler, 1912), by Oscar Ollendorff (page images at HathiTrust)
• Die moderne Malerei und Plastik. (L. Simon, 1904), by Karl Scheffler (page images at HathiTrust)
• Die Malerei der Gegenwart. Vortrag, gehalten im Rathhaussaale zu Zürich am 28. November 1867. (Schweighauserische Verlagsbuchhandlung, 1871), by Gottfried Kinkel (page images at HathiTrust)
• La Galleria Nazionale d'Arte Antica : (Palazzo Corsini) ; con 65 illustrazioni. (W. Modes, 1910), by Italy) Galleria Corsini (Rome and Federico Hermanin (page images at HathiTrust)
• The Copley prints; reproductions of notable paintings publicly & privately owned in America--also of the mural decorations in the new Library of Congress, the Boston Public Library & other public buildings. (Curtis & Cameron, 1902), by Curtis & Cameron (page images at HathiTrust)
• Art, artists and landscape painting (Longmans, Green and Co., 1911), by William James Laidlay (page images at HathiTrust)
• Zur methodik und psychologie des gemäldebestimmens ... (Müller, 1905), by Theodor von Frimmel (page images at HathiTrust)
• A catalogue of pictures, composed and painted chiefly by the most admired masters of the Roman, Florentine, Parman, Bolognese, Venetian, Flemish, and French schools : in which many of the most capital are illustrated by descriptions and critical remarks : humbly offered to the impartial examination of the public (Sold at the place of exhibition, and by T. Cadell and P. Elmsly ..., 1776), by Robert Foulis (page images at HathiTrust)
• Famous pictures reproduced from renowned paintings (Stanton and Van Vliet co., 1917) (page images at HathiTrust)
• Arthvr Atkins; extracts from the letters with notes on paintings and landscape: written during the period of his work as a painter in the last two years of his life, 1896: 1898. (A. M. Robertson, 1908), by Arthur Atkins and firm Stanley-Taylor Company (page images at HathiTrust)
• Ten masterpieces. (Sedelmeyer, 1913), by Giovanni Battista Tiepolo (page images at HathiTrust)
• Klassischer Bilderschatz (Verlagsanstalt für Kunstund Wissenschaft, 1889), by Franz von Reber and Adolf Bayersdorfer (page images at HathiTrust)
• Masterpieces of modern art; a collection of works by famous modern artists (Colour Pub. Co., 1922), by Charles Marriott (page images at HathiTrust)
• Lives and legends of the evangelists, apostles, and other early saints (G. Bell & sons, 1901), by N. D'Anvers (page images at HathiTrust)
• Les maîtres humoristes : les meilleurs dessins, les meilleures legendes. (Paris : Juven, [1905-08], 1905), by Benjamin Rabier, Henry Mirande, Henriot, Paul Gavarni, Abel Faivre, R. Préjelan, Charles Léandre, Henri Avelot, Honoré Daumier, Charles Huard, Henry Somm, Adolphe Willette, Francisque Poulbot, Pierre-Georges Jeanniot, Jean Louis Forain, Hermann-Paul, Henry Gerbault, Lucien-Marie-François Métivet, Alfred Grévin, Caran d'Ache, Ferdinand Bac, and Albert Guillaume (page images at HathiTrust)
• Die Küche in der klassischen malerei : eine kunstgeschichtliche und literarhistorische studie für mediziner und nichtmediziner (F. Enke, 1910), by Wilhelm Sternberg (page images at HathiTrust)
• Modern Painters ... (J. Wiley & Sons, 1878), by John Ruskin (page images at HathiTrust)
• A course of lectures on painting, delivered at the Royal Academy of Fine Arts. (H.G. Bohn, 1848), by Henry Howard and Frank Howard (page images at HathiTrust)
• Art essays, by Philip Gilbert Hamerton. (A. S. Barnes & Co., 1880), by Philip Gilbert Hamerton and William Unger (page images at HathiTrust)
• Painting popularly explained : including fresco, oil, tempera, mosaic, encaustic, water-colour, miniature, missal, painting on pottery, porcelain, enamel, glass, &c., with historical sketches of the progress of the art (Kent and Co., 1859), by Thomas John Gullick and John Timbs (page images at HathiTrust)
• Conversations on art methods (Methodes et entretiens da̓telier) (G.P. Putnam's Sons, 1879), by Thomas Couture and S. E. Steuart (page images at HathiTrust)
• Messages of the masters; spiritual interpretations of great paintings (Crowell, 1902), by Amory H. Bradford (page images at HathiTrust)
• Thoughts on the relative value of fresco and oil painting, as applied to the architectural decorations of the House of Parliament; read at the Friday evening meeting at the Royal institution ... March 4, 1842. (Hooper, 1842), by Benjamin Robert Haydon (page images at HathiTrust)
• The cult of old paintings and the Romney case (Skeffington & Son, Ltd., 1917), by Rickard William Lloyd (page images at HathiTrust)
• The meaning of pictures; six lectures given for Columbia university at the Metropolitan museum of art (C. Scribner's sons, 1927), by John Charles Van Dyke (page images at HathiTrust)
• How to make a living as a painter. (Watson-Guptill Publications, 1954), by Kenneth Harris (page images at HathiTrust)
• Preferences in art, life, and literature. (S. Sonnenschein & Co., 1892), by Harry Quilter (page images at HathiTrust)
• Entretiens sur la peinture (H. Heymann, 1875), by René Joseph Ménard (page images at HathiTrust)
• Die gegenstandslose Welt. (A. Langen, 1928), by Kazimir Severinovich Malevich (page images at HathiTrust)
• Illustrated handbook of paintings and sculptures. (Washington, D.C., the Corcoran Gallery of Art, 1926), by Corcoran Gallery of Art (page images at HathiTrust)
• Die Farbenlehre im hinblick auf Kunst und Kunstgewerbe (G. Westermann, 1874), by Wilhelm Bezold (page images at HathiTrust)
• De' veri precetti della pittura di M. Gio. Battista Armenini (Apresso Francesco Tebaldini, ad instantia di Tomaso Pasini Libraro in Bologna, 1587), by Giovanni Battista Armenini (page images at HathiTrust)
• Die Phantasie in der Malerei. (Bruno Cassirer, 1916), by Max Liebermann (page images at HathiTrust)
• Histoire du siècle, 1789-1889; peinture de m.m. Stevens & Gervex. (Lévy, 1889), by Alfred Stevens and Joseph Reinach (page images at HathiTrust)
• Die neue Malerei; eine Kulturstudie. (Strecker & Schröder, 1909), by Rudolf Czapek (page images at HathiTrust)
• De Gauguin à la Revue nègre. (Émile-Paul Frères, 1928), by Jacques-Émile Blanche (page images at HathiTrust)
• Modern painters, vol. II. "Of ideas of beauty" and "Of the imaginative faculty," (Longmans, Green, and co.;, 1903), by John Ruskin (page images at HathiTrust)
• Souvenir book Providence teachers' bazaar, Infantry hall November 25-26-27-28-29-30, 1901; James M. Sawin, Mary A. S. Mugan, editors. (Platt albertype co., 1901), by James M. Sawin and Mary Anna Stanislaus Mugan (page images at HathiTrust)
• Voyage pittoresque de la Flandre et du Brabant, avec des réflexions relativement aux arts & quelques gravures. (chez Desaint, rue du Foin; Saillant, rue de S. Jean de Beauvais; Pissot, Quai de Conty; Durand, le Neveu, rue S. Jacques, vis a-̀vis la rue du Plâtre, 1769), by J.-B. Descamps (page images at HathiTrust)
• Disegno (Appresso Gabriel Giolito di Ferrarii, 1549), by Anton Francesco Doni (page images at HathiTrust)
• Reale Galleria di Firenze illustrata. (G. Molini, 1817), by Real Galleria di Firenze (page images at HathiTrust)
• Geschichte der Mahlerey von J.D. Fiorillo. (J.G. Rosenbusch, 1798), by Johann Dominik Fiorillo (page images at HathiTrust)
• Œuvres complètes d'Antoine-Raphaël Mengs ... contenant différens traités sur la théorie de la peinture. Traduit de l'Italien ... (A l'Hôtel de Thou, 1786), by Anton Raphael Mengs and José Nicolás de Azara (page images at HathiTrust)
• Dissertation sur les ouvrages des plus fameux peintres. (Chez Nicolas Langlois ..., 1681), by Roger de Piles (page images at HathiTrust)
• Rhymes on art, or, The remonstrance of a painter: in two parts; with notes, and a preface, including strictures on the state of the arts, criticism, patronage, and publick taste. (Published by John F. Watson, 1811), by Martin Archer Shee (page images at HathiTrust)
• Lectures on painting, delivered at the Royal Academy. (Colburn, 1830), by Henry Fuseli (page images at HathiTrust)
• Notice des tableaux exposés dans la galerie du Musée royal. (C. Ballard, 1823), by des dessins et de la chalcographie Musée du Louvre. Département des peintures (page images at HathiTrust)
• A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters; in which is included a short biographical notice of the artists, with a copious description of their principal pictures; a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference to the galleries and private collections, in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools: (Smith and son, 1908), by John Smith (page images at HathiTrust)
• Museo di pittura e scultura : ossia raccolta dei principali quadri, statue e bassirilievi delle gallerie pubbliche e private d'Europa (Paolo Fumagalli, 1837), by Etienne Achille Réveil and Jean Duchesne (page images at HathiTrust)
• The old masters and their pictures : for the use of schools and learners in art (Roberts, 1880), by Sarah Tytler (page images at HathiTrust)
• Ruskin on painting, with a biographical sketch. (Appleton, 1882), by John Ruskin (page images at HathiTrust)
• The seven lamps of architecture. Architecture and painting (D. Appleton, 1901), by John Ruskin and Russell Sturgis (page images at HathiTrust)
• Catalogue illustré d'après les dessins originaux des artistes et divers documents. (Librairie des Imprimeries Réunies, 1891), by Musée national du Luxembourg (France) (page images at HathiTrust)
• Modern painters (J. Wiley, 1880), by John Ruskin (page images at HathiTrust)
• Evolution in Italian art (G. Richards, 1908), by Grant Allen and J. W. Cruickshank (page images at HathiTrust)
• The world's painters since Leonardo; being a history of painting from the Renaissance to the present day. (Duffield, 1906), by James William Pattison and James William. 1844-1915 Pattison (page images at HathiTrust)
• Catalogue des tableaux anciens et modernes, objets d'art et d'ameublement (Imprimerie Mame, 1904), by Alfred Henri Armand Mame, L. Roger-Milès, and Paul Jules Amand Mame (page images at HathiTrust)
• The graphic arts; a treatise on the varieties of drawing, painting, and engraving, in comparison with each other and with nature (Little, Brown, and company, 1902), by Philip Gilbert Hamerton (page images at HathiTrust)
• Berlin and its treasures. (D. Appleton and Company, 1867) (page images at HathiTrust)
• Critical reflections on poetry (Printed for J. Nourse, 1748), by abbé Dubos and Thomas Nugent (page images at HathiTrust)
• What is a painting? (Metropolitan Museum of Art, 1958), by John Canaday (page images at HathiTrust)
• Expressionism (Metropolitan Museum of Art, 1958), by John Canaday and Metropolitan Museum of Art (New York, N.Y.) (page images at HathiTrust)
• Sententiæ artis : first principles of art for painters and picture lovers (Wm. Isbister, 1886), by Harry Quilter (page images at HathiTrust)
• Handbook of the Benjamin Altman Collection. (New York, 1928), by N.Y.). Benjamin Altman Collection Metropolitan Museum of Art (New York and Benjamin Altman (page images at HathiTrust)
• W.M. Hunt's talks about art. With a letter from J.E. Millais. (Macmillan, 1878), by William Morris Hunt and Helen M. Knowlton (page images at HathiTrust)
• M. Johann Dauws wohlunterrichteter und kunsterfahrner Schilderer und Maler. (Kopenhagen und Leipzig, Im Verlag der Rothischen Buchhandlung, 1755), by Johan Dauw and Charles Bertram (page images at HathiTrust)
• Classic myths in art; an account of Greek myths as illustrated by great artists (L. C. Page & Company, 1905), by Mrs. Julia de Wolf Gibbs Addison (page images at HathiTrust)
• I Musei di Pietroburgo (Istituto italiano d'arti grafiche, 1914), by James V. Schmidt, Louis Réau, and Italy) Istituto italiano d'arti grafiche (Bergamo (page images at HathiTrust)
• The fine art collection of Glasgow (Maclehose, 1906), by Glasgow Art Gallery and Museum and James Paton (page images at HathiTrust)
• Idea della perfezione della pittura di Mr. Rolando Freart (Appresso Carli e compo. in Borgo SS. Apostoli, 1809), by Roland Fréart, Onofrio Boni, Domenico Moreni, and Anton Maria Salvini (page images at HathiTrust)
• W. M. Hunt's talks about art : with a letter from J. E. Millais. (Macmillan, 1877), by William Morris Hunt (page images at HathiTrust)
• Dictionnaire abrégé de peinture et d'architecture (Chez Nyon fils :, 1746), by François-Marie de Marsy (page images at HathiTrust)
• [Collection of essays. (n.p., 1912), by Frank Jewett Mather (page images at HathiTrust)
• Catalogue des tableaux modernes : tableaux anciens ... sculptures ... tapisseries anciennes, composant la collection de M.A. Beurdeley (Galerie Georges Petit, 1920), by Alfred Beurdeley and Galerie Georges Petit (page images at HathiTrust)
• Katalog der ausgewählten und reichhaltigen Gemälde-sammlung des Rentners herrn Edward Habich zu Cassel. (Dumont-Schauberg, 1892), by Edward Habich (page images at HathiTrust)
