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Popular music -- United States

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American popular music

Filed under: Popular music -- United States

American Popular Music (abridged from 2007 OUP publication; Washington: U.S. Department of State, Bureau of International Information Programs, 2008), by Larry Starr and Christopher Alan Waterman (PDF at fdlp.gov)
Blues; an anthology. (A. & C. Boni, 1926), by W. C. Handy, Miguel Covarrubias, and Abbe Niles (page images at HathiTrust)
Minstrel songs, old and new : a collection of world-wide, famous minstrel and plantation songs, including the most popular of the celebrated Foster melodies : arranged with piano-forte accompaniment. (O. Ditson, 1886) (page images at HathiTrust)
Shaping our responses to violent and demeaning imagery in popular music : hearing before the Subcommittee on Juvenile Justice of the Committee on the Judiciary, United States Senate, One Hundred Third Congress, second session ... February 23, 1994. (U.S. G.P.O. :, 1995), by United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Juvenile Justice (page images at HathiTrust)
Piano syncopations (Sam Fox Pub. Co., 1922), by Roy Bargy (page images at HathiTrust)
Song and dance album : a collection of the most popular song and dance music. (White, Smith & Co., 1882) (page images at HathiTrust)
Weep some more, my lady (Da Capo Press, 1980), by Sigmund Gottfried Spaeth (page images at HathiTrust; US access only)
Root hog or die (s.n., 1861) (page images at HathiTrust)
Root hog or die ([Allen, 1861), by T. W. Crowson (page images at HathiTrust)
Star spangled banner (s.n., 1861) (page images at HathiTrust)
Rule Britannia ([F.D. Allan, 1862), by E. W. Cave (page images at HathiTrust)
Popular songs of the A.E.F. (Published by Éditions Francis Salabert, 1918), by YMCA of the USA. Bureau of Libraries and Periodicals (page images at HathiTrust; US access only)
Alexander's Ragtime Band. (ABC Music Corporation, 1911), by Irving Berlin (page images at HathiTrust)
Listen boys, what's the noise? (Lee S. Roberts, 1917), by Pete Wendling and Lew Colwell (page images at HathiTrust)
See the folks all arrayed? (Waterson, Berlin & Snyder Co., 1917), by Edgar Leslie and Harry Ruby (page images at HathiTrust)
Down where sweet magnolias bloon, I hear my old mammy croon (Empire Music Co., 1914), by Jeff Godfrey and Harold A. Robe (page images at HathiTrust)
One day as morning shed its glow (M. Witmark & Sons, 1917), by Joseph E. Howard and Philander Chase Johnson (page images at HathiTrust)
Dear Sally we're glad you are famous (Harms, Inc., 1921), by Dave Stamper and Gene Buck (page images at HathiTrust)
There's a long, long trail (M. Witmark & Sons, 1915), by Zo Elliott and Stoddard King (page images at HathiTrust; US access only)
Bright bird, light bird (Chappell ;, 1899), by Teresa Del Riego and E. Nesbit (page images at HathiTrust)
When the mocking birds are singing in the wildwood : song (Jerome H. Remick & Co., 1906), by Henriette Blanke-Belcher and Arthur J. Lamb (page images at HathiTrust)
College songs for banjo : containing the leading college songs and popular songs of the day (O. Ditson, 1888), by A. Baur (page images at HathiTrust)
The book of popular songs : being a compendium of the best sentimental, comic, negro, Irish, Scotch, national, patriotic, military, naval, social, convivial and pathetic songs, ballads and melodies .. (G.G. Evans, 1860) (page images at HathiTrust)
Treasury of favorite song : in three volumes, ; songs and hymns of the millions of yesterday, to-day and to-morrow, (J. P. McCaskey, 1916), by J. P. McCaskey (page images at HathiTrust)
Our gallant 91st Wild West Division (s.n., 1919), by Thomas Bruce (page images at HathiTrust; US access only)
Sister Norf and Sister Souff (Firth, Pond & Co., 1862), by Gustave Geary, Charles O. Clayton, Henry Wood, and Wood's Minstrels (page images at HathiTrust)
We live in hard and stirring times (Firth, Son & Co., 1862), by Stephen Collins Foster, Dan Bryant, Thomas C. Wakelam, and Charles O. Clayton (page images at HathiTrust)
I will be true to thee (Charles W. Harris, 1862), by Stephen Collins Foster and Charles W. Warren (page images at HathiTrust)
Can we now call back the feeling (Oliver Ditson & Co., 1863), by John Barnett and E. R. Humphries (page images at HathiTrust)
Friends we love'd in former years : song (New York : Wm. Hall & Son, [1866], 1866), by John Daniel, Warren Hill, and James Simmonds (page images at HathiTrust)
Jenny Lind's greeting to America (Firth, Pond & Co., 1851), by Julius Benedict, M. Zorer, Napoleon Sarony, George W. Quidor, and Bayard Taylor (page images at HathiTrust)
Dearest spot of earth to me is home (Beck & Lawton, 1857), by W. T. Wrighton (page images at HathiTrust)
Lubly Fan will you cum out to night? (Keith's Music Publishing House, 1844), by Cool White, J. P. Carter, and Virginia Serenaders (page images at HathiTrust)
Young Joe he was as nice a man as any in the land (Louis Meyer, 1864), by F. Harris, Holmes, and Septimus Winner (page images at HathiTrust)
Follow the drum : as sung by Fred Chace Hutchinson at the concerts of the Hutchinson Family (Root & Cady, 1864), by B. Covert (page images at HathiTrust)
