Popular music -- Southern States -- History and criticismSee also what's at your library, or elsewhere.
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Filed under: Popular music -- Southern States -- History and criticism -- Congresses Sounds of the South: A Report and Selected Papers from a Conference on the Collecting and Collections of Southern Traditional Music, Held in Chapel Hill, April 6-8, 1989, to Celebrate the Opening of the Southern Folklife Collection with the John Edwards Memorial Collection in the Manuscripts Department of the Academic Affairs Library, University of North Carolina (Chapel Hill, NC: Southern Folklife Collection, University of North Carolina, 1991), ed. by Daniel W. Patterson, contrib. by Michael T. Casey, George M. Holt, Bess Lomax Hawes, Bill C. Malone, Paul Oliver, Thomas Carter, Ray Funk, Norm Cohen, Tim West, Barry Jean Ancelet, Allen Tullos, David E. Whisnant, and Archie Green (page images at HathiTrust)
Items below (if any) are from related and broader terms.
Filed under: Music -- Southern States -- History and criticism
Filed under: Folk music -- Southern States -- History and criticism
Filed under: Folk music -- Southern States -- History and criticism -- Congresses Sounds of the South: A Report and Selected Papers from a Conference on the Collecting and Collections of Southern Traditional Music, Held in Chapel Hill, April 6-8, 1989, to Celebrate the Opening of the Southern Folklife Collection with the John Edwards Memorial Collection in the Manuscripts Department of the Academic Affairs Library, University of North Carolina (Chapel Hill, NC: Southern Folklife Collection, University of North Carolina, 1991), ed. by Daniel W. Patterson, contrib. by Michael T. Casey, George M. Holt, Bess Lomax Hawes, Bill C. Malone, Paul Oliver, Thomas Carter, Ray Funk, Norm Cohen, Tim West, Barry Jean Ancelet, Allen Tullos, David E. Whisnant, and Archie Green (page images at HathiTrust) Filed under: Folk songs -- Southern States -- History and criticism
Filed under: Folk songs, English -- Southern States -- History and criticism
Filed under: Popular music -- History and criticism -- Bibliography
Filed under: Rock music -- History and criticism -- BibliographyFiled under: Blues (Music) -- History and criticismFiled under: Celtic music -- History and criticismFiled under: Gospel music -- History and criticism
Filed under: Revival hymns -- History and criticismFiled under: Rap (Music) -- History and criticism
Filed under: Rap (Music) -- California -- Los Angeles -- History and criticismFiled under: Rock music -- History and criticism
Filed under: Glam rock music -- History and criticismFiled under: Rock music -- California -- San Francisco -- History and criticismFiled under: Rock music -- Mexico -- History and criticismFiled under: Rock music -- Michigan -- Detroit -- History and criticismFiled under: Rock music -- United States -- History and criticismFiled under: Popular music -- Caribbean area -- History and criticismFiled under: Popular music -- Colombia -- History and criticismFiled under: Popular music -- Florida -- Miami -- History and criticismFiled under: Popular music -- France -- History and criticismFiled under: Popular music -- Illinois -- Chicago -- History and criticismFiled under: Popular music -- Indonesia -- History and criticismFiled under: Popular music -- Japan -- History and criticismFiled under: Popular music -- Korea (South) -- History and criticismFiled under: Popular music -- Malaysia -- History and criticismFiled under: Popular music -- South Africa -- History and criticismFiled under: Popular music -- United States -- History and criticism A Change is Gonna Come: Music, Race and the Soul of America (revised edition; Ann Arbor: University of Michigan Press, 2006), by Craig Hansen Werner (page images at HathiTrust) Men of popular music. (Ziff-Davis publishing company, 1944), by David Ewen (page images at HathiTrust) Tin Pan Alley in gaslight; a saga of the songs that made the gray nineties "gay." (Century House, 1959), by Maxwell F Marcuse (page images at HathiTrust) Men of popular music (Prentice-Hall, 1952), by David Ewen (page images at HathiTrust; US access only) American popular music (United States Information Agency, 1987), by Stephen Espie and United States Information Agency (page images at HathiTrust) How Hip Hop Became Hit Pop: Radio, Rap, and Race (Oakland, CA: University of California Press, 2023), by Amy Coddington (JSTOR ebook)
Filed under: Popular music -- United States -- 21st century -- History and criticism |