• Memorie Trevigiane : sulle opere di disegno dal mille e cento al mille ottocento : per servire alla storia delle belle arti d'Italia. (Presso Francesco Andreola, 1803), by Domenico Maria Federici (page images at HathiTrust)
• Venezia e le sue lagune. (Antonelli, 1847), by Giovanni Correr and Italy) Riunione degli scienziati italiani (9th : 1847 : Venice (page images at HathiTrust)
• La peinture. Les lois essentielles.--Les moyens et le but.--Le beau et la divine comédie des arts entre eux. (J. Rouam & co., 1904), by Jules Breton (page images at HathiTrust)
• Gems of ancient art, or Select specimens from the old masters, consisting of forty engravings (Printed by Howlett and Brimmer, 1827) (page images at HathiTrust)
• I principi scientifici del divisionismo; la tecnica della pittura. (Fratelli Bocca, 1906), by Gaetano Previati (page images at HathiTrust)
• Le Gallerie nazionali di Roma : la galleria Borghese e la galleria nazionale d'arte antica nel Palazzo Corsini (Istituto italiano d'arti grafiche, 1901), by Federico Hermanin, Galleria nazionale d'arte antica (Italy), Galleria Borghese, and Italy) Istituto italiano d'arti grafiche (Bergamo (page images at HathiTrust)
• Modern painters : their superiority in the art of landscape painting to all the ancient masters, proved by examples of the true, the beautiful, and the intellectual from the works of modern artists, especially from those of J. M. W. Turner (Smith, Elder, 1843), by John Ruskin (page images at HathiTrust)
• Picture studies; studies of one hundred five of the world's famous pictures best adapted for use in the schools and for schoolroom decoration (The University publishing company, 1917), by Alice Florer and Orlin H. Venner (page images at HathiTrust)
• The Munich galleries : being a history of the progress of the art of painting ... (St. Botolph Society, 1912), by Florence Jean Ansell and Frank Roy Fraprie (page images at HathiTrust)
• Kulturhistorisk bilderbok, 1400-1900. (P.A. Norstedt & Söner, 1905), by Carl G. Laurin (page images at HathiTrust)
• Thoughts about art (Macmillan and co., 1862), by Philip Gilbert Hamerton (page images at HathiTrust)
• Modern painters (Smith, Elder and Co., 1856), by John Ruskin, Bruce Rogers, and Pforzheimer Bruce Rogers Collection (Library of Congress) (page images at HathiTrust)
• Modern painters (J. Wiley, 1869), by John Ruskin (page images at HathiTrust)
• Modern painters (J. Wiley, 1848), by John Ruskin and A graduate of Oxford (page images at HathiTrust)
• Les merveilles de la peinture (Librairie de L. Hachette etc., 1869), by Louis Viardot (page images at HathiTrust)
• Modern painters. (Wiley & Halsted, 1857), by John Ruskin (page images at HathiTrust)
• Modern painters. (Wiley, 1853), by John Ruskin (page images at HathiTrust)
• Reynolds' works (Printed for T. M'Lean, 1824), by Joshua Reynolds and Charles-Alphonse Dufresnoy (page images at HathiTrust)
• Modern painters of many things. (Wiley & Halsted, 1858), by John Ruskin (page images at HathiTrust)
• Méthode et entretiens d'atelier (Typ. de L. Guérin, 1867), by Thomas Couture (page images at HathiTrust)
• The epochs of painting : a biographical and critical essay on painting and painters of all times and many places (Chapman and Hall, 1864), by Ralph Nicholson Wornum (page images at HathiTrust)
• Grammaire des arts du dessin : architecture, sculpture, peinture (Ve. Jules Renouard, 1867), by Charles Blanc (page images at HathiTrust)
• Phrenology applied to painting and sculpture (Simpkin, Marshall, and Co. ;, 1855), by George Combe (page images at HathiTrust)
• Hand-book for young painters (John Murray, 1870), by Charles Robert Leslie (page images at HathiTrust)
• Modern painters (J. Wiley, 1860), by John Ruskin (page images at HathiTrust)
• Famous painters and paintings (Houghton, Mifflin and company, 1900), by Julia Ann Clark Shedd (page images at HathiTrust)
• One hundred masterpieces of painting (J. Lane, 1910), by Robert Clermont Witt (page images at HathiTrust)
• Twelve great paintings; personal interpretations (The Prang company, 1913), by Henry Turner Bailey (page images at HathiTrust)
• Wallace collection catalogues; pictures & drawings, with historical notes short lives of painters ... (H.M. Stationery Off., 1920), by England) Wallace Collection (London and D. S. MacColl (page images at HathiTrust)
• Schöne Mensch in der Kunst aller Zeiten ([The author], 1912), by Georg Hirth (page images at HathiTrust)
• Reflexions critiques sur la poesie et sur la peinture. (Chez P.-J. Mariette, 1740), by abbé Dubos (page images at HathiTrust)
• Della imitazione pittorica, della eccellenza della opere di Tiziano (Alvisopoli, 1818), by Andrea Maier and S. Ticozzi (page images at HathiTrust)
• Annales du Musée et de l'École moderne des beaux-arts : Recueil de gravures au trait, contenant la collection complète des peintures et sculptures de Musée Napoléon; et de celui de Versailles; les objets les plus curieux du Musée des monumens français; les principales productions des artistes vivans, en peinture, sculpture et architecture, édifices publics, etc; aven des notices historiques et critiques (C. P. Landon, 1800), by C. P. Landon (page images at HathiTrust)
• The book of art for young people (A. and C. Black, 1914), by Agnes Ethel Conway and William Martin Conway (page images at HathiTrust)
• Der schoene Mensch im Altertum. Eine Geschichte des Koerperideals bei Aegyptern, Orientalen u. Griechen. (Hirth, 1912), by Heinrich Bulle (page images at HathiTrust)
• Practical hints on colour in painting : illustrated by examples from the works of the Venetian, Flemish, and Dutch schools (J. Carpenter, 1827), by John Burnet (page images at HathiTrust)
• Exposition universelle, 1900 ; The chefs-d'œuvre : (G. Barrie & Son, 1900), by William Walton, André Saglio, and Victor Champier (page images at HathiTrust)
• Die Welt der Künstler : Gruppen künstlerischer Darstellung (O. Maier, 1913), by Ernst Wilhelm Bredt (page images at HathiTrust)
• Studio, field, and gallery : a manual of painting for the student and amateur, with information for the general reader (D. Appleton and Co., 1878), by Horace J. Rollin (page images at HathiTrust)
• Die Entwickelung der modernen Malerei. (A.-G. (vormals J.F. Richter), 1897), by W. von Seidlitz (page images at HathiTrust)
• Students' text-book of color : or, modern chromatics, with applications to art and industry (D. Appleton and Company, 1908), by Ogden N. Rood (page images at HathiTrust)
• Stories pictures tell (Rand, McNally & Company, 1918), by Flora L. Carpenter (page images at HathiTrust)
• Letters on connoisseurship : or The anatomy of a picture. With some remarks on national galleries, and the mission of the modern artist. (Chapman and Hall, 1857), by William Noy Wilkins (page images at HathiTrust)
• Aretino : oder Dialog über Malerei (W. Braümuller, 1888), by Lodovico Dolce, Rudolf von Eitelberger von Edelberg, and Cajetan Cerri (page images at HathiTrust)
• Cyclopedia of painters and paintings (C. Scribner's, 1915), by John Denison Champlin and Charles C. Perkins (page images at HathiTrust)
• Estimates in art. (AMS Press, 1971), by Frank Jewett Mather (page images at HathiTrust)
• Modern painters. (G. Routledge, 1856), by John Ruskin (page images at HathiTrust)
• Vergleichende gemäldestudien : neue folge. (G. Müller, 1910), by Karl Voll (page images at HathiTrust)
• The art of looking at pictures; an introduction to the old masters (Dodd, Mead and company, 1921), by Carl Hammond Philander Thurston (page images at HathiTrust)
• The story of the masterpieces (Curts & Jennings;, 1906), by Charles Macaulay Stuart (page images at HathiTrust)
• The Appreciation of painting (Scribner, 1921), by Percy Moore Turner (page images at HathiTrust)
• One hundred masterpieces of painting; with an introduction. (Methuen, 1910), by Robert Clermont Witt (page images at HathiTrust)
• Notes on the science of picture-making (F. A. Stokes, 1919), by C. J. Holmes (page images at HathiTrust)
• Geschichte der italienischen Malerei vom 4. bis ins 16. Jahrhundert. (Ebner & Seubert, 1878), by Wilhelm Lübke (page images at HathiTrust)
• Notice des tableaux exposés dans les galeries du Musée national du Louvre. (Charles De Mourgues frères, 1881), by Musée du Louvre, L. Both de Tauzia, and Frédéric Villot (page images at HathiTrust)
• Pre-Raphaelitism and notes on the prinicipal pictures in the Royal Academy, The Society of Painters in Water Colours, etc. (G. Routledge;, 1907), by John Ruskin (page images at HathiTrust)
• Sixty years' memories of art and artists. ([News Print. Wallace & Andrews], 1900), by Benjamin Champney (page images at HathiTrust)
• W.M. Hunt's talks about art. (Macmillan, 1882), by William Morris Hunt and Helen M. Knowlton (page images at HathiTrust)
• Modern painters (Blackfriars, 1890), by John Ruskin (page images at HathiTrust)
• Die Meisterwerke der Kgl. Älteren Pinakothek zu München : 263 Kunstdrucke nach den Originalgemälden nach photographischen Neuaufnahmen 1905, (Hanfstaengl, 1905), by Germany) Alte Pinakothek (Munich and Karl Voll (page images at HathiTrust)
• Ett hem; tjugufyra maliningar med text. (Bonnier, 1913), by Carl Larsson (page images at HathiTrust)
• Allies in art : a collection of works in modern art by artists of the allied nations. Collection d'œouvres d'art moderne par des artistes des nations alliées (Colour Ltd., 1917), by Édouard J. Claes, Herbert Furst, and Ltd Colour (page images at HathiTrust)
• The Salon of 1890; one hundred plates in photogravure and etchings (Goupil & Co.;, 1890), by Armand Dayot, Henry Bacon, and Goupil & Cie (page images at HathiTrust)
• Rhymes on art (W. Miller, 1809), by Martin Archer Shee (page images at HathiTrust)
• Rhymes on art (J. Murray; [etc., etc.], 1806), by Martin Archer Shee (page images at HathiTrust)
• Extrait des différents ouvrages publiés sur la vie des peintres ... (Ruault, 1776;, 1972), by Denis-Pierre-Jean Papillon de La Ferté (page images at HathiTrust)
• Katalog der Staatlichen Gemäldegalerie zu Dresden (Firmen, 1920), by Germany) Gemäldegalerie (Dresden and Hans Posse (page images at HathiTrust)
• Maler-aesthetik (J. H. E. Heitz, 1902), by Hermann Popp (page images at HathiTrust)
• Katalog vystavki kartin rannego vozrozhdenii︠a︡ v Italii. (Komitet Populiarizatsii Khudozhestvennʹikh Izdannĭ pri Possiĭskoĭ Akademii Istorii Materialʹnoĭ Kultury, 1922), by Gosudarstvennyĭ Ėrmitazh (Russia) and Alexandre Benois (page images at HathiTrust)
• Das Erlernen der Malerei. Ein Handbuch. (P. Cassirer., 1908), by Lovis Corinth (page images at HathiTrust)
• The two paths; Lectures of architecture and painting, pre-Raphaelitism, and notes on the Turner gallery. (Cassell, 1908), by John Ruskin (page images at HathiTrust)
• Drawing and painting, American encyclopedia, 1807. (J. Low, 1807), by John Low (page images at HathiTrust)
• La Giralda. (Impr. & fonderie de Rignoux, 1840), by L. Curmer (page images at HathiTrust)
• Shoga kenkyūhō : kaihō (Kōkadō, 1915), by Mokuhō Maeda (page images at HathiTrust)
• Sentimens des plus habiles peintres sur la pratique de la peinture et sculpture : mis en tables de preceptes, avec plusieurs discours academiques, ou conferences tenuës en l'Académie royale desdits arts ... (Veuve Mabre-Cramoisy, 1696), by Henri Testelin (page images at HathiTrust)
• Instructions for Kensington lustra and hand painting. (J.F. Ingalls, 1886), by J Fred Ingalls (page images at HathiTrust)
• Modern painters; selections. (H.M. Caldwell, 1874), by John Ruskin (page images at HathiTrust)
• A painter's philosophy ... (E. Mathews, 1904), by Alfred Stevens (page images at HathiTrust)
• Modern painters (G. Allen, 1903), by John Ruskin and Lionel Cust (page images at HathiTrust)
• Lectures on architecture and painting delivered at Edinburg, in November, 1853. (Merrill and Baker, 1895), by John Ruskin (page images at HathiTrust)
• Modern painters (G. Allen, 1908), by John Ruskin (page images at HathiTrust)
• Discursos leidos ante la Real Academia de Bellas Artes de San Fernando, en la recepción pública del Ilmo. (M. Tello, 1880), by Manuel Cañete and Real Academia de Bellas Artes de San Fernando (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh in November 1853. (John Wiley, 1864), by John Ruskin (page images at HathiTrust)
• Art treasures from paintings of famous artists. (Carson & Simpson, 1897) (page images at HathiTrust)
• Students' text-book of color : or, modern chromatics, with applications to art and industry (D. Appleton and Company, 1916), by Ogden N. Rood (page images at HathiTrust)
• Ricche minere della pittura veneziana (F. Nicolini, 1674), by Marco Boschini, Francesco Nicolini, and Pre-1801 Imprint Collection (Library of Congress) (page images at HathiTrust)
• Propos d'un peintre (Librairie de l'art indépendant, 1895), by Henry Detouche and Félicien Rops (page images at HathiTrust)
• Élémens de peinture pratique (Chez Arkstée & Merkus, libraires ;, 1776), by Roger de Piles, Charles-Antoine Jombert, and Arkstée et Merkus (page images at HathiTrust)