Scotia : the land of song (St. Louis : Balmer & Weber, [1863], 1863), by Francis Woolcott and Thomas Elwood Garrett (page images at HathiTrust)
New remember me (Sep. Winner, 1863), by Septimus Winner, Mrs. Henry Wood, C. Campbell, George F. Swain, and L. Johnson & Co (page images at HathiTrust)
Only waiting : song or duett and chorus (Cleveland : S. Brainard & Sons, [1865], 1866), by Charles C. Converse (page images at HathiTrust)
When the corn is waving, Annie dear (William A. Pond, 1870), by Charles Blamphin (page images at HathiTrust)
Come back Massa, come back! (Wm. Hall & Son, 1863), by Gómez, C. Henry, and I. W. Lucas (page images at HathiTrust)
Give me a freshning breeze my boys (Boston : White, Smith & Co., [between 1867 and 1873], 1867), by William Gooch (page images at HathiTrust)
Refugee (Louisville, Ky. : Louis Tripp, [1865], 1865), by Will. S. Hays and D. B. Woods (page images at HathiTrust)
The black brigade : plantation song & dance : sung with great success at Bryant's Minstrels (New York : Wm. A. Pond & Co., [1863], 1863), by Daniel Decatur Emmett, Thomas C. Wakelam, and Bryant's Minstrels (page images at HathiTrust)
She's lovely as a rose (Rd. J. Compton, 1867), by R. Frank Cardella and Bobby Newcomb (page images at HathiTrust)
He was young, for years scarce twenty (Jos. P. Shaw, 1864), by Geo. A. Russell (page images at HathiTrust)
Down in Jungle Town : a monkey ditty (F.B. Haviland Pub. Co., 1908), by Theodore F. Morse and Edward Madden (page images at HathiTrust)
A Franco American mother stood at the pier today (J.H. Remick & Co., 1918), by W. S. Mygrant and Janan Cecil (page images at HathiTrust)
I'm going away and I'm feeling mighty glad (G. W. Setchell, 1907), by Chris Smith, John Frew, and Billy Johnson (page images at HathiTrust)
Original Dixie land (Star Tailoring Company ;, 1898), by Daniel Decatur Emmett (page images at HathiTrust)
The world is waiting for the sunrise : song (Chappell, 1919), by Ernest Seitz (page images at HathiTrust)
Two mysterious, black mysterious, birds just flew to town (Milton Weil Music, 1927), by Harry Harris, Beilin, Rube Bennett, and Haven Gillespie (page images at HathiTrust)
I come to town de oder night (Geo. P. Reed, 1843), by Daniel Decatur Emmett, T. Comer, and Virginia Serenaders (page images at HathiTrust)
A Good Man Is Hard To Find. (New York : Pace & Handy Music Co., 1918., 1918), by Eddie Green, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
Afghanistan. (New York : Gilbert and Friedland Inc. Publishers, 1920., 1920), by William Wilander, Harry Donnelly, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
Ain’t We Got Fun. (New York, Detroit : Jerome H. Remick & Co., 1921., 1921), by Richard A. Whiting, Gus Kahn, and Raymond B. Egan (page images at HathiTrust)
Alexander’s Ragtime Band. (New York : Ted Snyder Co., 1911., 1911), by Irving Berlin and Frew (page images at HathiTrust)
All Alone. (New York : Harry Von Tilzer Music Publishing Co., 1911., 1911), by Harry Von Tilzer and Will Dillon (page images at HathiTrust)
All By Myself. (New York : Irving Berlin Inc. Music Publishers, 1921., 1921), by Irving Berlin (page images at HathiTrust)
All the Quakers Are Shoulder Shakers : (Down in Quaker Town). (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Pete Wendling, Edgar Leslie, Bert Kalmar, and Albert Wilfred Barbelle (page images at HathiTrust)
Along the Way to Waikiki. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Richard A. Whiting, Gus Kahn, and Albert Wilfred Barbelle (page images at HathiTrust)
Always Take a Girl Named Daisy : (’Cause Daisies Won’t Tell). (New York : Geo. W. Meyer Music Co., 1912., 1912), by George W. Meyer, Sam M. Lewis, and Alfred Bryan (page images at HathiTrust)
Araby. (New York: Waterson, Berlin & Snyder Co., 1915., 1915), by Irving Berlin and Albert Wilfred Barbelle (page images at HathiTrust)
Are You From Dixie? : (’Cause I’m From Dixie Too). (New York, Chicago, San Francisco, London: M. Witmark & Sons, 1915., 1915), by George L. Cobb, Jack Yellen, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
At Dawning : (I Love You). (Boston : Oliver Ditson Company, 1906., 1906), by Charles Wakefield Cadman and Nelle Richmond Eberhart (page images at HathiTrust)
Avalon. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by Al Jolson, Vincent Rose, and Frederick Stewart Manning (page images at HathiTrust)
Beatrice Fairfax, Tell Me What to Do. (New York : Leo. Feist, Inc., 1915., 1915), by James V. Monaco, Joseph McCarthy, and Grant Clarke (page images at HathiTrust)
Bring Back My Daddy To Me. (New York : Leo. Feist, Inc., 1917., 1917), by George W. Meyer, William Tracey, and Howard E. Johnson (page images at HathiTrust)
By the Sapphire Sea. (New York : Waterson, Berlin & Snyder Co., 1922., 1922), by Ted Snyder, Francis Wheeler, Harry B. Smith, and Albert Wilfred Barbelle (page images at HathiTrust)
Can’t You Love Me Like You Do In My Dreams?. (San Francisco : Sherman, Clay & Co., 1918., 1918), by Harold Taylor Weeks (page images at HathiTrust)
Charley My Boy. (New York : Irving Berlin Inc. Music Publishers, 1924., 1924), by Gus Kahn, Ted Fiorito, Gus Kahn, and May Singhi Breen (page images at HathiTrust)
