Perspective -- Early works to 1800See also what's at your library, or elsewhere.
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Filed under: Perspective -- Early works to 1800- La Perspective Curieuse: ou, Magie Artificielle des Effets Merveilleux (in French; Paris: P. Billaine, 1638), by Jean François Nicéron (page images in France)
- La Perspective Pratique (second edition, 3 volumes in French; Paris: A. Dezallier, 1679), by Jean Dubreuil
- Maniere Universelle de Mr Desargues, Pour Pratiquer la Perspective par Petit-Pied, Comme le Geometral (in French; Paris: Pierre Des-Hayes, 1648), by Gérard Desargues and Abraham Bosse (page images in Germany)
- New Principles of Linear Perspective: or, The Art of Designing on a Plane the Representation of All Sorts of Objects, in a More General and Simple Method Than Has Been Done Before (London: R. Knaplock, 1719) (page images in Germany)
- New Principles of Linear Perspective: or, The Art of Designing on a Plane the Representation of All Sorts of Objects, in a More General and Simple Method Than Has Been Done Before (third edition; London: J. Ward, 1749), by Brook Taylor and John Colson (multiple formats at Google)
- Perspectiva Pictorum et Architectorum (2 volumes, in Latin, published 1692-1700), by Andrea Pozzo, illust. by Vincenzo Mariotti
- The Practice of Perspective: or, An Easy Method of Representing Natural Objects According to the Rules of Art (third edition; London: Printed for T. Bowles and J. Bowles, 1743), by Jean Dubreuil, trans. by Ephraim Chambers
- The Practice of Perspective: or, An Easy Method of Representing Natural Objects According to the Rules of Art (fourth edition; includes Hodgson's "Theory of Perspective"; London: Printed for J. and C. Bowles, 1765), by Jean Dubreuil, trans. by Ephraim Chambers, contrib. by James Hodgson
- Rules and Examples of Perspective Proper for Painters and Architects, etc , in English and Latin (London: J. Sturt, 1707), by Andrea Pozzo, trans. by John James, illust. by John Sturt (page images at E-Rara)
- Stereography: or, A Compleat Body of Perspective, in All its Branches (2 volumes in 1; London : Printed for the author by W. Bowyer, 1738), by John Hamilton (multiple formats at Google)
- Examen des Oeuvres du Sr. Desargues (in French; Paris: M. et I. Henault, 1644), by Jacques Curabelle (multiple formats at Google)
- Dr. Brook Taylor's Principles of Linear Perspective: or, The Art of Designing Upon a Plane the Representation of All Sorts of Objects, As They Appear to the Eye (new edition; London: M. Taylor, 1835), by Brook Taylor, ed. by Joseph Jopling
- Linear Perspective; New Principles of Linear Perspective (2 books published in 1715 and 1719, bound together; some figures and first 16 pages of "Linear Perpective" main text bound out of order), by Brook Taylor (page images at Sapienza Digital Library)
- Brouillon Project d'une Atteinte aux Evenemens des Rencontres du Cone avec un Plan, par L,S,G,D,L (in French; 1639), by Gérard Desargues
Items below (if any) are from related and broader terms.