• Beschreibendes Verzeichnis der Gemälde im Kaiser Friedrich-Museum. (G. Reimer, 1906), by Kaiser-Friedrich-Museum and Königliche Museen zu Berlin. Gemälde-galerie (page images at HathiTrust)
• Description des tableaux de la Galerie Royale et du cabinet de Sans-Souci. (Chez Chretien Frederic Voss, 1771), by Matthias Oesterreich and Germany) Schloss Sanssouci (Potsdam (page images at HathiTrust)
• The works of Sir Joshua Reynolds, Knt., late president of the Royal Academy : containing his Discourses, Idlers, A journey to Flanders and Holland (now first published), and his Commentary on Du Fresnoy's Art of painting : printed from his revised copies (with his last corrections and additions,) in two volumes : to which is prefixed An account of the life and writings of the author (Printed for T. Cadell, Jun. and W. Davies ..., 1797), by Joshua Reynolds, William Davies, T. Cadell, Caroline Watson, Charles-Alphonse Dufresnoy, and Edmond Malone (page images at HathiTrust)
• Réflexions sur la peinture (Chez Gaspar Fritsch, 1775), by Christian Ludwig von Hagedorn, Gaspar Fritsch, and M. Huber (page images at HathiTrust)
• Annales de la peinture : ouvrage contenant l'histoire des écoles d'Avignon, d'Aix et de Marseille : précédée de l'historique des peintres de l'antiquité, du moyen-âge, et des diverses écoles du midi de la France ... (Ch. Albessard et Bérard, 1862), by Étienne Parrocel (page images at HathiTrust)
• Le pitture di Bologna : che nella pretesa, e rimostrata sin'ora da altri maggiore antichita, e impareggiabile eccellenza nella pittura, con manifesta evidenza di fatto, rendono Il passeggiere disingannato, ed instrutto (Nella Stamperia del Longhi, 1755), by Carlo Cesare Malvasia, Stamperia del Longhi, and Italy) Accademia dei Gelati (Bologna (page images at HathiTrust)
• Dialoghi familiari sopra la pittura : difesa, ed esaltata (Per D. Antonio Valenza ..., 1788), by da San Biagio Fedele and Pio Onorato (page images at HathiTrust)
• Lezione di Filippo Baldinucci (Stamperia di P. Matini, 1692), by Filippo Baldinucci, Piero Matini, and Accademia della Crusca (page images at HathiTrust)
• Dialogues sur les arts : entre un artiste ameriquain et un amateur françois. (Chez Duchesne, libraire ..., 1755), by Pierre Estève (page images at HathiTrust)
• Causeries réflexions et souvenirs sur la peinture (H. Paulin, 1905), by J. F. C. Clère (page images at HathiTrust)
• Dialoghi sopra le tre arti del disegno. ([s.n.], 1770), by Giovanni Gaetano Bottari, Niccolò Berrettoni, Benoît Farjat, and Carlo Maratti (page images at HathiTrust)
• Lettera di Filippo Baldinvcci (Per Piero Matini ..., 1687), by Filippo Baldinucci and Piero Matini (page images at HathiTrust)
• Modern painters (G. Routledge & Sons ltd. ;, 1907), by John Ruskin (page images at HathiTrust)
• Il Figino, overo, Del fine della pittvra : dialogo (Per Francesco Osanna ..., 1591), by Gregorio Comanini (page images at HathiTrust)
• Le pitture di Bologna : che nella pretesa, e rimostrata sin'ora da altri maggiore antichità, e impareggiabile eccellenza nella pittura, con manifesta evidenza di fatto, rendono il passeggiere disingannato, ed istrutto (Nella stamperia del Longhi, 1766), by Carlo Cesare Malvasia, C. Bianconi, Giampietro Zanotti, and Stamperia del Longhi (page images at HathiTrust)
• Handbuch der Gemäldekunde (J.J. Weber, 1894), by Theodor von Frimmel (page images at HathiTrust)
• Memoria storico critica sopra la pittura. (Per li Penada, 1811), by Antonio Neumayr (page images at HathiTrust)
• Le peintre converty aux precises et universelles regles de son art : avec un raissonnement abregé au sujet des tableaux, basreliefs & autres ornemens que l'on peut faire sur les diverses superficies des bastimens : et quelques advertissemens contre les erreurs que des nouveaux écrivains veulent introduire dans la pratique de ces arts (Par A. Bosse, 1667), by Abraham Bosse (page images at HathiTrust)
• Discorso intorno alla scoltvra et pittvra (Appresso Christoforo Draconi, 1584), by Alessandro Lamo and Cristoforo Draconi (page images at HathiTrust)
• L'art de peindre. Poëme. Avec des réflexions sur les différentes parties de la peinture. (De l'impr. de H.L. Guerin & L.F. Delatour, 1760), by Claude-Henri Watelet, Louis François Delatour, Hippolyte-Louis Guérin, and Jean-Baptiste Marie Pierre (page images at HathiTrust)
• Dialoghi tra Claro, e Sarpiri per istruire chi desidera d'essere un eccellente pittore figurista. (Per Ferdinando Pisarri, 1778), by Carlo Antonio 1720- Pisarri and Ferdinando Pisarri (page images at HathiTrust)
• Graphice (Ex officina Endteriana, 1669), by Johannes Scheffer (page images at HathiTrust)
• Trattato della nobiltà della pittura (Per Francesco Zannetti, 1585), by Romano Alberti (page images at HathiTrust)
• De pictvra, plastice, statvaria libri dvo (Sumptibus Ludovici Prost ..., 1627), by Jules César Boulenger and Pre-1801 Imprint Collection (Library of Congress) (page images at HathiTrust)
• Descrizione ragionata della Galleria Doria : preceduta da un breve saggio di pittura (Presso Luigi Perego Salvioni, 1794), by Salvatore Tonci, Luigi Perego Salvioni, and Galleria Doria Pamphilj (page images at HathiTrust)
• Lectures on painting : delivered at the Royal Academy March 1801 (Printed for J. Johnson, 1801), by Henry Fuseli, William Blake, and Francis Legat (page images at HathiTrust)
• La peinture : poëme : traduit du latin (Chez Morel ... :, 1740), by François-Marie de Marsy, Bernard Picart, and A.-G. Meusnier de Querlon (page images at HathiTrust)
• Painter's voiage of Italy (Printed for Tho. Flesher at the Angel and Crown in S. Pauls church-yard, 1679), by Giacomo Barri and William Lodge (page images at HathiTrust)
• Idee de la perfection de la peinture (de l'imprimerie de Iacqves Ysambart, 1662), by Roland Fréart (page images at HathiTrust)
• Paysage : entretiens d'atelier [2. volume] ([s.n.], 1869), by Thomas Couture (page images at HathiTrust)
• Esame ragionato sopra la nobiltá della pittura e della scultura (Per Vincenzo Mazzola-Vocola, 1783), by Niccola Passeri and Vincenzo Mazzola-Vocola (page images at HathiTrust)
• Delle tre arti della pittura, scultura e architettura : orazione (Per Lelio dalla Volpe impressore dell' Instit. delle Scienze, 1767), by Girolamo Desideri and Petronio Dalla Volpe (page images at HathiTrust)
• Trattato della pittvra (Per li Giunti, 1642), by Francesco Domenico Bisagno (page images at HathiTrust)
• Ricerche sopra le bellezze della pittura e sul merito de' piu celebri pittori antichi e moderni (Antonio Zatta e figli, 1791), by Daniel Webb and Maria Quarin Stampalia (page images at HathiTrust)
• Saggio istorico della Real galleria di Firenze. (Per Gaet Cambiagi ..., 1779), by Giuseppe Pelli Bencivenni and Gaetano Cambiagi (page images at HathiTrust)
• Synthèse de l'esthétique : la peinture (Chamuel, 1895), by F. Ch. Barlet and J. Lejay (page images at HathiTrust)
• La pittvra trionfante (Da Giouanni Alberti, 1615), by Giulio Cesare Gigli, il Giovane Palma, and Odoardo Fialetti (page images at HathiTrust)
• Theoretisch-praktisches Handbuch fuer Maler, Illuminirer, Zeichner, Kupferstecher, Kupferdrucker und Formschneider : worinnen man den Gebrauch der Farben nebst Zubereitung derselben nach systematischen Grundsätzen bekannter Autoren, sehr leicht erkennen und erlernen kann : nebst einer praktischen Abhandlung von den verschiedenen Arten der Malerey, auf Leinwand, Seide, Glas, Wachs, Mauern, mit Oel, en miniature oder Pastell zu arbeiten ... (Im Verlag bey Mathias Ludwig, in der Singerstrasse, 1792), by Tobias Querfurt, Joseph Hraschanzky, and 18th cent Fritsch (page images at HathiTrust)
• Arcadia pictórica en sueño, alegoría (Por Don Antonio de Sancha, 1789), by Francisco Preciado de la Vega and Antonio de Sancha (page images at HathiTrust)
• La vie de Pierre Mignard, premiere peintre du roy (Chez Jean Boudout & Jacques Guerin, 1730), by Simon Philippe Mazière de Monville, François de Salignac de La Mothe- Fénelon, and Molière (page images at HathiTrust)
• Le scelte pitture di Brescia additate al forestiere. (G.-M. Rizzardi, 1700), by Giulio Antonio Averoldo and Giammaria Rizzardi (page images at HathiTrust)
• Regras da arte da pintura : com breves reflexões criticas sobre os caracteres distinctivos de suas escolas, vidas, e quadros de seus mais célebres professores (Impressão Regia, 1815), by Michelangelo Prunetti, D. J. Silva, and José da Cunha Taborda (page images at HathiTrust)
• L'art et les artistes : critique, esthétique (C. Muquardt, 1877), by Émile Leclercq (page images at HathiTrust)
• Trattato della pittura di Leonardo da Vinci, condotto sul cod. Vaticano Urbinate 1270, con prefazione (Unione cooperative editrice, 1890), by Leonardo da Vinci, Gaetano Milanesi, Giorgio Vasari, Marco Tabarrini, and Biblioteca apostolica vaticana (page images at HathiTrust)
• La peinture : Les lois essentielles. Les moyens et le but. Le beau et la divine comédie des arts entre eux. L'odyssée de la Muse, conte historique (Librairie Georges Baranger, 1904), by Jules Breton (page images at HathiTrust)
• Pinacoteca del palazzo reale delle scienze e delle arti di Milano (Dalla Stamperia Reale, 1812), by Michele Bisi, Robustiano Gironi, and Palazzo reale di Milano (page images at HathiTrust)
• Arte della pittura di Carlo Alfonso du Fresnoy (A spese di Giuseppe Monti Roisecco in Piazza Navona, 1775), by Charles-Alphonse Dufresnoy, Giampietro Zanotti, Giuseppe Monti Roisecco, Ignazio Benedetti, and Francesco Algarotti (page images at HathiTrust)
• Old and modern masters in the collection of M.C.D. Borden (Priv. print., 1911), by Matthew C. D. Borden, August F. Jaccaci, and Wilhelm Reinhold Valentiner (page images at HathiTrust)
• Minere della pittvra (Appresso Francesco Nicolini, 1664), by Marco Boschini (page images at HathiTrust)
• Lettres familieres de M. Winckelmann : avec Les oeuvres de M. le Chevalier Mengs. ([publisher not identified], 1784), by Johann Joachim Winckelmann, Anton Raphael Mengs, and Christian Gottlob Heyne (page images at HathiTrust)
• Students' text-book of color; or, Modern chromatics, with applications to art and industry. (D. Appleton and company, 1881), by Ogden N. Rood (page images at HathiTrust)
• Pittvra di Leonbattista Alberti (Appresso Gabriel Giolito de Ferrari, 1547), by Leon Battista Alberti and Lodovico Domenichi (page images at HathiTrust)
• Dialogo della pittvra, intitolato l'Aretino (Gabriel Giolito de'Ferrari, 1557), by Lodovico Dolce and Pietro Aretino (page images at HathiTrust)
• Cours de peinture par principes (Du fonds de Jombert :, 1791), by Roger de Piles, Firmin Didot, Théophile Barrois, and Alexandre Jombert (page images at HathiTrust)
• La peinture; poëme en trois chants. (Chez Le Jay, 1769), by Antoine-Marin Le Mierre and Charles Nicolas Cochin (page images at HathiTrust)
• De pictura ([s.n.] ;, 1540), by Leon Battista Alberti, Bartholomeus Westheimer, and Thomas Venatorius (page images at HathiTrust)
• Finezze de pennelli italiani, ammirate e studiate da Girupeno sotta la scorta e disciplina del genio di Raffaello d'Urbino (Per G.A. Magri, Stampatore, 1674), by Luigi Pellegrini Scaramuccia and Leonardo da Vinci (page images at HathiTrust)
• Dialogue sur la peinture de Lovis Dolce, intitulè l'Aretin (Michele Nestenus e Francesco Moücke, 1735), by Lodovico Dolce, Nicolas Vleughels, and Pietro Aretino (page images at HathiTrust)
• Dialogo di pittura di messer Paolo Pino (Per Pauolo Gherardo, 1548), by Paolo Pino (page images at HathiTrust)
• The grammar of painting and engraving (Hurd and Houghton, 1875), by Charles Blanc (page images at HathiTrust)
• Wissenschaftliches Verzeichnis der älteren Gemälde der Galerie Weber in Hamburg (W. Hoffmann, 1892), by Karl Woermann (page images at HathiTrust)
• Discvrsos apologeticos (Por Luis Sanchez., 1626), by Juan de Butrón and Luis Sánchez (page images at HathiTrust)
• Idea del tempio della pittvra (per Paolo Gottardo Pontio, 1590), by Giovanni Paolo Lomazzo (page images at HathiTrust)
• Essais sur la peinture (Chez Fr. Buisson ..., 1795), by Denis Diderot and François Buisson (page images at HathiTrust)
• Dialogos de la pintura (Impresso con licencia por Frco. Martinez, 1633), by Vicente Carducho (page images at HathiTrust)
• Elegant arts for ladies : comprising ... (Ward and Lock, 1856) (page images at HathiTrust)
• Famous paintings selected from the world's great galleries and reproduced in colour (Cassell, 1913), by G. K. Chesterton (page images at HathiTrust)
• The table book of art a history of art in all countries and ages (G. Virtue, 1870), by Phillip T. Sandhurst (page images at HathiTrust)
• Notes on an exhibition of some old masterpieces at Laval University that have lately been restored by J. Purves Carter including the two celebrated altar pieces that were seriously damaged by fire in the Seminary chapel : exhibition open June 10th to 18th inclusive (s.n.], 1909), by G. M. Fairchild (page images at HathiTrust)