Checkers. (New York : McCarthy & Fisher, Inc., 1919., 1919), by Leo Edwards and Edgar G. Allen (page images at HathiTrust)
Chinatown, My Chinatown. (New York, Detroit : Jerome H. Remick & Co., 1910., 1910), by Jean Schwartz, William Jerome, and Florence E. Cooney (page images at HathiTrust)
Ching-a Ling’s Jazz Bazaar. (New York : Leo. Feist, Inc., 1920., 1920), by Ethel Bridges, Lionel S. Reiss, and Howard E. Johnson (page images at HathiTrust)
Chong : (He Come from Hong Kong). (New York : Leo. Feist, Inc., 1919., 1919), by Harold Taylor Weeks (page images at HathiTrust)
Come On Papa. (New York : Waterson, Berlin & Snyder Co., 1918., 1918), by Edgar Leslie, Harry Ruby, and Albert Wilfred Barbelle (page images at HathiTrust)
Dardanella. (New York : McCarthy & Fisher Inc., 1919., 1919), by Felix W. Bernard, Johnny S. Black, Fred Fisher, and Andre De Takacs (page images at HathiTrust)
Dixie Lullaby. (Chicago, St. Louis : Dixon-Lane Publishing Co.; Tell Taylor Music Corporation, 1919., 1919), by Harold Dixon and David Portnoy (page images at HathiTrust)
Don’t Blame Me For What Happens In the Moonlight : (Blame the Moon). (New York : Waterson, Berlin & Snyder Co., 1915., 1915), by Bert Grant, Joe Young, and Albert Wilfred Barbelle (page images at HathiTrust)
Don’t Take My Darling Boy Away. (New York : Broadway Music Corporation, 1915., 1915), by Albert Von Tilzer, Will Dillon, and Andre De Takacs (page images at HathiTrust)
Down in Jungle Town. (New York : F.B. Haviland Pub. Co., Inc., 1908., 1908), by Theodore Morse and Edward Madden (page images at HathiTrust)
Down Old Virginia Way. (New York, Detroit : Jerome H. Remick & Co., 1922., 1922), by Gladys Gilette, Abe Olman, Jack Yellen, Vernon T. Stevens, and Frederick Stewart Manning (page images at HathiTrust)
Dusky Dudes. (New York, Chicago : Shapiro, Bernstein & Von Tilzer, 1899., 1899), by Jean Schwartz (page images at HathiTrust)
Ev’ry Time You’d Do It in a Country Town. (New York : F. B. Haviland Publishing Co., 1912., 1912), by Malvin M. Franklin, Edward Henry Pfeiffer , and Ned Moray (page images at HathiTrust)
Every Dollar Carries Trouble of Its Own. (New York : Helf & Hager Co., 1905., 1905), by Leighton & Leighton (page images at HathiTrust)
Everybody Twostep. (New York, Detroit : Jerome H. Remick & Co., 1911., 1911), by Wallie Herzer (page images at HathiTrust)
Everybody’s Doin’ It Now. (New York : Ted Snyder Co., 1911., 1911), by Irving Berlin and Edward Eugene Buck (page images at HathiTrust)
Everybody’s Happy Now. (New York: Kendis-Brockman Music Co., 1918., 1918), by James Kendis and James Brockman (page images at HathiTrust)
Fairy Kisses. (Chicago : Harold Rossiter Music Co., 1913., 1913), by Charles Leslie Johnson and Harrison Crockett 1877-1944 Henrich (page images at HathiTrust)
For One Sweet Day. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Harry Tierney, Lou Mayer, and Alfred Bryan (page images at HathiTrust)
Freckles. (New York : Leo. Feist, Inc., 1919., 1919), by Cliff Hess and Howard E. Johnson (page images at HathiTrust)
Golden Gate : (Open For Me). (New York : Leo. Feist Inc., 1919., 1919), by James Kendis and James Brockman (page images at HathiTrust)
Good-bye Broadway, Hello France!. (New York : Leo. Feist, Inc., 1917., 1917), by Billy Baskette, C. Francis Reisner, and Benny Davis (page images at HathiTrust)
Good-Bye Dolly Gray. (New York : Howley, Haviland & Dresser, 1900., 1900), by Paul Barnes and Will D. Cobb (page images at HathiTrust)
Grieving for You. (New York : Leo. Feist, 1920., 1920), by Joe Gibson, Joe Riboud, and John V. Ranck (page images at HathiTrust)
Hail! Hail! The Gang’s All Here : (What the Deuce Do We Care?). (New York : Leo Feist, Inc., 1917., 1917), by Theodore Morse, Arthur Seymour Sullivan, and D.A. Esrom (page images at HathiTrust)
Hiawatha’s Melody of Love. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by George W. Meyer, Artie Mehlinger, Frederick Stewart Manning, and Alfred Bryan (page images at HathiTrust)
How ‘Ya Gonna Keep ‘Em Down on the Farm : (After They’ve Seen Paree?). (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Walter Donaldson, Joe Young, Sam M. Lewis, and Albert Wilfred Barbelle (page images at HathiTrust)
A Hundred Years from Now. (Boston, Mass. : O.E. Story, 1914., 1914), by Brennan & Story Caddigan, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
I Didn’t Raise My Boy To Be a Soldier. (New York : Leo. Feist, Inc., 1915., 1915), by Al Piantadosi and Alfred Bryan (page images at HathiTrust)
I Don’t Want To Get Well. (New York : Leo. Feist, Inc., 1917., 1917), by Harry Jentes, Harry Pease, and Howard E. Johnson (page images at HathiTrust)
I Had a Gal, I Had a Pal : (He Stole My Gal Away). (New York : F.A. Mills, 1914., 1914), by Louis F. Muir, L. Wolfe Gilbert, and Andre De Takacs (page images at HathiTrust)
That's the best day of the year (New York: M. Witmark & Sons, 1918., 1918), by Clarence Gaskill (page images at HathiTrust)
I Want a Girl : (Just Like the Girl That Married Dear Old Dad). (New York : Harry Von Tilzer Music Publishing Co., 1911., 1911), by Harry Von Tilzer and Will Dillon (page images at HathiTrust)
