The Online Books Page

Piano music

Here are entered compositions not in a specific form or of a specific type for solo piano, and collections of compositions in several forms or types for solo piano.

See also what's at Wikipedia, your library, or elsewhere.

• Piano music -- Analysis, appreciation
• Piano music -- Interpretation (Phrasing, dynamics, etc.)
• Piano music, Arranged

• Piano music (2 hands)
• Piano piece

• Lamento, Pour Piano (op. 4; Paris: Enoch et cie.; et al., c1907), by Flora Joutard
  • multiple formats at Google; US access only
  • page images at HathiTrust; US access only
• Phantasie for the Piano (Op. 17; New York: G. Schirmer, c1914), by Robert Schumann, ed. by Max Vogrich (page images at HathiTrust; US access only)
• Tourbillon, Pour Piano (op. 6; Paris: Enoch et cie.; et al., c1907), by Flora Joutard
  • multiple formats at Google; US access only
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• Second Love Schottisch (sheet music for piano; Washington: J. F. Ellis, c1870), by J. A. Rosenberger (page images at HathiTrust)
• Three Irish Legends (3 piano scores; New York: Brietkopf and Hartel, c1922), by Henry Cowell
  • No. 1 (The Tides of Manaunaun): page images at HathiTrust
  • No. 2 (The Hero Sun): page images at HathiTrust
  • No. 3 (The Voice of Lir): page images at HathiTrust
• The Code of Terpsichore, by Carlo Blasis (HTML and page images at LOC)

• Guide to the Mikrokosmos of Béla Bartók (Silver Spring, MD: Music Services Corp. of America, c1956), by Benjamin Suchoff (page images at HathiTrust)

• Les Rythmes du Regard et la Dissociation des Doigts (in French; Paris: Lib. Fischbacher, 1906), by Marie Jaëll
  • page images at Gallica
  • page images at HathiTrust; US access only

• Cotillions From Cinderella: The Most Favorite Airs in Cinderella, Arranged as Cotillions (includes piano music and dance instructions for The Three Sisters, The Glass Slipper, The Chase, Cinderella, The Fairy, and the Cinderella Waltz; New York: T. Birch, c1831), by Gioacchino Rossini, ed. by C. Pons, contrib. by Mr. Parker (multiple formats at archive.org)
• Twenty-Four Negro Melodies, Transcribed for the Piano (Boston: O. Ditson Co.; et al., c1905), ed. by Samuel Coleridge-Taylor, contrib. by Booker T. Washington (page images at HathiTrust)

• Elements of Music and of Fingering the Harpsichord; To Which is Added a Collection of Airs and Lessons for the Harpsichord or Piano Forte (Glasgow: Pub. for the author, ca. 1802), by Anne Gunn, contrib. by Joseph Haydn (page images at HathiTrust)

Items below (if any) are from related and broader terms.