• Collection de peintures notes sur les toiles originales. (s.n., 1870) (page images at HathiTrust)
• Notes on pictures at the O.S.A. exhibition (s.n., 1911), by Ontario Society of Artists (page images at HathiTrust)
• American painting book. (L. Prang & Co., 1871), by Theodor Kaufmann (page images at HathiTrust)
• The works of John Ruskin. (J.B. Alden, 1885), by John Ruskin (page images at HathiTrust)
• Talks on art. (Houghton Mifflin, 1883), by William Morris Hunt and Helen M. Knowlton (page images at HathiTrust)
• Hints for pupils in drawing and painting (Houghton, Osgood and Company, 1880), by Helen M. Knowlton, William Morris Hunt, and Rogers Memorial Collection (page images at HathiTrust)
• The great painters' gospel; pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative study (W.A. Wilde company, 1900), by Henry Turner Bailey (page images at HathiTrust)
• Six lectures on painting, delivered to the students of the Royal academy of arts in London, January, 1904 (Dutton, 1906), by George Clausen (page images at HathiTrust)
• Gemäldekunde. (J. J. Weber, 1904), by Theodor von Frimmel (page images at HathiTrust)
• Catalogue of the royal picture gallery in Dresden. With an historical introduction and notices concerning the acquisition and signatures of the paintings. (W. Hoffmann, 1880), by Germany) Gemäldegalerie (Dresden and Julius Hübner (page images at HathiTrust)
• Sketches of great painters (Stewart and Kidd company, 1915), by Edwin Watts Chubb (page images at HathiTrust)
• Talks on art. (Houghton, Osgood, 1880), by William Morris Hunt, Helen M. Knowlton, and Helen Mary Knowlton (page images at HathiTrust)
• General description of Sir John Soane's Museum, with brief notices of some of the more interesting works of art. (Printed by H. Hart, 1905), by Sir John Soane's Museum (page images at HathiTrust)
• Oil painting ; a handbook for the use of students and schools (Cassell, 1885), by Frank Fowler (page images at HathiTrust)
• Hints for pupils in drawing and painting. (Houghton, Osgood and Company, 1879), by Helen M. Knowlton and William Morris Hunt (page images at HathiTrust)
• Great pictures as seen and described by famous writers (Dodd, Mead and Co., 1902), by Esther Singleton (page images at HathiTrust)
• Modern painters (G. Allen, 1883), by John Ruskin (page images at HathiTrust)
• Modern painters (Smith, Elder, 1873), by John Ruskin and R. Dyke Benjamin (page images at HathiTrust)
• "Modern painters." General index, bibliography, and notes (G. Allen, 1888), by John Ruskin, George Allen, Alexander D. O. Wedderburn, and Watson & Viney Hazell (page images at HathiTrust)
• Art for art's sake ; seven university lectures on the technical beauties of painting. (C. Scribner's sons, 1902), by John C. Van Dyke (page images at HathiTrust)
• Rare books and their prices; with chapters on pictures, pottery, porcelain, and postage stamps. (G. Redway;, 1896), by W. Roberts (page images at HathiTrust)
• Modern painters, vol. II. "Of ideas of beauty" and "Of the imaginative faculty," (C. E. Merrill, 1891), by John Ruskin (page images at HathiTrust)
• Art for art's sake : seven university lectures on the technical beauties of painting (C. Scribner's Sons, 1895), by John Charles Van Dyke (page images at HathiTrust)
• A manual of oil painting ... (Cassell & Co., Ltd., 1891), by John Collier (page images at HathiTrust)
• Salon de 1893, Société des artistes français et Société nationale des beaux-arts. (L. Baschet, 1893), by Olivier Merson (page images at HathiTrust)
• The Salons of 1904. (Goupil, Manzi, Joyant, 1904), by Maurice Hamel (page images at HathiTrust)
• Cyclopedia of painters and paintings (C. Scribner's sons, 1886), by John Denison Champlin and Charles C. Perkins (page images at HathiTrust)
• Recompense : with twenty illustrations from celebrated paintings by the great masters (F. A. Stokes, 1901), by Georgiana Klingle Holmes (page images at HathiTrust)
• Pictures that every child should know; a selection of the world's art masterpieces for young people (Doubleday, Page & Company, 1908), by Mary Schell Hoke Bacon (page images at HathiTrust)
• Masterpieces of the great artists, a.d. 1400-1700 (G. Bell and sons, 1895), by N. D'Anvers (page images at HathiTrust)
• Pictures and their painters; the history of painting (John Lane Co., 1907), by Lorinda Munson Bryant (page images at HathiTrust)
• Figure painting applied to architecture ... Address before the architectural league, November 5, 1888. ([New York, 1888), by Frederic Crowninshield (page images at HathiTrust)
• The graphic arts; a treatise on the varieties of drawing, painting, and engraving, in comparison with each other and with nature. (Roberts, 1889), by Philip Gilbert Hamerton (page images at HathiTrust)
• Malerei und Zeichnung. (Verlag von Authur Georgi, 1899), by Max Klinger (page images at HathiTrust)
• Notice des tableaux exposés dans les galeries du Musée national du Louvre (Imprimeries réunies, 1883), by Musée du Louvre, Frédéric Villot, and L. Both de Tauzia (page images at HathiTrust)
• Moderne Probleme der Malerei; Vortrag, gehalten auf dem Kongress von St. Louis, 1904. (W.G. Mühlau, 1907), by Kakuzō Okakura and Mo.) Louisiana Purchase Exposition (1904 : Saint Louis (page images at HathiTrust)
• The real and ideal, the beautiful and the true, or art in the nineteenth century : With illustrations from the Royal Academy exhibition of 1876 ; a plain treatise, in plain language, for plain people, in which the true theory of art and the proper mission of a nartist are examined, and the boasted revelation of the modern school of Pre-Raphaelitism shown to be but a simple plagiarism of an old master (London : S. Tinsley, 1876., 1876), by Samuel Stringer Bate (page images at HathiTrust)
• Khudozhestvo : opyt analiza poni︠a︡tīĭ, opredi︠e︡li︠a︡i︠u︡shchikh iskusstvo zhivopisi (Izd. I. Knebelʹ, 1908), by Apollinariĭ Mikhaĭlovich Vasnet︠s︡ov, L. N. Stolovich, and I. N. Knebelʹ (page images at HathiTrust)
• Art for art's sake; 7 university lectures on the technical beauties of painting. (Scribner, 1901), by John C. Van Dyke (page images at HathiTrust)
• Les merveilles de la peinture. (Paris, 1884), by Louis Viardot (page images at HathiTrust)
• Famous pictures; famous pictures described with anecdotes of the painters (Century Co., 1912), by Charles L. Barstow (page images at HathiTrust)
• La peinture. Les lois essentielles.--Les moyens et le but.--Le beau et la divine comédie des arts entre eux. L'odyssée de la muse, conte historique. (Libraire de l'art ancien et moderne, 1904), by Jules Breton (page images at HathiTrust)
• Painting in France, after the decline of classicism. An essay. (Little, Brown, 1901), by Philip Gilbert Hamerton (page images at HathiTrust)
• The home book of great paintings; a collection of one hundred and five famous pictures (Houghton Mifflin, 1914), by Estelle M. Hurll (page images at HathiTrust)
• Masterpieces of painting, their qualities and meanings; an introductory study. (L. J. Freeman, 1906), by Louise R. Jewett (page images at HathiTrust)
• The graphic arts; a treatise on the varieties of drawing, painting, and engraving in comparison with each other and with nature. (Roberts brothers, 1891), by Philip Gilbert Hamerton (page images at HathiTrust)
• Musée de peinture et de sculpture; ou, Recueil des principaux tableaux, statues et bas-reliefs des collections publiques et particulières de l'Europe; dessiné et travé à l'eau-forte (Ve.A. Morel et cie., 1874), by Etienne Achille Réveil, René Joseph Ménard, and Louis Ménard (page images at HathiTrust)
• Modern chromatics. (D. Appleton and company, 1903), by Ogden N. Rood (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh, in November, 1853. (Wiley, 1890), by John Ruskin (page images at HathiTrust)
• Art for art's sake; seven university lectures on the technical beauties of painting (C. Scribner's sons, 1914), by John C. Van Dyke (page images at HathiTrust)
• Some famous paintings and their homes. (Soule photograph company, 1887), by Mary Graham Duff (page images at HathiTrust)
• Frondes agrestes. Readings in "Modern painters," chosen at her pleasure by the author's friend, the younger lady of the Thwaite, Coniston. (J. Wiley & sons, 1884), by John Ruskin (page images at HathiTrust)
• Modern painters (Estes and Lauriat, 1894), by John Ruskin (page images at HathiTrust)
• Modern painters. (J. Wiley & son, 1888), by John Ruskin (page images at HathiTrust)
• Celebrated paintings by noted masters (Soule photograph company, 1898), by Walter Rowlands (page images at HathiTrust)
• Modern chromatics. (D. Appleton and Company, 1899), by Ogden N. Rood (page images at HathiTrust)
• The hundred best pictures. A visit, at home, to the picture galleries of the world, being the gems from the galleries of England, Paris, Antwerp, Rome, Berlin, Dresden, Turin, Venice, Madrid, Milan, St. Petersburg, and from the leading private collections. (C. Letts for W. Whiteley, 1905), by C. Hubert Letts (page images at HathiTrust)
• Examples of recent art : a series of twenty-two engravings on steel ... with descriptions. (J.S. Virtue and Co., Ltd., in the 19th century) (page images at HathiTrust)
• Gemalte Galerien. (Siemens, 1896), by Theodor von Frimmel (page images at HathiTrust)
• Della architettura, della pittura e della statua (Nell'Instituto delle scienze, 1782), by Leon Battista Alberti and Cosimo Bartoli (page images at HathiTrust)
• Musée Napoléon (Impr. des sciences et arts, 1804), by Musée Napoléon (page images at HathiTrust)
• Trattato della pittura di Lionardo da Vinci (Appresso Giacomo Langlois, 1651), by Leonardo da Vinci, Leon Battista Alberti, Cosimo Bartoli, and Raphael Trichet du Fresne (page images at HathiTrust)
• Lionardo da Vinci della pittura (In Parigi, appresso Giacomo Langlois, stampatore ordinario del Re Cristianissimo ..., 1733), by Leonardo da Vinci, Leon Battista Alberti, Nicolas Poussin, Cosimo Bartoli, Raphael Trichet du Fresne, and Francesco Sesoni (page images at HathiTrust)
• Avvertimenti e regole circa l'architettura civile, scultura, pittura, prospettiva, et architettura militare per offesa, e difesa di fortezze (Per Pandolfo Malatesta ..., 1620), by Pietro Antonio Barca and Pandolfo Malatesta (page images at HathiTrust)
• ABC du peintre et de l'amateur de tableaux. (H. Laurens, 1890), by Alcide Gaboriaux (page images at HathiTrust)
• L'art de demain; la peinture autrefois et aujourd'hui. (Chamuel, 1897), by F. Ch. Barlet and Julien Lejay (page images at HathiTrust)
• Hakuryū sadan (s.n., 1898), by Hakuryū Sugawara and Kōichi Miura (page images at HathiTrust)
• Causeries, réflexions et souvenirs sur la peinture. (H. Paulin, 1909), by J. F. C. Clère (page images at HathiTrust)
• L'Imperiale e reale galleria Pitti (Coi tipi della Galileiana, 1837), by Galleria Palatina and Luigi Bardi (page images at HathiTrust)
• Galerie des peintres les plus célèbres. (F. Didot frères, fils et cie., 1863) (page images at HathiTrust)
• Modern Painters (John Wiley, 1883), by John Ruskin (page images at HathiTrust)
• Modern painters (G. Allen, 1897), by John Ruskin (page images at HathiTrust)
• W. M. Hunt's talks on art. [First-second series- (H.O. Houghton and company; [etc., etc.], 1875), by William Morris Hunt and Helen M. Knowlton (page images at HathiTrust)
• Œuvres choisies des peintres de l'antiquité, précédées d'une notice historique sur la peinture antique. (Firmin Didot frères, 1863) (page images at HathiTrust)
• Œuvres complètes (Firmin Didot frères, fils et cie, 1863), by Eustache Le Sueur and Jean Jouvenet (page images at HathiTrust)
• Kaiserliche königliche bilder-galerie im Belvedere zu Wien. Nach dem zeichnungen des k.k. hofmahlers Sigm. v. Perger, in kupfer gestochen von verschiedenen künstlern. Nebst erklärungen in artistischer und historischer hinsicht. (C. Haas, 1821), by Kunsthistorisches Museum Wien. Gemäldegalerie, Carl Haas, and Sigmund Ferdinand von Perger (page images at HathiTrust)
• The art of spiritual harmony (Constable and Company limited, 1990), by Wassily Kandinsky and Michael Sadleir (page images at HathiTrust)
• Lectures on architecture and painting, delivered at Edinburgh, in November, 1853. (J. Wiley & sons, 1882), by John Ruskin (page images at HathiTrust)
• The table book of art; a history of art in all countries and ages (A. Roman, 1879), by Phillip T. Sandhurst (page images at HathiTrust)
• Catalogue of Mr. E. F. Milliken's privated collection of valuable paintings : to be sold at absolute public sale at Mendelssohn hall ... February 14th [1902] ... on view ... at the American art galleries ... ([Press of J. J. Little & Co.], 1902), by E. F. Milliken, Thomas E. Kirby, and American Art Association (page images at HathiTrust)