I Want To Be in Dixie. (New York : Ted Snyder Co. / Waterson, Berlin & Snyder Co., 1912., 1912), by Irving Berlin, Ted Snyder, and Edward Eugene Buck (page images at HathiTrust)
I Wonder If She’s Waiting. (New York : T.B. Harms & Co., 1899., 1899), by Harry Von Tilzer and Andrew B. Sterling (page images at HathiTrust)
I’ll Be In My Dixie Home Again To-Morrow. (New York : Waterson, Berlin & Snyder Co., 1922., 1922), by Roy Turk, J. Russel Robinson, J Robinson, and Albert Wilfred Barbelle (page images at HathiTrust)
I’m Always Chasing Rainbows. (New York : McCarthy & Fisher Inc., 1918., 1918), by Harry Carroll, Joseph McCarthy, and Andre De Takacs (page images at HathiTrust)
I’m Forever Blowing Bubbles. (New York, Detroit : Jerome H. Remick & Co., 1921., 1921), by Jaan Kenbrovin, John William Kellette, and John William Kellette (page images at HathiTrust)
I’m Sorry I Made You Cry. (New York : Leo. Feist, Inc., 1918., 1918), by N. J. Clesi (page images at HathiTrust)
I’m the Only Star That Twinkles on Broadway. (New York : Harry Von Tilzer Music Publishing Co., 1905., 1905), by Harry Von Tilzer and Andrew W. Sterling (page images at HathiTrust)
I’ve Always Been a Good Old Sport. (New York : Cohan & Harris Publishing Co., 1909., 1909), by George M. Cohan (page images at HathiTrust)
If He Can Fight Like He Can Love, Good Night Germany!. (New York : Leo. Feist, Inc., 1918., 1918), by George W. Meyer, Howard E. Rogers, and Grant Clarke (page images at HathiTrust)
If I Only Had a Happy Home to Go To. (Erie, Pennsylvania : Brehm Bros., 1900., 1900), by Pete Detzel (page images at HathiTrust)
If I’m Not at the Roll Call : (Kiss Mother Good-bye for Me). (New York : Leo. Feist, Inc., 1918., 1918), by George L. Boyden and Edward Henry Pfeiffer (page images at HathiTrust)
If You Only Had My Disposition : (My Daddy Came from Paree). (New York : Broadway Music Corporation, 1915., 1915), by Albert Von Tilzer, Charles Russell McCarron, and Andre De Takacs (page images at HathiTrust)
In Room Two Hundred Two (New York : Waterson, Berlin & Snyder Co., 1920., 1920), by Dave Harris, Edgar Leslie, Bert Kalmar, and Albert Wilfred Barbelle (page images at HathiTrust)
In the Land Where Poppies Bloom. (New York, Detroit : Jerome H. Remick & Co., 1918., 1918), by Gus Van, Joe Schenck, and Billy Baskette (page images at HathiTrust)
In the Shade of the Old Apple Tree. (New York, Detroit, Chicago: Jerome H. Remick and Company, 1905., 1905), by Egbert Van Alstyne and Harry H. Williams (page images at HathiTrust)
In the Shade of the Old Apple Tree. (New York, Detroit, Chicago : Jerome H. Remick and Company, 1905., 1905), by Egbert Van Alstyne and Harry H. Williams (page images at HathiTrust)
In the Shadows. (New York : Jos. W. Stern & Co., 1911., 1911), by Herman Finck and E. Ray Goetz (page images at HathiTrust)
In the Sweet Long Ago. (New York : Joe Morris Music Co., 1916., 1916), by Alfred Solman, Arthur Lange, Bobby Heath, and Andre De Takacs (page images at HathiTrust)
It’s a Long Way To Tipperary. (New York : Chappell & Co., Ltd., 1912., 1912), by Jack Judge and Harry Williams (page images at HathiTrust)
Jack Rabbit Rag. (Williamsport, PA : Vendersloot Music Pub. Co., 1910., 1910), by Donald Gardia and W.J. Dittmar (page images at HathiTrust)
Japanese Sailor. (Williamsport, Pennsylvania: Vandersloot Music Publishing Company, 1922., 1922), by Thomas Hughes and C. P. McDonald (page images at HathiTrust)
The Japanese Sandman. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by Richard A. Whiting, Frederick Stewart Manning, and Raymond B. Egan (page images at HathiTrust)
Just Because My Face Ain’t White. (New York : Howley, Haviland & Dresser, 1901., 1901), by Thurland Chattaway (page images at HathiTrust)
K-K-K-Katy. (New York : Leo. Feist, Inc., 1918., 1918), by Geoffrey O’Hara (page images at HathiTrust)
Karavan. (Chicago : Forster Music Publisher Inc., 1919., 1919), by Abe Olman, Rudy Wiedoeft, and J. H. Dulin (page images at HathiTrust)
Kiss a Miss. (Chicago : Forster Music Publisher Inc., 1920., 1920), by Maurice Baron, Jack Yellen, Helen Van Doorn Morgan, and Cal De Voll (page images at HathiTrust)
Lady Angeline. (New York : M. Witmark & Sons, 1912., 1912), by George Christie, David Reed, and Andre De Takacs (page images at HathiTrust)
Lazy Mississippi. (New York : Shapiro, Bernstein & Co., 1920., 1920), by Ballard MacDonald, Robert Levenson, and Albert Wilfred Barbelle (page images at HathiTrust)
Lemons and Limes : (A Sour Rag). (Chicago : Will Rossiter, 1909., 1909), by Cora Salisbury (page images at HathiTrust)
Let Me Call You Sweetheart. (Chicago : Harold Rossiter Music Co., 1910., 1910), by Leo Friedman, Beth Slater Whitson, and Mary R. Kidder (page images at HathiTrust)
Let Me Call You Sweetheart : (I’m in Love with You). (Chicago : Harold Rossiter Music Company, 1910., 1910), by Leo Friedman, Beth Slater Whitson, and Brotts-Crews Studios (page images at HathiTrust)
Let the Rest of the World Go By. (New York : M. Witmark & Sons, 1919., 1919), by Ernest R. Ball, Philip Caminoni, and J. Keirn Brennan (page images at HathiTrust)
Liberty Bell : (It’s Time to Ring Again). (New York : Shapiro, Bernstein & Co. Music Publishers, 1917., 1917), by Halsey K. Mohr, Joe Goodwin, and Albert Wilfred Barbelle (page images at HathiTrust)