Filed under: Perspective- On the Rationalization of Sight; With an Examination of Three Renaissance Texts on Perspective (papers #8; New York: Metropolitan Museum of Art, 1938), by William Mills Ivins (page images and PDF with commentary at Metropolitan Museum of Art and Google)
- Linearperspectiven, Anvendt paa Malerkunsten: En Raekke af Perspectiviske Studier (in Danish; Copenhagen: C. A. Reitzel, 1841), by C. W. Eckersberg, contrib. by G. F. Ursin (page images in Germany)
- The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc)
- The Rudiments of Drawing Cabinet and Upholstery Furniture (second edition; London: Printed for M. Taylor, 1835), by Richard Brown (multiple formats at Google)
- La Genesi Dello Scorcio nell' Arte Greca (in Italian; Rome: Tip. della R. Accademia dei Lincei, 1907), by Alessandro Della Seta
Filed under: Anamorphosis (Visual perception)- (A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque (West Lafayette, IN: Purdue University Press, c2001), by David R. Castillo (PDF at Purdue)
- La Perspective Curieuse: ou, Magie Artificielle des Effets Merveilleux (in French; Paris: P. Billaine, 1638), by Jean François Nicéron (page images in France)
- Perspectiva Pictorum et Architectorum (2 volumes, in Latin, published 1692-1700), by Andrea Pozzo, illust. by Vincenzo Mariotti
Filed under: Perspective in literature
Filed under: Optics -- Early works to 1800- Opticks: or, A Treatise of the Reflexions, Refractions, Inflexions and Colours of Light; Also Two Treatises of the Species and Magnitude of Curvilinear Figures (first edition, 1704), by Isaac Newton (frame- and JavaScript-dependent page images at rarebookroom.org)
- Ars Magna Lucis et Umbrae (in Latin; Rome: Sumptibus H. Scheus, 1646), by Athanasius Kircher (page images in Germany)
- Oculus Artificialis Teledioptricus Sive Telescopium (author's second edition, in Latin; Nuremberg: J. C. Lochner, 1702), by Johann Zahn
Filed under: Color -- Early works to 1800
Filed under: Dyes and dyeing -- Early works to 1800- Tratado Instructivo y Práctico Sobre el Arte de la Tintura: Reglas Experimentadas y Metódicas para Tintar Sedas, Lanas, Hilos de Todas Clases y Esparto en Rama (in Spanish; Madrid: Imp. de Blas Román, 1778), by Luis Fernández
Filed under: Human skin color -- Early works to 1800Filed under: Geometrical optics -- Early works to 1800- Oculus Artificialis Teledioptricus Sive Telescopium (author's second edition, in Latin; Nuremberg: J. C. Lochner, 1702), by Johann Zahn
Filed under: Optical instruments -- Early works to 1800- Oculus Artificialis Teledioptricus Sive Telescopium (author's second edition, in Latin; Nuremberg: J. C. Lochner, 1702), by Johann Zahn
Filed under: Physical optics -- Early works to 1800Filed under: Physiological optics -- Early works to 1800Filed under: Refraction -- Early works to 1800
Filed under: Refraction, Double -- Early works to 1800Filed under: Wave theory of light -- Early works to 1800
Filed under: Accounting -- Early works to 1800
Filed under: Acting -- Early works to 1800
Filed under: Advaita -- Early works to 1800
Filed under: Aesthetics -- Early works to 1800- The Analysis of Beauty: Written With a View of Fixing the Fluctuating Ideas of Taste (London: J. Reeves, 1753), by William Hogarth (page images at Wisconsin)
- A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful (London: Printed for R. and J. Dodsley, 1757), by Edmund Burke (multiple formats at archive.org)
- Indagación Filosófica Sobre el Orígen de Nuestras Ideas Acerca de lo Sublime y lo Bello (in Spanish; Alcalá: Oficina de la Real Universidad, 1807), by Edmund Burke, trans. by Juan de la Dehesa (page images at HathiTrust)
- An Essay on the Beautiful (From the Greek of Plotinus) (London: J. M. Watkins, 1917), by Plotinus, trans. by Thomas Taylor (Gutenberg text)
- Laocoon: An Essay Upon the Limits of Painting and Poetry, With Remarks Illustrative of Various Points in the History of Ancient Art (Boston: Roberts Bros., 1887), by Gotthold Ephraim Lessing, trans. by Ellen Frothingham
- A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful, by Edmund Burke (HTML at Bartleby)
- Aristotle on the Art of Poetry (aka Poetics), by Aristotle, trans. by Ingram Bywater, contrib. by Gilbert Murray (Gutenberg text)
- Poetics, by Aristotle, trans. by S. H. Butcher (Gutenberg text)
- Poetics, by Aristotle, trans. by W. Hamilton Fyfe (HTML with commentary at Perseus)
- The Art of Poetry: An Epistle to the Pisos (in Latin and English), by Horace, ed. by George Colman (Gutenberg text)
- Rhetoric, by Aristotle, trans. by W. Rhys Roberts (HTML at Internet Classics)
- Rhetoric, by Aristotle, trans. by John Henry Freese (HTML with commentary at Perseus)
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