• Essai sur la sculpture : suivi d'un catalogue des artistes les plus fameux de l'Ecole française (chez Desaint, 1765), by Michel François Dandré-Bardon, Pierre-Alexandre Le Prieur, and Jean Desaint (page images at HathiTrust)
• Kaiga shinkiron : narabini meika hitori annai (Okamura Seikichi, 1884), by Seikichi Okamura (page images at HathiTrust)
• The grammar of painting and engraving with the original illustrations : translated from the French of Blanc's Grammaire des arts du dessin by Kate Newell Doggett. (S. C. Griggs, 1879), by Charles Blanc (page images at HathiTrust)
• Modern etchings of celebrated paintings (S. Low, Marston, Searle & Rivington, 1883), by John W. Mollett (page images at HathiTrust)
• Die Kunst der Gemäldebetrachtung : mit 10 Abbildungen (P. Neff, 1922), by Siegfried Aschner (page images at HathiTrust)
• Colour, as a means of art. (J. Thomas [etc.], 1838), by Frank Howard (page images at HathiTrust)
• Zhu pi Tongyin lun hua (s.n.], 1864), by Zuyong Qin (page images at HathiTrust)
• Classics in art. (Brentano's, 1921) (page images at HathiTrust)
• Frondes agrestes : readings in 'Modern painters', chosen at her pleasure, by the author's friend, the younger lady of the Thwaite, Coniston. (George Allen, 1896), by John Ruskin and Susanna Beever (page images at HathiTrust)
• Famous paintings selected from the world's great galleries and reproduced in colour (Cassell, 1913) (page images at HathiTrust)
• The gallery of contemporary art, an illustrated review of the recent art productions of all nations (Gebbie & co., 1884), by Armand Silvestre, ed. by J Eugene Reed (page images at HathiTrust)
• Picture studies from great artists. (Hall & McCreary company, 1922), by Lida Myrtle Williams (page images at HathiTrust)
• Temporary Retention in the U.S. of Certain German Paintings : hearings before the United States Senate Committee on Armed Services, Eightieth Congress, second session, on Mar. 4, Apr. 16, 1948. (U.S. G.P.O., 1948), by United States Senate Committee on Armed Services (page images at HathiTrust)
• Salon de 1895, Société des artistes français et Société nationale des beaux-arts. (L. Baschet, 1895), by François Thiébault-Sisson (page images at HathiTrust)
• Great pictures (Dodd, Mead & co., 1909), by Esther Singleton (page images at HathiTrust)
• Modern painters. (Smith, Elder and Co., 1873), by John Ruskin (page images at HathiTrust)
• Modern painters. By a graduate of Oxford. (J. Wiley & son, 1865), by John Ruskin (page images at HathiTrust)
• Modern painters (John W. Lovell company, 1885), by John Ruskin (page images at HathiTrust)
• Vergleichende gemäldestudien. (Müller, 1908), by Karl Voll (page images at HathiTrust)
• The Magazine of art gift book : illustrated. (Cassell, Petter, Galpin & Co., 1880) (page images at HathiTrust)
• National Gallery of painting and sculpture (A.J. Valpy, 1833), by National Gallery (Great Britain) and Abraham John Valpy (page images at HathiTrust)
• The picture amateur's handbook and Dictionary of painters; being a guide for visitors to public and private picture galleries and for art students, including an explanation of the various methods of painting; instructions for cleaning, re-lining, and restoring oil paintings; a glossary of terms; an historical sketch of the principal schools of painting; and a dictionary of painters giving the copyists and imitators of each master (Crosby, Lockwood and Co., 1878), by Paschal Grousset (page images at HathiTrust)
• Notes on the science of picture-making. (Chatto & Windus, 1920), by C. J. Holmes (page images at HathiTrust)
• Modern painters. (J. Wiley, 1848), by John Ruskin (page images at HathiTrust)
• Modern painters (J. Wiley, 1884), by John Ruskin (page images at HathiTrust)
• Modern painters / by John Ruskin. (D. Estes, 1912), by John Ruskin (page images at HathiTrust)
• Art for art's sake : seven university lectures on the technical beauties of painting (Scribner's, 1894), by John Charles Van Dyke (page images at HathiTrust)
• Art for art's sake : seven university lectures on the technical beauties of painting (C. Scribner's Sons, 1910), by John Charles Van Dyke (page images at HathiTrust)
• The theory of color in its relation to art and art-industry (L. Prang and Co., 1876), by Wilhelm Bezold, Edward C. Pickering, and S. R. Koehler (page images at HathiTrust)
• Annual exhibition of the Saint Louis Architectural Club; illustrated catalogue of drawings and examples of work in the allied arts. (Saint Louis, 1902), by Saint Louis Architectural Club (page images at HathiTrust)
• The principles of colouring in painting. (Winsor and Newton, 1885), by Thomas Delf and M. E. Chevreul (page images at HathiTrust)
• Classic and Italian painting (S. Low, Marston, Searle & Rivington, 1890), by Edward John Poynter and Percy Rendell Head (page images at HathiTrust)
• Pictures & poems (R. H. Russell, 1899), by Dante Gabriel Rossetti and Fitz Roy Carrington (page images at HathiTrust)
• The art of the National gallery; a critical survey of the schools and painters as represented in the British collection, by Julia de Wolf Addison... (L.C. Page & company, 1905), by Julia de Wolf Addison (page images at HathiTrust)
• Art gems. A series of thirty high-class engravings from pictures by the most eminent painters ancient and modern. (H. Sotheran, J. Baer and Co., 1873), by Édouard Lièvre (page images at HathiTrust)
• The Russian school of painting (T. W. Laurie, 1916), by Alexandre Benois and Avrahm Yarmolinsky (page images at HathiTrust)
• Art for art's sake; seven university lectures on the technical beauties of painting (C. Scribner's sons, 1903), by John Charles Van Dyke (page images at HathiTrust)
• The meaning of pictures; six lectures given for Columbia university at the Metropolitan museum of art (C. Scribner's sons, 1911), by John Charles Van Dyke (page images at HathiTrust)
• Art for art's sake; seven university lectures on the technical beauties of painting (C. Scribner's sons, 1913), by John Charles Van Dyke (page images at HathiTrust)
• The art of the Vienna galleries : giving a brief history of the public and private galleries of Vienna : with a critical description of the paintings therein contained (L. C. Page, 1911), by David Charles Preyer (page images at HathiTrust)
• Descriptive and historical catalogue of the pictures. British schools. ([London], 1896), by National Gallery (Great Britain) (page images at HathiTrust)
• A catalogue of the Accademia delle belle arti at Venice (W. Heinemann, 1894), by Regia accademia di belle arti di Venezia (Italy) and E. M. Keary (page images at HathiTrust)
• The schools of modern art in Germany. (Seeley, Jackson, and Halliday, 1880), by J. Beavington Atkinson (page images at HathiTrust)
• Report on the paintings of the T.B. Walker Art Collection ([s.n.], 1919), by Eugen Neuhaus and Seymour de Ricci (page images at HathiTrust)
• The Louise E. Bettens Fund in the William Hayes Fogg Art Museum, Harvard University. ([Cambridge, Mass., 1918), by Edward Detraz Bettens and Louise E. Bettens (page images at HathiTrust)
• Modern painters (Smith, Elder & Co., 1860), by John Ruskin (page images at HathiTrust)
• Catalogue of the paintings in the Robert L. Stuart collection, the gift of his widow, Mrs. Mary Stuart ... (New York, 1906), by New York. Public Library. Robert L. Stuart Collection (page images at HathiTrust)
• Opere di A. Raffaello Mengs su le belle arti (Milano : Per Giovanni Silvestri, MDCCCXXXVI [1836], 1836), by Anton Raphael Mengs, Carlo Fèa, and José Nicolás de Azara (page images at HathiTrust)
• Pinacoteca veneta (Venezia : Co' tipi di Giuseppe Grimaldo, MDCCCLVIII [1858], 1858), by Francesco Zanotto (page images at HathiTrust)
• Hand-book for young painters (J. Murray, 1887), by Charles Robert Leslie (page images at HathiTrust)
• Lectures on painting : delivered at the Royal Academy (Printed for T. Cadell and W. Davies, and W. Blackwood, Edingburgh, 1820), by Henry Fuseli and Royal Academy of Arts (Great Britain) (page images at HathiTrust)
• Abregé de la vie des peintres, avec des réflexions sur leurs ouvrages. (Arkstée & Merkus;, 1767), by Roger de Piles (page images at HathiTrust)
• Modern painters (G. Allen, 1891), by John Ruskin (page images at HathiTrust)
• Unterschied der freien und mechanischen Malerey praktisch erklärt (Bey J.J. Gebauers Witwe und Joh. Jacob Gebauer, 1773), by Ernst Ludwig Daniel Huch, Johann Jacob Gebauer, and J. J. Gebauers Witwe (page images at HathiTrust)
• Gems from the Düsseldorf Gallery (New York : D. Appleton & Co., 443 & 445 Broadway, 1863., 1863), by N.Y.) Düsseldorf Gallery (New York, B. Frodsham, A. A. Turner, and D. Appleton and Company (page images at HathiTrust)
• Les chefs-d'oeuvre de la peinture italienne (Firmin Didot, 1870), by Paul Mantz, Franz Kellerhoven, and Firmin-Didot (Firm) (page images at HathiTrust)
• Les merveilles de la peinture. (Hachette, 1868), by Louis Viardot (page images at HathiTrust)
• Annales de la peinture, par Étienne Parrocel; ouvrage contenant l'histoire des écoles d'Avignon, d'Aix et de Marseille, précédée de l'historique des peintures de l'antiquité, du moyen-age, et des diverses écoles du midi de la France, avec des notices sur les peintures, graveurs et sculpteurs provencaux, anciens et modernes, et suivi de la nomenclature de leurs oeuvres ayant figuré a l'exposition de 1861 et du nom des exposants. (C. Albessard et Bérard, 1862), by Étienne Antoine Parrocel (page images at HathiTrust)
• Practical hints on light and shade in painting. Illustrated by examples from the Italian, Flemish, and Dutch schools. (Printed for the proprietor, and sold by James Carpenter and Son, 1826), by John Burnet (page images at HathiTrust)
• Recueil d'estampes d'apres les plus celebres tableaux de la Galerie Royale de Dresde : contenant cinquante pieces avec une description de chaque tableau en françois et en italien. (Chez Chrêtien Henri Hagenmüller, 1753), by Charles Hutin, Charles Eisen, and Noël Le Mire (page images at HathiTrust)
• Modern painters. (Dana Estes & Co., 1897), by John Ruskin (page images at HathiTrust)
• The National Gallery ~ London (London : George Newnes Limited, [1906?], 1906), by National Gallery (Great Britain) and Robert de La Sizeranne (page images at HathiTrust)
• Observations on the arts, : with tables of the principal painters of the various Italian, Spanish, French, Flemish, Dutch, and German Schools, their scholars and imitators, with lists of the most celebrated artists of those schools, arranged by the subjects in which they excelled. (Printed by W. Wales, 1828), by Thomas Winstanley (page images at HathiTrust)
• Lectures on painting : delivered at the Royal Academy (H. Colburn and R. Bentley, 1830), by Henry Fuseli and John Knowles (page images at HathiTrust)
• L'arte moderna a Venezia : esposizione mondiale del 1897 (E. Voghera, 1897), by Ugo Ojetti (page images at HathiTrust)
• Riflessioni su l'arte della pittura (Stamperia Imperiale, 1804), by Daniel Webb and Francesco Pizzetti (page images at HathiTrust)
• Mémoire sur la peinture a l'encaustique et sur la peinture a la cire (A Geneva ; Et se vend à Paris : Chez Pissot Libraire, à la Croix d'Or, Quai de Conti, M.D. CC. LV. [1755], 1755), by Anne Claude Philippe Caylus and M. Majault (page images at HathiTrust)
• Modern painting (Scribner, 1893), by George Moore (page images at HathiTrust)
• The laws of Fesole ; also, A joy forever ; Our fathers have told us ; Inaugural address ; Modern painters (Aldine Book Pub., 1800), by John Ruskin (page images at HathiTrust)
• Cyclopedia of painters and paintings (Scribner, 1888), by John Denison Champlin and Charles C. Perkins (page images at HathiTrust)
• Modern painters. (Dana Estes & company, publisher, 1873), by John Ruskin (page images at HathiTrust)
• Notes on the science of picture-making. (Chatto & Windus, 1911), by C. J. Holmes (page images at HathiTrust)
• Impressions on painting (Bouton, 1891), by Alfred Stevens and Charlotte Adams (page images at HathiTrust)
• Lectures on painting, by the royal academicians. Barry, Opie and Fuseli. (G. Bell, 1889), by Ralph Nicholson Wornum, Henry Fuseli, John Opie, and James Barry (page images at HathiTrust)
• L'Aretino; ovvero, Dialogo della pittura. Con l'aggiunta delle lettere del Tiziano a vari e dell'Aretino a lui. (G. Daelli, 1863), by Lodovico Dolce (page images at HathiTrust)
• Orazione di Giambattista Alessandro Moreschi, in lode della pittura, della scultura, e dell' architettura : recitata nell' Instituto delle scienze per la solenne distribuzione dei premj, il dì 25. giugno 1781. (Nella stamperìa di S. Tommaso d'Aquino, 1781), by Giambattista Alessandro Moreschi (page images at HathiTrust)
• List of publications relating to paint, painting, varnish, lacquer, bitumens and allied subjects. (U.S. Dept. of Commerce, National Bureau of Standards, 1939), by United States. National Bureau of Standards (page images at HathiTrust)
• The painting of exterior wood surfaces. (U.S. Dept. of Commerce, National Bureau of Standards, 1945), by United States. National Bureau of Standards (page images at HathiTrust)