Louisiana. (San Francisco : Sherman, Clay & Co., 1920., 1920), by Oliver G. Wallace and Arthur Freed (page images at HathiTrust)
Love’s Rosary (New York : Leo. Feist, Inc., 1919., 1919), by Jennie Innella, Dawson Dumont, and George Buxton (page images at HathiTrust)
Lucky Lindy. (New York : Leo. Feist, Inc., 1927., 1927), by Abel Baer and L. Wolfe Gilbert (page images at HathiTrust)
Ma! : (He’s Making Eyes at Me). (New York : Fred Fisher, Inc., 1921., 1921), by Con Conrad, Sidney Clare, and Wohlman Studios (page images at HathiTrust)
“Maine” March : two step. (Madison, Wis. : J. W. & A. E. Groves, 1898., 1898), by Orin W. Joslin and Fred. H. Hartwell (page images at HathiTrust)
Margie. (New York : Waterson, Berlin & Snyder Co., 1920., 1920), by Con Conrad, J. Russel Robinson, Benny Davis, and Albert Wilfred Barbelle (page images at HathiTrust)
Melody of Love. (Philadelphia : Theodore Presser Co., 1903., 1903), by H. Engelmann (page images at HathiTrust)
Mickey. (San Francisco : Daniels & Wilson, Inc., 1918., 1918), by Neil Moret, Harry H. Williams, and Albert Wilfred Barbelle (page images at HathiTrust)
Missouri Rag. (Philadelphia, PA : Joseph Morris Co., 1907., 1907), by W. C. Powell, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
Mister Gallagher and Mister Shean. (New York : Jack Mills Inc., 1922., 1922), by Ed Gallagher and Al Shean (page images at HathiTrust)
Mocking Bird Rag. (New York : M. Witmark & Sons, 1907., 1907), by Charles T. Straight and J. Brandon Walsh (page images at HathiTrust)
Moonlight Bay. (New York, Detroit : Jerome H. Remick & Co., 1912., 1912), by Edward Madden, Percy Wenrich, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
My Fox-Trot Girl. (Chicago, New York : Frank K. Root & Co./McKinley Music Co., 1907., 1907), by Paul Biese, F. Henri Klickmann, and Jack Frost (page images at HathiTrust)
My Hero. (New York, Detroit : Jerome H. Remick & Co., 1908, 1909., 1909), by Oscar Straus, Stanislaus Strange, and Eunice Mahoney (page images at HathiTrust)
My Little Girl. (New York : Broadway Music Corporation, 1915., 1915), by Albert Von Tilzer, Sam M. Lewis, Will Dillon, and Andre De Takacs (page images at HathiTrust)
My Mammy. (New York : Irving Berlin Inc. Music Publishers, 1921., 1921), by Walter Donaldson, Joe Young, and Sam M. Lewis (page images at HathiTrust)
My Mammy : the Sun Shines East -- the Sun Shines West. (New York : Irving Berlin Inc. Music Publishers, 1921., 1921), by Walter Donaldson, Joe Young, and Sam M. Lewis (page images at HathiTrust)
My Man : (Mon Homme). (New York: Leo. Feist, Inc., 1920., 1920), by Maurice Yvain, Lionel S. Reiss, and Channing Pollock (page images at HathiTrust)
My Own Iona : (Moi-One-Ionae). (New York : Jos. W. Stern & Co., 1916., 1916), by Anatol Friedland, Carey Morgan, and L. Wolfe Gilbert (page images at HathiTrust)
My Rose of Palestine. (Chicago : Forster Music Publisher, Inc., 1917., 1917), by Abe Olman, William Austin Starmer, Frederick Waite Starmer, and Dave Radford (page images at HathiTrust)
My Sahara Rose. (New York : Irving Berlin Inc. Music Publishers, 1920., 1920), by Walter Donaldson and Grant Clarke (page images at HathiTrust)
My Sunny Tennessee. (New York : Waterson, Berlin & Snyder Co., 1921., 1921), by Bert Kalmar, Harry Ruby, and Albert Wilfred Barbelle (page images at HathiTrust)
My Sweet Egyptian Rose. (New York : Jos. W. Stern & Co., 1917., 1917), by Anatol Friedland, Edgar Allan Woolf, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
My Turkish Opal from Contantinople. (New York : Jos. W. Stern & Co., 1912., 1912), by Edna Williams and Arthur Gillespie (page images at HathiTrust)
Napoleon’s Last Charge. (New York : E. T. Paull Music Co., 1910., 1910), by Edward Ellis (page images at HathiTrust)
Navaho (New York : Shapiro, Bernstein & Co., 1903., 1903), by Egbert Van Alstyne (page images at HathiTrust)
Nestle in Your Daddy’s Arms. (New York: Leo. Feist, Inc., 1921., 1921), by Lou Herscher, Joe Burke, John V. Ranck, and Joe Burke (page images at HathiTrust)
Nobody Knows: (And Nobody Seems To Care). (New York : Irving Berlin Inc. Music Publishers, 1919., 1919), by Irving Berlin (page images at HathiTrust)
Oh By Jingo! Oh By Gee! : You’re the Only Girl for Me. (New York : Broadway Music Corporation, 1919., 1919), by Albert Von Tilzer, E. E. Walton, and Lew Brown (page images at HathiTrust)
Oh, You Beautiful Doll. (New York, Detroit : Jerome H. Remick & Co., 1911., 1911), by Nat Ayer, William Austin Starmer, Frederick Waite Starmer, and A. Seymour Brown (page images at HathiTrust)
Oh! How I Hate to Get Up in the Morning. (New York : Waterson, Berlin & Snyder Co. Music Publishers, 1918., 1918), by Irving Berlin and Albert Wilfred Barbelle (page images at HathiTrust)
Oh! What a Pal Was Mary. (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Pete Wendling, Edgar Leslie, Bert Kalmar, and Fred E. Ahlert (page images at HathiTrust)
Oh! You Sweet Little Lady. (New York : Nonpareil Music Publishing Co., 1917., 1917), by Lew Weissman, Mac Stich, and M Brisman (page images at HathiTrust)