• Salon de 1885; cent planches en photogravure (L. Baschet, 1885), by Henry Havard and Goupil & Cie (page images at HathiTrust)
• Representative art of our time, with original etchings and lithographs and reproductions of oil and water-colour paintings, pastels, &c. (Office of "The Studio,", 1903), by Charles Holme (page images at HathiTrust)
• Storia dell'arte col mezzo dei monumenti dalla sua decadenza nel IV secolo fino al suo risorgimento nel XVI (R. Fanfani, 1825), by J. B. L. G. Seroux d'Agincourt, Girolamo Carattoni, and A. Rivelanti (page images at HathiTrust)
• Allgemeines historisches Porträtwerk. Eine Sammlung von 600 Porträts der berühmtesten Personen aller Völker und Stände seit 1300, mit biographiaschen Daten. (Verlagsanstalt für Kunst und Wissenschaft, vormals F. Bruckmann, 1884), by Woldemar von Seidlitz (page images at HathiTrust)
• Meister der Farbe. (E.A. Seemann, 1904) (page images at HathiTrust)
• Modern painters : a volume of selections (T. Nelson, 1900), by John Ruskin (page images at HathiTrust)
• Geschichte der altniederlaendischen Malerei (S. Hirzel, 1875), by J. A. Crowe, Anton Heinrich Springer, and G. B. Cavalcaselle (page images at HathiTrust)
• Histoire du siècle, 1789-1889 : peinture de Alfred Stevens & Henri Gervex (Imprimerie C. Levy, 1889), by Alfred Stevens, Joseph Reinach, and Henri Gervex (page images at HathiTrust)
• L'interprete pittorico di Milano : contenente tutto ciò che si vede di raro, e di bello in genere pittorico, nelle gallerie pubbliche, ed in molte quadrerie de' privati : con una nota delle pitture che si vedono nelle chiese di Milano : corredato del ritratto del celeb. Bernardino Luini. (Presso Giuseppe Pogliani stampatore e calcografo sulla piazza di s. Alessandro, n. 3963, 1821), by Giuseppe Pogliani (page images at HathiTrust)
• The nation's pictures : a selection from the finest modern paintings in the public picture galleries of Great Britain : printed in colour. (Cassell, 1907) (page images at HathiTrust)
• Famous paintings as seen and described by famous writers (Dodd, Mead & Company, 1907), by Esther Singleton (page images at HathiTrust)
• Notes d'un amateur de couleurs (A. Mame, 1916), by René Bazin (page images at HathiTrust)
• The study and enjoyment of pictures (Sully, 1926), by Gertrude Richardson Brigham (page images at HathiTrust)
• Old masters, including two river scenes by Salomon van Ruysdael, xviii century portraits ... Barbizon & other xix century paintings and drawings. : From the estates of the late Leonie Guggenheim, Mrs. Nell Ford Torrey [and other owners] Public auction sale Wednesday, October 21 [1959] at 8 p.m. (Parke-Bernet Galleries Inc., 1959), by Parke-Bernet Galleries (page images at HathiTrust)
• Le pitture di Pellegrino Tibaldi e di Niccolò Abbati esistenti nell' Instituto di Bologna (Presso Giambatista Pasquali, 1756), by Giampietro Zanotti, Giovanni Battista Pasquali, Joseph Wagner, Bartolomeo Crivellari, and Pinacoteca di Bologna (page images at HathiTrust)
• The royal collection of paintings at Buckingham Palace and Windsor Castle : [180] photogravures, with an introduction and descriptive text by Lionel Cust (W. Heinemann ;, 1905), by Lionel Cust and Fine Arts Publishing Company (page images at HathiTrust)
• Academy treating of drawing, painting, limning, etching (printed for Arthur Tooker, at the Globe in the Strand, over against Ivie-Bridge; and William Battersby, at Thavie's Inne Gate in Holborn, near S. Andrew's Church, 1675), by Alexander Browne, Abraham Bloemaert, Odoardo Fialetti, Jacob Huysmans, and Arnold de Jode (page images at HathiTrust)
• Sir Joshua Reynolds' notes and observations on pictures, chiefly of the Venetian school, being extracts from his Italian sketch books; also, The Rev. W. Mason's observations on Sir Joshua's method of coloring, and some unpublished letters of Dr. Johnson, Malone, and others. With an appendix, containing a transcript of Sir Joshua's account book, showing what pictures he painted and the prices paid for them. (J.R. Smith, 1859), by Joshua Reynolds, William Mason, and William Cotton (page images at HathiTrust)
• The chefs-d'oeuvre d'art of the International exhibition, 1878 (G. Barrie, 1800), by Earl Shinn (page images at HathiTrust)
• Ansichten und Ideen von der christlichen Kunst (M. Lempertz, 1877), by Friedrich von Schlegel (page images at HathiTrust)
• Painting popularly explained : including fresco, water-glass, oil, tempera, mosaic, encaustic, water-colour, miniature, painting on ivory, vellum, pottery, porcelain, enamel, glass, &c. with historical sketches of the progress of the art (Lockwood & Co., 1873), by Thomas John Gullick and John Timbs (page images at HathiTrust)
• Klassischer Bilderschatz (Verlangsanstalt für Kunst und Wissenschaft, 1889), by Franz von Reber and Adolf Beyersdorfer (page images at HathiTrust)
• The chefs-d'œuvre d'art of the International exhibition, 1878. (Gebbie & Barrie, 1880), by Earl Shinn (page images at HathiTrust)
• How to paint tapestry (M.T. Wynne, 1888), by Emma Haywood and Mary T. Wynne (page images at HathiTrust)
• Notes on the science of picture-making (Chatto & Windus, 1909), by C. J. Holmes (page images at HathiTrust)
• Handbuch der Gemäldekunde (J.J.Weber, 1920), by Theodor von Frimmel (page images at HathiTrust)
• Palais de Versaille (Paris : De l'Imprimerie de Crapelet, rue de Vaugirard, no. 9, 1837., 1837), by Musée national de Versailles and France) Imprimerie de Crapelet (Paris (page images at HathiTrust)
• Catalogo dei quadri esistenti nelle Gallerie della Accademia Carrara di belle arti in Bergamo. (Bolis, 1881), by Accademia Carrara (page images at HathiTrust)
• Pictures (Nelson Doubleday, Doran & company, inc., 1933), by Mary Schell Hoke Bacon (page images at HathiTrust)
• Sur la peinture (Frankfurt a.M., 1909), by Denis Diderot (page images at HathiTrust)
• Self-instructive lessons in painting with oil and water-colors : on silk, satin, velvet and other fabrics : including lustra painting and the use of other mediums (S.W. Tilton and Co., 1885), by Susan Hale (page images at HathiTrust)
• Abbreviations des plvs difficiles operations de perspective pratiqve (Annecy : Par André Leyat, 1644., 1644), by Nicolas Baytaz de Doucy and André Leyat (page images at HathiTrust)
• Ruskin on painting. (D. Appleton, 1879), by John Ruskin (page images at HathiTrust)
• The seven lamps of architecture. Lectures on architecture and painting. The study of architecture. (Lovell, Coryell, 1800), by John Ruskin (page images at HathiTrust)
• R. Gallerie di Firenze, illustrata. (Florence, Italy., 1817), by Real Galleria di Firenze (page images at HathiTrust)
• Lectures on architecture and painting (John W. Lovell company, 1885), by John Ruskin (page images at HathiTrust)
• Trends in European painting from the XIIIth to the XXth century ([Toronto, 1937), by Art Gallery of Toronto (page images at HathiTrust)
• The art in painting (J. Cape, 1927), by Albert C. Barnes (page images at HathiTrust)
• Les musées d'Europe. La Belgique: Bruxelles--Anvers--Bruges--Malines--Gand; 42 illustrations hors texte et 118 illustrations dans le texte (Editions Nilsson, 1900), by Gustave Geffroy (page images at HathiTrust)
• Royal Academy lectures on painting : sixteen lectures delivered to the students of the Royal Academy of Arts (Methuen, 1913), by George Clausen (page images at HathiTrust)
• How to study pictures by means of a series of comparisons of paintings and painters from Cimabue to Monet, with historical and biographical summaries and appreciations of the painters' motives and methods. (D. Appleton-Century, 1933), by Charles H. Caffin (page images at HathiTrust)
• A compendium of painting : compendium à l'usage des artistes peintres et des amateurs de tableaux (P. Young, 1910), by Jacques Blockx and J.-B. Dumas (page images at HathiTrust)
• Nuova raccolta di lettere sulla pittura, scultura ed architettura, (Forni, 1983), by Michelangelo Gualandi (page images at HathiTrust)
• The seven lamps of architecture ; Lectures on architecture and painting ; The study of architecture (National Book Co., 1850), by John Ruskin (page images at HathiTrust)
• The science & practice of oil painting (Chapman and Hall, 1924), by Harold Speed (page images at HathiTrust)
• A simple guide to pictures and painting (Chatto and Windus, 1927), by Margaret Hattersley Bulley (page images at HathiTrust)
• Famous paintings of the world : a collection of photographic reproductions of great modern masterpieces, embracing two hundred and fifty-six of the finest specimens ... including nearly one hundred of the most notable paintings of the World's Columbian Exposition ... (Butler & Alger, 1897) (page images at HathiTrust)
• Treatise on painting (London : Printed for the proprietor and sold by James Carpenter and Son, 1830., 1830), by John Burnet and Chiswick Press (page images at HathiTrust)
• Alfred Stevens et son œuvre, suivi des Impressions sur la peinture (G. van Oest & cie, 1906), by Camille Lemonnier and Alfred Stevens (page images at HathiTrust)
• Catálogo de los cuadros que existen colocados en el Real Museo del Prado. (Madrid : En la Imprenta Nacional, 1821., 1821), by Museo del Prado (page images at HathiTrust)
• Le moyen de devenir peintre en trois heures, et d'exécuter au pinceau les ouvrages des plus grands maîtres, sans avoir appris le dessein. (Chez les Libraires associés, 1755), by F. X. Vispré (page images at HathiTrust)
• L'idea del perfetto pittore : per servire di regola nel giudicio che si deve formare intorno alle opere de' pittori : accresciuto della maniera di dipingere sopra la porcellana, smalto, vetro, metalli, e pietre, ec. (Appresso Beltramo Antonio Re, librajo sotto i portici del Palazzo della Città, 1769), by Roger de Piles and Beltramo Antonio Re (page images at HathiTrust)
• The grammar of painting and engraving : translated from the French of Blanc's Grammaire des arts du dessin by Kate Newell Doggett. (Hurd and Houghton, 1879), by Charles Blanc and Kate Newell Doggett (page images at HathiTrust)
• Winter exhibition (Printed by Wm. Clowes and Sons, 1896), by Royal Academy of Arts (Great Britain) (page images at HathiTrust)
• Alʹbom dvadt︠s︡atipi︠a︡tiletii︠a︡ Tovarishchestva peredvizhnykh khudozhestvennykh vystavok 1872-1897 (Tip. T.I. Gagen, 1897), by K. A. Fisher (page images at HathiTrust)
• Lectures on architecture and painting : delivered at Edinburgh in November 1853 (Smith, Elder, and Co., 1854), by John Ruskin (page images at HathiTrust)
• Notice des tableaux exposés dans le Musée royal. (Paris : Vinchon, fils et successeur de Mme. Ve. Ballard, imprimeur du roi et du Musée royal, 1830., 1830), by Musée du Louvre (page images at HathiTrust)
• The art in painting (Harcourt, Brace and company, 1928), by Albert C. Barnes (page images at HathiTrust)
• Light and shade in painting (J. Carpenter, 1849), by John Burnet (page images at HathiTrust)
• Students' text-book of color; or, Modern chromatics, with applications to art and industry. (D. Appleton and company, 1895), by Ogden N. Rood (page images at HathiTrust)
• History of art by its monuments, from its decline in the fourth century to its restoration in the sixteenth (Longman, Brown, Green, and Longmans, 1847), by J. B. L. G. Seroux d'Agincourt, Girolamo Carattoni, and A. Rivelanti (page images at HathiTrust)
• Modern painters (Wiley & Halsted, 1856), by John Ruskin (page images at HathiTrust)
• The international gallery; a collection of one hundred select works by ancient and modern masters. (G. Barrie, 1886), by Casimir Stephen Kolstoi (page images at HathiTrust)
• Il Vaticano descritto ed ilustrato da Erasmo Pistolesi (Tip. della Società editrice, 1829), by Erasmo Pistolesi, Tommaso de Vivo, and Camillo Guerra (page images at HathiTrust)
• Modern chromatics, with applications to art and industry. (K. Paul, Trench, & co., 1883), by Ogden N. Rood (page images at HathiTrust)
• Pictures in the Tate Gallery (London : Seeley, 1905., 1905), by C. Gasquoine Hartley and Tate Gallery (page images at HathiTrust)
• Über das Geistige in der Kunst, insbesondere in der Malerie (R. Piper, 1912), by Wassily Kandinsky (page images at HathiTrust)
• Xuanhe hua pu : [20 juan]. ([Ji gu ge], 1627) (page images at HathiTrust)
• Education through pictures : the teacher's guide to picture study, suggesting many avenues of approach to picture appreciation (The Art Extension Society, 1928), by Royal B. Farnum (page images at HathiTrust)
• Modern painters (G. Allen, 1885), by John Ruskin (page images at HathiTrust)
• Goupil's Paris salon of 1894; one hundred plates--photogravures and etchings and one water color fac-simile by Goupil & c, ̊ (Boussod, Valadon & c, ̊, 1894), by Léonce Bénédite, Henry Bacon, and Goupil & Cie (page images at HathiTrust)
• Loan exhibition, Carnegie Institute, MCMII (Pittsburgh, Pa. : Carnegie Institute, [1902], 1902), by Carnegie Institute (page images at HathiTrust)