Oh! Frenchy. (New York : Broadway Music Corporation, 1918., 1918), by Con Conrad, E. E. Walton, and Sam Erlich (page images at HathiTrust)
Old Black Joe. (Philadelphia : Eclipse Publishing Co., 1906., 1906), by Stephen Collins Foster, Louis A. Drumheller, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
On the Mississippi. (New York : Shapiro Music Publishing Co., 1912., 1912), by Harry Carroll, Arthur Fields, William Austin Starmer, Frederick Waite Starmer, and Ballard MacDonald (page images at HathiTrust)
Only a Message from Home Sweet Home. (New York : M. Witmark & Sons, 1905., 1905), by Edmond N. Florant and Carroll Fleming (page images at HathiTrust)
Over There. (New York : Leo. Feist, Inc., 1917., 1917), by George M. Cohan (page images at HathiTrust)
Pick Me Up and Lay Me Down in Dear Old Dixieland. (New York : Waterson, Berlin & Snyder Co., 1922., 1922), by Bert Kalmar, Harry Ruby, and Albert Wilfred Barbelle (page images at HathiTrust)
The Preacher and the Bear. (Philadelphia : Morris Music Publishing Co., 1904., 1904), by Joe Arzonia (page images at HathiTrust)
Pretty Baby. (New York, Detroit : Jerome H. Remick & Co., 1916., 1916), by Egbert Van Alstyne, Tony Jackson, William Austin Starmer, Frederick Waite Starmer, and Gus Kahn (page images at HathiTrust)
Pretty Little Rainbow. (New York : Joe Morris Music Co., 1919., 1919), by Vincent C. Plunkett and Robert Levenson (page images at HathiTrust)
Rag Bag Rag : a rag-time galop. (Williamsport, PA : Vanderloop Music Pub. Co., 1909., 1909), by Harry J. Lincoln (page images at HathiTrust)
Rio Nights. (New York : Fisher Thompson Music Publishing Co., 1920., 1920), by Elmer Vincent and Fisher Thompson (page images at HathiTrust)
Rose. (New York, Detroit : Jerome H. Remick & Co., 1920., 1920), by Frank Magine, Paul Biese, Arthur Sizemore, and Frederick Stewart Manning (page images at HathiTrust)
Silver Bell. (New York, Detroit : Jerome H. Remick & Co., 1910., 1910), by Percy Wenrich and Edward Madden (page images at HathiTrust)
So Long, Mother. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Egbert Van Alstyne, Gus Kahn, and Raymond B. Egan (page images at HathiTrust)
Soko. (Detroit, Michigan : Whitney Warner Publishing Co., 1903., 1903), by John Arnold (page images at HathiTrust)
Some Sunny Day. (New York, Detroit : Jerome H. Remick & Co., 1919., 1919), by Walter Donaldson and Arthur J. Jackson (page images at HathiTrust)
Southern Gals. (New York, Detroit : Jerome H. Remick & Co., 1917., 1917), by Jack Yellen and Albert Gumble (page images at HathiTrust)
Stumbling. (New York : Leo. Feist, Inc., 1922., 1922), by Zez Confrey (page images at HathiTrust)
Swanee. (New York : T. B. Harms and Francis, Day & Hunter, 1919., 1919), by George Gershwin and Irving Caesar (page images at HathiTrust)
Sweet Suspense. (Philadelphia : Jos. Morris, 1902., 1902), by Louis A. Drumheller, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
Take Me To My Alabam’ : (Come Back, They’re Calling You). (New York, Chicago, Philadelphia, Boston, London : M. Witmark & Sons, 1916., 1916), by Harry Tobias, William Austin Starmer, Frederick Waite Starmer, and Will Dillon (page images at HathiTrust)
Take Your Girlie to the Movies : (If You Can’t Make Love at Home). (New York : Waterson, Berlin & Snyder Co., 1919., 1919), by Pete Wendling, Edgar Leslie, Bert Kalmar, and Albert Wilfred Barbelle (page images at HathiTrust)
Tell Me Why You Want to Go to Paree : (You Can Get the Same Sweet Loving Here at Home). (New York: McCarthy & Fisher Inc., 1919., 1919), by Shelton Brooks, Andre De Takacs, and Shelton Brooks (page images at HathiTrust)
That International Rag. (New York : Waterson, Berlin & Snyder Co., 1913., 1913), by Irving Berlin and Edward Henry Pfeiffer (page images at HathiTrust)
That Old Gang of Mine. (New York : Irving Berlin Inc. Music Publishers, 1923., 1923), by Ray Henderson, Billy Rose, Malcolm Perret, and Mort Dixon (page images at HathiTrust)
The Bachelor Girls. (Chicago, New York : McKinley Music Co., 1903., 1903), by Fred L. Ryder (page images at HathiTrust)
The Bravest Heart of All. (New York & Detroit : Jerome H. Remick & Co., 1917., 1917), by Richard A. Whiting and Raymond B. Egan (page images at HathiTrust)
The Burning of Rome. (New York : E.T. Paull Music Co., 1903., 1903), by E. T. Paull (page images at HathiTrust)
The High Cost of Loving. (New York : Leo. Feist, Inc., 1914., 1914), by George W. Meyer and Alfred Bryan (page images at HathiTrust)
The Love Nest : (Jack and Mary). (New York : Victoria Pub. Corp., 1920., 1920), by Louis Achille Hirsch and Otto Abels Harbach (page images at HathiTrust)
The Merry Makers. (Williamsport, Pennsylvania : Vandersloot Music Co., 1906., 1906), by Harry J. Lincoln and W.J. Dittmar (page images at HathiTrust)
The Midnight Fire Alarm. (New York : E.T. Paull Music Co., 1900., 1900), by Harry J. Lincoln (page images at HathiTrust)
The Old Time Rag. (New York : F.B. Haviland Publishing Co., 1908., 1908), by Theodore Morse and Edward Madden (page images at HathiTrust)
The Tennessee Jubilee. (New York : Jos. W. Stern & Co., 1898., 1898), by H Stern (page images at HathiTrust)
There’s a Broken Heart for Every Light on Broadway. (New York : Leo. Feist, Inc., 1915., 1915), by Fred Fisher and Howard E. Johnson (page images at HathiTrust)