• Famous art reproduced : a collection of artotype reproductions of noted paintings and sculpture by artists of all nations (Monarch, 1904), by Michael Straus (page images at HathiTrust)
• Galeria de pintura no Real Paço da Ajuda : fundada por Sua Magestade el-Rei o Senhor Dom Luiz I. (Lisboa : Typographia Universal de Thomaz Quintino Antunes, 1869., 1869), by Portugal) Galeria de Pintura do Rei D. Luís (Lisbon (page images at HathiTrust)
• The Exhibition of the Society of Painters in Water Colours. ([London] : [Society of Painters in Water Colours], 1821), by Society of Painters in Water Colours (Great Britain : 1820-1881). Exhibition (page images at HathiTrust)
• Cabinet de Crozat (De L'Imprimerie Royale, 1729), by Joseph Antoine Crozat, M. Crozat, François Basan, and Pierre-Jean Mariette (page images at HathiTrust)
• Painting popularly explained : including fresco, water-glass, oil, tempera, mosaic, encaustic, water-colour, miniature, painting on ivory, vellum, pottery, porcelain, enamel, glass, &c. with historical sketches of the progress of the art (Crosby Lockwood & Co., 1876), by Thomas John Gullick and John Timbs (page images at HathiTrust)
• Catalogue de luxe (American Art Association, 1898), by American Art Association, Arthur Hoeber, Wesley Reid Davis, and Thomas E. Kirby (page images at HathiTrust)
• Henry G. Marquand collection (American Art Association, 1903), by American Art Association, Russell Sturgis, and Thomas E. Kirby (page images at HathiTrust)
• The art of the Prado : a survey of the contents of the gallery, together with detailed criticisms of its masterpieces and biographical sketches of the famous painters who produced them (John Hamilton, 1907), by Charles S. Ricketts (page images at HathiTrust)
• Die Reichsdrucke (Berlin, 1928), by Germany. Reichsdruckerei (page images at HathiTrust)
• Art and artists of all nations; over four hundred photographic reproductions of great paintings, embracing masterpieces of modern art, including more than one hundred and forty of the greatest paintings exhibited in the Department of fine arts at the World's Columbian exposition (Arkell Weekly Company, 1894), by John Clark Ridpath (page images at HathiTrust)
• Borough of Birmingham, Museum and Art Gallery, Catalogue (with notes) of the collection of paintings in oil and water colours, by living and deceased artists (Osborne, 1888), by Birmingham City Museum and Art Gallery and Whitworth Wallis (page images at HathiTrust)
• Modern painters (Bryan, Taylor, & Co., 1894), by John Ruskin (page images at HathiTrust)
• Art for art's sake; seven university lectures on the technical beauties of painting (C. Scribner's Sons, 1893), by John Charles Van Dyke (page images at HathiTrust)
• One hundred masterpieces of painting (Hodder & Stoughton, 1912), by John La Farge (page images at HathiTrust)
• Loan collection of pictures (J. & W. Vokins, 1884), by George Morland (page images at HathiTrust)
• How to study pictures by means of a series of comparisons of the painters' motives and methods ... (Century, 1906), by Charles H. Caffin (page images at HathiTrust)
• Gems of genius; famous painters and their pictures (Lee and Shepard;, 1881), by Harry W. French (page images at HathiTrust)
• Painting in east and west (E. Arnold, 1913), by Robert Douglas Norton (page images at HathiTrust)
• Modern painters and their paintings. For the use of schools and learners in art. (Little, Brown, and Co., 1902), by Sarah Tytler (page images at HathiTrust)
• Gowan's art books. (Gowans & Gray, 1905), by Ltd Gowans & Gray (page images at HathiTrust)
• Art recreations; being a complete guide to pencil drawing, oil painting, water-color painting, crayon drawing and painting, painting on ground glass, Grecian painting, antique painting, oriental painting, sign painting, theorem painting, ferneries, moss work, papier mache, cone work, feather flowers, potichomanie, leather work, hair work, taxidermy, gilding and bronzing, plaster work, decalcomanie, wax work, shell work, magic lantern, paper flowers, imitation of pearl, the aquqrium, sealing-wax painting, panorama painting, coloring photographs, enamel painting, etc. (Shepard & Gill, 1873), by Henry Day (page images at HathiTrust)
• The Masterpieces of French art. (Gebbie, 1880), by William A. Armstrong (page images at HathiTrust)
• Monuments des arts du dessin chez les peuples tant anciens que modernes / recueillis par le baron Vivant Denon, ancien directeur-général des Musées de France, pour servir à l'histoire des arts ; lithographiés par ses soins et sous ses yeux ; décrits et expliqués par Amaury Duval, membre de l'Institut (Académie royale des inscriptions et belles-lettres). (A Paris : Chez M. Brunet Denon, rue Sainte-Anne, no 18, 1829., 1829), by Vivant Denon, Amaury Duval, and Firmin-Didot (Firm) (page images at HathiTrust)
• The seven lamps of architecture. : Architecture and painting (D. Appleton and company, 1899), by John Ruskin and Russell Sturgis (page images at HathiTrust)
• Modern painters (Smith, Elder, 1846), by John Ruskin (page images at HathiTrust)
• Studies in both arts : being ten subjects drawn and described (George Allen, 1895), by John Ruskin and W. G. Collingwood (page images at HathiTrust)
• Praktisches Werk von der Mahlerey (Nürnberg : In der Christoph Weigel und A.G. Schneiderischen Kunst- und Buchhandlung, 1786., 1786), by Leonardo da Vinci, Johann Georg Böhm, and Schneider und Weigel (page images at HathiTrust)
• Gemälde neuerer Meister, zumeist der Düsseldorfer Schule aus der Sammlung des Herrn Julius Stern in M.-Gladbach (Druck von M. DuMont Schauberg, 1904), by Julius Stern, Wilhelm Klein, and J.M. Heberle (Firm) (page images at HathiTrust)
• Katalog der Ausstellung von Gemälden aus M. Gladbacher Privatbesitz : in der Kaiser Friedrich-Halle (Druck von B. Kühlen, 1911), by Germany) Städtischer Museumsverein (Mönchengladbach (page images at HathiTrust)
• Catalogue illustré de la riche et nombreuse collection de tableaux composant la galerie de Mr. J.P. Weyer (Steven's Druckerei, 1862), by Johann Peter Weyer, G. Osterwald, and J.M. Heberle (Firm) (page images at HathiTrust)
• Nachtragswerk 1 zur grossen Katalogsausgabe 1916 (München : [Moderne Galerie Heinrich Thannhauser], 1916., 1916), by Galerien Thannhauser (page images at HathiTrust)
• The Exhibition of the Society of Painters in Water Colours. (London : Printed for J. Booth by J. Barfield, 1805-1812., 1805), by Society of Painters in Water Colours (Great Britain : 1804-1812). Exhibition (page images at HathiTrust)
• The Exhibition of the Society of Painters in Oil and Water Colours. (<1817>-1820: [London] : [Society of Painters in Oil and Water Colours], 1813), by Society of Painters in Oil and Water Colours (Great Britain). Exhibition (page images at HathiTrust)
• Gemälde von Cézanne als Leihgabe der Sammlung Dr. G.F. Reber, Lugano ([Frankfurter Kunstverein], 1927), by Frankfurter Kunstverein (page images at HathiTrust)
• The Ajanta caves : early Buddhist paintings from India (New American Library of World Literature, 1963), by Unesco and Benjamin Rowland (page images at HathiTrust)
• Collection de Monsieur le Baron N.A. Steengracht van Moyland (Preyer, 1895), by N. A. Steengracht and Preyer & Co (page images at HathiTrust)
• Galerie Frau Laura von Oelbermann, Köln, Hohenstaufenring 57 : mit 39 Lichtdrucktafeln und mit Vorwort von Ernst Buchner, Direktor des Museums Wallraf-Richartz, Köln. (Math. Lempertz, 1929), by Laura von Oelbermann, Kunsthaus Lempertz, and Germany) Galerie Oelbermann (Cologne (page images at HathiTrust)
• Sporting and historical color prints, together with oil paintings of famous international yacht races from the estates of James Gordon Bennett, Emma Alyce Hartley, Frank B. Barrett, with additions (American Art Association, Anderson Galleries, 1931), by Anderson Galleries American Art Association (page images at HathiTrust)
• Catalogue de la collection Chillingworth. Tableaux anciens, XIIIe-XVIIe siècles; écoles flamande, hollandaise, allemande et italienne. La vente publique aura lieu le ... 5 septembre 1922 au Grand Hôtel National à Lucerne ... ([Imprimé par Frobenius, S.A.], 1922), by Galerie Fischer (page images at HathiTrust)
• Modern painters (J. Wiley & Son, 1876), by John Ruskin (page images at HathiTrust)
• A text-book of the history of painting (Longmans, Green, 1898), by John Charles Van Dyke (page images at HathiTrust)
• Modern painters (Wiley and Putnam, 1847), by John Ruskin (page images at HathiTrust)
• Modern painters. (Wiley and Putnam, 1847), by John Ruskin (page images at HathiTrust)
• Van de geboeders Van Eyck tot op Albrecht Durers aanwezigheid in de Nederlanden (M.H. Binger, 1847), by Georg Rathgeber (page images at HathiTrust)
• The National gallery, one hundred plates in colour. (T.C. & E.C. Jack, 1923), by T. Leman Hare, F. W. Lippmann, Maurice W. Brockwell, Paul G. Konody, and National Gallery (Great Britain) (page images at HathiTrust)
• Album der Königlichen Gemälde-Galerie, Dresden : Werke alter Meister. (E. Beutelspacher, 1911), by Germany) Gemäldegalerie (Dresden (page images at HathiTrust)
• Lectures delivered to the students of the Royal Academy of Arts of London, January, 1902 (Prinsep?, 1902), by Val C. Prinsep (page images at HathiTrust)
• The literary interest in painting in the nineteenth century. ([Place of publication not identified] : [publisher not identified], 1928., 1928), by Frances H. McGrew (page images at HathiTrust)
• True and beautiful (W.B. Conkey, in the 1900s), by John Ruskin (page images at HathiTrust)
• Paintings depicting the life of Christ. (Washington, 1951), by National Gallery of Art (U.S.) (page images at HathiTrust)
• Conferencias de art. ([Estab. tip. de Blass, S.A.], 1924), by A. de Beruete y Moret, Julián Moret, and Manuel B. Cossío (page images at HathiTrust)
• Catalogue of the forty-second annual exhibition of American paintings and sculpture : the Art Institute of Chicago October 24 to December 8, 1929. (Art Institute of Chicago, 1929) (page images at HathiTrust)
• Sammlung von oelgemälden und handzeichnungen aus verschiedenem süddeutschen Besitz ... Versteigerung ... den 12. november 1918 ... und ... den 13. november ... ([Engler & Schloser], 1918), by Germany) F.A.C. Prestel (Firm : Frankfurt am Main (page images at HathiTrust)
• Notable art treasures collected by the late Henry Graves (New York : American Art Association, 1909., 1909), by American Art Association, Thomas E. Kirby, Mendelssohn Hall, and American Art Galleries (page images at HathiTrust)
• Very valuable modern paintings (New York : American Art Association, 1910., 1910), by American Art Association, Thomas E. Kirby, Mendelssohn Hall, and American Art Galleries (page images at HathiTrust)
• Catalogue of the art and literary property collected by the late J. Abner Harper : to be sold at unrestricted public sale by order of Howard Thornton and John Harper, executors ... (New York : American Art Association, 1911., 1911), by American Art Association, Thomas E. Kirby, Mendelssohn Hall, and American Art Galleries (page images at HathiTrust)
• Nathan Samuel Kaplan collection (New York : Anderson Galleries, 1926., 1926), by Inc Anderson Galleries (page images at HathiTrust)
• Bowne 1890 (New York, American Art Association, 1890., 1890), by American Art Association, Thomas E. Kirby, and American Art Galleries (page images at HathiTrust)
• Considerations on painting; lectures given in the year 1893 at the Metropolitan museum of New York (Macmillan and Co., 1908), by John La Farge (page images at HathiTrust)
• Works by George Inness; the collection of Mrs. Jonathan Scott Hartley (Amer. Art Assoc., Inc., 1927), by George Inness and American Art Association (page images at HathiTrust)
• Very important collection of valuable paintings (New York : American Art Association, 1913., 1913), by American Art Association, Dana H. Carroll, Thomas E. Kirby, N.Y.) Plaza Hotel (New York, and American Art Galleries (page images at HathiTrust)
• Daniel S. Miller art collection (New York : Samuel Marx, 1916., 1916), by Samuel Marx (Firm) and N.Y.) Hotel Savoy (New York (page images at HathiTrust)
• Chinese and Japanese porcelains and potteries, far Eastern & European objects of art (New York : Anderson Galleries, 1925., 1925), by Inc Anderson Galleries (page images at HathiTrust)
• Ancient Italian art treasures of extraordinary artistic and historical interest (New York : American Art Association, 1917., 1917), by American Art Association, Thomas E. Kirby, and American Art Galleries (page images at HathiTrust)
• Spanish art treasures collected by Herbert P. Weissberger of Madrid, Spain, known as the Almoneda collection (New York : American Art Association, 1921., 1921), by American Art Association, Thomas E. Kirby, Horace Townsend, and American Art Galleries (page images at HathiTrust)