There’s a Quaker Down in Quaker Town. (New York : Joe Morris Music Co., 1916., 1916), by Alfred Solman and David Berg (page images at HathiTrust)
They Made It Twice As Nice As Paradise And They Called It Dixieland. (New York, Detroit : Jerome H. Remick & Co., 1916., 1916), by Richard A. Whiting and Raymond B. Egan (page images at HathiTrust)
They Were All Out of Step But Jim. (New York : Waterson, Berlin & Snyder Co., 1918., 1918), by Irving Berlin and Albert Wilfred Barbelle (page images at HathiTrust)
Three O’Clock in the Morning. (New York : Leo. Feist, Inc., 1922., 1922), by Julian Robledo, Dorothy Terriss, and John V. Ranck (page images at HathiTrust)
Till We Meet Again. (New York, Detroit : Jerome H. Remick & Co., 1918., 1918), by Richard A. Whiting, Frederick Stewart Manning, and Raymond B. Egan (page images at HathiTrust)
Toot, Toot, Tootsie : (Goo’Bye). (New York : Leo. Feist, Inc., 1922., 1922), by Gus Kahn, Ernie Erdman, and Dan Russo (page images at HathiTrust)
The Trail of the Lonesome Pine. (New York : Shapiro, Bernstein & Co., 1913., 1913), by Harry Carroll, William Austin Starmer, Frederick Waite Starmer, and Ballard MacDonald (page images at HathiTrust)
Tripoli : (On the Shores of Tripoli). (New York : M. Witmark & Sons, 1920., 1920), by Irving Weill, Al Dubin, and Paul Cunningham (page images at HathiTrust)
Walkin’ the Dog. (Chicago : Will Rossiter, 1916., 1916), by Shelton Brooks, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
We’ll Have a Jubilee in My Old Kentucky Home. (New York : Waterson, Berlin & Snyder Co., 1915., 1915), by Walter Donaldson, Coleman Goetz, and Albert Wilfred Barbelle (page images at HathiTrust)
We’ll Knock the Heligo - Into Heligo - Out of Heligoland!. (New York : Leo. Feist, Inc., 1917., 1917), by Theodore Morse and John O’Brien (page images at HathiTrust)
When a Blue Service Star Turns to Gold. (New York : Leo. Feist, Inc., 1918., 1918), by Theodore Morse and Casper Nathan (page images at HathiTrust)
When Alexander Takes His Ragtime Band to France. (New York : Waterson, Berlin & Snyder Co., 1918., 1918), by Alfred Bryan, Cliff Hess, Alfred Bryan, and Albert Wilfred Barbelle (page images at HathiTrust)
When Johnson’s Quartet Harmonize. (New York : Waterson, Berlin & Snyder Co., 1912., 1912), by Irving Berlin and Edward Henry Pfeiffer (page images at HathiTrust)
When My Baby Smiles at Me. (New York : Harry Von Tilzer Music Publishing Co., 1920., 1920), by Bill Munro, Andrew B. Sterling, and Ted Lewis (page images at HathiTrust)
When Yankee Doodle Learns To “Parlez Vous Français”. (New York : A.J. Stasny Music Co., 1917., 1917), by Ed G. Nelson, Will Hart, and Albert Wilfred Barbelle (page images at HathiTrust)
Where Did You Get That Girl? : (Oh! You Lucky Devil). (New York : Kalmar & Puck Music Co., 1913., 1913), by Harry Puck and Bert Kalmar (page images at HathiTrust)
Where Do We Go From Here. (New York : Leo. Feist, Inc., 1917., 1917), by Howard E. Johnson and Percy Wenrich (page images at HathiTrust)
Where the Lanterns Glow. (Chicago : Forster Music Publisher Inc., 1919., 1919), by Charles Leslie Johnson and James Stanley Royce (page images at HathiTrust)
Whispering. (San Francisco : Sherman, Clay & Co., 1920., 1920), by John Schonberger and M. Schoenberger (page images at HathiTrust)
Whose Pretty Baby Are You Now. (New York, Detroit : Jerome H. Remick & Co., 1916., 1916), by Egbert Van Alstyne, William Austin Starmer, Frederick Waite Starmer, and Gus Kahn (page images at HathiTrust)
Won’t You Forgive and Forget?. (Boston : The Copley Music Co., 1921., 1921), by Hugh Cairns and James F. Connor (page images at HathiTrust)
Yes! We Have No Bananas. (New York : Skidmore Music Co. Inc. Music Publishers, 1923., 1923), by Frank Silver, Irving Cohn, and Wohlman Studios (page images at HathiTrust)
You’d Be Surprised. (New York : Irving Berlin Inc., Music Publishers, 1919., 1919), by Irving Berlin (page images at HathiTrust)
You’ll Be Sorry : (But You’ll Be Sorry Too Late). (New York : Shapiro, Bernstein & Co. Music Publishers, 1919., 1919), by Maceo Pinkard and William G. Tracey (page images at HathiTrust)
You’re a Little Naughty Baby. (New York : Shapiro, Bernstein & Co., 1917., 1917), by Nat Vincent, William Austin Starmer, and Frederick Waite Starmer (page images at HathiTrust)
You’re Some Pretty Doll. (New York : Shapiro, Bernstein & Co., Inc., 1917., 1917), by Clarence Williams and Albert Wilfred Barbelle (page images at HathiTrust)
You’re the Flower of My Heart, Sweet Adeline. (New York : M. Witmark & Sons, 1903., 1903), by Harry Armstrong and Richard H. Gerard (page images at HathiTrust)
Chosen songs of the Civil War : the sweet sixteen (Copyrighted by Oklahoma Historical Society, 1960), by Woman's Relief Corps (U.S.). Department of Oklahoma, United Daughters of the Confederacy. Oklahoma Division, Oklahoma Historical Society, and Oklahoma State University (page images at HathiTrust; US access only)