• Very notable Lamm collection from Näsby Castle, near Stockholm, Sweden (New York : American Art Galleries, 1923., 1923), by American Art Galleries, Thomas E. Kirby, Axel Wallenberg, and Ruth T. Costantino (page images at HathiTrust)
• Barbizon House record. ([s.n.], 1919), by England) Barbizon House (London (page images at HathiTrust)
• Allegorien, neue Folge. Originalentwv̈rfe von namhaften modernen Kv̈nstlern (Gerlach & Schenk, 1900), by Martin Gerlach (page images at HathiTrust)
• Meister der farbe, neue folge. (E.A. Seemann, 1921) (page images at HathiTrust)
• Rare and very valuable art treasures and antiquities formerly contained in the famous Davanzati Palace ; also those contained in The Villa Pia, Florence, Italy (New York : American Art Association, 1916., 1916), by American Art Association, Thomas E. Kirby, Cesare A. Guglielmetti, Elia Volpi, Horace Townsend, N.Y.) Plaza Hotel (New York, and American Art Galleries (page images at HathiTrust)
• Extensive and valuable collection of the widely known antiquarian Henry Koopman, senior member of the firm of H. Koopman & Son of New York City (New York : American Art Association, 1921., 1921), by American Art Association, Thomas E. Kirby, and American Art Galleries (page images at HathiTrust)
• Le tre arti : da Memfi a Roma (Licinio Cappelli, 1929), by Giovanni Orsini (page images at HathiTrust)
• Artistic antique property belonging to Charles of London (New York : American Art Association, 1920., 1920), by American Art Association, Thomas E. Kirby, N.Y.) Plaza Hotel (New York, and American Art Galleries (page images at HathiTrust)
• A history of painting (D. D. Nickerson ;, 1922), by Haldane Macfall (page images at HathiTrust)
• Die Phantasie in der Malerei (B. Cassirer, 1917), by Max Liebermann (page images at HathiTrust)
• The cabinet gallery of pictures by the first masters of the English and foreign schools, in seventy-three line engravings (G. and W. Nicol [etc.], 1836), by Allan Cunningham (page images at HathiTrust)
• Collection de feu madame de L. de L., née de la Bégassiere, Paris (Dordrechtsche Drukkeriji en Uitgevers Maatschappij, 1926), by Fa. A. Mak and Galerie Th. Fischer (page images at HathiTrust)
• Modern painters (Wiley, 1854), by John Ruskin (page images at HathiTrust)
• Catalogue of Empire and other furniture, old paintings, silver, bronzes, porcelains, Napoleona, engravings, and other objects. (American Art Association, 1914), by American Art Association (page images at HathiTrust)
• Ideas of truth : selections from "Modern painters" (G.P. Putnam's Sons, 1843), by John Ruskin (page images at HathiTrust)
• Modern painters; selections. (H. M. Caldwell Co., 1890), by John Ruskin (page images at HathiTrust)
• Modern painters (Allen, 1900), by John Ruskin (page images at HathiTrust)
• Catalogue des tapisseries anciennes des XVIIe et XVIIIe siècles... : tableaux anciens...mobiliers de salons...dépendant de la succession de M. A. Laclercq...et dont la vente...aura lieu à Paris...30...31 mai et...1 juin 1904... ([Paris:pbLibrairies imprimeries réunies, 1904), by Achille Leclercq (page images at HathiTrust)
• W.M. Hunt's talks on art (Houghton, Mifflin, 1884), by William Morris Hunt and Helen Mary Knowlton (page images at HathiTrust)
• One hundred gems from the London Art journal. (Lee and Shepard;, 1875), by Art Journal (page images at HathiTrust)
• Die Galerien Europas : farbige Wiedergaben alter Meister. (E.A. Seemann, 1905) (page images at HathiTrust)
• Mural painting in America; the Scammon lectures, delivered before the Art Institute of Chicago, March, 1912, and since greatly enlarged (C. Scribner's Sons, 1923), by Edwin Howland Blashfield (page images at HathiTrust)
• Catalogue des peintures et sculptures exposées dans les galeries du Musée Fabre de la ville de Montpellier (Impressions Blondel la Rougery, 1926), by André Joubin and Musée Fabre (page images at HathiTrust)
• Catalogo delle Regie Gallerie dell'Accademia di Venezia (Apollo, 1925), by Gallerie dell'Accademia di Venezia (page images at HathiTrust)
• Pretesti di critica. (U. Hoepli, 1929), by Lionello Venturi (page images at HathiTrust)
• The artistic property belonging to the estate of the late Ichabod T. Williams, Esq. : evening sale Friday, February 26, 1915, at the American Art Galleries ... (New York : American Art Association, 1915., 1915), by American Art Association, Thomas E. Kirby, and American Art Galleries (page images at HathiTrust)
• Modern painters (G. Allen, 1898), by John Ruskin (page images at HathiTrust)
• Beautiful treasures and antiquities illustrating the golden age of Italian art. (New York, 1918), by American Art Association (page images at HathiTrust)
• A catalogue of the National Gallery of British Art at South Kensington : with a supplement containing works by modern foreign artists and old masters (Printed by G.E. Eyre and W. Spottiswoode for Her Majesty's Stationery Office, 1876), by South Kensington Museum (page images at HathiTrust)
• Treatise on the art of painting and the composition of colours, containing instructions for all the various processes of painting together with observation upon the qualities and ingredients of colours (Massoul, 1797), by Constant de Massoul (page images at HathiTrust)
• Famous masterpieces of the French, Dutch and English schools. : the collection of C.K.G. Billings. (New York, 1926), by American Art Association and Cornelius Kingsley Garrison Billings (page images at HathiTrust)
• The rare artistic properties collected by the connoisseur Signor Raoul Tolentino. (New York, 1920), by American Art Association (page images at HathiTrust)
• Description des tableaux : Musée van der Hoop. (Imprimerie de la ville, 1872), by Netherlands) Museum van der Hoop (Amsterdam (page images at HathiTrust)
• Catalogue of modern pictures and water colour drawings, the property of a gentleman, also pictures and drawings from numerous private collections and different sources. (London : Christie, Manson & Woods, [1901], 1901), by Christie, Manson & Woods (page images at HathiTrust)
• Systematisches Verzeichnis von 3000 farbentreuen Kunstblattern nach den bedeutendsten Bildern alter und neuer Zeit aus allen europaischen Galerien. (E.A. Seemann, 1927) (page images at HathiTrust)
• Le salon de 1900 : and the decennial exhibition. (Goupil ; Manzi, Joyant, 1900), by Henri Frantz and France) Société des artistes français. Salon (1900 : Paris (page images at HathiTrust)
• Modern paintings in the Helen Birch Bartlett memorial from the Birch-Bartlett collection. (Art Institute of Chicago, 1926), by Art Institute of Chicago (page images at HathiTrust)
• Vienna picture gallery (A. Schroll, 1925), by Gustav Glück (page images at HathiTrust)
• Catalogue sommaire des peintures, dessins, cartons et aquarelles : exposés dans les galeries du Musée Gustave Moreau. ([publisher not identified], 1926), by Musée Gustave Moreau (page images at HathiTrust)
• The lure of the London galleries, a record of beauty and romance (McBride, 1926), by Arthur Milton (page images at HathiTrust)
• Fine engravings and paintings (New York : Anderson Auction Company, 1904., 1904), by Anderson Auction Company and George D. Morse (page images at HathiTrust)
• Panuntun tumrap tukang tjet. ([Weltevreden, 1923), by H. Ossewaarde (page images at HathiTrust)
• Illustrated catalogue (Cassell and Co., Ltd., 1911), by Tate Gallery (page images at HathiTrust)
• The Crown jewels of art : painting and sculpture ; masterpieces of artists and sculptors of all nationalities (Werner, 1898), by Franklin Edson Belden (page images at HathiTrust)
• Catalogue d'importants tableaux anciens et de dessins composant la collection Grimaldi de Cadix, la collection de feu M. C. M. C. Obreen...etc. La vente aura lieu à Amsterdam...décembre 1912. (F. Muller et Cie., 1912), by Grimaldi family (page images at HathiTrust)
• La Galleria Capitolina : con 64 illustrazioni. (Garzoni-Provenzani, 1910), by Italy) Museo Capitolino (Rome and Arduino Colasanti (page images at HathiTrust)
• 1926 catalogue : fourth exhibition of the Chicago No-Jury Society of Artists, Inc., January 25 to February 4 : held in the galleries of Marshall Field & Company. (The Society, 1926), by Chicago No-Jury Society of Artists and Marshall Field & Company (page images at HathiTrust)
• The Uffizi gallery: catalogue of the paintings, with seventy-two illustrations. (Officina Grafica Giannini], 1927), by Galleria degli Uffizi (page images at HathiTrust)
• Water colour drawings (London : Christie, Manson & Woods, 1901., 1901), by Christie, Manson & Woods (page images at HathiTrust)
• I dialoghi Michelangioleschi (Maglione e Strini, 1924), by Francisco da Hollanda, Michelangelo Buonarroti, and A. M. Bessone Aurelj (page images at HathiTrust)
• Die moderne Malerei der deutschen Schweiz. (Huber, 1924), by Wilhelm Schäfer (page images at HathiTrust)
• Hours in the Tate Gallery. (Duckworth, 1926), by James Bolivar Manson (page images at HathiTrust)
• Yang hua ABC (ABC cong shu she, 1929), by Baoyi Chen (page images at HathiTrust)
• Catalogue of modern pictures and water colour drawings, the property of a gentleman, also pictures and drawings of Major-General Clifton, deceased, and Charles Gocher, Esq., deceased, and from numerous private collections and different sources ... (London : Christie, Manson & Woods, 1901., 1901), by Christie, Manson & Woods (page images at HathiTrust)
• Catalogue of the collection of modern pictures and water colour drawings of Henry Clay Quinby, Esq. who has given up his residence, 3 Prince's Gate West, Liverpool, also pictures & drawings the property of a gentleman, and others ... (London : Christie, Manson & Woods, 1901., 1901), by Christie, Manson & Woods (page images at HathiTrust)
• Famous paintings as seen and described by famous writers. (Dodd, Mead, 1909), by Esther Singleton (page images at HathiTrust)
• Lectures on painting, delivered at the Royal Academy : With additional observations and notes, by Henry Fuseli (Gutenberg ebook)
• The profanity of paint, by William Kiddier (Gutenberg ebook)
• The children and the pictures, by Pamela Grey (Gutenberg ebook)
• Stories Pictures Tell. Book 8, by Flora L. Carpenter (Gutenberg ebook)
• Stories Pictures Tell. Book 6, by Flora L. Carpenter (Gutenberg ebook)
• Stories Pictures Tell. Book 7, by Flora L. Carpenter (Gutenberg ebook)
• Stories Pictures Tell. Book 5, by Flora L. Carpenter (Gutenberg ebook)
• Stories Pictures Tell. Book 3, by Flora L. Carpenter (Gutenberg ebook)
• Gemälde und ihre Meister (in German), by Arnold Reimann (Gutenberg ebook)
• Lectures on Painting, Delivered to the Students of the Royal Acadamy, by Edward Armitage (Gutenberg ebook)
• Über das Geistige in der Kunst, Insbesondere in der Malerei (in German), by Wassily Kandinsky (Gutenberg ebook)
• Modern Painters, Volume 5 (of 5), by John Ruskin (Gutenberg ebook)
• Colour as a Means of Art: Being an Adaption of the Experience of Professors to the Practice of Amateurs, by Frank Howard (Gutenberg ebook)
• Modern Painters, Volume 3 (of 5), by John Ruskin (Gutenberg ebook)
• The Great Painters' Gospel: Pictures Representing Scenes and Incidents in the Life of Our Lord Jesus Christ, by Henry Turner Bailey (Gutenberg ebook)
• Die Phantasie in der Malerei (in German), by Max Liebermann (Gutenberg ebook)
• Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the Painter, by Ernest Govett (Gutenberg ebook)
• Stories Pictures Tell. Book 2, by Flora L. Carpenter (Gutenberg ebook)
• Stories Pictures Tell. Book 1, by Flora L. Carpenter (Gutenberg ebook)
• Modern Painters, Volume 4 (of 5), by John Ruskin (Gutenberg ebook)
• Stories Pictures Tell. Book 4, by Flora L. Carpenter (Gutenberg ebook)
• Frondes Agrestes: Readings in 'Modern Painters', by John Ruskin, ed. by Susanna Beever (Gutenberg ebook)
• Modern Painters, Volume 1 (of 5), by John Ruskin (Gutenberg ebook)
• Modern Painters, Volume 2 (of 5), by John Ruskin (Gutenberg ebook)
• Nova academia de pintura: dedicada às senhoras portuguezas que amão ou se applicão: ao estudo das Bellas Artes (in Portuguese), by Cirilo Volkmar Machado (Gutenberg ebook)
• Lectures on Architecture and Painting, Delivered at Edinburgh in November 1853, by John Ruskin (Gutenberg ebook)
• The mind of the artist : thoughts and sayings of painters and sculptors on their art, ed. by Cicely Binyon (Gutenberg ebook)
• Great Pictures, As Seen and Described by Famous Writers, ed. by Esther Singleton (Gutenberg ebook)
• Painting illustrated in three diallogues containing some choice observations upon the art together with the lives of the most eminent painters from Cimabue to the time of Raphael and Michael Angelo : with an explanation of the difficult terms. (London : Printed by John Gain for the author and are to be sold by Walter Kettilby and Jacob Tonson, 1686), by William Aglionby (HTML at EEBO TCP)

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