Beadle's dime song book. (Beadle and Co., 1859), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Songs of happy life : for schools, homes, and bands of mercy. (Providence : Art and Nature Study Pub. Co., 1898., 1898), by Sarah J. Eddy and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Gentle Annie melodist. (New York : Firth, Pond, & Co., 1858., 1858), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Book of popular songs : being a compendium of the best sentimental, comic, Negro, Irish, Scotch, national, patriotic, military, naval, social, convivial and pathetic songs, ballads and melodies ... (Philadelphia : G.G.Evans, 1861., 1861), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
The Riverside song book : containing classic American poems set to standard music (Boston : Houghton Mifflin Company, [1893], 1893), by William M. Lawrence, O. Blackman, and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Amateur's song book : Part first, containing a large collection of popular, sentimental, national and comic songs ... (Boston : Elias Howe, Jr., [1843], 1843), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Songs of Yale : a new collection of college songs (New Haven : H.G. Phillips, 1876., 1876), by Charles Samuel Elliot, Elmer P. Howe, and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Home melodist : a collection of songs and ballads. (Boston : Oliver Ditson & Co., [1859], 1859), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
The songs of Robert Burns, with music. (Glasgow : David Jack, 1859., 1859), by Robert Burns and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Songs of Yale : a new collection of college songs. (New Haven : Charles C. Chatfield & Co., 1870., 1870), by Charles Samuel Elliot and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Cupid's miscellany, or, The lady and gentleman's harmonious companion : being a collection of favourite songs, suitable to promote joy and lessen care. (Philadelphia : John Bioren, 1813., 1813), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Soldier songs : a new military song book containing the latest popular songs (Frederick Warne & Co., 1800), by J. E. Carpenter and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust; US access only)
American patriotic song-book : a collection of political, descriptive, and humourous songs, of national character, and the production of American poets only ; interspersed with a number set to music. (Philadelphia : W. M'Culloch, 1813., 1813), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Forget me not songster. (Nafis & Cornish, 1840), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
American musical miscellany : a collection of the newest and most approved songs set to music. (Northampton, Mass. : Printed by Andrew Wright for Daniel Wright and Co., 1798., 1798), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Song book : words and tunes from the best poets and musicians. (Philadelphia : T.B. Lippincott and Co., 1866., 1866), by John Hullah and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Singer's own book : a well-selected collection of the most popular sentimental, patriotic, naval, and comic songs ... (Philadelphia : John Ball, 1851., 1851), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Minstrel : a collection of popular songs. (Philadelphia : William W. Weeks, 1826., 1826), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Jack Downing's song book : containing upwards of two hundred songs, many of which are new. (Providence : Weeden and Cory, 1836., 1836), by Jack Downing and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
The song echo : a collection of copyright songs, duets, trios, and sacred pieces, suitable for public schools, juvenile classes, seminaries, and the home circle ... (Boston : Oliver Ditson & Co., [1871], 1871), by H. S. Perkins and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
The cantara : being a choice selection of solos, duets. trios, and quartetts, from the best masters for the use of seminaries and schools in city and country (New York : A.S. Barnes and Co., 1868., 1868), by Francis Henry Nash, George Frederick Bristow, and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
New song book : containing a choice collection of the most popular songs, glees, choruses, extravaganzas, &c ... (Hartford : S. Andrus and Son, 1848., 1848), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Songster's museum : a new and choice collection of popular songs, selected from the best authors. (Hartford : Printed by Henry Benton, 1829., 1829), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
My own song book : a well selected collection of the most popular sentimental, patriotic and humourous songs. (Harrisburg, Pa. : For sale by W.O. Hickok, 1840., 1840), by Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
Heart songs dear to the American people : and by them contributed in the search for treasured songs initiated by the National Magazine. (Chapple Pub. Co., 1909), by Joe Mitchell Chapple (page images at HathiTrust)
Lingo of tin-pan alley (Broadcast Music, 1950), by Arnold Shaw (page images at HathiTrust; US access only)
A night of love; waltz by B. G. De Sylva and Larry Spier. An Arthur Lange arrangement. (Chappell-Harms, 1926), by B. G. De Sylva, Arthur Lange, and Larry Spier (page images at HathiTrust)

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